I-Pu MS 1106 (Pad D)

Biblioteca Universitaria, Padua, Italy

flyleaves: 1st half of 15th century

Archive Biblioteca Universitaria, Padua, Italy (I-Pu)
Shelfmark MS 1106 (Pad D)
Surface Parchment
Numbering System None
Measurements 290 x 205; originally c. 305 x 230 mm
Other Identifiers
  • RISM: I-Pu1106
  • CCM: PadU 1106
  • Other catalogues/source: PadD
  • olim (Former shelfmark): Old inventory number 323
Notations
  • black full mensural
Copyists
Relationships
Provenance
Contents 7 pieces from 4 composers
General Description

Polyphony found only on original flyleaves at front and back; these were once part of same manuscript as PadU 675, 1225, and 1283 (FischN). Copied by Frater Rolandus Monachus (inscriptions in manuscript). Copied at St. Giustina Benedictine Abbey in Padua. Folios with music removed from original context and used as flyleaves during first half of 15th century. Subsequent history same as for PadU 675.

DIAMM, 2017
Binding

Original covers of wooden boards, now overlaid with modern leather.

DIAMM, 2017
Notation

Black full mensural

DIAMM, 2017
Ruling

10 red 5-line staves per page

DIAMM, 2017
Foliation

1, 'A', 2-3v. (Scholarly citations do not count the second, non-musical folio, numbering only the musical folios 1, 2, 3. There is a pencil 'A' on the non-musical folio, adopted here.)

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
DIAMM Note

Inventory after Cuthbert, 104f.

DIAMM, 2017
RISM Description

155 folios in total, plus 3 flyleaves. Modern leather binding over original wood boards. Music only on flyleaves. 10 red 5-line staves per page.

RISM B/IV 4: 15. Jh.; 155 Blätter Pergament + l Vorsatz- und 2 Nachstoßblätter Pergament (+ 1 jüngeres Vorsatzblatt), 290 x 205 mm. - Einband: Moderner Lederüberzug über originaler Holzdeckel.

Diese aus S. Giustina (Padua) stammende Handschrift des 15. Jh. enthält theologische Schriften: Expositione del Credo... und Passio sanctissime Catherine... (altes Inventar Nr. 323). Musik steht nur auf den 3 alten Vorsatz- und Nachstoßblätter, von denen zwei ursprünglich in den Deckel geklebt gewesen sind und dort zur Entzifferung des zum Teil schwer lesbaren Fragmentes wertvolle Abklatsche hinterlassen haben. Die aus einer größeren Handschrift vermutlich des frühen 15. Jh. stammenden Blätter zeigen je Seite 10 rote Fünfliniensysteme Das ursprüngliche Format der nur wenig beschnittenen Blätter betrug ca. 305 x 230 mm. Als Schreiber zeichnet auf f. 1r, 2v und 3r ein Rolandus Monachus. Dies sowie das Format der Handschrift lassen erkennen, daß das Fragment zur gleichen Handschrift gehört haben muß wie I-Pul225 (und vielleicht auch I-Pu675 und 1283).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Theological writings, with polyphony:

6 motets (some incomplete and fragmentary)

(Ciconia?)-2, (Jacopo da Bologna?)-1, (Landini?)-1, anon-2

i + i + 155 + ii parchment folios, 290 x 205. Polyphony found only on original flyleaves at front and back, trimmed from original size of ca. 305 x 230; these flyleaves were once part of same manuscript as PadU 675, 1225, and 1283 (FischN). Original covers of wooden boards, now overlaid with modern leather. Black mensural notation on red staves. Copied by Frater Rolandus Monachus (inscriptions in manuscript); see general index for other manuscripts copied by the same scribe.

Early 15th century (RISM). Copied at St. Giustina Benedictine Abbey in Padua. Folios with music removed from original context and used as flyleaves during first half of 15th century. Subsequent history same as for PadU 675.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

4

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 O Maria virgo davitica virginum flos / O Maria maris stella plena gratie - Anonymous

O Maria virgo davitica virginum flos / O Maria maris stella plena gratie

Anonymous
Appears on: 1
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [O] Maria virgo davitica virginum flos ...
Voice: [no designation]
Languages: none
Voice: [no designation]
Languages: Latin
Voice Text: [O] Maria maris stella plena gratie ...
Voice: [no designation]
Languages: none
General Note

C1, C2. T. Ct. solus T

Layout

parts
1v Padua ex ? ... serenans Nobile multiplicat / Tenor pastor bonus -
Ciconia, Johannes (ca. 1370–1412) (?)

