I-PEc MS 431 (G 20)

Biblioteca Comunale Augusta, Perugia, Italy

manuscript of polyphony: 1480-90

Archive	Biblioteca Comunale Augusta, Perugia, Italy (I-PEc)
Shelfmark	MS 431 (G 20)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	213 x 143 mm
Other Identifiers	RISM: I-PEc 431 CCM: PerBC 431
Notations	black void mensural
Copyists	Sozi, Raffaele (1529–1589) Music
Relationships	Sozi, Raffaele (1529–1589) (owner) ? Monastery of SS. Severino and Sossio (copied at)
External Links	images
Provenance	Monastery of SS. Severino and Sossio , Napoli (Naples), Italy
Contents	Contains 135 compositions, 55 from 32 composers, 80 are anonymous.

General Description

Main corpus copied by six or seven scribes; two other scribes (including Raffaele Sozi) made additions during 16th century. Main corpus copied in Naples or vicinity, possibly at Benedictine monastery of Sts. Severino and Sossio (AtlNP). Owned in 1556 by the merchant, politician, and amateur musician Raffaele Sozi (1529-89), of Perugia (inscription on new f. 31: 'YHS MARIA. A° DI M.D.LVI. … RAPHAEL SOCIUS'); Sozi added several short pieces and rudimentary notes on music theory and notation.

DIAMM, 2017

Binding

Original covers of dark brown leather stamped with four-pointed star design

DIAMM, 2017

Watermark

(1) Briquet #7698 (also found in MonteA 871); (2) Briquet #8940; (3) Briquet #11960 (AtlNP).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original foliation in red ink on upper center versos, 6-7 + 13-164 (ff. 1-5 and 8-12 now missing; last 9 folios and one folio between ff. 35/36 unnumbered). New pencil foliation on upper right rectos, 1-26 + 26bis-163, includes all extant folios.

DIAMM, 2017

Decoration

Inked calligraphic initials in red, gold, purple, and brown

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVe/XVIe s. 163 ff. (+ 4ff. de garde parchemin, tirés d'un ms. à écriture gothique du XlIIe s.) Papier, 215 x 145 mm. Foliotation ancienne au v des ff.: 6-164 et foliotation moderne au r: 1-163, ne tenant pas compte des ff. qui mq. c'est-à-dire: 5 ff. initiaux et 5 ff. entre 2 et 3 (foliotation ancienne 8 à 13). Les ff. 26v (n. ch. ancien), 32 (42), 37 (47), 153 (163) sont blancs. Notation mesurée blanche. 6 portées par p. Au bas des ff. 31 (41), 153 à 157 (163 à [167]) petit traité musical élémentaire copié postérieurement comme le calendrier liturgique du f. 163v. Capitales ornées à la plume avec profils de visages. Reliure ancienne cuir brun.

Ce ms. copié en Italie à la fin du XVe s. présente le même filigrane (cor de poste) que I-MC 871 qu'on a coutume de situer dans la dernière décennie du siècle et dont le rapproche en outre l'écriture musicale du scribe ainsi que nombre de pièces sur textes semblables et la constitution des cahiers, ce qui permet de supposer avec vraisemblance une origine napolitaine au ms. de Perouse. Le no 26 ainsi que les canons nos I à VIII ont été copiés au XVIe s. aux pages restées vides dans le ms. primitif, probablement dans les années 1550, alors que le ms. appartenait à Raphael Socius (Raffaele Sozi), riche marchand de Pérouse qui, en 1561 fonda dans cette ville l'Accademia degli Unisoni. Il y est lui-même représenté par les canons nos III et IV et par le petit traité musical qui commence au f.31 (41): «Jesus Maria. Anno Dei MDLVI. Regole della musica. Raphael Socius.» qui continue aux ff. 153 à 157 et 160v avec en marge du f. 154 (164) la date 1557. En dehors de ces adjonctions tardives, le ms. primitif présente une grande unité dans le style de l'écriture musicale, mais avec quelques variantes dans le style des capitales ornées (nos 35 à 58) en même temps que dans l'écriture des textes, sans que l'on puisse affirmer qu'il s'agisse d'un autre scribe, les deux styles étant quelquefois appliqués à une même pièce (nos 79, 89). Certains noms de compositeurs se bornant à un monogramme, diversement déchiffré, restent mystérieux. Cependant, à la suite de J. Wolf, qui a édité quelques pièces sous ce nom, on a interprété ici le monogramme des nos 21 à 23 comme un sigle désignant H. Isaac, bien que A. Atlas pense qu'il s'agirait plutôt de Icart (AtlasOT).

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Sanctus-Agnus pair, 4 Kyries, 2 Credos, 8 Magnificats, 9 hymns (1 without text), 5 motets, 2 litanies, 1 Benedicamus domino, 11 laude, 47 Italian secular pieces (1 without text), 18 French secular pieces (1 without text), 2 Spanish secular pieces (1 without text), 8 canons, 10 textless pieces = 129

Aeduardus of Ortona-2, Barri or Ivo de Vento? [Ivo]-1, (Busnois)-1, (Busnois/Caron)-1, Busnois/(Isaac)-1, Caritatis-1, (Caron)-1, (Dufay?)-1, Dux Burgensis-1, (Frye)-1, Guglielmo [M. Gulielmus; = Guglielmo Ebreo?]-1, (Hayne van Ghizeghem)-2, Isaac-2, LeoX-2, M.B.-1, M.P.-1, M. of Ortona [Fr. M. de Ortona; F.M.; M.]-15, (Martini)-1, Morton-2, Morton/(Basin)-1, Morton/(Caron)-1, Morton/(Enrique)-1, (Obrecht)-1,* Oriola-2, P.-1, Seraphinus-2, Sozi [R.S.]-2, Symonet le Breton [Magister Symon] -1, Touront [Cecus]-2, (Vincenet)-1, Wreede/(Enrique)-1, Ycart [M.Ic]-3,anon-72

"Helas" (à2, new ff. 90'-91) appears in VatG XIII.27 as à3 motet, "Nee mihi nee tibi," ascribed to "Virgilius." See AtlCG I, 132 and BakerU, 53 for discussion and other concordances.

164 paper folios, 213 x 143. Four parchment flyleaves removed from this manuscript after World War II now preserved separately as MS 3275 in this library (not MS 3277, as stated by HernonP). Original foliation in red ink on upper center versos, 6-7 + 13-164 (ff. 1-5 and 8-12 now missing; last 9 folios and one folio between ff. 35/36 unnumbered). New pencil foliation on upper right rectos, 1-26 + 26bis-163, includes all extant folios. Original covers of dark brown leather stamped with four-pointed star design. No index. Main corpus copied by six or seven scribes; two other scribes (including Raffaele Sozi) made additions during 16th century. Inked calligraphic initials in red, gold, purple, and brown. Watermarks: (1) Briquet #7698 (also found in MonteA 871); (2) Briquet #8940; (3) Briquet #11960 (AtlNP).

1480-90, probably ca. 1485 (AtlNP), with additions during mid 16th century. Main corpus copied in Naples or vicinity, possibly at Benedictine monastery of Sts. Severino and Sossio (AtlNP). Owned in 1556 by the merchant, politician, and amateur musician Raffaele Sozi (1529-89), of Perugia (inscription on new f. 31: "YHS MARIA. A° DI M.D.LVI. … RAPHAEL SOCIUS"); Sozi added several short pieces and rudimentary notes on music theory and notation.

