Colla iugo subdere curias sectari / Bona condit cetera bonum libertatis / Libera me de sanguinibus
| Composer | |
|---|---|
| Genre | Motet |
Appears in
| Source | Location | Voices |
|---|---|---|
| GB-Odiamm Virtual Reconstruction of Cambrai fragments (F-CA(n)) | (13r) F-CA MS B 1328, 5r | |
| F-CA MS B 1328 | 5 (L-I:13) |
Voice:
[no designation]
Clef:
c2
Voice Text:
Colla iugo subdere curias sectari
Voice:
[no designation]
Clef:
c3
Voice Text:
Bona condit cetera bonum libertatis
Voice:
Tenor
Clef:
f3
Voice Text:
Libera me de sanguinibus
|
| E-TAc Fragment 1 | 1v |
Voice:
[no designation]
Clef:
c2
Voice Text:
Colla iugo subdere curias sectari
Voice:
[no designation]
Clef:
c3
Voice Text:
Bona condit cetera bonum libertatis
Voice:
Tenor
Clef:
f3
Voice Text:
Libera me de sanguinibus
|
| E-TAc Fragment 2 | 1 |
Voice:
[no designation]
Voice Text:
Colla iugo subdere curias sectari / Bona condit cetera bonum libertatis / Libera me de sanguinibus
|
| F-APT Trésor 16 bis (Apt Codex) | 20v–21 |
Voice:
[no designation]
Clef:
c2
Voice Text:
Colla iugo subdere curias sectari
Voice:
[no designation]
Clef:
c3
Voice Text:
Bona condit cetera bonum libertatis
Voice:
Tenor
Clef:
f3
Voice Text:
Libera me de sanguinibus
|
| F-AS 983 | 62 |
Voice:
Triplum
Clef:
c2
Voice Text:
Colla iugo subdere curias sectari
Voice:
Motetus
Clef:
c3
Voice Text:
Bona condit cetera bonum libertatis
Voice:
Tenor
Clef:
f3
Voice Text:
Libera [me de sanguinibus]
|
| F-Pnm NAF 23190 (Trémoille) | i |
Voice:
[no designation]
Clef:
c1
Voice Text:
Colla iugo subdere curias sectari
Voice:
[no designation]
Clef:
c3
Voice Text:
Bona condit cetera bonum libertatis
Voice:
Tenor
Clef:
c4
Voice Text:
Libera me domine
|
| F-Sm 222 C. 22 | 69v–70 |
Voice:
[no designation]
Voice Text:
Colla jugo
Voice:
[no designation]
Voice Text:
Bona condit
|
| I-IV MS CXV (115) (Ivrea Codex) | 17v–18 |
Voice:
[no designation]
Clef:
c2
Voice Text:
Colla iugo subdere curias sectari
Voice:
[no designation]
Clef:
c3
Voice Text:
Bona condit cetera bonum libertatis
Voice:
Tenor
Clef:
f3
Voice Text:
[Libera me de sanguinibus]
|
| PL-WRu Ak 1955/KN 195 | 1v, 2v |
Voice:
[no designation]
Voice Text:
?Colla jugo subdere/Bona condit/Libera me
|
| PL-WRu MS I.F.411 | 1v |
Voice:
[no designation]
Voice Text:
Colla iugo subdere curias sectari / Bona condit cetera bonum libertatis / Libera me de sanguinibus
|
Bibliography
Lerch, Irmgard. 1987. Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter. pp. 155, 195, 2: 155-163.
Perz, Miroslaw. 1984. Zur Textunterlegungspraxis in der Mehrstimmigkeit des 14. und 15. Jahrhunderts und über einige in Polen Neu-und Wiedergefundene Quellen dieser Zeit. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten. edited by Miroslaw Perz, 327-49. Kassel: Bärenreiter. pp. photo 1.
Brewer, Charles Everett. 1982. A fourteenth-century polyphonic manuscript rediscovered. Studia Musicologica Academiae Scientiarum Hungaricae, 5-19. pp. facs. plates III-IV.
Blachly, Alexander. 1971. The Motets of Philippe de Vitry. Columbia University, Master's thesis. pp. 105.
Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. I, 85-7.
Johnson, M. 1955. The Motets of the Codex Ivrea. Indiana University, Ph. D. pp. No.18; II, 116-120.
Gastoué, Amédée (editor). 1936. Le Manuscrit de Musique du Trésor d'Apt. Publications de la Société Française de Musicologie: Series I. Paris: Société Française de Musicologie. pp. 138-142.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. pp. 247-50.
Droz, Eugénie, and Geneviève Thibault. 1926. Un Chansonnier de Philippe le Bon. Revue de Musicologie, . pp. .