I-VEc MS DCCLVII

Biblioteca Capitolare di Verona, Verona, Italy

manuscript of polyphony: c. 1500

Archive	Biblioteca Capitolare di Verona, Verona, Italy (I-VEc)
Shelfmark	MS DCCLVII
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	217 x 325 mm
Other Identifiers	RISM: I-VEcap 757 CCM: VerBC 757
Provenance	Italy
Contents	Contains 66 compositions, 43 from 19 composers, 23 are anonymous.

General Description

Copied by one main scribe; f. 67' copied by second scribe; later additions by third scribe on ff. 59, 60, and [68]. Copied in Verona (KanTV).

DIAMM, 2017

Binding

Original covers of brown leather over cardboard.

DIAMM, 2017

Watermark

resembles Briquet #12143 (KanTV).

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 11

DIAMM, 2017

Foliation

New pencil foliation, 1-67.

DIAMM, 2017

Foliation

67 ff

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVe/XVIe s. 67ff. Papier 220X330 mm. Foliotation moderne en haut des ff. Notation mesurée blanche. 8 portées par p. Au bas du f. 59: «Scala de le mutatami de t] quadro» et au dernier f. collé au plat de la reliure: «Scala de le mutatione [sic] del b molle.» Reliure ancienne très fatiguée, cuir estampé.

Ce ms.

mss. conservés à

italien, probablement compilé à Vérone même comme la plupart des iii^. conservés à la Capitolare, contient une grande majorité de pièces profanes. Qu'elles soient copiées sans paroles ne peut être le fait du hasard et il s'agit peut-être d'un répertoire destiné aux instrumentistes de la Scuola degli Accoliti qui fournit au XVIe s. plusieurs membres à la cour de Francois 1er. Le filigrane de l'oie vient confirmer l'origine véronaise du recueil.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Mass Ordinary sections (without text), 5 motets (without text), 31 French secular pieces (28 without text), 4 Italian secular pieces (all without text*), 1 Spanish secular piece (without text), 21 textless pieces (1 incomplete; many of these are probably unidentified French secular pieces or Latin motets) = 65

*One of these appears in some sources with Italian secular text.

**Two of these appear in some sources with French secular text.

(A. Agricola)-5, A. Agricola/(Compère)-1, (A. Agricola/Ghiselin) -1, (Brumel)-1, (Busnois)-1, (Busnois/Caron)-1, (Caron)-3, (Caron/Morton)-1, (Compère)-2, (Congiet/Japart)-1, (Enrique/ Wreede)-1, (Frye)-1, (Hayne van Ghizeghem)-1, (Hayne van Ghizeghem-anon)-1, (Isaac)-6, (Japart)-1, (Josquin)-2, Martini-6, Obrecht-2, (Pipelare-anon)-1, (Tinctoris)-1, (Touront)-1, (Vincenet)-1, anon-23

67 + i paper folios, 217 x 325. New pencil foliation, 1-67. Original covers of brown leather over cardboard. No index. Copied by one main scribe; f. 67' copied by second scribe; later additions by third scribe on ff. 59, 60, and [68]. Staff height 11. No initials or decoration. Watermark resembles Briquet #12143 (KanTV).