Vol 4

Provenance: Possibly of Franciscan, rather than Benedictine origin (Giulio Cattin).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Sanctorum meritis Hi sunt quos retinens	-	Anonymous
Sanctorum meritis Hi sunt quos retinens Anonymous Appears on: 1 Genres: Motet Number of voices: 2 Voice: Altus Languages: none Voice: Bassus Languages: none General Note CA et CB seul'Publ. cf. MC 871 n° 78
Iv–2	Deus tuorum militum	-	Anonymous
Deus tuorum militum Anonymous Appears on: Iv–2 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Deus tuorum militum … Voice: [no designation] Languages: Latin Voice Text: Deus tuorum militum … Voice: [no designation] Languages: Latin Voice Text: Deus tuorum militum … Voice: [no designation] Languages: Latin Voice Text: Deus tuorum militum …
2v	Ad cenam agni	-	Anonymous
Ad cenam agni Anonymous Appears on: 2v Genres: Hymn Number of voices: 2 Voice: Superius Languages: Latin Voice Text: Ad cenam agni providi et stolis. Voice: Tenor Languages: Latin Voice Text: Ad cenam agni providi et stolis. General Note Sup. et T seul'
3–4	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 3–4 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie General Note Mq. Sup. et T: Kyrie I et Christe
4v–7	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 4v–7 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Suivi de Benedictus et Agnus dei
4v–7	Benedictus	-	Anonymous
Benedictus Anonymous Appears on: 4v–7 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Benedictus General Note Suivi de Agnus dei
4v–7	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 4v–7 Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Agnus dei
7v–9	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 7v–9 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Greek Voice Text: Kyrie leyson Voice: [no designation] Languages: Greek Voice Text: Kyrie leyson Voice: [no designation] Languages: Greek Voice Text: Kyrie leyson General Note [Missa] Suivi de Christe leison. Le reste de la messe mq.
7v–9	Christe leison	-	Anonymous
Christe leison Anonymous Appears on: 7v–9 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Voice Text: Christe leison General Note Le reste de la messe mq.
9v–12	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 9v–12 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Credo] Et in unum dominum General Note Fragments seul'
12v–16	Patrem omnipotentem [Credo]	SERAPHINUS	Seraphinus, Franciscus
Patrem omnipotentem [Credo] Seraphinus, Franciscus Appears on: 12v–16 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: SERAPHINUS Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
16v–29	Missa: Kyrie leison	AEDUARDUS [ORTONENSIS]	Ortonensis, Advardus
Missa: Kyrie leison Ortonensis, Advardus Appears on: 16v–29 Genres: Kyrie eleison, Mass Ordinary Source Attribution: AEDUARDUS [ORTONENSIS] Number of voices: 3 Voice: [no designation] Languages: Greek Voice Text: [Missa]. Kyrie leison General Note 1 f. inséré postérieurement chiffré (moderne) 26 (suivi de 26bis) porte la version correctement rétablie du Ct Qui cum pâtre
29v–31v	Kyrie eleison	F.M.	F M
Kyrie eleison F M Appears on: 29v–31v Genres: Kyrie eleison, Mass Ordinary Source Attribution: F.M. Number of voices: 2 Voice: [no designation] Languages: Greek Voice Text: Kyrie leyson
30	Sancta Maria ora pro nobis	-	Anonymous
Sancta Maria ora pro nobis Anonymous Appears on: 30 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Sancta Maria ora pro nobis
32v–35	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 32v–35 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
35v	Verbum caro factum est de virgine Maria	P.	Leo X (Medici) (1475–1521)
Verbum caro factum est de virgine Maria Leo X (Medici) (1475–1521) Appears on: 35v Genres: Motet Source Attribution: P. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria
36	Verbum caro factum est de virgine Maria	LEONE X, PAPE	Leo X (Medici) (1475–1521)
Verbum caro factum est de virgine Maria Leo X (Medici) (1475–1521) Appears on: 36 Genres: Motet Source Attribution: LEONE X, PAPE Number of voices: 1 Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria General Note [= n°VII, f. 156] Concordances [= n°VII, f. 156]
36	Verbum caro factum est de virgine Maria	-	Leo X (Medici) (1475–1521)
Verbum caro factum est de virgine Maria Leo X (Medici) (1475–1521) Appears on: 36 Genres: Motet Number of voices: 1 Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria General Note [= n' VI,f.155v] Concordances [= n' VI,f.155v]
36v	Verbum caro factum est de virgine Maria	M. ?	M. (?)
Verbum caro factum est de virgine Maria M. (?) Appears on: 36v Genres: Motet Source Attribution: M. ? Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria
37v–38	untexted	-	-
untexted Appears on: 37v–38 Number of voices: 2 Voice: [no designation] Languages: none Voice Text: without text
38v–39	untexted	M. ?	M. (?)
untexted M. (?) Appears on: 38v–39 Genres: textless Source Attribution: M. ? Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
39v–40	untexted	M. ?	M. (?)
untexted M. (?) Appears on: 39v–40 Genres: textless Source Attribution: M. ? Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text General Note Au T ajouté postérieurement par Sozi:Questo e colui ch'l mondo chiama amore
40v–41	untexted	M. ?	M. (?)
untexted M. (?) Appears on: 40v–41 Genres: textless Source Attribution: M. ? Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
41v–42	untexted	M. ?	Soursby (?)
untexted Soursby (?) Appears on: 41v–42 Genres: textless Source Attribution: M. ? Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
41v–42	untexted	R.[APHAEL]S.[OCIUS]	Soursby (?)
untexted Soursby (?) Appears on: 41v–42 Genres: textless Source Attribution: R.[APHAEL]S.[OCIUS] Number of voices: 1 Voice: [no designation] Languages: insufficient Voice Text: Canon a 3
42v–43	Orsù cusi va el mondo	-	Anonymous
Orsù cusi va el mondo Anonymous Appears on: 42v–43 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Orsù cusi va el mondo
43v–44	Pover me mischin dolente	[H. ISAAC? ]	Isaac, Heinrich (ca. 1450–1517) (?)
Pover me mischin dolente Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 43v–44 Genres: Italian secular Source Attribution: [H. ISAAC? ] Voice: [no designation] Languages: Italian Voice Text: Pover me mischin dolente Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV. Op. dub.). Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I Facs. Sup. et T,transcr.
44v–45	untexted	[H. ISAAC?]	Isaac, Heinrich (ca. 1450–1517) (?)
untexted Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 44v–45 Genres: textless Source Attribution: [H. ISAAC?] Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV. Op. dub.).
45v–46	Se io te o dato l'anima e'l core	[H. ISAAC?]	Isaac, Heinrich (ca. 1450–1517) (?)
Se io te o dato l'anima e'l core Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 45v–46 Genres: Italian secular Source Attribution: [H. ISAAC?] Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Se io te o dato l'anima e'l core. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV. Op. dub.).
46v–47	Morte che fai che non pigli	[H. ISAAC]*	Isaac, Heinrich (ca. 1450–1517)
Morte che fai che non pigli Isaac, Heinrich (ca. 1450–1517) Appears on: 46v–47 Genres: Italian secular Source Attribution: [H. ISAAC]* Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Morte che fai che non pigli Concordances E-SE (3vx.) Item Bibliography Bridgman, Nanie. 1953-6. Un Manuscrit Italien du Début du XVIe Siècle à la Bibliothèque Nationale (Département de la musique, Rés. Vm.' 676). Annales Musicologiques,* 1 & 4: 177ff(I)-259ff(IV).
47v	Io sento amore con sue orrende strida	-	Anonymous
Io sento amore con sue orrende strida Anonymous Appears on: 47v Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Io sento amore con sue orrende strida Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
48	Sancta Maria ora pro nobis	-	Anonymous
Sancta Maria ora pro nobis Anonymous Appears on: 48 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Sancta Maria ora pro nobis
48v–49	Cent mille escus quand je voldroie	[A. BUSNOIS ou CARON]	Caron, Firminus (ca. 1460–ca. 1475) Busnoys, Antoine (ca. 1430–1492) (?)
Cent mille escus quand je voldroie Caron, Firminus (ca. 1460–ca. 1475) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 48v–49 Genres: Chanson Source Attribution: [A. BUSNOIS ou CARON] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Cento milia scuti General Note Publ. cf. Bc 16 n° 126
49v–50	untexted	M. ?	M. (?)
untexted M. (?) Appears on: 49v–50 Genres: textless Source Attribution: M. ? Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
50v–51	Questa fenice de laurata piuma	-	Anonymous
Questa fenice de laurata piuma Anonymous Appears on: 50v–51 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Questa fenice de laurata piuma Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
51v–52	Questa fenice de laurata piuma	-	Anonymous
Questa fenice de laurata piuma Anonymous Appears on: 51v–52 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Questa fenice de laurata piuma Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
52v–53	Ave regina caelorum	F.M. ?	F M (?)
Ave regina caelorum F M (?) Appears on: 52v–53 Genres: BVM, Motet Source Attribution: F.M. ? Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
53v–54	Ahi lasso a quande fiere la sete toglio (1a pars only)	-	Anonymous
Ahi lasso a quande fiere la sete toglio (1a pars only) Anonymous Appears on: 53v–54 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Ai lasio ad quanti feri la sete toglio. Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
54v–55	untexted [2a pars]	-	-
untexted [2a pars] Appears on: 54v–55 Number of voices: 4 Voice: [no designation] Languages: Czech Voice Text: Wjerime General Note Secunda pars de Iterum dico amadores.cf. n° 34
55v–56	Samaur vos fai	BUSNOIS [ou H. ISAAC*]	Busnoys, Antoine (ca. 1430–1492) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Samaur vos fai Busnoys, Antoine (ca. 1430–1492) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 55v–56 Genres: Chanson Source Attribution: BUSNOIS [ou H. ISAAC] Voice:* [no designation] Languages: Italian Voice Text: Samaur vos fai. General Note [=Malagrota] [=Sans avoir]Publ. cf. Bc 16 n° 93 Concordances F-Pn 676
56v–57	Iterum dico amadores.	-	Anonymous
Iterum dico amadores. Anonymous Appears on: 56v–57 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Iterum dico amadores. General Note 2a p.: f. 54v-55 (64v-65) (Number 32b)
57v–58	Per scriptores. Orsù car signori chi soe bolle	-	Anonymous
Per scriptores. Orsù car signori chi soe bolle Anonymous Appears on: 57v–58 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Per scriptores. Orsù car signori chi soe bolle Item Bibliography Wolf, Johannes. 1936. Eine deutsche Quelle geistlicher Musik aus dem Ende des 15. Jahrhunderts. Jahrbuch der Musikbibliothek Peters, 42: . Pages: S. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 43. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pages: HI.
58v–59	O gloriosa regina mundi succurre nobis	Cecus	Touront, Johannes (ca. 1450–ca. 1475)
O gloriosa regina mundi succurre nobis Touront, Johannes (ca. 1450–ca. 1475) Appears on: 58v–59 Genres: Motet Source Attribution: Cecus Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O gloriosa regina mundi succurre nobis General Note . Publ. cf. Bc 16 n° 122
