V-CVbav Ms. Vat. Lat. 11953

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1515-30

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	Ms. Vat. Lat. 11953
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	100 x 130 mm
Other Identifiers	RISM: I-Rvat11953 CCM: VatV 11953 olim (Former shelfmark): Misceli. Arm. VI,140 dell' Archivio segreto Pontif. olim (Former shelfmark): I-Rvat MS Vat. lat. 11953
Notations	black void mensural
External Links	images CMME online edition
Provenance	Bavaria, Germany
Contents	46 pieces from 11 composers

General Description

A single Bassus partbook. Copied by one main scribe and several additional scribes. Of German origin.

DIAMM, 2017

Physical Description

Some original folios now missing. Several folios at beginning and end now fragmentary; other folios partially waterstained

DIAMM, 2017

Binding

Original covers of parchment inscribed with voice designations.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

4 staves per page

DIAMM, 2017

Foliation

Modern foliation, 1-51, on lower right rectos; does not take into account ff. previously missing between 4 and 5, 20 and 21, 26 and 27, 50 and 51

DIAMM, 2017

Decoration

A few inked initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 51 ff. Papier, 100 x 130 mm. Foliotation moderne au bas des ff. ne tenant pas compte des ff. disparus antérieurement entre 4 et 5, 20 et 21, 26 et 27, 50 et 51. Les ff. 33 et 40 sont blancs, le f. 1 lacéré en partie et les 12 premiers ff. plus ou moins tachés d'humidité. Notation mesurée blanche. 4 portées par p. Reliure parchemin ancienne (restaurée). Partie de BASSUS seul'.

Dans ce ms. dont l'origine est inconnue, on distingue 3 mains successives, le 1er scribe peut-être italien, ayant copié jusqu'au f. 27 (nos 1 à 29) dans les premières décennies du XVIe s. avec un répertoire en grande partie de l'époque de l'Odhecaton (1501) et des Canti B (1502), tandis que les autres scribes, avec un style typiquement gothique allemand, ont copié un peu plus tard respectivement du no 30 à 37 et du no 38 à la fin, ce dernier n'ayant guère pu copier les pièces de Senfl avant 1535-40 au plus tôt, semble-t-il. Les premiers ff. sont en mauvais état.

[Translation] XVIth century. 51 ff. Paper, 100 x 130 mm. Modern foliation at the bottom of the folios does not take into account ff. previously missing between 4 and 5, 20 and 21, 26 and 27, 50 and 51; ff. 33 and 40 are blank, f. 1 partially torn and the first 12 ff. are variously water stained. In mensural white notation. 4 lines per page. Binding of old parchment (restored). Bassus part only.

In this ms whose origin is unknown, there are 3 successive hands, 1 scribe might be Italian, having copied to f. 27 (1 to 29) in the first decades of the sixteenth century with a repertoire largely from the time of the Odhecaton (1501) and Canti B (1502), while other scribes, in typical German Gothic hands, have copied a little later, respectively, nos 30 to 37 and No. 38. Music by Senfl at the end must apparently have been copied before 1535-40 at the earliest. The first ff. are in poor condition.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Mass Ordinary sections, 12 motets (3 incomplete), 2 German sacred pieces, 11 French secular pieces (1 without text), 5 German secular pieces, 1 Dutch secular piece (without text), 4 textless pieces (2 incomplete) = 38 + 1 duplicate = 39

(Bruhier)-1, (Busnois/Japart/La Rue)-1, (Ghiselin)-1, Isaac-6, (Josquin)-3 + 1?, La Rue-6, La Rue/(Josquin)-1, (La Rue/Obrecht)-1, (Pipelare)-1, Senfl-6 + 1?, anon-9

1 paper partbook (B-51 folios), 100 x 130. Some original folios now missing. Several folios at beginning and end now fragmentary; other folios partially waterstained. Modern foliation, 1-51, on lower right rectos. Original covers of parchment inscribed with voice designations. No index. Copied by one main scribe and several additional scribes. A few inked initials.

