I-Tn MS Ris.mus I. 27

Biblioteca Nazionale Universitaria, Torino (Turin), Italy

manuscript of polyphony: c. 1500

Archive	Biblioteca Nazionale Universitaria, Torino (Turin), Italy (I-Tn)
Shelfmark	MS Ris.mus I. 27
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	274 x 200 mm
Other Identifiers	RISM: I-TN I. 27 CCM: TurBN I.27 olim (Former shelfmark): Qm. III. 59
Notations	black void mensural
Relationships	Taparellus, Frater Brixianus (owner)
External Links	Programme Ricercar editions of anonymous masses
Provenance	Torino (Turin), Italy
Contents	56 pieces from 16 composers

General Description

Copied by a single scribe. Copied in Turin or vicinity (CrawSC). Early (original?) owner was a certain Frater Brixianus Taparellus (or Laparellus), of Staffarda Cistercian abbey, near Saluzzo (inscription on new f. 40: 'Ex libris Fratris Brixiani Taparelli (Laparelli?) Religiosi Stapharde'). Robotti identifies him as Bersano Tapparelli, recorded as a monk there in the second half of the 16th century, rejecting the possibility that 'Brixianus' indicates an origin in Brescia (Brixia) where no Tapparelli family is known.

DIAMM, 2023

Physical Description

At least two original folios missing at beginning, at least one original folio missing at end.

DIAMM, 2017

Binding

Original covers of black leather.

DIAMM, 2017

Watermark

(1) resembles Briquet #13047; (2) hand with six-petalled flower (not in Briquet); (3) tulip (not in Briquet)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern stamped foliation, 1-101, on lower right rectos; original foliation, 8-99, begins on new f. 10 (some numbers partly cut off).

DIAMM, 2017

Decoration

Small plain inked initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 101ff. Papier, 274 x 200 mm. Foliotation ancienne en haut des ff. ne tenant pas compte des 2 premiers ff. et foliotation moderne complète au bas des ff. Les lers et derniers ff. mq. Notation mesurée blanche. 9 portées par p.

Pour ce ms., destiné à un usage pratique, l'ex-libris du f. 38: «Ex libris fratris brixiani Laparelli Religiosi stapharde» peut indiquer qu'il aurait été, sinon compilé, du moins conservé à une époque indéterminée, soit à Brescia, soit à Bressanone (Brixen), tandis que «Stapharde» peut évoquer le village de Staffarda dans la province de Cuneo, ce qui pourrait suggérer que le recueil a été constitué par un moine piémontais. Le filigrane (très semblable à Briquet 13 ou 7) caractérise un papier utilisé à la cour de Savoie en 1489-1490. Certains traits, comme les arrangements strophiques des Magnificat, évoqueraient aussi Milan. On n'en ignore pas moins l'origine exacte du ms. qui a peut-être été donné à la Reale Bibi. en 1720 par Victor-Amédée II de Savoie en même temps que les autres livres de ses collections particulières.

Avec 8 messes, 2 fragments, 11 Magnificat, 14 motets et 14 chansons, le ms. conserve un répertoire des toutes premières années du XVIe s., date beaucoup plus vraisemblable que celle de c. 1550 suggérée par C. H. Illing pour le Magnificat de Juvenis (no 46)

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Masses (1 incomplete), 1 Requiem Mass, 2 Mass Ordinary sections, 11 Magnificats (1 incomplete), 7 hymns, 8 motets, 13 French secular pieces (1 textless) = 49

(A. Agricola)-3, (A. Agricola/Compère)-1, Brumel-1, Bucheti-1, (Busnois/Compère/Mureau)-1, (Compère)-5, Enguerandus Juvenis -3, (A. Févin)-2, (Hayne van Ghizeghem)-1, Isaac-1, (Janequin)-1, (Obrecht)-1,* anon-28

*"Nee michi nee tibi" (à2), new ff. 45'-46. Appears à3 in VatG XIII.27, ascribed to "Virgilius." See AtlCG I, 132 and BakerU, 53 for discussion and other concordances.

ii + 101 paper folios, 274 x 200. At least two original folios missing at beginning, at least one original folio missing at end. Modern stamped foliation, 1-101, on lower right rectos; original foliation, 8-99, begins on new f. 10 (some numbers partly cut off). Original covers of black leather. No index. Copied by a single scribe. Small plain inked initials. Watermarks: (1) resembles Briquet #13047; (2) hand with six-petalled flower (not in Briquet); (3) tulip (not in Briquet).

