Copied by a single scribe, who also wrote most of EscSL 1, EscSL 2, EscSL 3, EscSL 4, EscSL 5, MontsM 750, NYorkH 278, NYorkH 861, NYorkH 870, and PastraM s.s. (Charles Manns). Copied at the Escorial.
E-GU Códice 4 (Magnificats of Morales)
Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain
manuscript of polyphony: early 17th century
| Archive | Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain (E-GU) |
|---|---|
| Shelfmark | Códice 4 (Magnificats of Morales) |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Mixed Paper and Parchment |
| Numbering System | Foliation |
| Measurements | 555 x 400 mm |
| Other Identifiers |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 17 compositions from 2 composers. |
General Description
Binding
Original covers of black tooled leather on boards, with designs identical to those on the covers of GuadM (1) and GuadM (2).
Notation
not indicated
Foliation
Original foliation
Decoration
Red ink is used for the index, rubrics, attributions, and some initials.
Index
Original index on the two parchment folios at the beginning.
Surface
2 parchment + 104 paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
8 Magnificats, 1 alternate Gloria patri = 9
Guerrero-1, Morales-8
2 parchment + 104 paper folios, 555 x 400. Original foliation. Original covers of black tooled leather on boards, with designs identical to those on the covers of GuadM (1) and GuadM (2). Original index on the two parchment folios at the beginning. Red ink is used for the index, rubrics, attributions, and some initials. Physical features of the manuscript other than the binding are not related to those of GuadM (1) and GuadM (2).
16th century (MME); 17th century (Crawford). Perhaps copied at the Jeronimite monastery at Guadalupe.
Vol 4
Physical: Copied by a single scribe, who also wrote most of EscSL 1, EscSL 2, EscSL 3, EscSL 4, EscSL 5, MontsM 750, NYorkH 278, NYorkH 861, NYorkH 870, PastraM s.s., and several other manuscripts not within scope of this catalogue (Charles Manns).
Date/provenance: Early 17th century. Copied at the Escorial.
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‡ denotes primary source study
Rodilla León, Francisco. 2013. El canto de órgano en el real monasterio de Santa María de Guadalupe: fuentes, repertorio y compositores. Musicología global, Musicología local, Madrid: Sociedad Española de Musicología.
Crawford, David Eugene. 1977. Two Choirbooks of Renaissance Polyphony at the Monasterio de nuestra Sefiora of Guadalupe. Fontes Artis Musicae, 24: 145-74. Notes: mention of MS.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 138. Notes: contents list (partial); concordances (partial); incipits (partial).
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XVII, 48. Notes: contents list (partial).
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description