Ca. 1515-30. Of German origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–1v	[untexted]	-	-
[untexted] - Appears on: 1–1v Genres: textless Voice: [no designation] Languages: none Voice Text: without text General Note Le début mq.
1v–4	Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps	HEN. YZACH	Isaac, Heinrich (ca. 1450–1517)
Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps Isaac, Heinrich (ca. 1450–1517) Appears on: 1v–4 Genres: Motet Source Attribution: HEN. YZACH Voice: [no designation] Languages: Latin Voice Text: Prophetarum maxime
1v–4	Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum	HEN. YZACH	Isaac, Heinrich (ca. 1450–1517)
Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum Isaac, Heinrich (ca. 1450–1517) Appears on: 1v–4 Genres: Motet Source Attribution: HEN. YZACH Voice: [no designation] Languages: Latin Voice Text: 2a [p]:Presta nobis concede nobis tuas digne General Note [sic pour: Concede nobis tuas digne ....)
4–4v	Plus nulz regrets grand moiens 28.28	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Plus nulz regrets grand moiens 28.28 Despres, Josquin (ca. 1450–1521) Appears on: 4–4v Genres: Chanson Source Attribution: JOSQUIN Voice: [no designation] Languages: French Voice Text: Plus multz regrets. General Note Mq. la fin. [= Adjuro vos o filie Syon] Publ. cf. Bc 142 n" 3
5	Mariam.	-	Anonymous
Mariam. Anonymous Appears on: 5 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Mariam. General Note Fin d'une partie de B. Ending of "Felix Anna quaedam matrona"?
5–6	Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse)	H. YZAC	Isaac, Heinrich (ca. 1450–1517)
Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) Isaac, Heinrich (ca. 1450–1517) Appears on: 5–6 Genres: Motet Source Attribution: H. YZAC Voice: [no designation] Languages: Latin Voice Text: Sustinuimus pacem. General Note Publ. cf. CT 95-96 n" 29
6–6v	E qui la dira dira la douleur	HEN. YZAC	Isaac, Heinrich (ca. 1450–1517)
E qui la dira dira la douleur Isaac, Heinrich (ca. 1450–1517) Appears on: 6–6v Genres: Chanson Source Attribution: HEN. YZAC Voice: [no designation] Languages: French Voice Text: Et que la dira. General Note Publ. cf. Bc 18 n» 85
7–7v	Pourquoi non ne veuil je morir	P. DE LA RUE	Rue, Pierre de la (ca. 1452–1518)
Pourquoi non ne veuil je morir Rue, Pierre de la (ca. 1452–1518) Appears on: 7–7v Genres: Chanson Source Attribution: P. DE LA RUE Voice: [no designation] Languages: French Voice Text: Pourquoy non General Note Publ. cf. Bc 17 n° 48
7v–8	Trop plus secret que ma partie suis	P. DE LA RUE	Rue, Pierre de la (ca. 1452–1518)
Trop plus secret que ma partie suis Rue, Pierre de la (ca. 1452–1518) Appears on: 7v–8 Genres: Chanson Source Attribution: P. DE LA RUE Voice: [no designation] Languages: French Voice Text: Trop plus secret. General Note Publ. cf. Fc 2439 n° 40
8v–9	Tous les regrets qui les coeurs tormentés 28.34	RUE	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?)
Tous les regrets qui les coeurs tormentés 28.34 Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 8v–9 Genres: Song Source Attribution: RUE Voice: [no designation] Languages: French Voice Text: Tous les regrets. General Note Publ. cf. Fc 2442 n° 43
9–9v	Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	[A. BUSNOIS ou J. JAPART ou PIRSON* = P. DE LA RUE]	Rue, Pierre de la (ca. 1452–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?)
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne Rue, Pierre de la (ca. 1452–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?) Appears on: 9–9v Genres: Chanson Source Attribution: [A. BUSNOIS ou J. JAPART ou PIRSON* = P. DE LA RUE] Voice: [no designation] Languages: French Voice Text: [Amour fait moult] General Note Tont [sic] que nostre argent, [dure] Publ. cf. Bc 17 n" 58 Concordances *CH-Bu F.X. 1^
10–10v	Mijn herz altijt heeft verlanghen	[P. DE LA RUE ou J. OBRECHT*]	Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Mijn herz altijt heeft verlanghen Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 10–10v Genres: Italian secular Source Attribution: [P. DE LA RUE ou J. OBRECHT] Voice:* [no designation] Languages: German Voice Text: Mein herz alzit. General Note Publ. cf. Fc 2439 n" 13 Concordances "CH-SGs 463
10v–11v	Vrai dieu qui me confortera	[A. BRUHIER]*	Bruhier, Antoine (–ca. 1521)
Vrai dieu qui me confortera Bruhier, Antoine (–ca. 1521) Appears on: 10v–11v Genres: Sacred Song Source Attribution: [A. BRUHIER]* Voice: [no designation] Languages: French Voice Text: Vray dieu qui me confort, [era] Concordances B-Br 11239 Item Bibliography Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502.* Monuments of Renaissance Music. Chicago. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