59v–60	Helas que pourra devenir	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Helas que pourra devenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 59v–60 Genres: Chanson Source Attribution: [CARON] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Helas [que pourra devenir] General Note Publ. cf. Bc 16 n° 110[=Helas mon ceur] [=Helas mamour] [Der seyden schwantcz. Ave sydus] Concordances US-Wc 25 "D-ddr-Bds 40098
60v–61	Vien avante morte dolente	MORTON [ou BASIN]	Basin, Adrien (–ca. 1498) (?) Morton, Robert (?)
Vien avante morte dolente Basin, Adrien (–ca. 1498) (?) Morton, Robert (?) Appears on: 60v–61 Genres: Italian secular Source Attribution: MORTON [ou BASIN] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: [Vien avante morte dolente] Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
61v–62	C'est temps perdu	MORTON [ou CARON]	Caron, Firminus (ca. 1460–ca. 1475) (?) Morton, Robert (?)
C'est temps perdu Caron, Firminus (ca. 1460–ca. 1475) (?) Morton, Robert (?) Appears on: 61v–62 Genres: Chanson Source Attribution: MORTON [ou CARON] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Et temps. General Note [= C'est temps perdu] Publ. cf. Fn 229 n° 90
62v–63	Pues serviçio vos desplase	MORTON [ou ENRIQUE*]	Morton, Robert (?) Enrique (?)
Pues serviçio vos desplase Morton, Robert (?) Enrique (?) Appears on: 62v–63 Genres: Italian secular Source Attribution: MORTON [ou ENRIQUE] Number of voices:* 3 Voice: [no designation] Languages: Latin Voice Text: [Pues serviçio vos desplase] Concordances E—Mp 1335 (avec 4e vx. ajoutée postérieurement) Item Bibliography Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.* Madrid (later Barcelona, later Rome). Pages: V. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
63v–64	Motectus Vive madame par amours	MORTON	Morton, Robert
Motectus Vive madame par amours Morton, Robert Appears on: 63v–64 Genres: Chanson, Motet Source Attribution: MORTON Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Motectus [Vive madame par amours] General Note [= (E)lent et scolorito] [= Elend du hast umbfangen mich] [=Tu sine principio*] Publ. cf. Bc 16 n° 102 Concordances F-Pn 15123 D-brd-Mbs 3232 "CS-HK II.A.7
64v–65	Trista che spera morendo finire omne dolore	ORIOLA	Oriola, Pietro
Trista che spera morendo finire omne dolore Oriola, Pietro Appears on: 64v–65 Genres: Italian secular Source Attribution: ORIOLA Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Trista che spera morendo finire omne dolore Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation. Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II facs.
65v–66	Folle chi vole amare altra donna che gentile	-	Anonymous
Folle chi vole amare altra donna che gentile Anonymous Appears on: 65v–66 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Folle chi vole amare altra donna che gentile Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
66v–67	untexted	ORIOLUS	Oriola, Pietro
untexted Oriola, Pietro Appears on: 66v–67 Genres: textless Source Attribution: ORIOLUS Number of voices: 3 Voice: [no designation] Languages: none Voice Text: Pièce without text
67v–68	Le serviteur hault guerdonné assovy	[G. DUFAY?]	Du Fay, Guillaume (1397–1474)
Le serviteur hault guerdonné assovy Du Fay, Guillaume (1397–1474) Appears on: 67v–68 Genres: Chanson, Rondeau Source Attribution: [G. DUFAY?] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Le servitor. General Note [=I sol tuo servitor][= Superno nunc emittitur]Publ. cf. Fr 2794 n° 19 Concordances F-Pn 15123
68v–69	Nul ne s'i frocte a ma maistresse	MAGISTER SYMON	Breton, Simon le
Nul ne s'i frocte a ma maistresse Breton, Simon le Appears on: 68v–69 Genres: Chanson Source Attribution: MAGISTER SYMON Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Nul ne si fronte. Item Bibliography Jeppesen, Knud (editor). 1927. Der Kopenhagener Chansonnier, das Manuskript Thott 2918 der Königlichen Bibliothek Kopenhagen. Kopenhagen/Leipzig.
69v–70	Madame trop vous m'esprenez	DUX BURGENSIS	le Téméraire, Charles (1433–1477) (?) Burgensis, Dux
Madame trop vous m'esprenez le Téméraire, Charles (1433–1477) (?) Burgensis, Dux Appears on: 69v–70 Genres: Chanson Source Attribution: DUX BURGENSIS Voice: [no designation] Languages: French Voice Text: Madame trop vos mespremés. General Note [= Si fault] [= Or est mon bien] [= Non sia gyamay]Publ. cf. Bc 16 n° 35 Concordances F-Pn 15123
70v–71	De tous biens plaine est ma maîtresse	HAYNE	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 70v–71 Genres: Chanson Source Attribution: HAYNE Number of voices: 3 Voice: [no designation] Languages: French Voice Text: De tous biens plaine est [ma maistresse] General Note [= Cum defecerint ligna]Publ. cf. Bc 16 n° 115 Concordances SA-Csa 12
71v–73	Ave sidus clarissimum / Der Seidenschwanz	-	Caron, Firminus (ca. 1460–ca. 1475)
Ave sidus clarissimum / Der Seidenschwanz Caron, Firminus (ca. 1460–ca. 1475) Appears on: 71v–73 Genres: Contrafactum, Motet Voice: [no designation] Languages: French Voice Text: Helas je me plains.
71v–73	Se je vous esloigne - 2a pars (of 2): Vous me laissés finier	-	Anonymous
Se je vous esloigne - 2a pars (of 2): Vous me laissés finier Anonymous Appears on: 71v–73 Genres: Chanson Voice: [no designation] Languages: French Voice Text: 2a p.: Vous me laissés finier
73v–74	Helas es le confort	-	Anonymous
Helas es le confort Anonymous Appears on: 73v–74 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Helas es le confort
74v–75	To iours = Tota jous (Toujours)	-	Anonymous
To iours = Tota jous (Toujours) Anonymous Appears on: 74v–75 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Tota jous Item Bibliography Reidemeister, Peter. 1973. Die Chanson-Handschrift 78 C 28 des Berliner Kupferstichkabinetts: Studien zur Form der Chanson im 15. Jahrhundert. Berliner Musikwissenschaftliche Arbeiten, vol. 4. Munich.
75v–76	J'ai pris amours	-	Anonymous
J'ai pris amours Anonymous Appears on: 75v–76 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Jam pris amore [a ma devise] General Note [= Canti zoiosi e dolce melodia]Publ. cf. Bc 16 n° 119
76v–77	Amor tu non me gabaste - 1a pars (of 2): Amor tu non me gabaste	-	Anonymous
Amor tu non me gabaste - 1a pars (of 2): Amor tu non me gabaste Anonymous Appears on: 76v–77 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Amor tu non me gabasti General Note Publ. cf. MC 871 if 23 Concordances = Du Fay "Le serviteur hault guerdonne"?
76v–77	Amor tu non me gabaste - 2a pars (of 2): Io averia voluntate	-	Anonymous
Amor tu non me gabaste - 2a pars (of 2): Io averia voluntate Anonymous Appears on: 76v–77 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: [2a p.]: lo averia voluntate General Note Publ. cf. MC 871 if 23
77v–78	Nunca fue pena mayor / Numquam fuit pena magior	JO. UREDE [ou ENRIQUE]	Enrique (?) Urrede (Wrede), Juan de (fl. 1451-c1482) (?)
Nunca fue pena mayor / Numquam fuit pena magior Enrique (?) Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Appears on: 77v–78 Genres: Motet Source Attribution: JO. UREDE [ou ENRIQUE] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Nunque fue pena maior. General Note Publ. cf. Bc 16 n" 116
78v–79	Le souvenir de vous me tue mon seul bien	[R. MORTON]	Morton, Robert
Le souvenir de vous me tue mon seul bien Morton, Robert Appears on: 78v–79 Genres: Chanson Source Attribution: [R. MORTON] Voice: [no designation] Languages: French Voice Text: Le sovinir de vos ma tucte General Note Publ. cf. Bc 16 n» 118
79v–81	Ben finirò - 1a pars (of 2): Ben finirò questa misera vita	-	Anonymous
Ben finirò - 1a pars (of 2): Ben finirò questa misera vita Anonymous Appears on: 79v–81 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Ben finirò questa misera vita Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
79v–81	Ben finirò - 2a pars (of 2): Oime che stento	-	Anonymous
Ben finirò - 2a pars (of 2): Oime che stento Anonymous Appears on: 79v–81 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: 2a p.: Oime che stento Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
81v–82	O rosa bella	-	Anonymous
O rosa bella Anonymous Appears on: 81v–82 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O rosa bella. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
82v–83	Ave regina caelorum I	W. FRYE]*	Frye, Walter (–ca. 1475)
Ave regina caelorum I Frye, Walter (–ca. 1475) Appears on: 82v–83 Genres: BVM Source Attribution: W. FRYE]* Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note Publ. cf. Fn 112bis n° 27 Concordances *D-brd-Mbs 3232
83v–84	Fortuna desperata - 1a pars (of 2): Fortuna desperata	[A. BUSNOIS]*	Busnoys, Antoine (ca. 1430–1492) (?)
Fortuna desperata - 1a pars (of 2): Fortuna desperata Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 83v–84 Genres: Italian secular Source Attribution: [A. BUSNOIS]* Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Fortuna desperata. General Note Pièce entièrement barréePubl. cf. Fn 121 n° 25 Concordances *E-SE. Pour attrib. à Busnois cf. Atlas TC,134 ff
84v–85	Fortuna desperata iniqua e maledecta	[A. BUSNOIS ?]*	Busnoys, Antoine (ca. 1430–1492) (?)
Fortuna desperata iniqua e maledecta Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 84v–85 Genres: Italian secular Source Attribution: [A. BUSNOIS ?]* Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Fortuna desperata. General Note [=Virginis alme parens][=Poi che t'hebi nel core] Concordances SA-Csa 12.. Pour attrib. à Busnois cf. Atlas TC,134 ff Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.* Graz and Vienna. Pages: 28 (XIV). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 76. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik, vol. 1 & Vols 4 & 8. Das Glogauer Liederbuch, hrsg. von H. Ringmann. 2 vol. 1936/37 32, 33 & 34. Der Mensuralkodex des Nicolaus Apel, hrsg. von R. Gerber, 3 vol. 1956 37, 38 & 39. Das Buxheimer Orgelbuch, hrsg. von Bertha Antonia Wallner. 1959. Pages: 32. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: I.
85v–86	Amours amours trop me fiers de tes dars	[HAYNE]	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Amours amours trop me fiers de tes dars Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 85v–86 Genres: Chanson Source Attribution: [HAYNE] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Amors amors [trop me fiers de tes dars) General Note Publ. cf. Bc 16 n° 20
86v–87	Des biens d'amour	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
Des biens d'amour Martini, Johannes (ca. 1430–1497) Appears on: 86v–87 Genres: Chanson Source Attribution: [J. MARTINI] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Des biens damonis [sic pour d'amours] General Note [=La ré]Publ. cf. Bc 16 n° 1
87v–88	A latre perche robbate le fatige ch'io stentate	-	Anonymous
A latre perche robbate le fatige ch'io stentate Anonymous Appears on: 87v–88 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: A latre perche robate le fatige ch'io stentate General Note . Publ. cf. FO n' 5
88v–90	In tormento sempre vivo - 1a pars (of 2): In tormento sempre vivo	ADVARDUS ORTONENSIS	Ortonensis, Advardus
In tormento sempre vivo - 1a pars (of 2): In tormento sempre vivo Ortonensis, Advardus Appears on: 88v–90 Genres: textless Source Attribution: ADVARDUS ORTONENSIS Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: In tormento sempre vivo Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
88v–90	In tormento sempre vivo - 2a pars (of 2): [untexted]	ADVARDUS ORTONENSIS	Ortonensis, Advardus
