E-E MS 4

Palacio Real, Monasterio de S Lorenzo, San Lorenzo de El Escorial, Spain

manuscript of polyphony: early 17th century

Archive Palacio Real, Monasterio de S Lorenzo, San Lorenzo de El Escorial, Spain (E-E)
Shelfmark MS 4
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 750mm x 455mm
Other Identifiers
  • CCM: EscSL 4
  • olim (Former shelfmark): BeniCAM 2
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 37 pieces from 15 composers
General Description

Copied at the Escorial in 1604 (fol 50v, "Ano Dei 1604"), possibly by Fray Pedro de Estremera, who also wrote most of EscSL 1, EscSL 2, EscSL 3, EscSL 5, GuadM (3), MontsM 750, NYorkH 278, NYorkH 861, NYorkH 870, PastraM s.s., and several other manuscripts. Rubrics specify feasts upon which motets in the collection were to be sung.

DIAMM, 2018
Physical Description

17 folios removed between ff.74-75.

DIAMM, 2022
Binding

Original covers of tan, tooled leather over wooden boards

DIAMM, 2018
Notation

black void mensural

DIAMM, 2022
Ruling

Staff height averages 28mm

DIAMM, 2018
Foliation

new pencil foliation 1-86; original ink foliation 1-104 on upper right rectos ('42' applied to two consecutive folios; ff. 74-90 torn out, leaving only stubs; '98-99' omitted)

DIAMM, 2018
Decoration

red ink frequently used for titles, initials and rubrics

DIAMM, 2018
Index

original index on fol 1r, lists pieces for Maundy Thursday, then Good Friday, then masses, then miserere settings, and last the remaining pieces.

DIAMM, 2018
Surface

paper

DIAMM, 2018
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 1 Credo, 6 Lamentations, 16 motets = 28

Bernal Gonzalez-1, Boluda-1, R. Ceballos [Zaballos]-1, Cozar-1, Dentice-2, A. Lobo-1, Guerau-3, Morales-3, Palestrina-3, Pérez-1, M. Sanchez-1, Fray Juan de las Torres-1, Victoria-1, Villa Nueva-5, anon-3

ii + 104 paper folios, 750 x 460; only stubs remain of ff. 73-92. Original foliation, 1-104. Original covers of tan leather over boards. Original index.

Early 17th century. Copied at the Escorial.

Vol 4

4 Masses, 1 Kyrie, 1 Credo, 1 Mass Proper section, 3 psalms, 7 Lamen-tations (1 incomplete), 11 motets =28 + 1 duplicate = 29

Bernal González-1, Boluda-1, R. Ceballos-1, Cozar-1, Dentice-1, Guerau-4, A. Lobo/Morales-1, Morales-4, Palestrina-2, Pérez-1, M. Sanchez-1, Juan de 1a Torre-1, Victoria-2, Villa Nueva-6, anon-1

ii + 86 paper folios, 750 x 460. Modern and original ink foliation, 1-104, on upper right rectos ("42" applied to two consecutive folios; ff. 74-90 torn out, leaving only stubs; "98-99" omitted). Original covers of tan leather over wooden boards. Incomplete original index on f. 1. Copied by one main scribe, who also wrote most of EscSL 1, EscSL 2, EscSL 3, EscSL 5, GuadM (3), MontsM 750, NYorkH 278, NYorkH 861, NYorkH 870, PastraM s.s., and several other manuscripts not within scope of this catalogue (Charles Manns); several additional scribes. Large plain inked initials in red or black.

Early 17th century. Copied at the Escorial.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–5r Lamentatio Hieremiae Fray Miguel de Guerau
Appears on: 1v–5r
Genres: Lamentations
Source Attribution: Fray Miguel de Guerau
5v–6r Lamentatio Hieremiae - -
Appears on: 5v–6r
Genres: Lamentations
6v–8r Missa Feria: Kyrie Ginesius de voluda
Appears on: 6v–8r
Genres: Kyrie eleison
Source Attribution: Ginesius de voluda
6v–8r Missa Feria: Sanctus -
Appears on: 6v–8r
Genres: Sanctus [& Benedictus]
6v–8r Missa Feria: Agnus Dei -
Appears on: 6v–8r
Genres: Agnus Dei
8v–9r Kyrie Fray Martin de villanueba
Appears on: 8v–9r
Genres: Kyrie eleison
Source Attribution: Fray Martin de villanueba
9v–10r Pueri hebraeorum Palestrina
Appears on: 9v–10r
Genres: Motet
Source Attribution: Palestrina
11v–16r Lamentatio Hieremiae Fabricio dentici
Appears on: 11v–16r
Genres: Lamentations
Source Attribution: Fabricio dentici
16v–19r De lamentatione Heth = Teth Cogitavit Dominus Fray Martin de Villanueva
Appears on: 16v–19r
Genres: Lamentations
Source Attribution: Fray Martin de Villanueva
General Note