Padua ex ? ... serenans Nobile multiplicat / Tenor pastor bonus

Ciconia, Johannes (ca. 1370–1412) (?)
Appears on: 1v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: [f3]
Voice Text: [Tenor pastor bonus.]
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: [P]adua ex (?) [...] serenans Nobile multiplicat ...
General Note

C1, {C2}, T

Layout

parts
A–Av [texts only] - -

[texts only]

Appears on: A–Av
2 Principum nobilissime ducatum Venetorum 'me Franciscum peregre canentem'
Landini, Francesco (ca. 1325–1397) (?)

Principum nobilissime ducatum Venetorum

Landini, Francesco (ca. 1325–1397) (?)
Appears on: 2
Genres: Motet
Source Attribution: 'me Franciscum peregre canentem'
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: [P]rincipum nobilissime ducatum Venetorum ...
General Note

{C1}, C2, {T}

Layout

parts
2v Hic est precursor dilectus / Tenor de hic est precursor - Anonymous

Hic est precursor dilectus / Tenor de hic est precursor

Anonymous
Appears on: 2v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: Hic est precursor dilectus ...
Voice: [no designation]
Languages: Latin
Clef: f2c4
Voice Text: [Tenor de hic est precursor]
General Note

C1, T; C2 on following recto?

Layout

parts
3 Laudibus dignis merito -
Bologna, Jacopo da

Laudibus dignis merito

Bologna, Jacopo da
Appears on: 3
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: Laudibus dignis merito ...
General Note

{C1}, C2, {T}; Visconti dedicatee suggests coposition by Jacopo da Bologna

Layout

parts
3v O Proles Yspanie pavor infidelium / O proles nobile deposti -
Ciconia, Johannes (ca. 1370–1412)

O Proles Yspanie pavor infidelium / O proles nobile deposti

Ciconia, Johannes (ca. 1370–1412)
Appears on: 3v
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: O proles nobile deposti ...
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: [O] Proles Yspanie pavor infidelium ...
General Note

C1, {C2}, T; acc. to Cuthbert, 195, 'possibly by Ciconia'

Layout

parts
Composer Compositions
Anonymous
Bologna, Jacopo da
Ciconia, Johannes (ca. 1370–1412)
Landini, Francesco (ca. 1325–1397)
Composition Composers (? Uncertain) Folios / Pages
Hic est precursor dilectus / Tenor de hic est precursor Anonymous 2v
Laudibus dignis merito
Bologna, Jacopo da
3
O Maria virgo davitica virginum flos / O Maria maris stella plena gratie Anonymous 1
O Proles Yspanie pavor infidelium / O proles nobile deposti
Ciconia, Johannes (ca. 1370–1412)
3v
Padua ex ? ... serenans Nobile multiplicat / Tenor pastor bonus
Ciconia, Johannes (ca. 1370–1412) (?)
1v
Principum nobilissime ducatum Venetorum
Landini, Francesco (ca. 1325–1397) (?)
2

Set: Pad D

Type: Fragments of a whole

I-Pu MS 675 (Pad D)

I-Pu MS 1106 (Pad D)

I-Pu MS 1225 (Pad D)

I-Pu MS 1283 (Pad D)

‡ denotes primary source study

Cattin, Giulio. June 1990. Padua sidus preclarum. Padova e il suo territorio, 26-27.

Cattin, Giulio. 2011. Santa Giustina, gli ordini mendicanti e la musica. frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, edited by Giulio Cattin, 9-39. Padova. Pages: 9-39.

Cuthbert, Michael Scott. 2011. Groups and Projects among the Paduan polyphonic sources. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, 183-214. Padova. Pages: 183-214.

Trolese, Francesco G. B. 2011. Il monastero di Santa Giustina di Padova e le sue attivita scrittorie. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti , edited by Francesco G. B. Trolese, 41-71. Padova. Pages: 41-71.

Prosdocimi, Lavinia. 2011. Frammenti musicali nelle legature dei codici della Biblioteca Universitaria di Padova. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, 155-181. Padova. Pages: 155-181.

Facchin, Francesco. 2008?. Una nuova fonte musicale trecentesca nell'Archivio di Stato di Padova. Contributi per la storia della musica sacra a Padova, Fonti e ricerche di storia ecclesiastica padovana. 115-39. Padua: Istituto per la storia ecclesiastica padovana. Pages: 115-139.