In tormento sempre vivo - 2a pars (of 2): [untexted] Ortonensis, Advardus Appears on: 88v–90 Genres: textless Source Attribution: ADVARDUS ORTONENSIS Number of voices: 3 Voice: [no designation] Languages: none Voice Text: 2a p.: no text Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
90v–91	Nec mihi nec tibi = Helas	[J. OBRECHT* ou VIRGILIUS]	Haugk, Virgilius (ca. 1490–1555) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Nec mihi nec tibi = Helas Haugk, Virgilius (ca. 1490–1555) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 90v–91 Genres: Chanson Source Attribution: [J. OBRECHT* ou VIRGILIUS] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Helas. [= Nec mihi nec tibi] General Note Sup. et T seul1Publ. cf. Fn 229 n° 267 Concordances E-SE
91v–92	Servitur suis = Je suis malcontent = Verumtamen universa vanitas	HENRICUS ISAHC	Isaac, Heinrich (ca. 1450–1517)
Servitur suis = Je suis malcontent = Verumtamen universa vanitas Isaac, Heinrich (ca. 1450–1517) Appears on: 91v–92 Genres: Chanson Source Attribution: HENRICUS ISAHC Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Je suys mal content. General Note [= Serviteur suis] [= Veruntamen universa vanitas]Publ. cf. Fn 178 n° 56 Concordances SA-Csa 12
92v–94	Captivo sopra della terra - 1a pars (of 2): Captivo sopra della terra	-	Anonymous
Captivo sopra della terra - 1a pars (of 2): Captivo sopra della terra Anonymous Appears on: 92v–94 Genres: textless Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Captivo sopra della terra
92v–94	Captivo sopra della terra - 2a pars (of 2):	-	-
Captivo sopra della terra - 2a pars (of 2): - Appears on: 92v–94 Genres: textless Number of voices: 4 Voice: [no designation] Languages: none Voice Text: 2a p.: no text
94v–95	Fortune par ta cruaulte	[J. VINCENET]	Vincenet, Johannes (–ca. 1480)
Fortune par ta cruaulte Vincenet, Johannes (–ca. 1480) Appears on: 94v–95 Genres: Chanson, Contrafactum, Motet Source Attribution: [J. VINCENET] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Fortuna vincinecta. General Note [= Fortune par ta crualté] [= Nihil enim est opertum] Publ. cf. Bc 16 n+ 113 Concordances SA-Csa 12
95v–96	Falla con misuras	M. GULIELMUS	Guglielmo, Miniscalchi
Falla con misuras Guglielmo, Miniscalchi Appears on: 95v–96 Genres: Secular Source Attribution: M. GULIELMUS Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Falla con misuras* General Note [= La bassa Castiglia]*Sur le thème de la basse-danse La SpagnaPubl. cf. Bc 16 n+ 63
96v–97	Fin che vivo et poi la morte	-	Anonymous
Fin che vivo et poi la morte Anonymous Appears on: 96v–97 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Fin che vivo et poi la morte General Note T: Sol certo et nollo credo … Publ. cf. MOe F. 9.9. n° 51
97v–97	Leta speranza mia.	-	Anonymous
Leta speranza mia. Anonymous Appears on: 97v–97 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Leta speranza mia.
98v–99	untexted	PETRUS CARITATIS	Caritatis, Petrus
untexted Caritatis, Petrus Appears on: 98v–99 Genres: textless Source Attribution: PETRUS CARITATIS Number of voices: 3 Voice: [no designation] Languages: none Voice Text: Pièce without text
99v–100	In eternu voglio amarti	-	Anonymous
In eternu voglio amarti Anonymous Appears on: 99v–100 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: In eternu voglio amare General Note T: Se devesse de morire. Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
100v–101	Non te fidare se a te ciascun se arende	-	Anonymous
Non te fidare se a te ciascun se arende Anonymous Appears on: 100v–101 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Non te fidare se a te ciascun se arende Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
101v–102	Vego el luccio colla bocca aperta	-	Anonymous
Vego el luccio colla bocca aperta Anonymous Appears on: 101v–102 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Vego el luccio colla bocca aperta Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
102v–103	Tu sei nel toi bel anni	-	Anonymous
Tu sei nel toi bel anni Anonymous Appears on: 102v–103 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Tu sei nel toi bel anni Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
103v–104	Pugne sic lingua gloriosi	-	Anonymous
Pugne sic lingua gloriosi Anonymous Appears on: 103v–104 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Pugne [sic] lingua gloriosi.
104v–105	Nui siamo qui per buractar donne mie	-	Anonymous
Nui siamo qui per buractar donne mie Anonymous Appears on: 104v–105 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Nui siamo qui per buractar donne mie Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
105v–106	Vederà l'occhi mei la sepultura	-	Anonymous
Vederà l'occhi mei la sepultura Anonymous Appears on: 105v–106 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Vederà l'occhi mei la sepultura General Note [= Vedendo gli ochi mei] ++ Publ. cf. MOe F. 9.9. n° 76
106v–107	De' sartor nui sian maestri	-	Anonymous
De' sartor nui sian maestri Anonymous Appears on: 106v–107 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: De' sartor nui sian maestri … Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
107v	Serà nel core mio doglia et tormento	-	Anonymous
Serà nel core mio doglia et tormento Anonymous Appears on: 107v Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Serà nel core mio doglia et tormento . . . Voice: [no designation] Languages: Italian Voice Text: Serà nel core mio doglia et tormento . . . Voice: [no designation] Languages: Italian Voice Text: Serà nel core mio doglia et tormento . . . General Note Publ. cf. Bc 16 n" 108
108	Corrino multi cani ad una cazia	-	Anonymous
Corrino multi cani ad una cazia Anonymous Appears on: 108 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Corrino multi cani ad una cazia … Voice: [no designation] Languages: Italian Voice Text: Lu braccho che non cerca pe la trazia . . . Voice: [no designation] Languages: Italian Voice Text: L'ucello che da multi se discazia … General Note T: Lu braccho che non cerca pe la trazia . Ct: L'ucello che da multi se discazia …Publ. cf. MC 871 n° 140; Item Bibliography Ghisi, Federico. 1942. Bruchstücke einer neuen Musikhandschrift der italienischen Ars Nova und zwei unveröffentlichte Caccien der zweiten Hälfte des 15. Jahrhunderts. Archiv für Musikforschung, 7: 17ff. Pages: Facs.
108v–109	La morte che spavento	-	Anonymous
La morte che spavento Anonymous Appears on: 108v–109 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: La morte che spavento … Voice: [no designation] Languages: Italian Voice Text: Si non fosse nato . . . Voice: [no designation] Languages: Italian Voice Text: Et senza foco tucta via se dice . . . General Note T: Si non fosse nato . . .Ct: Et senza foco tucta via se dice Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
109	Se fosse certo che più non se amasse	-	Anonymous
Se fosse certo che più non se amasse Anonymous Appears on: 109 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Se fosse certo che più non se amasse . . . Voice: [no designation] Languages: Italian Voice Text: Laude chefaria. Voice: [no designation] Languages: Italian Voice Text: Se fosse certo che più non se amasse . . . General Note T: Laude chefaria. Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
109v	Vegio che la fortuna me contrasta	-	Anonymous
Vegio che la fortuna me contrasta Anonymous Appears on: 109v Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Vegio che la fortuna me contrasta . . . Voice: [no designation] Languages: Italian Voice Text: Vegio che la fortuna me contrasta . . . Voice: [no designation] Languages: Italian Voice Text: Vegio che la fortuna me contrasta . . . General Note Publ. cf. MC 871 n° 130
110	Piangendo chiamo surda et crudele morte	-	Anonymous
Piangendo chiamo surda et crudele morte Anonymous Appears on: 110 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Piangendo chiamo surda et crudele morte Voice: [no designation] Languages: Italian Voice Text: Piangendo chiamo surda et crudele morte Voice: [no designation] Languages: Italian Voice Text: Piangendo chiamo surda et crudele morte General Note Publ. cf. MC 871 n° 24
110v	Aio te possa nome turlurera	-	Anonymous
Aio te possa nome turlurera Anonymous Appears on: 110v Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Aio te possa nome turlurera … Voice: [no designation] Languages: Italian Voice Text: Aio te possa nome turlurera … Voice: [no designation] Languages: Italian Voice Text: Aio te possa nome turlurera … Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
110v–111	Ayo stentato ancora	-	Anonymous
Ayo stentato ancora Anonymous Appears on: 110v–111 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Ayo stentato ancora … Voice: [no designation] Languages: Italian Voice Text: Ayo stentato ancora … Voice: [no designation] Languages: Italian Voice Text: Ayo stentato ancora … Voice: [no designation] Languages: Italian Voice Text: Ayo stentato ancora … Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
111v	Io sento donne banda suspirar	-	Anonymous
Io sento donne banda suspirar Anonymous Appears on: 111v Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Io sento donne banda suspirar . , . Voice: [no designation] Languages: Italian Voice Text: Io sento donne banda suspirar . , . Voice: [no designation] Languages: Italian Voice Text: Io sento donne banda suspirar . , . Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
112	Quisto aflicto corpu misero	-	Anonymous
Quisto aflicto corpu misero Anonymous Appears on: 112 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Quisto aflicto corpu misero … Voice: [no designation] Languages: Italian Voice Text: Quisto aflicto corpu misero … Voice: [no designation] Languages: Italian Voice Text: Quisto aflicto corpu misero … Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
112v–113	L'ucello mio chiamo io perdo jornata	-	Anonymous
L'ucello mio chiamo io perdo jornata Anonymous Appears on: 112v–113 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: L'ucello mio chiamo io perdo jornata . . . Voice: [no designation] Languages: Italian Voice Text: L'ucello mio chiamo io perdo jornata . . . Voice: [no designation] Languages: Italian Voice Text: L'ucello mio chiamo io perdo jornata . . . Voice: [no designation] Languages: Italian Voice Text: L'ucello mio chiamo io perdo jornata . . . General Note Publ. cf. Fn 27 n° 62
113v–114	Viva viva li galanti li amorosi tucti quandi che non	-	Anonymous
Viva viva li galanti li amorosi tucti quandi che non Anonymous Appears on: 113v–114 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Viva viva li galanti li amorosi tucti quanti che non. Voice: [no designation] Languages: Italian Voice Text: Viva viva li galanti li amorosi tucti quanti che non. Voice: [no designation] Languages: Italian Voice Text: Viva viva li galanti li amorosi tucti quanti che non. Voice: [no designation] Languages: Italian Voice Text: Viva viva li galanti li amorosi tucti quanti che non. Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
114v–115	Io non so surdo ne ceco	-	Anonymous
Io non so surdo ne ceco Anonymous Appears on: 114v–115 Genres: Italian secular Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Io non so surdo ne ceco … Voice: [no designation] Languages: Italian Voice Text: Io non so surdo ne ceco … Voice: [no designation] Languages: Italian Voice Text: Io non so surdo ne ceco … Voice: [no designation] Languages: Italian Voice Text: Io non so surdo ne ceco … Voice: [no designation] Languages: Italian Voice Text: Io non so surdo ne ceco … Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
