Copied at the Escorial in 1604 (fol 50v, "Ano Dei 1604"), possibly by Fray Pedro de Estremera, who also wrote most of EscSL 1, EscSL 3, EscSL 4, EscSL 5, GuadM (3), MontsM 750, NYorkH 278, NYorkH 861, NYorkH 870, PastraM s.s., and several other manuscripts. Rubrics specify feasts upon which motets in the collection were to be sung.
E-E MS 2
Palacio Real, Monasterio de S Lorenzo, San Lorenzo de El Escorial, Spain
manuscript of polyphony: 1604
| Archive | Palacio Real, Monasterio de S Lorenzo, San Lorenzo de El Escorial, Spain (E-E) |
|---|---|
| Shelfmark | MS 2 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 830mm x 565mm |
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| Contents | Contains 48 compositions, 46 from 7 composers, 2 are anonymous. |
General Description
Physical Description
Each folio consists of two large sheets of paper pasted together to form one large folio of double thickness.
Binding
Original covers of black, lightly-tooled leather over wooden boards, decorated with 9 brass studs.
Ruling
Staff height 25-26 and 35-36
Foliation
Original ink foliation, 2-97 ('42' applied to two consecutive folios, fol 67 is followed by fol 70)
Index
Original but incomplete index on fol [1]r listing masses, the motets a4, then motets "de sanctis" a4, finally motets "de temporis" a5
Surface
Paper
Census Catalogue of Music Description
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4 Masses, 38 motets = 42
Castillo-2, R. Ceballos [Zaballos]-1, A. Ferrabosco I-1, A. Lobo-1, Palestrina-24, Rogier-10, anon-3
97 paper folios, 828 x 568. Original foliation, 1-97. Original covers of black leather over boards, with brass studs. Original index. Rubrics give feasts for which the various motets are to be sung.
1604 (inscription on f. 50': "Ano Dei 1604"). Copied at the Escorial.
4
Contents: 4 Masses, 36 motets = 40 + 2 duplicates = 42 Composers: Change "Palestrina-24" to "Palestrina-22."
Physical: 96 paper folios, 828 x 568. Original ink foliation, 1-97, on upper right rectos ("42" applied to two consecutive folios; "68-69" omitted). Copied by a single scribe, who also wrote most of EscSL 1, EscSL 3, EscSL 4, EscSL 5, GuadM (3), MontsM 750, NYorkH 278, NYorkH 861, NYorkH 870, PastraM s.s., and several other manuscripts not within scope of this catalogue (Charles Manns). Large plain inked initials in red or black.
The inventory could not be loaded.
‡ denotes primary source study
‡ Noone, Michael John. 1994. Manuscript Polyphonic Choirbooks from el Escorial: Physical Descriptions and Inventories. Revista de Musicología, 17: p.278-282. Pages: 250-258.
Noone, Michael John. 1991. Music and Musicians at the Escorial 1563–1665. Cambridge (King's College), unpublished Ph. D. diss. Pages: 180-186.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 209; IV, 366.
Rubio, P Samuel. 1976. Catálogo del Archivo de Música del Monasterio de San Lorenzo el Real de El Escorial. Cuenca. Pages: 6-9. Notes: physical description; contents list.
Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra. Madrid. Pages: I, 76-9. Notes: transcription (partial).
Benito, Don Cosme José de. 1875. Catalogo del Archivo de Música del Escorial. Notes: contents list.
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Thomas Neal
Saturday, 25 April, 2020
The "Missa ferial" (ff.22v-28r) anonymous in the source. Attribution to Palestrina is unfounded. Mass therefore made 'anonymous'