Ca. 1500 (BernC). Copied in Turin or vicinity (CrawSC). Early (original?) owner was a certain Frater Taparellus (or Laparellus) Brixianus, of Staffarda Cistercian abbey, near Saluzzo (inscription on new f. 40: "Ex libris Fratris Brixiani Taparelli [or Laparelli?] Religiosi Stapharde").

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–7	Missa [I.27-1]	-	Anonymous
Missa [I.27-1] Anonymous Appears on: 1–7 Genres: Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] General Note Mq. Kyrie et 2vx. supérieures du Gloria
7v–8	Ave regina - 1a pars (of 2): Ave regina caelorum	-	Anonymous
Ave regina - 1a pars (of 2): Ave regina caelorum Anonymous Appears on: 7v–8 Genres: BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
7v–8	Ave regina - 2a pars (of 2): Gaude gloriosa	-	Anonymous
Ave regina - 2a pars (of 2): Gaude gloriosa Anonymous Appears on: 7v–8 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude gloriosa
8v–9	A la mignonne de fortune	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
A la mignonne de fortune Agricola, Alexander (ca. 1445–1506) Appears on: 8v–9 Genres: Chanson Source Attribution: [A. AGRICOLA] Voice: [no designation] Languages: French Voice Text: A la mìgnone de fortune
8v–9	A la mignonne de fortune - 2a pars (of 2): Car chi en vouldroyt une eslire	-	Anonymous
A la mignonne de fortune - 2a pars (of 2): Car chi en vouldroyt une eslire Anonymous Appears on: 8v–9 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [2ap.]: Car chi en vouldroyt une eslire General Note Publ. cf. Fn 229 n° 127
9v–10	Se congé prens de mes belles amours	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Se congé prens de mes belles amours Agricola, Alexander (ca. 1445–1506) Appears on: 9v–10 Genres: Ballade Source Attribution: [A. AGRICOLA] Voice: [no designation] Languages: French Voice Text: Se congé prens de mes belles amours General Note Publ. cf. Fc 2439 n° 69
10v–11	Regardés se le porrés fayre sans perdre vie.	-	Anonymous
Regardés se le porrés fayre sans perdre vie. Anonymous Appears on: 10v–11 Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Regardés se le porrés fayre sans perdre vie.
10v	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 10v Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella
11v–12	Amours amours	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Amours amours Agricola, Alexander (ca. 1445–1506) Appears on: 11v–12 Genres: Chanson Source Attribution: [A. AGRICOLA] Voice: [no designation] Languages: French Voice Text: [Amours amours] General Note Publ. cf. Bc 17 n°
12v	Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497) Agricola, Alexander (ca. 1445–1506) (?)
Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence Ghizeghem, Hayne van (ca. 1445–ca. 1497) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 12v Genres: Chanson, Contrafactum, Motet Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: Latin Voice Text: Allés regret vuydés de ma présance General Note Publ. cf. Bc 17 n° 26 Item Bibliography Villanis, Louis-Albert. 1903. Une chanson française au XVIe siècle. Revue d'histoire et de critique musicale, 511-8. Pages: facs.
13	En atendant de vous [=d'avoir] secours	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
En atendant de vous [=d'avoir] secours Compère, Loyset (ca. 1445–1518) Appears on: 13 Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: En attendant d'avoyr secours.. [ou de vous secours]* General Note Publ. cf. Bc 18 n° 90. Concordances DK-Kk 1848 Item Bibliography Villanis, Louis-Albert. 1903. Une chanson française au XVIe siècle. Revue d'histoire et de critique musicale,* 511-8. Pages: facs.
13v–14	Guerisses moi du grant mal que je porte	[L. COMPÈRE]*	Compère, Loyset (ca. 1445–1518)
Guerisses moi du grant mal que je porte Compère, Loyset (ca. 1445–1518) Appears on: 13v–14 Genres: Chanson Source Attribution: [L. COMPÈRE]* Voice: [no designation] Languages: French Voice Text: Guérisses moy du grant mal que je porte.. General Note Publ. cf. Bc 18 n° 89 Concordances *E-SE; 150
14v	Je ay um regret.	-	Anonymous