Ca. 1500. Copied in Verona (KanTV).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	untexted	-	-
untexted - Appears on: 1 Genres: textless Number of voices: 2 Voice: [no designation] Languages: none Voice: [no designation] Languages: none General Note 2vx seul'. Mq. Sup. et T
1v–2	Regnum meum non est de hoc mundo	-	Isaac, Heinrich (ca. 1450–1517) (?)
Regnum meum non est de hoc mundo Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 1v–2 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Regnum meum non est de hoc mundo]* Concordances SA-Csa 12 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 76.
2v–3	untexted	-	-
untexted - Appears on: 2v–3 Genres: textless Number of voices: 4 Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none
3v–4	untexted	-	-
untexted - Appears on: 3v–4 Genres: textless Number of voices: 4 Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none
4v–5	Missa La bassadanza = Missa La Spagna: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 4v–5 Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none General Note untexted version of the Agnus II only Concordances D-ddr-LEu 1494 Item Bibliography Stainer, Cécie, Edward W. B. Nicholson, and John F. R. Stainer. 1901, 1913. Early Bodleian Music I-II (1901); Early Bodleian Music III.* Pages: 32. Gombosi, Otto Johannes (editor). 1955. Compositione di Meser Vincenzo Capirola Lutebook (circa 1517). Neuilly s/Seine.
5v–6	untexted	OBRETH	Obrecht, Jacobus (ca. 1457–1505)
untexted Obrecht, Jacobus (ca. 1457–1505) Appears on: 5v–6 Genres: textless Source Attribution: OBRETH Number of voices: 3 Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none
6v–7	untexted	[J. TINCTORIS]	Tinctoris, Johannes (ca. 1435–1511)
untexted Tinctoris, Johannes (ca. 1435–1511) Appears on: 6v–7 Genres: Motet, textless Source Attribution: [J. TINCTORIS] Number of voices: 3 Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none General Note Publ. cf. Bu 2573 n° 1 Item Bibliography Garey, Howard, and Leeman L Perkins (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: [facs.] 194.
7v–8	Madame helas 27.24 (= Dux Carlus WA 19)	[JOSQUIN?]*	Despres, Josquin (ca. 1450–1521)
Madame helas 27.24 (= Dux Carlus WA 19) Despres, Josquin (ca. 1450–1521) Appears on: 7v–8 Genres: Chanson Source Attribution: [JOSQUIN?]* Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Dux Carlus] General Note [=Madame hélas]Publ. cf. Bc 16 n° 125 Concordances 1501 et D-ddr-Z 12
8v–9	J'ai beau huer avant que bien avoir	AGRICOLA [ou L. COMP√àRE*]	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)
J'ai beau huer avant que bien avoir Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 8v–9 Genres: Chanson Source Attribution: AGRICOLA [ou L. COMP√àRE] Number of voices:* 3 Voice: [no designation] Languages: French Voice Text: J'ai biau haver amant. General Note [sic pour: J'ay beau huer avant] [=J'ay bien et honore] [= Robert]*Publ. cf. Bc 16 n° 6 Concordances E-SE **c. 153514
9v–10	Le pouverté	JO. MARTINI	Martini, Johannes (ca. 1430–1497)
Le pouverté Martini, Johannes (ca. 1430–1497) Appears on: 9v–10 Genres: Italian secular Source Attribution: JO. MARTINI Number of voices: 3 Voice: [no designation] Languages: French Voice Text: La poverta General Note Publ. cf. Rc 2856 n° 64
10v–11	Tant que Dieu voudra	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
Tant que Dieu voudra Martini, Johannes (ca. 1430–1497) Appears on: 10v–11 Genres: Chanson Source Attribution: [J. MARTINI] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Tant que Dieu voudra] General Note Publ. cf. Rc 2856 n° 77
11v–12	Se mai el cielo et fati fur benigni = Je remerchi dieu	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
Se mai el cielo et fati fur benigni = Je remerchi dieu Martini, Johannes (ca. 1430–1497) Appears on: 11v–12 Genres: Chanson, Italian secular Source Attribution: [J. MARTINI] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: [Se mai il cielo] General Note [=Je remerchi Dieu] Publ. cf. Fn 178 n° 61
12v–13	Le renvoi d'un coeur esgaré	[L. COMPERE]	Compère, Loyset (ca. 1445–1518)
Le renvoi d'un coeur esgaré Compère, Loyset (ca. 1445–1518) Appears on: 12v–13 Genres: Chanson Source Attribution: [L. COMPERE] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Le renvoy d'ung cueur esgare)] General Note Publ. cf. Bc 17 n° 23
13v–14	Tant ha bo ocul	[L. COMPERE]*	Compère, Loyset (ca. 1445–1518)
Tant ha bo ocul Compère, Loyset (ca. 1445–1518) Appears on: 13v–14 Genres: Secular Source Attribution: [L. COMPERE]* Number of voices: 3 Voice: [no designation] Languages: insufficient Voice Text: [Tant ha bo ocul]* Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
