Tant doucement m'ont attrait Bel Accueil / Ains que ma dame d'onnour que je serf / Ruina
| Composer | |
|---|---|
| Genre | Motet |
Appears in
| Source | Location | Voices |
|---|---|---|
| US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) | 272v–273 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Tant doucement m'ont attrait Bel Accueil
Voice:
[no designation]
Clef:
c2
Voice Text:
Eins que ma dame d'onnour que je serf
Voice:
[no designation]
Clef:
c4
Voice Text:
Ruina
|
| F-Pnm Français 1584 (Machaut A) | 426v–427 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Tant doucement m'ont attrait Bel Accueil
Voice:
[no designation]
Clef:
c2
Voice Text:
Eins que ma dame d'onnour que je serf
Voice:
Tenor
Clef:
c4
Voice Text:
Ruina
|
| F-Pnm Français 1585 (Machaut B) | 270v–271 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Tant doucement mont attrait
Voice:
[no designation]
Clef:
c2
Voice Text:
Eins que ma dame donnour
Voice:
[no designation]
Clef:
c4
Voice Text:
Ruina
|
| F-Pnm Français 1586 (Machaut C) | 217v–218 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Tant doucement mont attrait
Voice:
[no designation]
Clef:
c2
Voice Text:
Ains que ma dame donnour
Voice:
Tenor
Clef:
c4
Voice Text:
Ruina
|
| F-Pnm Français 9221 (Machaut E) | 142v |
Voice:
[no designation]
Clef:
c1
Voice Text:
Tant doucement mont attrait
Voice:
[no designation]
Clef:
c2
Voice Text:
Ains que ma dame donnour
Voice:
Tenor
Clef:
c4
Voice Text:
Ruina
|
| F-Pnm Français 22545-22546 (Machaut F-G) | 114v–115 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Tant doucement mont attrait
Voice:
[no designation]
Clef:
c2
Voice Text:
Eins que ma dame donnour
Voice:
Tenor
Clef:
c4
Voice Text:
Ruina
|
Bibliography
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Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 438-465. pp. 444-45, 447, 449.
Pelinski, Ramòn A. 1975. Zusammenklang und Aufbau in den Motetten Machauts. Musikforschung, 62-71. pp. 68.
Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. Columbia University, PhD Dissertation. pp. 263.
Hoppin, Richard H. 1960. Notational Licenses of Guillaume de Machaut. Musica disciplina, 13-27. pp. 25.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. pp. 31 n.18.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 507, 509.
Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 83.
Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 197-216. pp. 201, 204, 206-7, 209, 213.
Schrade, Leo (editor). 1956. Complete Works of Guillaume de Machaut (I): Lais, Complainte, Chanson royale, Motets No. 1 to 16. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 5-7 .
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:89-90.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:151-53.
Schneider, Màrius. 1931. Die Ars nova des XIV. Jahrhunderts in Frankreich und Italien. Potsdam: Hayn's Erben, and Wolfenbüttel and Berlin: Kallmeyer. pp. ex.1.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 3:49-52.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. pp. 224.
Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:507-8 no.13.