Je ay um regret. Anonymous Appears on: 14v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je ay um regret.
15	Ut queant laxis resonare fibris	-	Anonymous
Ut queant laxis resonare fibris Anonymous Appears on: 15 Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis General Note Publ. Santa Cecilia 1902, n° 2-3
15v–16	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 15v–16 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
16v–18	Ave regina - 1a pars (of 2): Ave regina caelorum	-	Anonymous
Ave regina - 1a pars (of 2): Ave regina caelorum Anonymous Appears on: 16v–18 Genres: BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
16v–18	Ave regina - 2a pars (of 2): Gaude gloriosa	-	Anonymous
Ave regina - 2a pars (of 2): Gaude gloriosa Anonymous Appears on: 16v–18 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Gaude gloriosa
18v	Dites-moi toutes vos pensees car j'ai désir	[L. COMPÈRE]*	Compère, Loyset (ca. 1445–1518)
Dites-moi toutes vos pensees car j'ai désir Compère, Loyset (ca. 1445–1518) Appears on: 18v Genres: Chanson Source Attribution: [L. COMPÈRE]* Voice: [no designation] Languages: French Voice Text: Dictes moy toutes vous pensées General Note [=Dites moi belle]Publ. cf. Bc 16 n° 8 Concordances *F-Dm 517
19	J'ai beau huer avant que bien avoir	[A. AGRICOLAou L. COMPÈRE*]	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?)
J'ai beau huer avant que bien avoir Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 19 Genres: Chanson Source Attribution: [A. AGRICOLAou L. COMPÈRE] Voice:* [no designation] Languages: French Voice Text: J'ay beau huer avant que ben havoyr General Note [= J'ay bien et honore] [=Robert]*Publ. cf. Bc 16 n° 6 Concordances E-SE *c 1535" Item Bibliography Villanis, Louis-Albert. 1903. Une chanson française au XVIe siècle. Revue d'histoire et de critique musicale,* 511-8. Pages: facs f19.
19v–27	Missa [I.27-2]	-	Anonymous
Missa [I.27-2] Anonymous Appears on: 19v–27 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
27v–34	Missa [I.27-3]	-	Anonymous
Missa [I.27-3] Anonymous Appears on: 27v–34 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
34v	Jesu nostra redemptio	-	Anonymous
Jesu nostra redemptio Anonymous Appears on: 34v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Jesu nostra redemptio..,
35	Missa Quant j'ai au coeur: Benedictus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: 35 Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
35	Missa Quant j'ai au coeur: Kyrie	ISACH	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 35 Genres: Kyrie eleison, Mass Ordinary Source Attribution: ISACH Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie Missa Quant j'ay au cor]* Benedictus. General Note [=Absque verbis]Publ. cf. Bc 18 n° 62 (à 4vx.) Concordances SartoriB n° 28 Item Bibliography Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales.* Series A/I. Kassel. Pages: I 88.
35v	Dulcis amica Dei rosa vernans stella	-	Prioris, Johannes (Denis, Dionisius) (–1515)
Dulcis amica Dei rosa vernans stella Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 35v Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Dulcis amica dei rosa vernans stella Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. .
36	Veni creator spiritus mentes tuorum	-	Anonymous
Veni creator spiritus mentes tuorum Anonymous Appears on: 36 Genres: Hymn, Veni creator spiritus Voice: [no designation] Languages: Latin Voice Text: Veni creator spiritus
36v–44	Missa Alleluia	-	Anonymous
Missa Alleluia Anonymous Appears on: 36v–44 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Missa de Alleluya. Kyrie
44v–45	C'est malencontre çue d'amer qui n'en a joie	[C. JANEQUIN?]*	Janequin, Clement (ca. 1485–ca. 1558) (?)
C'est malencontre çue d'amer qui n'en a joie Janequin, Clement (ca. 1485–ca. 1558) (?) Appears on: 44v–45 Genres: Chanson Source Attribution: [C. JANEQUIN?]* Voice: [no designation] Languages: French Voice Text: C'est malencontre [çue] d'amer qui n'en a joie Concordances 154113 [attrib. douteuse faite par l'éditeur Gardane. cf. BrownM, 199] Item Bibliography Brown, Howard Mayer. 1963. Theatrical chansons of the fifteenth- and early sixteenth centuries.* Cambridge, Mass.: Harvard University Press.