14v–15	untexted	-	-
untexted - Appears on: 14v–15 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
15v–16	untexted	-	-
untexted - Appears on: 15v–16 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
16v–17	Servitur suis = Je suis malcontent = Verumtamen universa vanitas	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Servitur suis = Je suis malcontent = Verumtamen universa vanitas Isaac, Heinrich (ca. 1450–1517) Appears on: 16v–17 Genres: Chanson Source Attribution: [H. ISAAC] Number of voices: 4 Voice: [no designation] Languages: French Voice Text: [Serviteur suis] General Note [=Je suis mal content] [= Veruntamen universa vanitas]Publ. cf. Fn 178 n° 56 Concordances SA-Csa 12
17v–18	La martinella	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
La martinella Martini, Johannes (ca. 1430–1497) Appears on: 17v–18 Genres: Italian secular Source Attribution: [J. MARTINI] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: [La Martinella] General Note Publ. cf. Bc 16 n° 84
18v–19	O gloriosa regina mundi succurre nobis	[J. TOURONTou CECUS]	Touront, Johannes (ca. 1450–ca. 1475)
O gloriosa regina mundi succurre nobis Touront, Johannes (ca. 1450–ca. 1475) Appears on: 18v–19 Genres: Motet Source Attribution: [J. TOURONTou CECUS] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O gloriosa regina mundi succurre nobis General Note [=O gloriosa regina mundi] Publ. cf. Bc 16 n° 122
19v–20	Helas que pourra devenir	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Helas que pourra devenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 19v–20 Genres: Chanson Source Attribution: [CARON] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Helas que pourra devenir] General Note [=Hélasm'amour]* [=Hélas mon ceur] [= Der seydenschwantcz. Ave sydus]*Publ. cf. Bc 16 n° 110 Concordances US-Wc 25 **D-ddr-Bds 40098
20v–21	Helas que pourra devenir	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Helas que pourra devenir Isaac, Heinrich (ca. 1450–1517) Appears on: 20v–21 Genres: Chanson Source Attribution: [H. ISAAC] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Helas que devera mon coeur] General Note Publ. cf. Fn 27 n° 167
21v–22	Missa Ut re mi fa sol la: 3c Agnus	[A. BRUMEL]	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Ut re mi fa sol la: 3c Agnus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 21v–22 Genres: Agnus Dei, Mass Ordinary Source Attribution: [A. BRUMEL] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Ut re mi fa sol la. 3c Agnus] General Note Publ. cf. Bc 18 n° 84
22v–23	Je cuide se ce temps me dure	[P. CONGIET ou J. JAPART]	Japart, Jean (?) Congiet, Petrus (?)
Je cuide se ce temps me dure Japart, Jean (?) Congiet, Petrus (?) Appears on: 22v–23 Genres: Chanson Source Attribution: [P. CONGIET ou J. JAPART] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Je cuide se ce temps me dure] General Note [= Primum querite regnum Dei]Publ. cf. Bc 18 n- 70 Concordances SA-Csa 12
23v–24	untexted	-	-
untexted - Appears on: 23v–24 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
24v–25	Si dedero somnum oculis meis	[A. AGRICOLAou VERBONNET*]	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 24v–25 Genres: Motet Source Attribution: [A. AGRICOLAou VERBONNET] Number of voices:* 3 Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis General Note Publ. cf. Bc 16 n° 117 Concordances "CH-SGs 463 (Sup. seul1)
25v–26	untexted	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
untexted Martini, Johannes (ca. 1430–1497) Appears on: 25v–26 Genres: textless Source Attribution: [J. MARTINI] Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text General Note Publ. cf. Fu 229 n° 139
26v–27	C'est mal serché votre avantage (I)	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
C'est mal serché votre avantage (I) Agricola, Alexander (ca. 1445–1506) Appears on: 26v–27 Genres: Chanson Source Attribution: [A. AGRICOLA] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [C'est mal cherche] General Note Publ. cf. Fn 178 n° 16
27v–28	Per faire toujours	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
Per faire toujours Martini, Johannes (ca. 1430–1497) Appears on: 27v–28 Genres: Chanson Source Attribution: [J. MARTINI] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: [Per faire toujours] General Note [=0 di prudenza fonte]Publ. cf. Fn 279 n° 7
28v–29	Allez regrets vuides de ma présence	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)