115v–116	Una vecchia rencagnata zoza guerza e stomacosa	-	Anonymous
Una vecchia rencagnata zoza guerza e stomacosa Anonymous Appears on: 115v–116 Genres: Italian secular Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Una vecchia rencagnata zoza guerza estomacosa … Voice: [no designation] Languages: Italian Voice Text: Una vecchia rencagnata zoza guerza estomacosa … Voice: [no designation] Languages: Italian Voice Text: Una vecchia rencagnata zoza guerza estomacosa … Voice: [no designation] Languages: Italian Voice Text: Una vecchia rencagnata zoza guerza estomacosa … Voice: [no designation] Languages: Italian Voice Text: Una vecchia rencagnata zoza guerza estomacosa … Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
116v–117	Sufferir so disposto omne tormento	-	Anonymous
Sufferir so disposto omne tormento Anonymous Appears on: 116v–117 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Sufferir so disposto omne tormento … Voice: [no designation] Languages: Italian Voice Text: Sufferir so disposto omne tormento … Voice: [no designation] Languages: Italian Voice Text: Sufferir so disposto omne tormento … Voice: [no designation] Languages: Italian Voice Text: Sufferir so disposto omne tormento … General Note [= Ave regina virgo] Publ. cf. Fn 27 n° 13
117v–118	Stabat Maria dolorosa	-	Anonymous
Stabat Maria dolorosa Anonymous Appears on: 117v–118 Genres: Lauda Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Stabat Maria dolorosa … Voice: [no designation] Languages: Latin Voice Text: Stabat Maria dolorosa … Voice: [no designation] Languages: Latin Voice Text: Stabat Maria dolorosa … Voice: [no designation] Languages: Latin Voice Text: Stabat Maria dolorosa …
118v–119	Credeva per amor esser amado	-	Anonymous
Credeva per amor esser amado Anonymous Appears on: 118v–119 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: [Credeva per amor esser amado] Voice: [no designation] Languages: Italian Voice Text: [Credeva per amor esser amado] Voice: [no designation] Languages: Italian Voice Text: [Credeva per amor esser amado] Voice: [no designation] Languages: Italian Voice Text: [Credeva per amor esser amado]
119v–120	O partita crudele	-	Anonymous
O partita crudele Anonymous Appears on: 119v–120 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: O partita crudele. Voice: [no designation] Languages: Italian Voice Text: O partita crudele. Voice: [no designation] Languages: Italian Voice Text: O partita crudele. Voice: [no designation] Languages: Italian Voice Text: O partita crudele. Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
120v–121	O lux immensa Christus	-	Anonymous
O lux immensa Christus Anonymous Appears on: 120v–121 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O lux immensa Christus Voice: [no designation] Languages: Latin Voice Text: O lux immensa Christus Voice: [no designation] Languages: Latin Voice Text: O lux immensa Christus Voice: [no designation] Languages: Latin Voice Text: O lux immensa Christus
120v–121	Sento li spiriti mei	-	Anonymous
Sento li spiriti mei Anonymous Appears on: 120v–121 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Sento li spiriti mei. Voice: [no designation] Languages: Italian Voice Text: Sento li spiriti mei. Voice: [no designation] Languages: Italian Voice Text: Sento li spiriti mei. Voice: [no designation] Languages: Italian Voice Text: Sento li spiriti mei.
121v–125	Magnificat: Et exultavit spiritus meus [K.391]	-	Anonymous
Magnificat: Et exultavit spiritus meus [K.391] Anonymous Appears on: 121v–125 Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit spiritus meus. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit spiritus meus. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit spiritus meus. General Note Versets pairsParoles aux seuls incipit des versets.
125v–130, 133v-134	Magnificat sexti toni: Et exultavit [K.668]	Cecus	Touront, Johannes (ca. 1450–ca. 1475)
Magnificat sexti toni: Et exultavit [K.668] Touront, Johannes (ca. 1450–ca. 1475) Appears on: 125v–130, 133v-134 Genres: BVM, Canticle, Magnificat Source Attribution: Cecus Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit spiritus meus. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit spiritus meus. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit spiritus meus. General Note Versets pairsVerset 12 aux ff. 133v-134 (143v-144)Paroles aux seuls incipit des versets.
130v–132	Magnificat: Et exultavit spiritus meus [K.392]	-	Anonymous
Magnificat: Et exultavit spiritus meus [K.392] Anonymous Appears on: 130v–132 Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit . . Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit . . Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit . . General Note Versets pairs, mq. versets 10, 12.
132v–133	Magnificat: Et exultavit spiritus meus [K.393]	-	Anonymous
Magnificat: Et exultavit spiritus meus [K.393] Anonymous Appears on: 132v–133 Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note 2 et 4 seul'
134v–140	Magnificat: Et exultavit spiritus meus	Seraphinus	Seraphinus, Franciscus
Magnificat: Et exultavit spiritus meus Seraphinus, Franciscus Appears on: 134v–140 Genres: BVM, Canticle, Magnificat Source Attribution: Seraphinus Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit... Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit... Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit... Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit... General Note Versets pairs
140v–143	Magnificat octavi toni: Et exultavit [K.895]	F.M. DE ORTONA	Orto, Marbrianus de
Magnificat octavi toni: Et exultavit [K.895] Orto, Marbrianus de Appears on: 140v–143 Genres: BVM, Canticle, Magnificat Source Attribution: F.M. DE ORTONA Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit... Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit... Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit... General Note Versets pairs
145v–146	untexted Canon a 3	R.[APHAEL] S.[OCIUS]	Sozi, Raffaele (1529–1589)
untexted Canon a 3 Sozi, Raffaele (1529–1589) Appears on: 145v–146 Genres: Canon Source Attribution: R.[APHAEL] S.[OCIUS] Number of voices: 3 Voice: Canon Languages: none
146	Untexted Canon in Diapason et Diatessaron A 3 voci	-	Anonymous
Untexted Canon in Diapason et Diatessaron A 3 voci Anonymous Appears on: 146 Genres: Canon Number of voices: 3 Voice: Canon Languages: none
143v–147	Magnificat: Et exultavit spiritus meus [K.394]	M. ?	Sozi, Raffaele (1529–1589) (?)
Magnificat: Et exultavit spiritus meus [K.394] Sozi, Raffaele (1529–1589) (?) Appears on: 143v–147 Genres: BVM, Canticle, Magnificat Source Attribution: M. ? Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versetspairs, mq. versets 10, 12.
147v–150	Magnificat sexti toni: Et exultavit [K.758]	F.M.?	F M (?)
Magnificat sexti toni: Et exultavit [K.758] F M (?) Appears on: 147v–150 Genres: BVM, Canticle, Magnificat Source Attribution: F.M.? Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs
150v–151	Decus morum dux minorum	F.M. ?	Ortona, Fr. M de (?)
Decus morum dux minorum Ortona, Fr. M de (?) Appears on: 150v–151 Genres: Motet Source Attribution: F.M. ? Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Decus morum dux minorum.
151v–152	Iste confessor Domini sacratus festa.	-	Anonymous
Iste confessor Domini sacratus festa. Anonymous Appears on: 151v–152 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Iste confessor domini sacratus festa.
152v	Christe redemptor omnium.	-	Anonymous
Christe redemptor omnium. Anonymous Appears on: 152v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Christe redemptor omnium.
153v–154	Aures ad nostras Deitatis preces	-	Anonymous
Aures ad nostras Deitatis preces Anonymous Appears on: 153v–154 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Aures ad nostras deitatis preces.
154v–155	Veni creator spiritus mentes tuorum	M?	Ortona, Fr. M de (?)
Veni creator spiritus mentes tuorum Ortona, Fr. M de (?) Appears on: 154v–155 Genres: Hymn, Veni creator spiritus Source Attribution: M? Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Veni creator spiritus
[-]	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria
155v	Untexted Canon a 4 voci	-	Anonymous
Untexted Canon a 4 voci Anonymous Appears on: 155v Genres: Canon Number of voices: 4 Voice: Canon Languages: none General Note [=n°II,f.36] Concordances [=n°II,f.36]
156	Canon di Papa Lione a 3 voci	LEON X, PAPE	Leo X (Medici) (1475–1521)
Canon di Papa Lione a 3 voci Leo X (Medici) (1475–1521) Appears on: 156 Genres: Canon Source Attribution: LEON X, PAPE Number of voices: 3 Voice: Canon Languages: none General Note [= n' I, f. 36] Concordances [= n' I, f. 36]
156	Canon a 4.	IVO	Barri, Ivo (1545–1552) (?) Vento, Ivo de (?)
Canon a 4. Barri, Ivo (1545–1552) (?) Vento, Ivo de (?) Appears on: 156 Genres: Canon Source Attribution: IVO Number of voices: 4 Voice: Canon Languages: none
157v–158	Questa la nocte sancta	M.B.	Ortona, Fr. M de
Questa la nocte sancta Ortona, Fr. M de Appears on: 157v–158 Genres: Motet Source Attribution: M.B. Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Questa la nocte sancta
[-]	Adoramus te Christe	-	Anonymous
Adoramus te Christe Anonymous Appears on: [-] Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Adoramus te Christe
[-]	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria
[-]	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: [-] Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
161	Qui nos fecit ex nichilo / Qui nos fecit ex nichilo	-	Anonymous
Qui nos fecit ex nichilo / Qui nos fecit ex nichilo Anonymous Appears on: 161 Genres: Lauda Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Qui nos fecit ex nichilo. Voice: [no designation] Languages: Latin Voice Text: Qui nos fecit ex nichilo. Voice: [no designation] Languages: Latin Voice Text: Qui nos fecit ex nichilo.
161v–162	Adoramus te Christe	-	Anonymous
Adoramus te Christe Anonymous Appears on: 161v–162 Genres: Lauda Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Adoramus te Christe … Voice: [no designation] Languages: Latin Voice Text: Adoramus te Christe … Voice: [no designation] Languages: Latin Voice Text: Adoramus te Christe … Voice: [no designation] Languages: Latin Voice Text: Adoramus te Christe …
161v–162	Sancta virgo virginum	-	Anonymous
Sancta virgo virginum Anonymous Appears on: 161v–162 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Sancta virgo virginum. Voice: [no designation] Languages: Latin Voice Text: Sancta virgo virginum. Voice: [no designation] Languages: Latin Voice Text: Sancta virgo virginum. General Note Letanie de Domina nostra.
162v–163	Kyrie eleison. Christe eleison. Christe audi nos. Omnes sancti	-	Anonymous
Kyrie eleison. Christe eleison. Christe audi nos. Omnes sancti Anonymous Appears on: 162v–163 Genres: Mass Ordinary, Troped Kyrie Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie leyson. Christe Leyson. Christe audi nos. Omnes sancti. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie leyson. Christe Leyson. Christe audi nos. Omnes sancti. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie leyson. Christe Leyson. Christe audi nos. Omnes sancti. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie leyson. Christe Leyson. Christe audi nos. Omnes sancti.
162v–163	Spiritus sanctus Deus miserere nobis	-	Anonymous
Spiritus sanctus Deus miserere nobis Anonymous Appears on: 162v–163 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Spiritus sanctus Deus miserere nobis