45v–46	Nec mihi nec tibi = Helas	J. OBRECHT* ou VIRGILIUS]	Haugk, Virgilius (ca. 1490–1555) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Nec mihi nec tibi = Helas Haugk, Virgilius (ca. 1490–1555) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 45v–46 Genres: Chanson Source Attribution: J. OBRECHT* ou VIRGILIUS] Voice: [no designation] Languages: Latin Voice Text: Duo. Nec michi nee tibi sed dividatur. General Note [= Hélas]Publ. cf. Fn 229 n' 267 (à 3vx.) Concordances *E-SE
46v	En amours n'a sinon bien ne nul mal	[A. FÉVIN]*	Fevin, Antoine de (ca. 1470–ca. 1512)
En amours n'a sinon bien ne nul mal Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 46v Genres: Chanson Source Attribution: [A. FÉVIN]* Voice: [no designation] Languages: French Voice Text: En amours nye senon biem Concordances GB-Cmc 1760 Item Bibliography Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation. Brown, Howard Mayer. 1963. Theatrical chansons of the fifteenth- and early sixteenth centuries.* Cambridge, Mass.: Harvard University Press.
47	Je ne fais plus je ne dis ne escris = Au joli mois de may	[BUSNOIS, COMPÈRE* ou MUREAU]	Compère, Loyset (ca. 1445–1518) (?) Mureau, Gilles (?) Busnoys, Antoine (ca. 1430–1492) (?)
Je ne fais plus je ne dis ne escris = Au joli mois de may Compère, Loyset (ca. 1445–1518) (?) Mureau, Gilles (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 47 Genres: Chanson Source Attribution: [BUSNOIS, COMPÈRE* ou MUREAU] Voice: [no designation] Languages: French Voice Text: Au joly moys de may General Note [=Je ne fay plus]Publ. cf. Bc 17 n° 33 Concordances *E-SE
47v–49	Magnificat sexti toni: Et exultavit [K.698]	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Magnificat sexti toni: Et exultavit [K.698] Compère, Loyset (ca. 1445–1518) Appears on: 47v–49 Genres: BVM, Canticle, Magnificat Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: Latin Voice Text: [Magnificat] 6 toni Et exultavit General Note Publ. cf. Rvat 44 n° 9
49v–52	Magnificat octavi toni: Et exultavit	-	Anonymous
Magnificat octavi toni: Et exultavit Anonymous Appears on: 49v–52 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] 8. toni. Et exultavit
52v	Benedictus.	-	Anonymous
Benedictus. Anonymous Appears on: 52v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus.
53	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 53 Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: [Ave maris stella] Ave maris stella
53v–55	Salve regina - 1a pars (of 2): Salve regina mater misericordiae	BUCHETI	Bucheti
Salve regina - 1a pars (of 2): Salve regina mater misericordiae Bucheti Appears on: 53v–55 Genres: BVM, Motet, Salve Regina Source Attribution: BUCHETI Voice: [no designation] Languages: Latin Voice Text: Salve regina
53v–55	Salve regina - 2a pars (of 2): Eya ergo	-	Anonymous
Salve regina - 2a pars (of 2): Eya ergo Anonymous Appears on: 53v–55 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Eya ergo
55v–57	Magnificat primi toni [K.696]	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Magnificat primi toni [K.696] Compère, Loyset (ca. 1445–1518) Appears on: 55v–57 Genres: BVM, Canticle, Magnificat Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: Latin Voice Text: [Magnificat] primi toni. Et exultavit General Note Publ. cf. Md 2269 n» 15. Even verses only. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, III.
57v–59	Magnificat sexti toni: Anima mea	-	Anonymous
Magnificat sexti toni: Anima mea Anonymous Appears on: 57v–59 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Sexti toni. [Magnificat] Anima mea General Note Versets imp.Version à 4vx. du n° 44 (à 3vx.)
59v–60	Magnificat primi toni: Anima mea	-	Anonymous
Magnificat primi toni: Anima mea Anonymous Appears on: 59v–60 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Primi toni [Magnificat] Anima mea General Note Versets imp.
61–62	Magnificat primi toni: Et exultavit	-	Anonymous