11v–12	Ce n'est pas jeu	[P. DE LA RUE]*	Rue, Pierre de la (ca. 1452–1518)
Ce n'est pas jeu Rue, Pierre de la (ca. 1452–1518) Appears on: 11v–12 Genres: Chanson Source Attribution: [P. DE LA RUE]* Voice: [no designation] Languages: French Voice Text: Ce nest pas jeu. Concordances 15022 Item Bibliography Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502.* Monuments of Renaissance Music. Chicago. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
12v–13	Salva nos Domine vigilantes custodi nos	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Salva nos Domine vigilantes custodi nos Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 12v–13 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salva nos domine vigilantes. General Note [= n° 32]
13–14	Fors seulement l'attente que je meure	[J. GHISELIN]	Ghiselin (Verbonnet), Johannes
Fors seulement l'attente que je meure Ghiselin (Verbonnet), Johannes Appears on: 13–14 Genres: Chanson Source Attribution: [J. GHISELIN] Voice: [no designation] Languages: French Voice Text: For soloment. General Note Publ. cf. Fc 2439 n° 16
13–14	[untexted]	-	-
[untexted] - Appears on: 13–14 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
15–16	[untexted]	-	-
[untexted] - Appears on: 15–16 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
16v–27	Vrai dieu d'amours confortez l'amoureux	[M. PIPELARE]*	Pipelare, Mattheus (ca. 1450–ca. 1515)
Vrai dieu d'amours confortez l'amoureux Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 16v–27 Genres: Chanson Source Attribution: [M. PIPELARE]* Voice: [no designation] Languages: French Voice Text: Vray dieu d'amier. Concordances D-brd-Rp C 120 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 34, I.
17–17v	Mij morghen gaf	-	Anonymous
Mij morghen gaf Anonymous Appears on: 17–17v Genres: Secular Voice: [no designation] Languages: Flemish Voice Text: [Mij morghen gaf] General Note Publ. cf. Bc 18 n° 87
17v–18v	Recordamini	-	Anonymous
Recordamini Anonymous Appears on: 17v–18v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Recordamini
19–19v	Gott geb euch ain gutn morgn.	-	Anonymous
Gott geb euch ain gutn morgn. Anonymous Appears on: 19–19v Genres: Sacred Song Voice: [no designation] Languages: German Voice Text: Got geb euch ain gutn morgn.
20–20v	untexted - 1a pars (of 2)	YZAC	Isaac, Heinrich (ca. 1450–1517)
untexted - 1a pars (of 2) Isaac, Heinrich (ca. 1450–1517) Appears on: 20–20v Genres: Motet, textless Source Attribution: YZAC Voice: [no designation] Languages: none Voice Text: without text
20–20v	untexted - 2a pars (of 2)	YZAC	Isaac, Heinrich (ca. 1450–1517)
untexted - 2a pars (of 2) Isaac, Heinrich (ca. 1450–1517) Appears on: 20–20v Genres: Motet, textless Source Attribution: YZAC Voice: [no designation] Languages: none Voice Text: 2a p.: without text General Note Mq. la fin
21–22	Missa L'homme armé I: Agnus Dei	[P. DE LA RUE]*	Rue, Pierre de la (ca. 1452–1518)
Missa L'homme armé I: Agnus Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 21–22 Genres: Agnus Dei, Mass Ordinary Source Attribution: [P. DE LA RUE]* Voice: [no designation] Languages: French Voice Text: L'homi armé 2.™ [secundum] General Note [= Agnus III only] Concordances B-Br 9126 Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.* Wolfenbüttel/Berlin. Pages: 114.
21–22	Missa L'homme armé I: Sanctus	[P. DE LA RUE]*	Rue, Pierre de la (ca. 1452–1518)
Missa L'homme armé I: Sanctus Rue, Pierre de la (ca. 1452–1518) Appears on: 21–22 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [P. DE LA RUE]* Voice: [no designation] Languages: French Voice Text: L'homi armé tertium. General Note [=Sanctus de la Missa L'homme armé] Concordances B-Br 9126 Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.* Wolfenbüttel/Berlin. Pages: 114.
22v–23v	O bone Jesu - 1a pars (of 2): O bone Jesu	-	Senfl, Ludwig (ca. 1486–ca. 1543)
O bone Jesu - 1a pars (of 2): O bone Jesu Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 22v–23v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O bone Jhesu
22v–23v	O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire	-	Senfl, Ludwig (ca. 1486–ca. 1543)
O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 22v–23v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Per meum peccatum
23v–24v	O crux ave / Fortuna	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
O crux ave / Fortuna Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 23v–24v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O crux ave.
24v–25	Wann ich des morgens früh aufstan' [S320]	[L. SENFL]*	Senfl, Ludwig (ca. 1486–ca. 1543)
