Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter
| Composer | |
|---|---|
| Genre | Motet |
| Cycles |
|
Appears in
| Source | Location | Voices |
|---|---|---|
| F-CA MS 125 | 64v |
Voice:
[no designation]
Voice Text:
Emendemus in melius quae ignorantur II: Peccavimus cum patribus nostris
|
| F-CA MS 126 | 64v |
Voice:
[no designation]
Voice Text:
Emendemus in melius quae ignorantur II: Peccavimus cum patribus nostris
|
| F-CA MS 127 | 64v |
Voice:
[no designation]
Voice Text:
Emendemus in melius quae ignorantur II: Peccavimus cum patribus nostris
|
| F-CA MS 128 | 64v |
Voice:
[no designation]
Voice Text:
Emendemus in melius quae ignorantur II: Peccavimus cum patribus nostris
|
| V-CVbav MS Capp. Sist. 46 | 66v–69r |
Voice:
[no designation]
Voice Text:
Emendemus in melius quae ignoranter
|
| CH-SGs Cod. Sang. 463 [Discantus] (Tschudi Liederbuch) | 49v–50 |
Voice:
[no designation]
Voice Text:
Emendemus in melius que ignoranter II: Peccavimus cum patribus nostris
|
| CH-SGs Cod. Sang. 463 [Altus] (Tschudi Liederbuch) | 108v–109 | |
| I-Bc Q.19 (Rusconi Codex) | 12v–15 |
Voice:
[no designation]
Voice Text:
Emendemus in melius quae ignoranter
|
| I-Fl MS Acquisti e doni 666 (Medici Codex) | 44v–47 |
Voice:
[no designation]
Voice Text:
Emendemus in melius quae ignoranter
|
| PL-Kj Berlin MS Mus. 40013 | 244v–249 |
Voice:
[no designation]
Voice Text:
Emendemus in melius quae ignoranter II: Peccavimus cum patribus nostris
|
| I-MOd MS Mus. III | 166v–169 |
Voice:
[no designation]
Voice Text:
Emendemus in melius
|
| D-Ngm 83795 [Tenor] | 120v–123 |
Voice:
[no designation]
Voice Text:
Emendemus in melius que ignoranter II: Peccavimus cum patribus nostris
|
| D-Ngm 83795 [Bassus] | 74v–76v |
Bibliography
Elzinga, Harry (editor). 1979-. Johannes Richafort: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. (2), 35-41.
Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. pp. 107-114.