Magnificat primi toni: Et exultavit Anonymous Appears on: 61–62 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] primi toni. Et exultavit General Note Versets pairs.
62v–66	Missa A l'umbreta d'um bussonet: Kyrie	BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Missa A l'umbreta d'um bussonet: Kyrie Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 62v–66 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BRUMEL Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] A l'umbreta d'um bussonet. Kyrie Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, IV.
66v–68	Magnificat primi toni: Et exultavit	-	Anonymous
Magnificat primi toni: Et exultavit Anonymous Appears on: 66v–68 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] primi toni. Et exultavit General Note Versets pairs
68v	Ad caenam agni providi Cuius corpus sanctissimum	-	Anonymous
Ad caenam agni providi Cuius corpus sanctissimum Anonymous Appears on: 68v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad cenam agni providi
69	Ut queant laxis resonare fibris	-	Anonymous
Ut queant laxis resonare fibris Anonymous Appears on: 69 Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis
69v–78	Missa Ave Maria	[A. FÉVIN]	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?)
Missa Ave Maria Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?) Appears on: 69v–78 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [A. FÉVIN] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Ave Maria. Kyrie General Note Publ. cf. Rvat 45 n° 3
78v–86	Missa Je ne demande = Missa Elle est bien malade	-	Prioris, Johannes (Denis, Dionisius) (–1515)
Missa Je ne demande = Missa Elle est bien malade Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 78v–86 Genres: Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Je ne domando ] Kyrie General Note Publ. cf. CMac M (D) tf 8[=Missa Elle est bien malade]
86v	Ave sanctissima Maria mater Dei piissima	-	Anonymous
Ave sanctissima Maria mater Dei piissima Anonymous Appears on: 86v Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria mater dei piissima
87–88	Magnificat sexti toni: Anima mea [K.296]	-	Anonymous
Magnificat sexti toni: Anima mea [K.296] Anonymous Appears on: 87–88 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Versets imp.Version à 3vx. du n° 34 (à 4vx.)
88v–90	Magnificat anima mea Dominum	-	Anonymous
Magnificat anima mea Dominum Anonymous Appears on: 88v–90 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note . Versets imp.
90v–92	Magnificat anima mea Dominum	ENGERANDUS JUVENIS	Juvenis, Engarandus
Magnificat anima mea Dominum Juvenis, Engarandus Appears on: 90v–92 Genres: BVM, Canticle, Magnificat Source Attribution: ENGERANDUS JUVENIS Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note ... 2 et 4vx. Versets imp.
92v–97	Missa pro defunctis (Requiem)	JUVENIS ENGA[RANDUS]	Juvenis, Engarandus
Missa pro defunctis (Requiem) Juvenis, Engarandus Appears on: 92v–97 Genres: Requiem Source Attribution: JUVENIS ENGA[RANDUS] Voice: [no designation] Languages: Latin Voice Text: [Requiem] Eternam dona eis domine
97v–100	Salve regina - 1a pars (of 3): Salve regina mater misericordiae	JUVENIS	Juvenis, Engarandus
Salve regina - 1a pars (of 3): Salve regina mater misericordiae Juvenis, Engarandus Appears on: 97v–100 Genres: BVM, Motet, Salve Regina Source Attribution: JUVENIS Voice: [no designation] Languages: Latin Voice Text: Salve regina
97v–100	Salve regina - 2a pars (of 3): Eya ergo	-	Anonymous
Salve regina - 2a pars (of 3): Eya ergo Anonymous Appears on: 97v–100 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Eya ergo
97v–100	Salve regina - 3a pars (of 3): Et Jesum benedictum	-	Anonymous
Salve regina - 3a pars (of 3): Et Jesum benedictum Anonymous Appears on: 97v–100 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [3a p.]: Et Jhesum benedictum
100v–101	Magnificat anima mea Dominum	-	Anonymous
Magnificat anima mea Dominum Anonymous Appears on: 100v–101 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Versets imp. Sup. seul' pour les versets 7, 9, 11.