Same music, different sections of the lamentations texted, in the three sources ESCSL 4 (x2) & NY Hsa 278

19v–23r Miserere mei Deus Ioannes Hieronymus Perez
Appears on: 19v–23r
Genres: Miserere mei Deus, Motet
Source Attribution: Ioannes Hieronymus Perez
23v–24r Christus factus est Fray Iuan de la torre
Appears on: 23v–24r
Genres: Motet
Source Attribution: Fray Iuan de la torre
24v–28r Miserere mei Deus Cozar
Appears on: 24v–28r
Genres: Miserere mei Deus, Motet
Source Attribution: Cozar
28v–29r Christus factus est fray Martin de villa nueba
Appears on: 28v–29r
Genres: Motet
Source Attribution: fray Martin de villa nueba
29v–32r Miserere mei fr. Martin de villa nueba
Appears on: 29v–32r
Genres: Motet
Source Attribution: fr. Martin de villa nueba
31v–32r Positus Jesus in agonia fr. Martin de villa nueba
Appears on: 31v–32r
Genres: Motet
Source Attribution: fr. Martin de villa nueba
32v–33r O vos omnes qui transitis -
Appears on: 32v–33r
Genres: Motet
33v–35r Vere languores nostros -
Appears on: 33v–35r
Genres: Motet
35v–38r De lamentatione Heth = Teth Cogitavit Dominus fray matin de villa nueba
Appears on: 35v–38r
Genres: Lamentations
Source Attribution: fray matin de villa nueba
General Note

same music (but different text) as the earlier Lamentation set in this Ms by same composer

38v–46r Missa Mille regrets: Kyrie Morales
Appears on: 38v–46r
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Morales
38v–46r Missa Mille regrets: Gloria -
Appears on: 38v–46r
Genres: Gloria (et in terra pax), Mass Ordinary
38v–46r Missa Mille regrets: Sanctus -
Appears on: 38v–46r
Genres: Mass Ordinary, Sanctus [& Benedictus]
General Note

lacks Benedictus

46v–48r Ave sanctissimum De Bernal
Appears on: 46v–48r
Genres: Motet
Source Attribution: De Bernal
48v–49r Missa Mille regrets: Agnus Dei -
Appears on: 48v–49r
Genres: Agnus Dei, Mass Ordinary
49v–50r Quae lucescit in prima Fr. Miguel de Guerau
Appears on: 49v–50r
Genres: Motet
Source Attribution: Fr. Miguel de Guerau
50v–56r Missa Benedicta es caelorum regina: Kyrie Christophorus Morales
Appears on: 50v–56r
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Christophorus Morales
50v–56r Missa Benedicta es caelorum regina: Gloria -
Appears on: 50v–56r
Genres: Gloria (et in terra pax), Mass Ordinary
50v–56r Missa Benedicta es caelorum regina: Sanctus -
Appears on: 50v–56r
Genres: Mass Ordinary, Sanctus [& Benedictus]
50v–56r Missa Benedicta es caelorum regina: Agnus -
Appears on: 50v–56r
Genres: Agnus Dei, Mass Ordinary
General Note

lacks final Agnus

57v–62r Missa Feria: KSA Palestrina Anonymous

Missa Feria: KSA

Anonymous
Appears on: 57v–62r
Genres: Agnus Dei, Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Palestrina
General Note

lacks Benedictus

62v–63r Inter vestibulum et altare Rodericus Zaballos
Appears on: 62v–63r
Genres: Motet
Source Attribution: Rodericus Zaballos
63v–64r Christus factus est Miguel Sanchez
Appears on: 63v–64r
Genres: Motet
Source Attribution: Miguel Sanchez
64v–69r [Credo] Patrem omnipotentem Christophorus Morales [wrongly]
Appears on: 64v–69r
Genres: Credo (patrem omnipotentem)
Source Attribution: Christophorus Morales [wrongly]
70v–74r Missa Feria: KSA Palestrina Anonymous

