I-Pu MS 1225 (Pad D)

Biblioteca Universitaria, Padua, Italy

fragment: Early 15th century

Archive Biblioteca Universitaria, Padua, Italy (I-Pu)
Shelfmark MS 1225 (Pad D)
Surface Parchment
Numbering System None
Measurements 305 x 230 mm
Other Identifiers
  • RISM: I-Pu1225
  • CCM: PadU 1225
  • Other catalogues/source: PadD
Notations
  • black full mensural
  • coloration in red
Copyists
Relationships
Provenance
Contents 4 pieces from 2 composers
General Description

Originally part of same manuscript as PadU 675, 1106, and 1283 (FischN). Later used in binding of book Richardi de S. Victore de Contemplatione, but now preserved separately, along with two smaller blank paper folios removed from binding of same book. Copied by Frater Rolandus Monachus (inscriptions in manuscript). Copied at St. Giustina Benedictine Abbey in Padua. Folios with music removed from original context and used in binding of the Contemplatione during first half of 15th century. Subsequent history same as for PadU 675.

DIAMM, 2017
Notation

Black full mensural with red colouration

DIAMM, 2017
Ruling

10 red 5-line staves per page

DIAMM, 2017
Foliation

No foliation visible.

DIAMM, 2017
Foliation

1-2v

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
RISM Description

2 folios, plus 2 smaller paper folios. 10 red 5-line staves per page. Filed under 'Frammenti musicali'.

RISM B/IV 4: 15. Jh.; 2 Blätter Pergament, 305 x 230 mm (+ 2 kleinere Blätter Papier). Ohne sichtbare originale Foliierung Je Seite 10 rote Fünfliniensysteme mit schwarzer und schwarz-roter Mensuralnotation - Heute sind sie losgelöst und werden unter Frammenti musicali aufbewahrt.

Die beiden vermutlich im frühen 15. Jh. geschriebenen Doppelblätter dienten als Deck- beziehungsweise Vorsatzblätter der aus S. Giustina (Padua) stammenden Handschrift des 15. Jh. mit Richardi de S. Victore de Contemplatione (altes Inventar Nr. 339). Die beiden Pergament-Blätter weisen je ca. das doppelte Format der genannten Handschrift auf. Das hier allein interessierende Pergament-Doppelblatt (die Papier-Blätter zeigen lediglich Abklatsche der Pergament-Blätter) gehörte mit größter Wahrscheinlichkeit derselben Handschrift wie die Blätter von I-Pu1106 an, steht doch, wie dort, auf f. 1r und 1v "Frater Rolandus Monachus scripsit". Zudem stimmen die Formate der beiden Handschriften miteinander überein.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Glorias, 1 Credo = 4 (all incomplete)

(Egardus)-2, Zachara da Teramo [Dominus Cacharias; M. Antonius]-2

2 parchment folios, 305 x 230. Originally part of same manuscript as PadU 675, 1106, and 1283 (FischN); later used in binding of book Richardi de S. Victore de Contemplatione, but now preserved separately, along with two smaller blank paper folios removed from binding of same book. No foliation visible. Black mensural notation on red staves, with red coloration. Copied by Frater Rolandus Monachus (inscriptions in manuscript); see general index for other manuscripts copied by the same scribe.

Early 15th century (RISM). Copied at St. Giustina Benedictine Abbey in Padua. Folios with music removed from original context and used in binding of the Contemplatione during first half of 15th century. Subsequent history same as for PadU 675.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

2v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Et in terra pax [Gloria], [Tro] Spiritus et alme -
Egardus

Et in terra pax [Gloria], [Tro] Spiritus et alme

Egardus
Appears on: 1
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: Tenor
Languages: Hebrew
Clef: c3
Voice Text: Amen
Voice: Contratenor
Languages: Latin
Clef: c1
Voice Text: Et in terra pax hominibus ... Spiritus et alme
General Note

{C1}, C2, [T]
1v Et in terra pax [Gloria] -
Egardus

Et in terra pax [Gloria]

Egardus
Appears on: 1v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: Superius
Languages: Latin
Clef: c1
Voice Text: Et in terra pax hominibus
Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Et in terra pax hominibus
General Note

C, [T], {Ct}

Layout

parts
2 Et in terra pax [Gloria], [Tro] Gloria Laus Honor [Magister Antonius] Dictus Çacharias
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)

Et in terra pax [Gloria], [Tro] Gloria Laus Honor

Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Appears on: 2
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [Magister Antonius] Dictus Çacharias
Voice: Superius
Languages: Latin
Clef: c1
Voice Text: Et in terra pax ... Gloria laus et honor
Voice: Contratenor
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Et in terra
General Note

{C1}, C2, {T}
2v Patrem omnipotentem [Credo] (III) M[agister] Antonius [Dictus Çacharias]
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)

Patrem omnipotentem [Credo] (III)

Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Appears on: 2v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: M[agister] Antonius [Dictus Çacharias]
Voice: Superius
Languages: Latin
Clef: c1
Voice Text: Patrem omnipotentem
Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Factorem celi
General Note