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	A la mignonne de fortune – 8v–9 (?) Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence – 12v Amours amours – 11v–12 (?) J'ai beau huer avant que bien avoir – 19 Se congé prens de mes belles amours – 9v–10
Anonymous	A la mignonne de fortune - 2a pars (of 2): Car chi en vouldroyt une eslire – 8v–9 Ad caenam agni providi Cuius corpus sanctissimum – 68v Ave maris stella – 53 Ave maris stella – 10v Ave regina - 1a pars (of 2): Ave regina caelorum – 16v–18 Ave regina - 1a pars (of 2): Ave regina caelorum – 7v–8 Ave regina - 2a pars (of 2): Gaude gloriosa – 7v–8 Ave regina - 2a pars (of 2): Gaude gloriosa – 16v–18 Ave sanctissima Maria mater Dei piissima – 86v Benedictus. – 52v Je ay um regret. – 14v Jesu nostra redemptio – 34v Magnificat anima mea Dominum – 100v–101 Magnificat anima mea Dominum – 88v–90 Magnificat octavi toni: Et exultavit – 49v–52 Magnificat primi toni: Anima mea – 59v–60 Magnificat primi toni: Et exultavit – 66v–68 Magnificat primi toni: Et exultavit – 61–62 Magnificat sexti toni: Anima mea – 57v–59 Magnificat sexti toni: Anima mea [K.296] – 87–88 Missa Alleluia – 36v–44 Missa [I.27-1] – 1–7 Missa [I.27-2] – 19v–27 Missa [I.27-3] – 27v–34 Regardés se le porrés fayre sans perdre vie. – 10v–11 Regina caeli laetare alleluia – 15v–16 Salve regina - 2a pars (of 2): Eya ergo – 53v–55 Salve regina - 2a pars (of 3): Eya ergo – 97v–100 Salve regina - 3a pars (of 3): Et Jesum benedictum – 97v–100 Ut queant laxis resonare fibris – 69 Ut queant laxis resonare fibris – 15 Veni creator spiritus mentes tuorum – 36
Brumel, Antoine (ca. 1460–ca. 1513)	Missa A l'umbreta d'um bussonet: Kyrie – 62v–66
Bucheti	Salve regina - 1a pars (of 2): Salve regina mater misericordiae – 53v–55
Busnoys, Antoine (ca. 1430–1492)	(?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 47
Compère, Loyset (ca. 1445–1518)	Dites-moi toutes vos pensees car j'ai désir – 18v En atendant de vous [=d'avoir] secours – 13 Guerisses moi du grant mal que je porte – 13v–14 (?) J'ai beau huer avant que bien avoir – 19 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 47 Magnificat primi toni [K.696] – 55v–57 Magnificat sexti toni: Et exultavit [K.698] – 47v–49
Fevin, Antoine de (ca. 1470–ca. 1512)	En amours n'a sinon bien ne nul mal – 46v (?) Missa Ave Maria – 69v–78
Fevin, Robert de (fl. 1500-1515)	(?) Missa Ave Maria – 69v–78
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence – 12v
Haugk, Virgilius (ca. 1490–1555)	(?) Nec mihi nec tibi = Helas – 45v–46
Isaac, Heinrich (ca. 1450–1517)	Missa Quant j'ai au coeur: Benedictus – 35 Missa Quant j'ai au coeur: Kyrie – 35
Janequin, Clement (ca. 1485–ca. 1558)	(?) C'est malencontre çue d'amer qui n'en a joie – 44v–45
Juvenis, Engarandus	Magnificat anima mea Dominum – 90v–92 Missa pro defunctis (Requiem) – 92v–97 Salve regina - 1a pars (of 3): Salve regina mater misericordiae – 97v–100
Mureau, Gilles	(?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 47
Obrecht, Jacobus (ca. 1457–1505)	(?) Nec mihi nec tibi = Helas – 45v–46
Prioris, Johannes (Denis, Dionisius) (–1515)	Dulcis amica Dei rosa vernans stella – 35v Missa Je ne demande = Missa Elle est bien malade – 78v–86

