A-Wn Mus.Hs. 18810 [Altus]

Österreichische Nationalbibliothek, Wien (Vienna), Austria

partbook: c. 1524-33

Archive Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark Mus.Hs. 18810 [Altus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 152 x 210 mm
Other Identifiers
  • CCM: VienNB Mus. 18810
  • olim (Former shelfmark): A.N. 35.E.126
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Augsburg, Bavaria, Germany
Contents 76 pieces from 20 composers
General Description

An Altus partbook from a set of five volumes. Music, text incipits, and titles copied by a single scribe, identified by Rifkin & Fallows as Bernard Rem, who also wrote MunU 328-31, VienNB Mus. 18745, and ZürZ 438; 6 pieces copied by a second scribe who also copied the last piece in Pal.Lat.1976-1979 and much of the manuscript portion of Munich Art.401 (RifMichel).

Repertoriai connections (39 concordances) with MunU 328-31. Eighteen Senfl pieces unique to this source; some probably composed for Duke Albert of Prussia (BenteNW). Probably copied in Augsburg (StaeLW) or Munich (BenteNW). Once owned by Fugger family of Augsburg (NowakM). Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

DIAMM, 2017
Extent

ii + 64 folios

DIAMM, 2023
Binding

Original leather covers stamped with decorative designs, initials 'H.H.' and date 1524.

DIAMM, 2017
Watermark

(1) resembles Briquet #12270; (2) resembles Briquet #9898

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation in each book.

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Index

Original index on ff. iii-vi' of Quintus book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few inconsistencies).

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 motets, 4 German sacred pieces, 47 German secular pieces, 17 French secular pieces, 3 Dutch secular pieces, 11 instrumental pieces = 86*

*Most pieces have text incipits only, or titles such as "Carmen."

A. Agricola-1, Alamire-1, Bauldeweyn/(Buchner/La Rue)-1, Bauldeweyn/(Grefinger)-1, Blanckenmüller-2, Brumel-1, Finck-1, Herbaut-1, Hofhaimer-7 + 1?, Hofhaimer/(Isaac)-1, Isaac-13, Isaac/(Busnois)-1, Isaac/(Hofhaimer)-1, Isaac/(La Rue)-1, Josquin -3, La Rue-2, La Rue/(Josquin)-1, La Rue/(Pietrequin)-1, La Rue/(Pipelare)-1, La Rue/(Sermisy)-1, (Lebrun)-1, Rener-3, Rupsch/(Walter)-1, Senfl-25, Singer-1, Sygler-1, anon-11

5 paper partbooks (D-ii + 75 folios, A-ii + 64, T-ii + 75, B-ii + 71, Q-viii + 24), 152 x 210. Original ink foliation in each book. Blank folios, or blank staves only—D: ff. 56'-75'; A: ff. 51'-64'; T: ff. 57-75'; B: ff. 54'-71'; Q: ff. 10-24'. Original leather covers stamped with decorative designs, initials "H.H." and date 1524. Original index on ff. iii-vi' of Q book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few inconsistencies).

Music, text incipits, and titles copied by a single scribe, who also wrote MunU 328-31, VienNB Mus. 18745, and ZürZ 438; additional text added by second scribe. No initials or decoration. Watermarks: (1) resembles Briquet #12270; (2) resembles Briquet #9898 (BenteNW). Répertoriai connections (39 concordances) with MunU 328-31. Eighteen Senfl pieces unique to this source; some probably composed for Duke Albert of Prussia (BenteNW).

Ca. 1524-33 (date 1524 on covers; three Senfl pieces dated 1533). Probably copied in Augsburg (StaeLW) or Munich (BenteNW). Once owned by Fugger family of Augsburg (NowakM). Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Ach einigs ein Adam Reneri
Appears on: 1
Genres: Song
Source Attribution: Adam Reneri
1v Ach Gott wem soll ichs klagen das heimliche leiden Noel Balduuin
Appears on: 1v
Genres: Song
Source Attribution: Noel Balduuin
2–2v Allez regrets vuides de ma présence Ludwig Sennfl
Appears on: 2–2v
Genres: Chanson
Source Attribution: Ludwig Sennfl
2v–3 Entre je suis en grand pensée 28.13 Josquin de pres
Appears on: 2v–3
Genres: Chanson
Source Attribution: Josquin de pres
3v Carmen / Lamentatio (S202) Ludwig Sennfl
Appears on: 3v
Genres: Song
Source Attribution: Ludwig Sennfl
4–4v Carmen (I) (S35) Ludwig Sennfl
Appears on: 4–4v
Genres: Song
Source Attribution: Ludwig Sennfl
4v–5 Carmen (II) (S36) Ludwig Sennfl
Appears on: 4v–5
Genres: Song
Source Attribution: Ludwig Sennfl
5–5v Secrets regrets de nature ennemis par grief Petri de la rue
Appears on: 5–5v
Genres: Chanson
Source Attribution: Petri de la rue
6 Leal schray tante! Petri de la rue
Appears on: 6
Genres: Secular
Source Attribution: Petri de la rue
6v Tag und auch nacht leid ich gross not Ludwig Sennfl
Appears on: 6v
Genres: Song
Source Attribution: Ludwig Sennfl
7 Brich nit an mir mein zuversicht ich richt - Anonymous
Appears on: 7
Genres: Song
7–8 Plus mils regrets 28.28 (= Plus nulz regrets) Josquin de pres
Appears on: 7–8
Genres: Chanson
Source Attribution: Josquin de pres
8 Waÿs nit - Anonymous