Allez regrets vuides de ma présence Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 28v–29 Genres: Chanson, Rondeau Source Attribution: [HAYNE VAN GHIZEGHEM] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Allez regrets] General Note Publ. cf. Bc 17 n° 26
29v–30	Missa Quant j'ai au coeur: Benedictus	[H.ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: 29v–30 Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus Source Attribution: [H.ISAAC] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Quand j'ay au cor.] benedictus General Note Publ. cf. Bc 18 n° 62 [Benedictus = Absque verbis] Concordances SartoriB n° 28
30v–31	Vostre hault bruit	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Vostre hault bruit Agricola, Alexander (ca. 1445–1506) Appears on: 30v–31 Genres: Chanson Source Attribution: [A. AGRICOLA] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Vostre hault bruit] General Note Publ. cf. Fn 178 n° 51
31v–32	untexted	-	-
untexted - Appears on: 31v–32 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
32v–33	Pour fort amer et bien servir	-	Anonymous
Pour fort amer et bien servir Anonymous Appears on: 32v–33 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Pour fort amer et bien servir]* Concordances *E-Sc 43
33v–34	untexted	JACOBUS OBERTJ	Obrecht, Jacobus (ca. 1457–1505)
untexted Obrecht, Jacobus (ca. 1457–1505) Appears on: 33v–34 Genres: textless Source Attribution: JACOBUS OBERTJ Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
34v–36	Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne Agricola, Alexander (ca. 1445–1506) Appears on: 34v–36 Genres: Chanson Source Attribution: [A. AGRICOLA] Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Ja ne duil. General Note [sic pour: Je n'ay dueil] Publ. cf. Bc 17 n° 64
34v–36	Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	-	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire Agricola, Alexander (ca. 1445–1506) Appears on: 34v–36 Genres: Chanson Number of voices: 4 Voice: [no designation] Languages: none Voice Text: a p.: no text General Note Publ. cf. Bc 17 n° 64 General Note untexted in this copy
36v–37	Vostre amour est seure que rage	-	Anonymous
Vostre amour est seure que rage Anonymous Appears on: 36v–37 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Votre amour est seme que rage]* Concordances *DK-Kk 1848
37v–38	untexted	-	Anonymous
untexted Anonymous Appears on: 37v–38 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
38v–39	Faites de moi tout ce qui vous plaira	[A. BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
Faites de moi tout ce qui vous plaira Busnoys, Antoine (ca. 1430–1492) Appears on: 38v–39 Genres: Italian secular Source Attribution: [A. BUSNOIS] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Faites de moi tout ce qui vous plaira] General Note [=Amours me tient en son domaine]Publ. cf. Fn 229 n° 221 Concordances E-Sc 43
39v–40	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: 39v–40 Genres: Italian secular Source Attribution: [H. ISAAC] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: [La mora dona gentile]* General Note [= Elaes] [=Veni sancte spiritus. Reple tuorum corda fidelium]* [= O regina]**** Publ. cf. Bc 18 n" 71 Concordances F-Pn 676 E-SE D-ddr-LEu1494 **CH-SGs462
40v–41	Or un chien de cure	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Or un chien de cure Isaac, Heinrich (ca. 1450–1517) Appears on: 40v–41 Genres: Secular Source Attribution: [H. ISAAC] Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: [Ar un chies do cure] General Note Publ. cf. Rvat XIII. 27 n° 78
41v–42	Tel fait semblant	-	Anonymous
Tel fait semblant Anonymous Appears on: 41v–42 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Tel fait semblant]
42v–43	De tous biens plaine (I)	[A. AGRICOLA]*	Agricola, Alexander (ca. 1445–1506)
De tous biens plaine (I) Agricola, Alexander (ca. 1445–1506) Appears on: 42v–43 Genres: Chanson Source Attribution: [A. AGRICOLA]* Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [De tous biens plaine]* General Note Publ. cf. Rvat XIII. 27 n° 63 Concordances *15043
43v–44	Fantasia on the tenor of 'De tous biens plaine'	-	Anonymous
Fantasia on the tenor of 'De tous biens plaine' Anonymous Appears on: 43v–44 Genres: Fantasia, Secular Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
44v–45	untexted	-	-
untexted - Appears on: 44v–45 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
45v–46	C'est un bon bruit par dieu ma dame	[A. AGRICOLA]*	Agricola, Alexander (ca. 1445–1506)