[C1], {C2}, {T}
Composer Compositions
Egardus
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Composition Composers (? Uncertain) Folios / Pages
Et in terra pax [Gloria]
Egardus
1v
Et in terra pax [Gloria], [Tro] Gloria Laus Honor
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
2
Et in terra pax [Gloria], [Tro] Spiritus et alme
Egardus
1
Patrem omnipotentem [Credo] (III)
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
2v

Set: Pad D

Type: Fragments of a whole

I-Pu MS 675 (Pad D)

I-Pu MS 1106 (Pad D)

I-Pu MS 1225 (Pad D)

I-Pu MS 1283 (Pad D)

‡ denotes primary source study

Cattin, Giulio. 2011. Santa Giustina, gli ordini mendicanti e la musica. frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, edited by Giulio Cattin, 9-39. Padova. Pages: 9-39.

Cuthbert, Michael Scott. 2011. Groups and Projects among the Paduan polyphonic sources. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, 183-214. Padova. Pages: 183-214.

Trolese, Francesco G. B. 2011. Il monastero di Santa Giustina di Padova e le sue attivita scrittorie. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti , edited by Francesco G. B. Trolese, 41-71. Padova. Pages: 41-71.

Prosdocimi, Lavinia. 2011. Frammenti musicali nelle legature dei codici della Biblioteca Universitaria di Padova. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, 155-181. Padova. Pages: 155-181.

Facchin, Francesco. 2008?. Una nuova fonte musicale trecentesca nell'Archivio di Stato di Padova. Contributi per la storia della musica sacra a Padova, Fonti e ricerche di storia ecclesiastica padovana. 115-39. Padua: Istituto per la storia ecclesiastica padovana. Pages: 115-139.

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

Cattin, Giulio. 1989. L'“ars nova” musicale a Padova. Padua sidus preclarum. I Dondi dall'Orologio e la Padova dei Carraresi, 107-114. Brugine. Pages: 107-114.

Dalla Vecchia, Patrizia. 1989. Padua sidus preclarum. I Dondi dall'Orologio e la Padova dei Carraresi. edited by Patrizia Dalla Vecchia,  Brugine. Pages: 183. Notes: Gloria spiritus et alme. Engardus.

Schmid, Bernhold. 1985. Zur Rekonstruktion einer Gloria-Motette von Engardus in den Paduaner Fragmenten. Die Musikforschung, 195-201. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Cattin, Giulio. 1981. Formazione e attività delle cappelle polifoniche nelle cattedrali: La musica nelle città. Dal primo Quattrocento al Concilio di Trento, Storia della cultura veneta. edited by Giulio Cattin, 267-96. Vicenza. Pages: 267-296.

Cox, Bobby Wayne. 1977. The Motets of MS Bologna, Civico Museo Bibliografico Musicale, Q 15. North Texas State University, Ph.D. dissertation. Pages: 1, 28, 154-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Petrobelli, Pierluigi. 1976. La musica nelle cattedrali e nelle città ed i suoi rapporti con la cultura letteraria. Storia della cultura veneta, 2. Il Trecento, edited by Pierluigi Petrobelli, 440-468. Vicenza: Neri Pozza. Pages: 440-468.

Hughes, Andrew. 1972. Manuscript Accidentals: Ficta in Focus 1350-1450. Musicological Studies and Documents.  American Institute of Musicology. Pages: 145. Notes: facsimile (partial).

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: B IV/4, 996-7. Notes: physical description; contents list; concordances; incipits.

Günther, Ursula. 1970. Das Manuskript Modena, Biblioteca Estense, a.M.5,24 (olimlat. 568 = Mod). Musica Disciplina, 17-67. Pages: 56-9. Notes: contents list (partial); concordances (partial).

Günther, Ursula. 1970. Quelques remarques sur des feuillets récemment découverts à Grottaferrata. L'Ars Nova Italiana del Trecento III, 315-97. Pages: 319, 328, 336ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bent, Margaret. 1969. The Old Hall Manuscript: A Paleographical Study. Cambridge University, Unpublished Ph.D. dissertation. Pages: 351, 430ff. Notes: contents list (partial); concordances (partial).

Fischer, Kurt von. 1968. Una Ballata Trecentesca Sconosciuta: Aggiunte per i Frammenti di Siena. L'Ars Nova Italiana del Trecento II, 39-47. Pages: 39-47.

Cattin, Giulio. 1964-77. II Copista Rolando da Casale. Nuovi Frammenti Musicali nell'Archivio di Stato. Annales Musicologiques, 17-41. Notes: mention of MS; facsimile (partial) 27-8, Tav. I.

Fischer, Kurt von. 1964. Neue Quellen zur Musik des 13., 14. und 15. Jahrhunderts. Acta Musicologica, 79-97. Pages: 85f.

Hughes, Andrew. 1963. English Sacred Music (Excluding Carols) in Insular Sources, 1400-C.1450. Oxford University, Unpublished Ph.D. dissertation. Pages: II/l, 9, 23. Notes: contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Ruling Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description