Wann ich des morgens früh aufstan' [S320] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 24v–25 Genres: Song Source Attribution: [L. SENFL]* Voice: [no designation] Languages: German Voice Text: Wann ich des morgens frue aufstee Concordances 153417 Item Bibliography Gerstenberg, Walter (editor). 1937. Ludwig Senfl: Sämtliche Werke.* Wolfenbüttel. Pages: IV, 74 (à 5VX.).
25v–26v	Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Despres, Josquin (ca. 1450–1521) Appears on: 25v–26v Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Prêter rerum seriem General Note Publ. cf. Bc 142 n° 41B lus et B 2us. La fin du B 2us mq. et la 2a p.
27–28	Spiritus sanctus in te descendet (6vv, M108)	-	Isaac, Heinrich (ca. 1450–1517) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Spiritus sanctus in te descendet (6vv, M108) Isaac, Heinrich (ca. 1450–1517) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 27–28 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spiritus sanctus General Note B lus et 2us. Mq. début du B lus
28v–31	Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est	-	Anonymous
Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est Anonymous Appears on: 28v–31 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est General Note B et Vagans
28v–31	Anima mea liquefacta est - 2a pars (of 2): Invenerunt me custodes	-	Anonymous
Anima mea liquefacta est - 2a pars (of 2): Invenerunt me custodes Anonymous Appears on: 28v–31 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: 2a p.: Invenerunt me custodes
31v–32	Salva nos Domine vigilantes custodi nos	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Salva nos Domine vigilantes custodi nos Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 31v–32 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salva nos domine vigilantes. General Note [n° 14]
32–32v	Ave regina domina (=Sive vivamus)	-	Isaac, Heinrich (ca. 1450–1517)
Ave regina domina (=Sive vivamus) Isaac, Heinrich (ca. 1450–1517) Appears on: 32–32v Genres: BVM, Contrafactum, Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina domina
33v–36	Anima mea liquefacta est	-	Anonymous
Anima mea liquefacta est Anonymous Appears on: 33v–36 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est General Note B lus et B 2us
36v–38	Descendi in ortum meum	-	Anonymous
Descendi in ortum meum Anonymous Appears on: 36v–38 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Descendi in hortum meum ... General Note B lus et B 2us
38v–39	untexted canon	-	-
untexted canon - Appears on: 38v–39 Genres: Canon, textless Voice: Canon Languages: none
39–39v	Saillies avant (2p. 'Residuum')	-	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?)
Saillies avant (2p. 'Residuum') Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 39–39v Genres: Chanson Voice: Canon Languages: none
40v–44	Tandernacken am rine lagk	LUDOVICUS SENNFFL	Senfl, Ludwig (ca. 1486–ca. 1543)
Tandernacken am rine lagk Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 40v–44 Genres: Contrafactum, Secular Source Attribution: LUDOVICUS SENNFFL Voice: [no designation] Languages: German Voice Text: Tandernacken. General Note B et Vagans Item Bibliography Gerstenberg, Walter (editor). 1937. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel. Pages: IV.
44v–45	O du armer Judas was hast du getan	LUDO. SENNFL.	Senfl, Ludwig (ca. 1486–ca. 1543)
O du armer Judas was hast du getan Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 44v–45 Genres: Motet, Sacred Song Source Attribution: LUDO. SENNFL. Voice: [no designation] Languages: German Voice Text: O du armer Judas. Item Bibliography Gerstenberg, Walter (editor). 1937. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel. Pages: II.
45v–47	Maria zart von edler art [S226]	[L. SENFL]*	Senfl, Ludwig (ca. 1486–ca. 1543)
Maria zart von edler art [S226] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 45v–47 Genres: Lied Source Attribution: [L. SENFL]* Voice: [no designation] Languages: German Voice Text: Maria du pist genaden voll. General Note B et Vagans. Au Vagans: Maria zart von edlar art. Concordances "CH-Bu F.X. 1-1 Senfl II
47v–50	Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Despres, Josquin (ca. 1450–1521) Appears on: 47v–50 Genres: Motet, Stabat Mater Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa General Note Publ. cf. Fn 232 n° 5
47v–50	Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire Despres, Josquin (ca. 1450–1521) Appears on: 47v–50 Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: 2a p.: Eya mater General Note Publ. cf. Fn 232 n° 5Mq. la fin. T: Come feme.
51	Drei Blättlein auf einer Linde	-	Anonymous
Drei Blättlein auf einer Linde Anonymous Appears on: 51 Genres: Song Voice: [no designation] Languages: German Voice Text: Drei blätlein auff ainer lin[de].