Composer	Compositions
Anonymous	A latre perche robbate le fatige ch'io stentate – 87v–88 Ad cenam agni – 2v Adoramus te Christe – [-] Adoramus te Christe – 161v–162 Agnus Dei – 4v–7 Ahi lasso a quande fiere la sete toglio (1a pars only) – 53v–54 Aio te possa nome turlurera – 110v Amor tu non me gabaste - 1a pars (of 2): Amor tu non me gabaste – 76v–77 Amor tu non me gabaste - 2a pars (of 2): Io averia voluntate – 76v–77 Aures ad nostras Deitatis preces – 153v–154 Ayo stentato ancora – 110v–111 Ben finirò - 1a pars (of 2): Ben finirò questa misera vita – 79v–81 Ben finirò - 2a pars (of 2): Oime che stento – 79v–81 Benedicamus Domino – [-] Benedictus – 4v–7 Captivo sopra della terra - 1a pars (of 2): Captivo sopra della terra – 92v–94 Captivo sopra della terra - 2a pars (of 2): – 92v–94 Christe leison – 7v–9 Christe redemptor omnium. – 152v Corrino multi cani ad una cazia – 108 Credeva per amor esser amado – 118v–119 De' sartor nui sian maestri – 106v–107 Deus tuorum militum – Iv–2 Fin che vivo et poi la morte – 96v–97 Folle chi vole amare altra donna che gentile – 65v–66 Helas es le confort – 73v–74 In eternu voglio amarti – 99v–100 Io non so surdo ne ceco – 114v–115 Io sento amore con sue orrende strida – 47v Io sento donne banda suspirar – 111v Iste confessor Domini sacratus festa. – 151v–152 Iterum dico amadores. – 56v–57 J'ai pris amours – 75v–76 Kyrie eleison – 7v–9 Kyrie eleison – 32v–35 Kyrie eleison – 3–4 Kyrie eleison. Christe eleison. Christe audi nos. Omnes sancti – 162v–163 L'ucello mio chiamo io perdo jornata – 112v–113 La morte che spavento – 108v–109 Leta speranza mia. – 97v–97 Magnificat: Et exultavit spiritus meus [K.391] – 121v–125 Magnificat: Et exultavit spiritus meus [K.392] – 130v–132 Magnificat: Et exultavit spiritus meus [K.393] – 132v–133 Non te fidare se a te ciascun se arende – 100v–101 Nui siamo qui per buractar donne mie – 104v–105 O lux immensa Christus – 120v–121 O partita crudele – 119v–120 O rosa bella – 81v–82 Orsù cusi va el mondo – 42v–43 Patrem omnipotentem [Credo] – 9v–12 Per scriptores. Orsù car signori chi soe bolle – 57v–58 Piangendo chiamo surda et crudele morte – 110 Pugne sic lingua gloriosi – 103v–104 Questa fenice de laurata piuma – 50v–51 Questa fenice de laurata piuma – 51v–52 Qui nos fecit ex nichilo / Qui nos fecit ex nichilo – 161 Quisto aflicto corpu misero – 112 Sancta Maria ora pro nobis – 30 Sancta Maria ora pro nobis – 48 Sancta virgo virginum – 161v–162 Sanctorum meritis Hi sunt quos retinens – 1 Sanctus – 4v–7 Se fosse certo che più non se amasse – 109 Se je vous esloigne - 2a pars (of 2): Vous me laissés finier – 71v–73 Sento li spiriti mei – 120v–121 Serà nel core mio doglia et tormento – 107v Spiritus sanctus Deus miserere nobis – 162v–163 Stabat Maria dolorosa – 117v–118 Sufferir so disposto omne tormento – 116v–117 To iours = Tota jous (Toujours) – 74v–75 Tu sei nel toi bel anni – 102v–103 Una vecchia rencagnata zoza guerza e stomacosa – 115v–116 Untexted Canon a 4 voci – 155v Untexted Canon in Diapason et Diatessaron A 3 voci – 146 Vederà l'occhi mei la sepultura – 105v–106 Vegio che la fortuna me contrasta – 109v Vego el luccio colla bocca aperta – 101v–102 Verbum caro factum est de virgine Maria – [-] Verbum caro factum est de virgine Maria – [-] Viva viva li galanti li amorosi tucti quandi che non – 113v–114 [No description] – 37v–38 [No description] – 54v–55
Barri, Ivo (1545-1552)	(?) Canon a 4. – 156
Basin, Adrien (-ca. 1498)	(?) Vien avante morte dolente – 60v–61
Breton, Simon le	Nul ne s'i frocte a ma maistresse – 68v–69
Burgensis, Dux	Madame trop vous m'esprenez – 69v–70
Busnoys, Antoine (ca. 1430-1492)	(?) Cent mille escus quand je voldroie – 48v–49 (?) Fortuna desperata - 1a pars (of 2): Fortuna desperata – 83v–84 (?) Fortuna desperata iniqua e maledecta – 84v–85 (?) Samaur vos fai – 55v–56
Caritatis, Petrus	untexted – 98v–99
Caron, Firminus (ca. 1460-ca. 1475)	Ave sidus clarissimum / Der Seidenschwanz – 71v–73 (?) C'est temps perdu – 61v–62 Cent mille escus quand je voldroie – 48v–49 Helas que pourra devenir – 59v–60
Du Fay, Guillaume (1397-1474)	Le serviteur hault guerdonné assovy – 67v–68
Enrique	(?) Nunca fue pena mayor / Numquam fuit pena magior – 77v–78 (?) Pues serviçio vos desplase – 62v–63
F M	(?) Ave regina caelorum – 52v–53 Kyrie eleison – 29v–31v (?) Magnificat sexti toni: Et exultavit [K.758] – 147v–150
Frye, Walter (-ca. 1475)	Ave regina caelorum I – 82v–83
Ghizeghem, Hayne van (ca. 1445-ca. 1497)	Amours amours trop me fiers de tes dars – 85v–86 De tous biens plaine est ma maîtresse – 70v–71
Guglielmo, Miniscalchi	Falla con misuras – 95v–96
Haugk, Virgilius (ca. 1490-1555)	(?) Nec mihi nec tibi = Helas – 90v–91
Isaac, Heinrich (ca. 1450-1517)	Morte che fai che non pigli – 46v–47 (?) Pover me mischin dolente – 43v–44 (?) Samaur vos fai – 55v–56 (?) Se io te o dato l'anima e'l core – 45v–46 Servitur suis = Je suis malcontent = Verumtamen universa vanitas – 91v–92 (?) untexted – 44v–45
Leo X (Medici) (1475-1521)	Canon di Papa Lione a 3 voci – 156 Verbum caro factum est de virgine Maria – 36 Verbum caro factum est de virgine Maria – 36 Verbum caro factum est de virgine Maria – 35v
M.	(?) Verbum caro factum est de virgine Maria – 36v (?) untexted – 40v–41 (?) untexted – 39v–40 (?) untexted – 49v–50 (?) untexted – 38v–39
Martini, Johannes (ca. 1430-1497)	Des biens d'amour – 86v–87
Morton, Robert	(?) C'est temps perdu – 61v–62 Le souvenir de vous me tue mon seul bien – 78v–79 Motectus Vive madame par amours – 63v–64 (?) Pues serviçio vos desplase – 62v–63 (?) Vien avante morte dolente – 60v–61
Obrecht, Jacobus (ca. 1457-1505)	(?) Nec mihi nec tibi = Helas – 90v–91
Oriola, Pietro	Trista che spera morendo finire omne dolore – 64v–65 untexted – 66v–67
Orto, Marbrianus de	Magnificat octavi toni: Et exultavit [K.895] – 140v–143
Ortona, Fr. M de	(?) Decus morum dux minorum – 150v–151 Questa la nocte sancta – 157v–158 (?) Veni creator spiritus mentes tuorum – 154v–155
Ortonensis, Advardus	In tormento sempre vivo - 1a pars (of 2): In tormento sempre vivo – 88v–90 In tormento sempre vivo - 2a pars (of 2): [untexted] – 88v–90 Missa: Kyrie leison – 16v–29
Seraphinus, Franciscus	Magnificat: Et exultavit spiritus meus – 134v–140 Patrem omnipotentem [Credo] – 12v–16
Soursby	(?) untexted – 41v–42 (?) untexted – 41v–42
Sozi, Raffaele (1529-1589)	(?) Magnificat: Et exultavit spiritus meus [K.394] – 143v–147 untexted Canon a 3 – 145v–146
Touront, Johannes (ca. 1450-ca. 1475)	Magnificat sexti toni: Et exultavit [K.668] – 125v–130, 133v-134 O gloriosa regina mundi succurre nobis – 58v–59
Urrede (Wrede), Juan de (1451-c1482)	(?) Nunca fue pena mayor / Numquam fuit pena magior – 77v–78
Vento, Ivo de	(?) Canon a 4. – 156
Vincenet, Johannes (-ca. 1480)	Fortune par ta cruaulte – 94v–95
le Téméraire, Charles (1433-1477)	(?) Madame trop vous m'esprenez – 69v–70