Composition	Composers (? Uncertain)	Folios / Pages
A la mignonne de fortune	Agricola, Alexander (ca. 1445–1506)	8v–9
A la mignonne de fortune - 2a pars (of 2): Car chi en vouldroyt une eslire	Anonymous	8v–9
Ad caenam agni providi Cuius corpus sanctissimum	Anonymous	68v
Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence	Ghizeghem, Hayne van (ca. 1445–ca. 1497) Agricola, Alexander (ca. 1445–1506) (?)	12v
Amours amours	Agricola, Alexander (ca. 1445–1506)	11v–12
Ave maris stella	Anonymous	10v
Ave maris stella	Anonymous	53
Ave regina - 1a pars (of 2): Ave regina caelorum	Anonymous	7v–8
Ave regina - 1a pars (of 2): Ave regina caelorum	Anonymous	16v–18
Ave regina - 2a pars (of 2): Gaude gloriosa	Anonymous	7v–8
Ave regina - 2a pars (of 2): Gaude gloriosa	Anonymous	16v–18
Ave sanctissima Maria mater Dei piissima	Anonymous	86v
Benedictus.	Anonymous	52v
C'est malencontre çue d'amer qui n'en a joie	Janequin, Clement (ca. 1485–ca. 1558) (?)	44v–45
Dites-moi toutes vos pensees car j'ai désir	Compère, Loyset (ca. 1445–1518)	18v
Dulcis amica Dei rosa vernans stella	Prioris, Johannes (Denis, Dionisius) (–1515)	35v
En amours n'a sinon bien ne nul mal	Fevin, Antoine de (ca. 1470–ca. 1512)	46v
En atendant de vous [=d'avoir] secours	Compère, Loyset (ca. 1445–1518)	13
Guerisses moi du grant mal que je porte	Compère, Loyset (ca. 1445–1518)	13v–14
J'ai beau huer avant que bien avoir	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?)	19
Je ay um regret.	Anonymous	14v
Je ne fais plus je ne dis ne escris = Au joli mois de may	Compère, Loyset (ca. 1445–1518) (?) Mureau, Gilles (?) Busnoys, Antoine (ca. 1430–1492) (?)	47
Jesu nostra redemptio	Anonymous	34v
Magnificat anima mea Dominum	Anonymous	88v–90
Magnificat anima mea Dominum	Juvenis, Engarandus	90v–92
Magnificat anima mea Dominum	Anonymous	100v–101
Magnificat octavi toni: Et exultavit	Anonymous	49v–52
Magnificat primi toni [K.696]	Compère, Loyset (ca. 1445–1518)	55v–57
Magnificat primi toni: Anima mea	Anonymous	59v–60
Magnificat primi toni: Et exultavit	Anonymous	61–62
Magnificat primi toni: Et exultavit	Anonymous	66v–68
Magnificat sexti toni: Anima mea	Anonymous	57v–59
Magnificat sexti toni: Anima mea [K.296]	Anonymous	87–88
Magnificat sexti toni: Et exultavit [K.698]	Compère, Loyset (ca. 1445–1518)	47v–49
Missa [I.27-1]	Anonymous	1–7
Missa [I.27-2]	Anonymous	19v–27
Missa [I.27-3]	Anonymous	27v–34
Missa A l'umbreta d'um bussonet: Kyrie	Brumel, Antoine (ca. 1460–ca. 1513)	62v–66
Missa Alleluia	Anonymous	36v–44
Missa Ave Maria	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?)	69v–78
Missa Je ne demande = Missa Elle est bien malade	Prioris, Johannes (Denis, Dionisius) (–1515)	78v–86
Missa pro defunctis (Requiem)	Juvenis, Engarandus	92v–97
Missa Quant j'ai au coeur: Benedictus	Isaac, Heinrich (ca. 1450–1517)	35
Missa Quant j'ai au coeur: Kyrie	Isaac, Heinrich (ca. 1450–1517)	35
Nec mihi nec tibi = Helas	Haugk, Virgilius (ca. 1490–1555) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	45v–46
Regardés se le porrés fayre sans perdre vie.	Anonymous	10v–11
Regina caeli laetare alleluia	Anonymous	15v–16
Salve regina - 1a pars (of 2): Salve regina mater misericordiae	Bucheti	53v–55
Salve regina - 1a pars (of 3): Salve regina mater misericordiae	Juvenis, Engarandus	97v–100
Salve regina - 2a pars (of 2): Eya ergo	Anonymous	53v–55
Salve regina - 2a pars (of 3): Eya ergo	Anonymous	97v–100
Salve regina - 3a pars (of 3): Et Jesum benedictum	Anonymous	97v–100
Se congé prens de mes belles amours	Agricola, Alexander (ca. 1445–1506)	9v–10
Ut queant laxis resonare fibris	Anonymous	15
Ut queant laxis resonare fibris	Anonymous	69
Veni creator spiritus mentes tuorum	Anonymous	36