Composer	Compositions
Anonymous	Anima mea liquefacta est – 33v–36 Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est – 28v–31 Anima mea liquefacta est - 2a pars (of 2): Invenerunt me custodes – 28v–31 Descendi in ortum meum – 36v–38 Drei Blättlein auf einer Linde – 51 Gott geb euch ain gutn morgn. – 19–19v Mariam. – 5 Mij morghen gaf – 17–17v Recordamini – 17v–18v [untexted] – 13–14 [untexted] – 1–1v [untexted] – 15–16 untexted canon – 38v–39
Bruhier, Antoine (–ca. 1521)	Vrai dieu qui me confortera – 10v–11v
Busnoys, Antoine (ca. 1430–1492)	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 9–9v
Despres, Josquin (ca. 1450–1521)	Plus nulz regrets grand moiens 28.28 – 4–4v Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus – 25v–26v (?) Saillies avant (2p. 'Residuum') – 39–39v Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem – 47v–50 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire – 47v–50 (?) Tous les regrets qui les coeurs tormentés 28.34 – 8v–9
Ghiselin (Verbonnet), Johannes	Fors seulement l'attente que je meure – 13–14
Isaac, Heinrich (ca. 1450–1517)	Ave regina domina (=Sive vivamus) – 32–32v E qui la dira dira la douleur – 6–6v Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps – 1v–4 Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum – 1v–4 (?) Spiritus sanctus in te descendet (6vv, M108) – 27–28 Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) – 5–6 untexted - 1a pars (of 2) – 20–20v untexted - 2a pars (of 2) – 20–20v
Japart, Jean	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 9–9v
Obrecht, Jacobus (ca. 1457–1505)	(?) Mijn herz altijt heeft verlanghen – 10–10v
Pipelare, Mattheus (ca. 1450–ca. 1515)	Vrai dieu d'amours confortez l'amoureux – 16v–27
Rue, Pierre de la (ca. 1452–1518)	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 9–9v Ce n'est pas jeu – 11v–12 (?) Mijn herz altijt heeft verlanghen – 10–10v Missa L'homme armé I: Agnus Dei – 21–22 Missa L'homme armé I: Sanctus – 21–22 Pourquoi non ne veuil je morir – 7–7v (?) Saillies avant (2p. 'Residuum') – 39–39v (?) Tous les regrets qui les coeurs tormentés 28.34 – 8v–9 Trop plus secret que ma partie suis – 7v–8
Senfl, Ludwig (ca. 1486–ca. 1543)	Maria zart von edler art [S226] – 45v–47 O bone Jesu - 1a pars (of 2): O bone Jesu – 22v–23v O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire – 22v–23v (?) O crux ave / Fortuna – 23v–24v O du armer Judas was hast du getan – 44v–45 Salva nos Domine vigilantes custodi nos – 12v–13 Salva nos Domine vigilantes custodi nos – 31v–32 (?) Spiritus sanctus in te descendet (6vv, M108) – 27–28 Tandernacken am rine lagk – 40v–44 Wann ich des morgens früh aufstan' [S320] – 24v–25

