E-E MS 5

Palacio Real, Monasterio de S Lorenzo, San Lorenzo de El Escorial, Spain

manuscript of polyphony: early 17th century

Archive Palacio Real, Monasterio de S Lorenzo, San Lorenzo de El Escorial, Spain (E-E)
Shelfmark MS 5
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 740mm x 455mm
Other Identifiers
  • CCM: EscSL 5
  • olim (Former shelfmark): BeniCAM 1
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 13 pieces from 9 composers
General Description

Copied at the Escorial in 1604 (fol 50v, "Ano Dei 1604"), possibly by Fray Pedro de Estremera, who also wrote most of EscSL 1, EscSL 2, EscSL 3, EscSL 4, GuadM (3), MontsM 750, NYorkH 278, NYorkH 861, NYorkH 870, PastraM s.s., and several other manuscripts. Rubrics specify feasts upon which motets in the collection were to be sung.

DIAMM, 2018
Physical Description

16 folios missing between ff.73-74. Some folios trimmed before binding.

DIAMM, 2022
Binding

Original covers of tan, tooled leather over wooden boards

DIAMM, 2018
Notation

black void mensural

DIAMM, 2022
Ruling

staff height 27-28mm

DIAMM, 2018
Foliation

Original ink foliation 1-75 beginning on f.2

DIAMM, 2018
Decoration

red ink used for capitals, rubrics, titles and double line borders (except 53v-54r, 69v-75r)

DIAMM, 2018
Index

None

DIAMM, 2022
Surface

paper

DIAMM, 2022
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Sanctus, 2 Passions, 6 motets = 11

Comes-1, Guerau-1, Palestrina-2, Victoria-1, anon-6

75 paper folios, 740 x 465. Original foliation, 1-75. Original covers of tan leather over boards. No index.

Early 17th Century. Copied at the Escorial.

Vol 4

Contents: 2 Masses, 1 Sanctus, 1 processional hymn, 2 Passions, 5 motets = 11

Composers: (J. Comes)-1, Guerau-1, Manuel de León-1, Limido-1, (Morales)-1, Palestrina-2, (Victoria)-1, anon-3

Physical: i + 75 paper folios, 740 x 465. Copied by one main scribe, who also wrote most of EscSL 1, EscSL 2, EscSL 3, EscSL 4, GuadM (3), MontsM 750, NYorkH 278, NYorkH 861, NYorkH 870, PastraM s.s., and several other manuscripts not within scope of this catalogue (Charles Manns); several additional scribes. Large plain inked initials in red or black.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
0v–1r Missa Feria: Sanctus -
Appears on: 0v–1r
Genres: Sanctus [& Benedictus]
1v–2r Pueri hebraeorum Palestrina
Appears on: 1v–2r
Genres: Motet
Source Attribution: Palestrina
2v–4r Pueri hebraeorum -
Appears on: 2v–4r
Genres: Motet
4v–6r Gloria laus et honor - Anonymous
Appears on: 4v–6r
Genres: Motet
8v–9r Vigilate et orate -
Appears on: 8v–9r
Genres: Motet
10v–36r Passio Domini -
Appears on: 10v–36r
Genres: Passion
Concordances

Concordances in Montserrat 751 (1v-56r) & NYHsa 288 (0v-56r)

36v–53r Passio Domini nostri secundum Joannem (4vv) Frater Michael de Guerau
Appears on: 36v–53r
Genres: Passion
Source Attribution: Frater Michael de Guerau
Concordances

Concordances in Montserrat 751 (56v-90r) & NYHsa 288 (56v-97r)

53v–54r Sepulto Domino Limido
Appears on: 53v–54r
Genres: Motet
Source Attribution: Limido
54v–69r Missa Sine nomine (6vv): Kyrie Palestrina
Appears on: 54v–69r
Genres: Mass Ordinary
Source Attribution: Palestrina
54v–69r Missa Sine nomine (6vv): Sanctus -
Appears on: 54v–69r
Genres: Mass Ordinary, Sanctus [& Benedictus]
General Note

lacks final Osanna

54v–69r Missa Sine nomine (6vv): Agnus Dei -
Appears on: 54v–69r
Genres: Agnus Dei, Mass Ordinary
General Note

lacks final Agnus

69v–73r Kyrie - Anonymous

Kyrie

Anonymous
Appears on: 69v–73r
Genres: Kyrie eleison
74v–75r Domine Jesu Christe -
Appears on: 74v–75r
Genres: Motet

denotes primary source study

Noone, Michael John. 1994. Manuscript Polyphonic Choirbooks from el Escorial: Physical Descriptions and Inventories. Revista de Musicología, p.278-282. Pages: 274-277.

Noone, Michael John. 1991. Music and Musicians at the Escorial 1563–1665. Cambridge (King's College), unpublished Ph. D. diss. Pages: 200-202.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 210; IV, 368.

Rubio, P Samuel. 1976. Catálogo del Archivo de Música del Monasterio de San Lorenzo el Real de El Escorial.  Cuenca. Pages: I, 16-18; II, 23. Notes: physical description; contents list.

Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra.  Madrid. Pages: I, 103-8. Notes: transcription (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XIII, 25. Notes: contents list (partial).

Benito, Don Cosme José de. 1875. Catalogo del Archivo de Música del Escorial. Notes: contents list.

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