Missa Feria: KSA

Anonymous
Appears on: 70v–74r
Genres: Agnus Dei, Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Palestrina
General Note

Lacks benedictus & Agnus II

75v–77r Nos autem gloriari oportet Frater Michael de Guerau
Appears on: 75v–77r
Genres: Motet
Source Attribution: Frater Michael de Guerau
78v–81r Incipit oratio Hieremiae Prophetae -
Appears on: 78v–81r
Genres: Lamentations, Motet
81v–84r Emendemus in melius Fray Miguel de Guerau
Appears on: 81v–84r
Genres: Motet
Source Attribution: Fray Miguel de Guerau
84v–86r Lamentations (2): Num. Vigilavit jugum iniquitatum -
Appears on: 84v–86r
Genres: Lamentations, Motet
Concordances

E-Zac 34 (Tenor) (121r-122v) E-VAar 3016 (48v-50) MEX-Pc 1 (103v-108)

Composer Compositions
Anonymous
Bernal Goncalez, Jose
Boluda, Ginés de
Ceballos, Rodrigo de (ca. 1525–1581)
Cozar, Luis de
Dentici, Fabritio
Gines Perez, Juan (1548–1600)
Guerau, Miguel de
Lobo, Alonso
Morales, Cristóbal de (ca. 1500–1553)
Palestrina, Giovanni Pierluigi da (1525–1594)
Sanchez, Miguel
Torre, Juan de la
Victoria, Tomas Luis de (1548–1611)
Villanueva, Martín de
Composition Composers (? Uncertain) Folios / Pages
[Credo] Patrem omnipotentem 64v–69r
Ave sanctissimum 46v–48r
Christus factus est 23v–24r
Christus factus est 28v–29r
Christus factus est 63v–64r
De lamentatione Heth = Teth Cogitavit Dominus 16v–19r
De lamentatione Heth = Teth Cogitavit Dominus 35v–38r
Emendemus in melius 81v–84r
Incipit oratio Hieremiae Prophetae 78v–81r
Inter vestibulum et altare 62v–63r
Kyrie 8v–9r
Lamentatio Hieremiae 1v–5r
Lamentatio Hieremiae - 5v–6r
Lamentatio Hieremiae 11v–16r
Lamentations (2): Num. Vigilavit jugum iniquitatum 84v–86r
Miserere mei 29v–32r
Miserere mei Deus 19v–23r
Miserere mei Deus 24v–28r
Missa Benedicta es caelorum regina: Agnus 50v–56r
Missa Benedicta es caelorum regina: Gloria 50v–56r
Missa Benedicta es caelorum regina: Kyrie 50v–56r
Missa Benedicta es caelorum regina: Sanctus 50v–56r
Missa Feria: Agnus Dei 6v–8r
Missa Feria: KSA Anonymous 57v–62r
Missa Feria: KSA Anonymous 70v–74r
Missa Feria: Kyrie 6v–8r
Missa Feria: Sanctus 6v–8r
Missa Mille regrets: Agnus Dei 48v–49r
Missa Mille regrets: Gloria 38v–46r
Missa Mille regrets: Kyrie 38v–46r
Missa Mille regrets: Sanctus 38v–46r
Nos autem gloriari oportet 75v–77r
O vos omnes qui transitis 32v–33r
Positus Jesus in agonia 31v–32r
Pueri hebraeorum 9v–10r
Quae lucescit in prima 49v–50r
Vere languores nostros 33v–35r

denotes primary source study

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.

Noone, Michael John. 1994. Manuscript Polyphonic Choirbooks from el Escorial: Physical Descriptions and Inventories. Revista de Musicología, p.278-282. Pages: 266-273.

Noone, Michael John. 1991. Music and Musicians at the Escorial 1563–1665. Cambridge (King's College), unpublished Ph. D. diss. Pages: 193-199.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 210; IV, 367.

Rubio, P Samuel. 1976. Catálogo del Archivo de Música del Monasterio de San Lorenzo el Real de El Escorial.  Cuenca. Pages: I, 13-16; II, 22. Notes: physical description; contents list.

Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra.  Madrid. Pages: I, passim. Notes: transcription (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XI, 57. Notes: mention of MS.

Benito, Don Cosme José de. 1875. Catalogo del Archivo de Música del Escorial. Notes: contents list.

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