C'est un bon bruit par dieu ma dame Agricola, Alexander (ca. 1445–1506) Appears on: 45v–46 Genres: Chanson Source Attribution: [A. AGRICOLA]* Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [C'est ung bon bruit] General Note Publ. cf. Fn 229 n° 32 Concordances *DK-Kk 1848
46v–47	Hor oires une canzon	-	Anonymous
Hor oires une canzon Anonymous Appears on: 46v–47 Genres: Italian secular Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: [Hor oires une canzon] General Note Publ. cf. Fn 27 n° 57
47v–48	Cela sans plus et plus hola	(JOSQUIN DES PRES)*	Despres, Josquin (ca. 1450–1521)
Cela sans plus et plus hola Despres, Josquin (ca. 1450–1521) Appears on: 47v–48 Genres: Chanson Source Attribution: (JOSQUIN DES PRES)* Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Cela sans plus]* Concordances 1501 Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A.* Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Boer, Coenraad L W. 1938. Chansonvormen op het einde van de xvde eeuw : een studie naar aanleiding van Petrucci's "harmonice musices odhecaton". Amsterdam. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II.
48v–49	J'ai pris amours a ma devise	[J.JAPART]	Japart, Jean
J'ai pris amours a ma devise Japart, Jean Appears on: 48v–49 Genres: Chanson Source Attribution: [J.JAPART] Number of voices: 4 Voice: [no designation] Languages: French Voice Text: [J'ai pris amour] General Note après résolution du canonPubl. cf. Fn 178 n° 3
49v–50	untexted	-	Anonymous
untexted Anonymous Appears on: 49v–50 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
50v–51	untexted	-	-
untexted - Appears on: 50v–51 Genres: textless Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
51v–52	untexted	-	-
untexted - Appears on: 51v–52 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
52v–53	En attendant la grace de ma dame	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
En attendant la grace de ma dame Agricola, Alexander (ca. 1445–1506) Appears on: 52v–53 Genres: Chanson Source Attribution: [A. AGRICOLA] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [En attendant] General Note Publ. cf. Fn 121 n° 27
53v–55	Ave regina caelorum I	[W. FRYE]*	Frye, Walter (–ca. 1475)
Ave regina caelorum I Frye, Walter (–ca. 1475) Appears on: 53v–55 Genres: BVM Source Attribution: [W. FRYE]* Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note Publ. cf. Fn 112bis n° 27 Concordances *D-brd-Mbs 3232
55v–57	Ma dame qui tant est en mon coeur	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Ma dame qui tant est en mon coeur Caron, Firminus (ca. 1460–ca. 1475) Appears on: 55v–57 Genres: Chanson Source Attribution: [CARON] Number of voices: 4 Voice: [no designation] Languages: French Voice Text: [Madame qui tant est en mon coeur] General Note [= Nam nulli tacuisse nocet]Publ. cf. Bc 17 n° 25 Concordances SA-Csa 12(à 3vx.)
57v–58	Nunca fue pena mayor / Numquam fuit pena magior	[J. URREDE ou ENRIQUE*]	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)
Nunca fue pena mayor / Numquam fuit pena magior Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?) Appears on: 57v–58 Genres: Motet Source Attribution: [J. URREDE ou ENRIQUE] Number of voices:* 4 Voice: [no designation] Languages: Latin Voice Text: [Nunqua fue pena major] General Note Publ. cf. Bc 16 n° 116 Concordances *E-Sc 28
58v–60	(textless) - 1a pars (of 2)	-	-
(textless) - 1a pars (of 2) - Appears on: 58v–60 Genres: textless Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
58v–60	(textless) - 2a pars (of 2)	-	-
(textless) - 2a pars (of 2) - Appears on: 58v–60 Genres: textless Number of voices: 4 Voice: [no designation] Languages: none Voice Text: [2a p.]: without text
60v–61	[untexted]	-	-
[untexted] - Appears on: 60v–61 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
61v–62	Cent mille escus quand je voldroie	[A. BUSNOIS ou CARON]	Caron, Firminus (ca. 1460–ca. 1475) Busnoys, Antoine (ca. 1430–1492) (?)
Cent mille escus quand je voldroie Caron, Firminus (ca. 1460–ca. 1475) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 61v–62 Genres: Chanson Source Attribution: [A. BUSNOIS ou CARON] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Cent mille vecus] General Note Publ. cf. Bc 16 n° 126
62v–63	Le despourveu infortune = Tanto e l'affanno	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Le despourveu infortune = Tanto e l'affanno Caron, Firminus (ca. 1460–ca. 1475) Appears on: 62v–63 Genres: Chanson Source Attribution: [CARON] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: [Tanto e l'afano] General Note [=Le despourveuinfortuné]Publ. cf. Bc 18 n" 25 Concordances US-Wc 25