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	-	1–1v
[untexted]	-	13–14
[untexted]	-	15–16
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	Rue, Pierre de la (ca. 1452–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?)	9–9v
Anima mea liquefacta est	Anonymous	33v–36
Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est	Anonymous	28v–31
Anima mea liquefacta est - 2a pars (of 2): Invenerunt me custodes	Anonymous	28v–31
Ave regina domina (=Sive vivamus)	Isaac, Heinrich (ca. 1450–1517)	32–32v
Ce n'est pas jeu	Rue, Pierre de la (ca. 1452–1518)	11v–12
Descendi in ortum meum	Anonymous	36v–38
Drei Blättlein auf einer Linde	Anonymous	51
E qui la dira dira la douleur	Isaac, Heinrich (ca. 1450–1517)	6–6v
Fors seulement l'attente que je meure	Ghiselin (Verbonnet), Johannes	13–14
Gott geb euch ain gutn morgn.	Anonymous	19–19v
Maria zart von edler art [S226]	Senfl, Ludwig (ca. 1486–ca. 1543)	45v–47
Mariam.	Anonymous	5
Mij morghen gaf	Anonymous	17–17v
Mijn herz altijt heeft verlanghen	Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?)	10–10v
Missa L'homme armé I: Agnus Dei	Rue, Pierre de la (ca. 1452–1518)	21–22
Missa L'homme armé I: Sanctus	Rue, Pierre de la (ca. 1452–1518)	21–22
O bone Jesu - 1a pars (of 2): O bone Jesu	Senfl, Ludwig (ca. 1486–ca. 1543)	22v–23v
O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire	Senfl, Ludwig (ca. 1486–ca. 1543)	22v–23v
O crux ave / Fortuna	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	23v–24v
O du armer Judas was hast du getan	Senfl, Ludwig (ca. 1486–ca. 1543)	44v–45
Plus nulz regrets grand moiens 28.28	Despres, Josquin (ca. 1450–1521)	4–4v
Pourquoi non ne veuil je morir	Rue, Pierre de la (ca. 1452–1518)	7–7v
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Despres, Josquin (ca. 1450–1521)	25v–26v
Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps	Isaac, Heinrich (ca. 1450–1517)	1v–4
Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum	Isaac, Heinrich (ca. 1450–1517)	1v–4
Recordamini	Anonymous	17v–18v
Saillies avant (2p. 'Residuum')	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?)	39–39v
Salva nos Domine vigilantes custodi nos	Senfl, Ludwig (ca. 1486–ca. 1543)	12v–13
Salva nos Domine vigilantes custodi nos	Senfl, Ludwig (ca. 1486–ca. 1543)	31v–32
Spiritus sanctus in te descendet (6vv, M108)	Isaac, Heinrich (ca. 1450–1517) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	27–28
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	Despres, Josquin (ca. 1450–1521)	47v–50
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	Despres, Josquin (ca. 1450–1521)	47v–50
Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse)	Isaac, Heinrich (ca. 1450–1517)	5–6
Tandernacken am rine lagk	Senfl, Ludwig (ca. 1486–ca. 1543)	40v–44
Tous les regrets qui les coeurs tormentés 28.34	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?)	8v–9
Trop plus secret que ma partie suis	Rue, Pierre de la (ca. 1452–1518)	7v–8
untexted - 1a pars (of 2)	Isaac, Heinrich (ca. 1450–1517)	20–20v
untexted - 2a pars (of 2)	Isaac, Heinrich (ca. 1450–1517)	20–20v
untexted canon	-	38v–39
Vrai dieu d'amours confortez l'amoureux	Pipelare, Mattheus (ca. 1450–ca. 1515)	16v–27
Vrai dieu qui me confortera	Bruhier, Antoine (–ca. 1521)	10v–11v
Wann ich des morgens früh aufstan' [S320]	Senfl, Ludwig (ca. 1486–ca. 1543)	24v–25

