Trop plus est belle que beauté / Beauté parée de valour, Desirs qui onques / Je ne sui mie certains d'avoir amie
| Composer | |
|---|---|
| Genre | Motet |
Appears in
| Source | Location | Voices |
|---|---|---|
| US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) | 279v–280 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Trop plus est belle que Biauté
Voice:
[no designation]
Clef:
c3
Voice Text:
Biauté parée de valour, Desir qui onques
Voice:
[no designation]
Clef:
c4
Voice Text:
Je ne sui mie certeins d'avoir amie
|
| F-Pnm Français 1584 (Machaut A) | 433v–434 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Trop plus est belle que Biauté
Voice:
[no designation]
Clef:
c3
Voice Text:
Biauté parée de valour, Desir qui onques
Voice:
Tenor
Clef:
c4
Voice Text:
Je ne sui mie certeins d'avoir amie
|
| F-Pnm Français 1585 (Machaut B) | 277v–278 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Trop plus est belle que biaute
Voice:
[no designation]
Clef:
c3
Voice Text:
Biaute paree de valour
Voice:
Tenor
Clef:
c4
Voice Text:
Tenor Je ne sui mie certeins
|
| F-Pnm Français 1586 (Machaut C) | 224v–225 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Trop plus est belle que biaute
Voice:
[no designation]
Clef:
c3
Voice Text:
Biaute paree de ualour
Voice:
Tenor
Clef:
c4
Voice Text:
Je ne sui mie certeins dauoir amie
|
| F-Pnm Français 9221 (Machaut E) | 131 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Trop plus est belle que Biauté
Voice:
[no designation]
Clef:
c3
Voice Text:
Biauté parée de valour, Desirs qui onques
Voice:
Tenor
Clef:
c4
Voice Text:
Je ne sui mie certains d'avoir amie
|
| F-Pnm Français 22545-22546 (Machaut F-G) | 121v–122 |
Voice:
[no designation]
Clef:
c3
Voice Text:
TRop plus est bele que biaute
Voice:
[no designation]
Clef:
c3
Voice Text:
BJaute paree de valour
Voice:
Tenor
Clef:
c4
Voice Text:
Je ne sui mie certeins dauoir amie
|
| F-Pnm NAF 23190 (Trémoille) | xii |
Voice:
[no designation]
Voice Text:
Biaute paree
Voice:
[no designation]
Voice Text:
[lost]
Voice:
[no designation]
Voice Text:
[lost]
|
Bibliography
Boogaart, Jaques. 1993. Love's Unstable Balance. Part II: More Balance Problems and the Order of Machaut's Motets. Muziek & Wetenschap, 24-33. pp. 28, 32-33.
Wilkins, Nigel E. 1988; 2nd rev. ed. 1989. The Lyric Art of Medieval France. Fulbourn: New Press. pp. 138.
Wright, Laurence. 1985-86, 2nd, revised edition . Verbal Counterpoint in Machaut's Motet Trop plus est belle-Biauté parée de valour-Je ne suis mie. Romance Studies, 1-12. pp. 3, 12.
Sanders, Ernest. 1980. Isorythm. The New Grove Dictionary of Music and Musicians , 351-354. pp. 352.
Covington, Kate. 1978. The Theory of Dissonance in the Fourteenth Century. Indiana Theory Review, 29-40. pp. .
Sanders, Ernest (editor). 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 564.
Bank, Johannes Antonius. 1972. Tactus, Tempo and Notation in Mensural Music from the 13th to the 17th Century. Amsterdam: Annie Bank. pp. 39, 40 ex.13, 43.
Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. Columbia University, PhD Dissertation. pp. 274, 315-18.
Sonnemann, Günther. 1969. Die Ditdichtung des Guillaume de Machaut. Göttingen, PhD Dissertation. pp. 62.
van den Boogaard, Nico H.J. 1969. Rondeaux et refrains du XIIe siècle au début du XIVe. Collationnement, introduction et notes. Bibliothèque Française et Romane. Paris: Klincksieck. pp. 125 no.366.
Günther, Ursula. 1962-63. Die Mensuralnotation der Ars nova in Theorie und Praxis. Archiv für Musikwissenschaft, 1962-63. pp. 23.
Fellerer, K.G (editor). 1959-. Anthology of Music. 47 vols. Cologne. pp. 31.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. pp. 29, 35 n.28.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 524.
Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 15-16.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:103-4.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:11-12.
Schering, Arnold (editor). 1931. Geschichte der Musik in Beispielen. Leipzig. pp. 23.
Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig. pp. 18-20.
Schneider, Màrius. 1931. Die Ars nova des XIV. Jahrhunderts in Frankreich und Italien. Potsdam: Hayn's Erben, and Wolfenbüttel and Berlin: Kallmeyer. pp. ex.2.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 3:71-72.
Wolf, Johannes. 1923), second, un-revised edition (Bückeburg und Leipzig: Kistner and Siegel 1927. Musikalische Schrifttafeln für den Unterricht in der Notationskunde. Leipzig. pp. plate 23.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. pp. 360-62.
Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:524-25 no.20.