63v–64	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 63v–64 Genres: textless, unknown Number of voices: 4 Voice: [no designation] Languages: none Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 34, I (attrib. à M. Pipelare).
64v–65	C'est temps perdu	[J. MORTON ou CARON]	Caron, Firminus (ca. 1460–ca. 1475) (?) Morton, Robert (?)
C'est temps perdu Caron, Firminus (ca. 1460–ca. 1475) (?) Morton, Robert (?) Appears on: 64v–65 Genres: Chanson Source Attribution: [J. MORTON ou CARON] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [C'est temps perdu] General Note Publ. cf. Fn 229 n" 90
65v–66	Faites moi un tout seul plaisir = Fachiés moi	-	Anonymous
Faites moi un tout seul plaisir = Fachiés moi Anonymous Appears on: 65v–66 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Faites moy ung tout seul plaisir] General Note [= Fâchiez moi]Publ. cf. Fn 229 n' 94
66v–67	Fortune par ta cruaulte	[J. VTNCENET]	Vincenet, Johannes (–ca. 1480)
Fortune par ta cruaulte Vincenet, Johannes (–ca. 1480) Appears on: 66v–67 Genres: Chanson, Contrafactum, Motet Source Attribution: [J. VTNCENET] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Fortune par ta crualte] General Note [=Nihil enim est opertum]Publ. cf. Bc 16 n° 113 Concordances SA-Csa 12
67v	untexted	-	-
untexted - Appears on: 67v Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	(?) Allez regrets vuides de ma présence – 28v–29 C'est mal serché votre avantage (I) – 26v–27 C'est un bon bruit par dieu ma dame – 45v–46 De tous biens plaine (I) – 42v–43 En attendant la grace de ma dame – 52v–53 (?) J'ai beau huer avant que bien avoir – 8v–9 Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne – 34v–36 Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire – 34v–36 Si dedero somnum oculis meis – 24v–25 Vostre hault bruit – 30v–31
Anonymous	(textless) - 1a pars (of 2) – 58v–60 (textless) - 2a pars (of 2) – 58v–60 Faites moi un tout seul plaisir = Fachiés moi – 65v–66 Fantasia on the tenor of 'De tous biens plaine' – 43v–44 Hor oires une canzon – 46v–47 Pour fort amer et bien servir – 32v–33 Tel fait semblant – 41v–42 Vostre amour est seure que rage – 36v–37 [untexted] – 60v–61 [untexted] – 63v–64 untexted – 37v–38 untexted – 49v–50 untexted – 14v–15 untexted – 1 untexted – 51v–52 untexted – 50v–51 untexted – 44v–45 untexted – 31v–32 untexted – 23v–24 untexted – 15v–16 untexted – 3v–4 untexted – 67v untexted – 2v–3
Brumel, Antoine (ca. 1460-ca. 1513)	Missa Ut re mi fa sol la: 3c Agnus – 21v–22
Busnoys, Antoine (ca. 1430-1492)	(?) Cent mille escus quand je voldroie – 61v–62 Faites de moi tout ce qui vous plaira – 38v–39
Caron, Firminus (ca. 1460-ca. 1475)	(?) C'est temps perdu – 64v–65 Cent mille escus quand je voldroie – 61v–62 Helas que pourra devenir – 19v–20 Le despourveu infortune = Tanto e l'affanno – 62v–63 Ma dame qui tant est en mon coeur – 55v–57
Compère, Loyset (ca. 1445-1518)	(?) J'ai beau huer avant que bien avoir – 8v–9 Le renvoi d'un coeur esgaré – 12v–13 Tant ha bo ocul – 13v–14
Congiet, Petrus	(?) Je cuide se ce temps me dure – 22v–23
Despres, Josquin (ca. 1450-1521)	Cela sans plus et plus hola – 47v–48 Madame helas 27.24 (= Dux Carlus WA 19) – 7v–8
Enrique	(?) Nunca fue pena mayor / Numquam fuit pena magior – 57v–58
Frye, Walter (-ca. 1475)	Ave regina caelorum I – 53v–55
Ghizeghem, Hayne van (ca. 1445-ca. 1497)	(?) Allez regrets vuides de ma présence – 28v–29
Isaac, Heinrich (ca. 1450-1517)	Helas que pourra devenir – 20v–21 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – 39v–40 Missa La bassadanza = Missa La Spagna: Agnus Dei – 4v–5 Missa Quant j'ai au coeur: Benedictus – 29v–30 Or un chien de cure – 40v–41 (?) Regnum meum non est de hoc mundo – 1v–2 Servitur suis = Je suis malcontent = Verumtamen universa vanitas – 16v–17
Japart, Jean	J'ai pris amours a ma devise – 48v–49 (?) Je cuide se ce temps me dure – 22v–23
Martini, Johannes (ca. 1430-1497)	La martinella – 17v–18 Le pouverté – 9v–10 Per faire toujours – 27v–28 Se mai el cielo et fati fur benigni = Je remerchi dieu – 11v–12 Tant que Dieu voudra – 10v–11 untexted – 25v–26
Morton, Robert	(?) C'est temps perdu – 64v–65
Obrecht, Jacobus (ca. 1457-1505)	untexted – 33v–34 untexted – 5v–6
Tinctoris, Johannes (ca. 1435-1511)	untexted – 6v–7
Touront, Johannes (ca. 1450-ca. 1475)	O gloriosa regina mundi succurre nobis – 18v–19
Urrede (Wrede), Juan de (1451-c1482)	(?) Nunca fue pena mayor / Numquam fuit pena magior – 57v–58
Vincenet, Johannes (-ca. 1480)	Fortune par ta cruaulte – 66v–67