‡ denotes primary source study

Pintus, Riccardo. 2021. The Three Requiem Masses by Palestrina: New Light on Some Doubtful Attributions. Journal of the Alamire Foundation, 221-244. Pages: 233-8.

Robotti, Paolo. 1996. Il Manoscritto Ris. Mus. I, 27. Medioevo musicale nel Marchesato di Saluzzo, 31-46. Torino.

‡ D'Accone, Frank A (editor). 1986. Turin, Biblioteca nazionale universitaria, MS Ris. mus. I. 27 (olim gm III. 59). Renaissance Music in Facsimile. New York. Notes: physical description; contents list; facsimile; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: III, 253-254.

‡ Robotti, Paolo. 1979. Le composizioni musicali del manoscritto Ris. Mus. I, 27 della Biblioteca Nazionale di Torino: Aspetti della polifonia sacra, con particolare riferimento alla Messa 'Pro Defunctis'. Universita degli Studi di Torino, M.Mus.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Pages: 58, 93-4, 185, 263, 279. Notes: contents list (partial); incipits (partial).

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 53-4, 293-4, 431-2, 476, 478, 486, 490, 497. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xli, 32-4, 62, 79, 88. Notes: physical description; contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I, 73ff, 257. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS. American Institute of Musicology. Pages: 25, 111. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Milligan, Thomas B, Jr. 1974. The Anonymous Magnificats in the Turin Biblioteca Nazionale Manuscript Ris. Mus. 1.27. University of Rochester, Unpublished master's thesis. Notes: physical description; contents list; concordances; transcription (partial); mention of MS; discussion.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 306-9. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1-68. Pages: 14. Notes: contents list (partial); concordances (partial).

Finscher, Ludwig. 1966. Loyset Compère: Life and works. MSD. Roma. Pages: 30.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 169. Notes: physical description; contents list (partial); concordances (partial); incipits (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, iv-vi, xxxi, lix, 28-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 371. Notes: physical description; contents list (partial); concordances (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, ii-iii, vi. Notes: contents list (partial); concordances (partial); facsimile (partial).

Finscher, Ludwig. 1958. Loyset Compère and his works. Musica Disciplina, 105ff. Pages: 120.

Illing, Cari Heinz. 1936. Zur Technik der Magnificat-Komposition des 16. Jahrhunderts. Kieler Beiträge zur Musikwissenschaft. Wolfenbüttel. Pages: 12 (concerne le n° 46).

Ludwig, Friedrich. 1930. Papers of Friedrich Ludwig. Pages: XXXI, 25 (Göttingen Niedersächsische Staats- und Universitätsbibliothek).

Cimbro, Attilio. 1928. Catalogo delle Opere Musicali: Città di Torino: R. Biblioteca Nazionale. Parma. Pages: 15. Notes: physical description (partial); contents list (partial).

Villanis, Louis-Albert. 1905. Alcuni Codici Manoscritti di Musica del Secolo XVI Posseduti dalla Biblioteca Nazionale di Torino. Atti del Congresso internationale di scienze storiche, . Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial); facsimile (partial); texts (partial).

Villanis, Louis-Albert. 1903. Une chanson française au XVIe siècle. Revue d'histoire et de critique musicale, 511-8. Notes: physical description; transcription (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Tn MS Ris.mus I. 27

Biblioteca Nazionale Universitaria, Torino (Turin), Italy

manuscript of polyphony: c. 1500

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