Composition	Composers (? Uncertain)	Folios / Pages
A latre perche robbate le fatige ch'io stentate	Anonymous	87v–88
Ad cenam agni	Anonymous	2v
Adoramus te Christe	Anonymous	[-]
Adoramus te Christe	Anonymous	161v–162
Agnus Dei	Anonymous	4v–7
Ahi lasso a quande fiere la sete toglio (1a pars only)	Anonymous	53v–54
Aio te possa nome turlurera	Anonymous	110v
Amor tu non me gabaste - 1a pars (of 2): Amor tu non me gabaste	Anonymous	76v–77
Amor tu non me gabaste - 2a pars (of 2): Io averia voluntate	Anonymous	76v–77
Amours amours trop me fiers de tes dars	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	85v–86
Aures ad nostras Deitatis preces	Anonymous	153v–154
Ave regina caelorum	F M (?)	52v–53
Ave regina caelorum I	Frye, Walter (–ca. 1475)	82v–83
Ave sidus clarissimum / Der Seidenschwanz	Caron, Firminus (ca. 1460–ca. 1475)	71v–73
Ayo stentato ancora	Anonymous	110v–111
Ben finirò - 1a pars (of 2): Ben finirò questa misera vita	Anonymous	79v–81
Ben finirò - 2a pars (of 2): Oime che stento	Anonymous	79v–81
Benedicamus Domino	Anonymous	[-]
Benedictus	Anonymous	4v–7
C'est temps perdu	Caron, Firminus (ca. 1460–ca. 1475) (?) Morton, Robert (?)	61v–62
Canon a 4.	Barri, Ivo (1545–1552) (?) Vento, Ivo de (?)	156
Canon di Papa Lione a 3 voci	Leo X (Medici) (1475–1521)	156
Captivo sopra della terra - 1a pars (of 2): Captivo sopra della terra	Anonymous	92v–94
Captivo sopra della terra - 2a pars (of 2):	-	92v–94
Cent mille escus quand je voldroie	Caron, Firminus (ca. 1460–ca. 1475) Busnoys, Antoine (ca. 1430–1492) (?)	48v–49
Christe leison	Anonymous	7v–9
Christe redemptor omnium.	Anonymous	152v
Corrino multi cani ad una cazia	Anonymous	108
Credeva per amor esser amado	Anonymous	118v–119
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	70v–71
De' sartor nui sian maestri	Anonymous	106v–107
Decus morum dux minorum	Ortona, Fr. M de (?)	150v–151
Des biens d'amour	Martini, Johannes (ca. 1430–1497)	86v–87
Deus tuorum militum	Anonymous	Iv–2
Falla con misuras	Guglielmo, Miniscalchi	95v–96
Fin che vivo et poi la morte	Anonymous	96v–97
Folle chi vole amare altra donna che gentile	Anonymous	65v–66
Fortuna desperata - 1a pars (of 2): Fortuna desperata	Busnoys, Antoine (ca. 1430–1492) (?)	83v–84
Fortuna desperata iniqua e maledecta	Busnoys, Antoine (ca. 1430–1492) (?)	84v–85
Fortune par ta cruaulte	Vincenet, Johannes (–ca. 1480)	94v–95
Helas es le confort	Anonymous	73v–74
Helas que pourra devenir	Caron, Firminus (ca. 1460–ca. 1475)	59v–60
In eternu voglio amarti	Anonymous	99v–100
In tormento sempre vivo - 1a pars (of 2): In tormento sempre vivo	Ortonensis, Advardus	88v–90
In tormento sempre vivo - 2a pars (of 2): [untexted]	Ortonensis, Advardus	88v–90
Io non so surdo ne ceco	Anonymous	114v–115
Io sento amore con sue orrende strida	Anonymous	47v
Io sento donne banda suspirar	Anonymous	111v
Iste confessor Domini sacratus festa.	Anonymous	151v–152
Iterum dico amadores.	Anonymous	56v–57
J'ai pris amours	Anonymous	75v–76
Kyrie eleison	Anonymous	3–4
Kyrie eleison	Anonymous	7v–9
Kyrie eleison	F M	29v–31v
Kyrie eleison	Anonymous	32v–35
Kyrie eleison. Christe eleison. Christe audi nos. Omnes sancti	Anonymous	162v–163
L'ucello mio chiamo io perdo jornata	Anonymous	112v–113
La morte che spavento	Anonymous	108v–109
Le serviteur hault guerdonné assovy	Du Fay, Guillaume (1397–1474)	67v–68
Le souvenir de vous me tue mon seul bien	Morton, Robert	78v–79
Leta speranza mia.	Anonymous	97v–97
Madame trop vous m'esprenez	le Téméraire, Charles (1433–1477) (?) Burgensis, Dux	69v–70
Magnificat octavi toni: Et exultavit [K.895]	Orto, Marbrianus de	140v–143
Magnificat sexti toni: Et exultavit [K.668]	Touront, Johannes (ca. 1450–ca. 1475)	125v–130, 133v-134
Magnificat sexti toni: Et exultavit [K.758]	F M (?)	147v–150
Magnificat: Et exultavit spiritus meus	Seraphinus, Franciscus	134v–140
Magnificat: Et exultavit spiritus meus [K.391]	Anonymous	121v–125
Magnificat: Et exultavit spiritus meus [K.392]	Anonymous	130v–132
Magnificat: Et exultavit spiritus meus [K.393]	Anonymous	132v–133
Magnificat: Et exultavit spiritus meus [K.394]	Sozi, Raffaele (1529–1589) (?)	143v–147
Missa: Kyrie leison	Ortonensis, Advardus	16v–29
Morte che fai che non pigli	Isaac, Heinrich (ca. 1450–1517)	46v–47
Motectus Vive madame par amours	Morton, Robert	63v–64
Nec mihi nec tibi = Helas	Haugk, Virgilius (ca. 1490–1555) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	90v–91
Non te fidare se a te ciascun se arende	Anonymous	100v–101
Nui siamo qui per buractar donne mie	Anonymous	104v–105
Nul ne s'i frocte a ma maistresse	Breton, Simon le	68v–69
Nunca fue pena mayor / Numquam fuit pena magior	Enrique (?) Urrede (Wrede), Juan de (fl. 1451-c1482) (?)	77v–78
O gloriosa regina mundi succurre nobis	Touront, Johannes (ca. 1450–ca. 1475)	58v–59
O lux immensa Christus	Anonymous	120v–121
O partita crudele	Anonymous	119v–120
O rosa bella	Anonymous	81v–82
Orsù cusi va el mondo	Anonymous	42v–43
Patrem omnipotentem [Credo]	Anonymous	9v–12
Patrem omnipotentem [Credo]	Seraphinus, Franciscus	12v–16
Per scriptores. Orsù car signori chi soe bolle	Anonymous	57v–58
Piangendo chiamo surda et crudele morte	Anonymous	110
Pover me mischin dolente	Isaac, Heinrich (ca. 1450–1517) (?)	43v–44
Pues serviçio vos desplase	Morton, Robert (?) Enrique (?)	62v–63
Pugne sic lingua gloriosi	Anonymous	103v–104
Questa fenice de laurata piuma	Anonymous	50v–51
Questa fenice de laurata piuma	Anonymous	51v–52
Questa la nocte sancta	Ortona, Fr. M de	157v–158
Qui nos fecit ex nichilo / Qui nos fecit ex nichilo	Anonymous	161
Quisto aflicto corpu misero	Anonymous	112
Samaur vos fai	Busnoys, Antoine (ca. 1430–1492) (?) Isaac, Heinrich (ca. 1450–1517) (?)	55v–56
Sancta Maria ora pro nobis	Anonymous	30
Sancta Maria ora pro nobis	Anonymous	48
Sancta virgo virginum	Anonymous	161v–162
Sanctorum meritis Hi sunt quos retinens	Anonymous	1
Sanctus	Anonymous	4v–7
Se fosse certo che più non se amasse	Anonymous	109
Se io te o dato l'anima e'l core	Isaac, Heinrich (ca. 1450–1517) (?)	45v–46
Se je vous esloigne - 2a pars (of 2): Vous me laissés finier	Anonymous	71v–73
Sento li spiriti mei	Anonymous	120v–121
Servitur suis = Je suis malcontent = Verumtamen universa vanitas	Isaac, Heinrich (ca. 1450–1517)	91v–92
Serà nel core mio doglia et tormento	Anonymous	107v
Spiritus sanctus Deus miserere nobis	Anonymous	162v–163
Stabat Maria dolorosa	Anonymous	117v–118
Sufferir so disposto omne tormento	Anonymous	116v–117
To iours = Tota jous (Toujours)	Anonymous	74v–75
Trista che spera morendo finire omne dolore	Oriola, Pietro	64v–65
Tu sei nel toi bel anni	Anonymous	102v–103
Una vecchia rencagnata zoza guerza e stomacosa	Anonymous	115v–116
untexted	M. (?)	38v–39
untexted	M. (?)	39v–40
untexted	M. (?)	40v–41
untexted	Soursby (?)	41v–42
untexted	Soursby (?)	41v–42
untexted	Isaac, Heinrich (ca. 1450–1517) (?)	44v–45
untexted	M. (?)	49v–50
untexted	Oriola, Pietro	66v–67
untexted	Caritatis, Petrus	98v–99
untexted Canon a 3	Sozi, Raffaele (1529–1589)	145v–146
Untexted Canon a 4 voci	Anonymous	155v
Untexted Canon in Diapason et Diatessaron A 3 voci	Anonymous	146
Vederà l'occhi mei la sepultura	Anonymous	105v–106
Vegio che la fortuna me contrasta	Anonymous	109v
Vego el luccio colla bocca aperta	Anonymous	101v–102
Veni creator spiritus mentes tuorum	Ortona, Fr. M de (?)	154v–155
Verbum caro factum est de virgine Maria	Leo X (Medici) (1475–1521)	35v
Verbum caro factum est de virgine Maria	Leo X (Medici) (1475–1521)	36
Verbum caro factum est de virgine Maria	Leo X (Medici) (1475–1521)	36
Verbum caro factum est de virgine Maria	M. (?)	36v
Verbum caro factum est de virgine Maria	Anonymous	[-]
Verbum caro factum est de virgine Maria	Anonymous	[-]
Vien avante morte dolente	Basin, Adrien (–ca. 1498) (?) Morton, Robert (?)	60v–61
Viva viva li galanti li amorosi tucti quandi che non	Anonymous	113v–114

‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Atlas, Allan W. 1985. Music at the Aragonese Court of Naples. Cambridge. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Atlas, Allan W. 1983. The Foligno Fragment: Another Source from FifteenthCentury Naples. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. Wiesbaden. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance, vol. 2. New York. Pages: xxiii, xxvi-xxvii, xxxi, xxxiii-xxxvi, 13-4, 40-2, 45-6, 62-4, 70-6, 92-104. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Atlas, Allan W. 1981. Review of Perkins, Leeman L: and Garey, Howard (eds.): "The Mellon Chansonnier" (New Haven and London, 1979). Journal of the American Musicological Society, 34: 132ff. Pages: 139-40. Notes: physical description; mention of MS; discussion.

Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, Cambridge. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians. London. Pages: III, 722; XIII, 378. Notes: facsimile (partial).

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: III, 43-44.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 172-3, 259-60, 321-3. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Fallows, David. 1978. Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 496, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Atlas, Allan W. 1977. The Accademia degli Unisoni, a music Academy in Renaissance Perugia. A Musical Offering: Essays in Honor of Martin Bernstein, 5-23. New York. Pages: 6ff. Notes: physical description; mention of MS; discussion.

Atlas, Allan W. 1977. On the Neapolitan Provenance of the Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G 20). Musica Disciplina, 31: 45ff. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Thompson, James (editor). 1976. Les Oeuvres Completes de Philippe (?) Caron. Transcription et Notes Critiques de James Thomson. Brooklyn: Institute of Mediaeval Music. Pages: II, ii-ff, 167-70, 175-8. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies, vol. 27. Brooklyn. Pages: I, 82ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances (partial); transcription (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Seay, Albert. 1971. The Conditor Alme Siderum by Busnois. Quadrivium, 12: 225-34. Pages: 225f.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, passim. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 156. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 65.

Plamenac, Dragan. 1956. A Postscript to 'The "Second" Chansonnier of the Biblioteca Riccardiana'. Annales Musicologiques, 4: 261-5. Pages: 262f.

Brooks, Catherine V. 1951. Antoine Busnois as a Composer of Chansons. New York University, Unpublished Ph.D. dissertation. Pages: I, frontispiece, 163-4, 167; II, 228-9. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); facsimile (partial).

Bukofzer, Manfred F. 1950. Studies in Medieval and Renaissance Music. Pages: 195-210. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Bukofzer, Manfred F. 1950. A Polyphonic basse dance of the Renaissance. Studies in Medieval and Renaissance Music, 190ff. New York: W. W. Norton and Co. Pages: 195ff.

Ghisi, Federico. 1942. Frammenti di un Nuovo Codice Musicale dell'ArsNova Italiana e due Saggi Inediti di Cacce del Secondo Quattrocento. La Rinascita, 5: 72-103. Pages: 96-103. Notes: facsimile (partial); texts (partial); mention of MS; discussion.

Ghisi, Federico. 1942. Bruchstücke einer neuen Musikhandschrift der italienischen Ars Nova und zwei unveröffentlichte Caccien der zweiten Hälfte des 15. Jahrhunderts. Archiv für Musikforschung, 7: 17ff. Pages: 30 f (= Frammenti. Concerne le n° 81).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 132; X, 23-4; XIV, 27. Notes: physical description (partial); contents list (partial); concordances (partial).

Torrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. Pages: 296f.

Ghisi, Federico. 1937. Canti Carnascialeschi nette Fonti Musicali del XV e XVI Secolo. Florence. Pages: 193-4, Fig. C. Notes: physical description; contents list; incipitsst of contents (partial); facsimile (partial).

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig. Pages: lxiv-ff, passim. Notes: physical description; contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 386-7, 458. Notes: physical description (partial); transcription (partial); facsimile (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XIV/XV.30; XXVIII, 132-3, 173, 201. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Mazzatinti, Giuseppe. 1890-. Inventari dei Manoscritti delle Biblioteche d'Italia. Forlì and Florence. Pages: V, 130-1. Notes: physical description; contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-PEc MS 431 (G 20)

Biblioteca Comunale Augusta, Perugia, Italy

manuscript of polyphony: 1480-90

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