‡ denotes primary source study

Brown, Howard Mayer. 1983. A 'New' Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report. Musica Disciplina, 171-233. Pages: 207. Notes: contents list (partial); concordances (partial).

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 267-332. Pages: (291, 307-9, 317. Notes: contents list (partial); concordances (partial).

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Pages: 310, 314. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London. Pages: 263-4. Notes: contents list (partial); incipits (partial).

Staehelin, Martin. 1973. Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 79-91. Pages: 86. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 19-20. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hewitt, Helen Margaret. 1969. Fors seulement and the Cantus Firmus Technique of the Fifteenth Century. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 91-126. Pittsburgh. Pages: 112-3. Notes: contents list (partial); concordances (partial).

Hewitt, Helen Margaret (editor). 1967. Ottaviano Petrucci: Canti B Numero Cinquanta Venice, 1502. Monuments of Renaissance Music. Chicago and London. Pages: 15, 27, 34, 45, 50. Notes: contents list (partial); concordances (partial).

Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xv-xvi. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Cross, Ronald. 1963. The Life and Works of Matthaeus Pipelare. Musica Disciplina, 97-114. Pages: 109, 113. Notes: contents list (partial); concordances (partial).

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Pages: 5-7. Notes: contents list (partial); concordances (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 300, 343. Notes: contents list (partial); concordances (partial).

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 35-6, 45, 186 II, 24, 58, 71-2, 79. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 373. Notes: physical description; contents list (partial); concordances (partial).

Picker, Martin. 1958-63. The Chanson Albums of Marguerite of Austria: MSS. 228 and 11239 of the Bibliothèque Royale de Belgique, Brussels. Annales Musicologiques, 145-287. Pages: 196-201, 204-5, 246-7. Notes: contents list (partial); concordances (partial); incipits (partial).

Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie. Brussels. Pages: 39, 160, 171ff. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: P. Kast, in MGG XI, col. 757.

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 132-3, 135, 144-5. Notes: contents list (partial); concordances (partial).

Borren, Charles van den, and Raffaele Casimiri. 1939. A proposito del Codicetto Vat. Lat. 11953. Note D'Archivio per la Storia Musicale, 17-8. Notes: contents list (partial); concordances (partial).

Casimiri, Raffaele. 1937. Canzoni e Mottetti dei sec. XV-XVI. Note D'Archivio per la Storia Musicale, 145-60.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

William Kempster

Sunday, 7 June, 2020

Added "Sailliés avant" which should appear at 39-39v; and attributed it (as elsewhere) to "La Rue?", "Josquin?"

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description