Composition	Composers (? Uncertain)	Folios / Pages
(textless) - 1a pars (of 2)	-	58v–60
(textless) - 2a pars (of 2)	-	58v–60
[untexted]	-	60v–61
[untexted]	Anonymous	63v–64
Allez regrets vuides de ma présence	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)	28v–29
Ave regina caelorum I	Frye, Walter (–ca. 1475)	53v–55
C'est mal serché votre avantage (I)	Agricola, Alexander (ca. 1445–1506)	26v–27
C'est temps perdu	Caron, Firminus (ca. 1460–ca. 1475) (?) Morton, Robert (?)	64v–65
C'est un bon bruit par dieu ma dame	Agricola, Alexander (ca. 1445–1506)	45v–46
Cela sans plus et plus hola	Despres, Josquin (ca. 1450–1521)	47v–48
Cent mille escus quand je voldroie	Caron, Firminus (ca. 1460–ca. 1475) Busnoys, Antoine (ca. 1430–1492) (?)	61v–62
De tous biens plaine (I)	Agricola, Alexander (ca. 1445–1506)	42v–43
En attendant la grace de ma dame	Agricola, Alexander (ca. 1445–1506)	52v–53
Faites de moi tout ce qui vous plaira	Busnoys, Antoine (ca. 1430–1492)	38v–39
Faites moi un tout seul plaisir = Fachiés moi	Anonymous	65v–66
Fantasia on the tenor of 'De tous biens plaine'	Anonymous	43v–44
Fortune par ta cruaulte	Vincenet, Johannes (–ca. 1480)	66v–67
Helas que pourra devenir	Caron, Firminus (ca. 1460–ca. 1475)	19v–20
Helas que pourra devenir	Isaac, Heinrich (ca. 1450–1517)	20v–21
Hor oires une canzon	Anonymous	46v–47
J'ai beau huer avant que bien avoir	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)	8v–9
J'ai pris amours a ma devise	Japart, Jean	48v–49
Je cuide se ce temps me dure	Japart, Jean (?) Congiet, Petrus (?)	22v–23
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	Agricola, Alexander (ca. 1445–1506)	34v–36
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	Agricola, Alexander (ca. 1445–1506)	34v–36
La martinella	Martini, Johannes (ca. 1430–1497)	17v–18
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	39v–40
Le despourveu infortune = Tanto e l'affanno	Caron, Firminus (ca. 1460–ca. 1475)	62v–63
Le pouverté	Martini, Johannes (ca. 1430–1497)	9v–10
Le renvoi d'un coeur esgaré	Compère, Loyset (ca. 1445–1518)	12v–13
Ma dame qui tant est en mon coeur	Caron, Firminus (ca. 1460–ca. 1475)	55v–57
Madame helas 27.24 (= Dux Carlus WA 19)	Despres, Josquin (ca. 1450–1521)	7v–8
Missa La bassadanza = Missa La Spagna: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	4v–5
Missa Quant j'ai au coeur: Benedictus	Isaac, Heinrich (ca. 1450–1517)	29v–30
Missa Ut re mi fa sol la: 3c Agnus	Brumel, Antoine (ca. 1460–ca. 1513)	21v–22
Nunca fue pena mayor / Numquam fuit pena magior	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)	57v–58
O gloriosa regina mundi succurre nobis	Touront, Johannes (ca. 1450–ca. 1475)	18v–19
Or un chien de cure	Isaac, Heinrich (ca. 1450–1517)	40v–41
Per faire toujours	Martini, Johannes (ca. 1430–1497)	27v–28
Pour fort amer et bien servir	Anonymous	32v–33
Regnum meum non est de hoc mundo	Isaac, Heinrich (ca. 1450–1517) (?)	1v–2
Se mai el cielo et fati fur benigni = Je remerchi dieu	Martini, Johannes (ca. 1430–1497)	11v–12
Servitur suis = Je suis malcontent = Verumtamen universa vanitas	Isaac, Heinrich (ca. 1450–1517)	16v–17
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	24v–25
Tant ha bo ocul	Compère, Loyset (ca. 1445–1518)	13v–14
Tant que Dieu voudra	Martini, Johannes (ca. 1430–1497)	10v–11
Tel fait semblant	Anonymous	41v–42
untexted	-	1
untexted	-	2v–3
untexted	-	3v–4
untexted	Obrecht, Jacobus (ca. 1457–1505)	5v–6
untexted	Tinctoris, Johannes (ca. 1435–1511)	6v–7
untexted	-	14v–15
untexted	-	15v–16
untexted	-	23v–24
untexted	Martini, Johannes (ca. 1430–1497)	25v–26
untexted	-	31v–32
untexted	Obrecht, Jacobus (ca. 1457–1505)	33v–34
untexted	Anonymous	37v–38
untexted	-	44v–45
untexted	Anonymous	49v–50
untexted	-	50v–51
untexted	-	51v–52
untexted	-	67v
Vostre amour est seure que rage	Anonymous	36v–37
Vostre hault bruit	Agricola, Alexander (ca. 1445–1506)	30v–31

‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Weiss, Susan Forscher. 1985. The Manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese Instrumental Collection of the Early Cinquecento. University of Maryland, Unpublished Ph.D. dissertation. Pages: 101, 122-3, 125-6, 317ff, passim.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 144-8,196,208ff).

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 1: 275-326. Pages: 312-6.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance, vol. 2. New York. Pages: xxiii,xxx,62-4.

Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, Cambridge. Pages: 261-2,283.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 58-9,293-4,365-8,431-2,448-9,462,466,478,521.

Fallows, David. 1978. Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 317,439-40,458,497-8.

Boorman, Stanley. 1977. The 'First' Edition of the Odhecaton A. Journal of the American Musicological Society, 30: 183-207. Pages: 199-200,206.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xlii,29,32-4,48,62,88; III,38.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies, vol. 27. Brooklyn. Pages: I, 78ff, 257, passim.

Kanazawa, Masakata. 1975. Two Vesper Repertories from Verona, ca. 1500. Revista Italiana di Musicologia, 10: 155-73. Pages: 158-9.

Staehelin, Martin. 1975. Obrechtiana. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 25/1: 1-37. Pages: 9f.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: ll,95,204-5, passim.

Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae, vol. 34. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xv-xvi, 19-20.

Karp, Theodore. 1966. The Secular Works of Johannes Martini. Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, 455-73. New York. Pages: 456 et n' 8.

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: II,27-8,38-9,49,lll-2.

Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae, vol. 19. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: ix,10-2.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 1, 373.

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: xlii-xliii.

Turrini, Giuseppe. 1953. II Patrimonio Musicale della Biblioteca Capitolare di Verona dal Sec. XV al XIX. Atti e Memorie della Accademia di Agricoltura Scienze e Lettere di Verona, 127: 95-176. Pages: 5 à 10 et 12 a 16, 99-109.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1338; XIII,1512.

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 14: 165-81. Pages: 178-9 (identifications très incompl. et quelquefois inexactes).

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Clemens Goldberg

Tuesday, 29 July, 2025

Corrected claim that the piece on fols 63v-64r is 'Vray dieu damours' by Pipelare. It is instead a unique, textless piece.

Clemens Goldberg

Wednesday, 30 March, 2022

Identified that the piece on fols 43v-44r is a fantasia on the tenor of 'De tous biens plaine'

Clemens Goldberg

Sunday, 16 January, 2022

concordance with Cop 1848 identified: "Vostre amour est seure"

Clemens Goldberg

Monday, 10 January, 2022

Inventory corrected, both parts of Allez regrets (29v-29) are copied in the ms.

Clemens Goldberg

Saturday, 8 January, 2022

presentation amended so that all untexted works appear in inventory

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-VEc MS DCCLVII

Biblioteca Capitolare di Verona, Verona, Italy

manuscript of polyphony: c. 1500

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