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

Bonomo, Gabriele. 1999. La tradizione storica dei mottetti celebrativi già attribuiti a Francesco Landini. Col dolce suon che da te piove. Studi su Francesco Landini e la musica del suo tempo. In memoria di N. Pirrotta, Scuola di paleografia e filologia musicale. Fondazione “W. Stauffer”. Studi e testi, 2; La tradizione musicale,. edited by Gabriele Bonomo, 389-428. Firenze. Pages: 389-428.

Sucato, Tiziana. 1999. Landini nella tradizione di alcuni codici settentrionali. Alcune osservazioni sull'uso della ‘ligatura' parigrado. Col dolce suon che da te piove. Studi su Francesco Landini e la musica del suo tempo. In memoria di N. Pirrotta, Scuola di paleografia e filologia musicale. Fondazione “W. Stauffer”. Studi e testi, 2; La tradizione musicale. edited by Tiziana Sucato, 37-50. Firenze. Pages: 37-50.

Marchi, Lucia. 1999. Catalogo delle opere di Francesco Landini. Col dolce suon che da te piove. Studi su Francesco Landini e la musica del suo tempo. In memoria di N. Pirrotta, Scuola di paleografia e filologia musicale. Fondazione “W. Stauffer”. Studi e testi, 2; La tradizione musicale. 589-617. Firenze. Pages: 589-617.

Marchi, Lucia. 1999. Bibliografia. Col dolce suon che da te piove. Studi su Francesco Landini e la musica del suo tempo. In memoria di N. Pirrotta, Scuola di paleografia e filologia musicale. Fondazione “W. Stauffer”. Studi e testi, 2; La tradizione musicale. 619-634. Firenze. Pages: 619-634.

Lovato, Antonio. 1996. Tradizioni liturgico musicali del culto antoniano. Il Santo, 301-320. Pages: 301-320.

Cattin, Giulio. 1989. L'“ars nova” musicale a Padova. Padua sidus preclarum. I Dondi dall'Orologio e la Padova dei Carraresi, 107-114. Brugine.

Dalla Vecchia, Patrizia. 1989. Padua sidus preclarum. I Dondi dall'Orologio e la Padova dei Carraresi. edited by Patrizia Dalla Vecchia,  Brugine. Pages: 183. Notes: Hic est precursor dilectus. Anonimo.

Cattin, Giulio. 1981. Formazione e attività delle cappelle polifoniche nelle cattedrali: La musica nelle città. Dal primo Quattrocento al Concilio di Trento, Storia della cultura veneta. edited by Giulio Cattin, 267-96. Vicenza. Pages: 267-296.

Petrobelli, Pierluigi. 1976. La musica nelle cattedrali e nelle città ed i suoi rapporti con la cultura letteraria. Storia della cultura veneta, 2. Il Trecento, edited by Pierluigi Petrobelli, 440-468. Vicenza: Neri Pozza. Pages: 440-468.

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: B IV/4,992-4. Notes: physical description; contents list; concordances; incipits.

Cattin, Giulio. 1964-77. II Copista Rolando da Casale. Nuovi Frammenti Musicali nell'Archivio di Stato. Annales Musicologiques, 17-41. Pages: 27-8, Tav. I. Notes: mention of MS; facsimile (partial).

Fischer, Kurt von. 1964. Neue Quellen zur Musik des 13., 14. und 15. Jahrhunderts. Acta Musicologica, 79-97. Pages: 84-7. Notes: mention of MS.

Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia. Pages: I, 60-3, 75; II, Pl. XIII. Notes: contents list; concordances; incipits (partial); facsimile (partial).

Schrade, Leo. 1958. Übertragungen der Werke Landinis. Pages: Commentary notes, 24.

Garbelotto, Antonio. 1956. Il trecento musicale italiano in alcuni frammenti padovani. Padova, issue 9 pp. 3-16, issue 11 pp. 13–19, and vol. 3 (1957), issue 3. pp. 26–34. Pages: 2 (1956), 9, p. 3-16; 11, p. 13-19.

Plamenac, Dragan. 1955. Another Paduan Fragment of Trecento Music. Journal of the American Musicological Society, 165-81. Notes: physical description; contents list; concordances; texts; facsimile; discussion.

Pirrotta, Nino (editor). 1954-1998. The Music of Fourteenth Century Italy. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, v, xi, 42-3. Notes: contents list (partial); transcription (partial); texts (partial).

Rubsamen, Walter H. 1943. Literary Sources of Secular Music in Italy (ca. 1500). University of California Publications in Music.  Berkeley and Los Angeles. Pages: 564.

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Margaret Bent

Friday, 24 April, 2020

numbering scheme updated to reflect scholarly norm - ie numbering only music folios; non-musical folio re-labelled 'A'.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description