Waÿs nit

Anonymous
Appears on: 8
Genres: Song
8v–9 Zart liebste frucht Henricus Ÿsaac
Appears on: 8v–9
Genres: Song
Source Attribution: Henricus Ÿsaac
9 Mir leÿt ser an das ich nit kan - Anonymous
Appears on: 9
Genres: Song
9v–10 Eyffrer greiner = Greiner zanner eifrer wie gefelt dir das Henricus Finck
Appears on: 9v–10
Genres: Song
Source Attribution: Henricus Finck
10v Hab ich Lieb Henricus Ÿsaac
Appears on: 10v
Genres: Song
Source Attribution: Henricus Ÿsaac
10v–11 Jetz scheiden bringt mir schwer und macht Adam Reneri
Appears on: 10v–11
Genres: Song
Source Attribution: Adam Reneri
11–11v Jetz scheiden bringt mir schwer und macht Ludwig Sennfl
Appears on: 11–11v
Genres: Song
Source Attribution: Ludwig Sennfl
11v–12 Mein höchste frucht Dein schön und zucht Adam Reneri
Appears on: 11v–12
Genres: Song
Source Attribution: Adam Reneri
12–12v O Venus bant O vierich brand - Anonymous
Appears on: 12–12v
Genres: Secular
12v–13 Ob glück hat neÿd und unfal freyd Ludwig Sennfl
Appears on: 12v–13
Genres: Song
Source Attribution: Ludwig Sennfl
13–14 Tandernack uf dem Rhein lag Petrus Alamire
Appears on: 13–14
Genres: Song
Source Attribution: Petrus Alamire
14–14v Ich hab ain fraintlich lieb erwelt - Anonymous
Appears on: 14–14v
Genres: Song
14v–15 Wes ich mich leyd reyd ich die pein Maÿster Hans Sÿgler
Appears on: 14v–15
Genres: Song
Source Attribution: Maÿster Hans Sÿgler
15–15v Zwischen Berg und tiefe Tal, da liegt Heinricus Ÿsaac
Appears on: 15–15v
Genres: Song
Source Attribution: Heinricus Ÿsaac
15v–16 Vil glück und haÿl - Anonymous
Appears on: 15v–16
Genres: Song
16–16v Plus oultre pretens parvenir - Anonymous
Appears on: 16–16v
Genres: Chanson
16v–17 Christ ist erstanden von der marter alle Henricus Ÿsaac
Appears on: 16v–17
Genres: Hymn, Motet, Sacred Song
Source Attribution: Henricus Ÿsaac
17–18 Missa Lalahe: Gloria Henricus Ÿsaac
Appears on: 17–18
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Henricus Ÿsaac
18–19 En l'ombre d'un buissonet au matinet Henricus Ÿsaac
Appears on: 18–19
Genres: Chanson
Source Attribution: Henricus Ÿsaac
19–19v Es wolt ein maidlein waschen - Anonymous
Appears on: 19–19v
Genres: Song
19v–20 Bruder Conrad / Fortuna desperata Henricus Ÿsaac
Appears on: 19v–20
Genres: Lied
Source Attribution: Henricus Ÿsaac
20–20v Adieux Florens la jolie = Carmen in sol Petri de la rue
Appears on: 20–20v
Genres: Chanson
Source Attribution: Petri de la rue
20v–21 Carmen Henricus Ÿsaac
Appears on: 20v–21
Genres: Song
Source Attribution: Henricus Ÿsaac
21–21v Ein fröhlich Wesen hab ich erlesen Petri de la rue
Appears on: 21–21v
Genres: Song
Source Attribution: Petri de la rue
21v–22 Gottes namen fahren wir seiner gnaden Pauls Hofhaÿmer
Appears on: 21v–22
Genres: Sacred Song
Source Attribution: Pauls Hofhaÿmer
22–22v Carmen in fa = Carmen Hercules -
Appears on: 22–22v
Genres: Song
22v–23 Carmen Pauls Hofhaÿmer unstguldiger Ritter
Appears on: 22v–23
Genres: Song
Source Attribution: Pauls Hofhaÿmer unstguldiger Ritter
23–24 Qui belles amours 28.29 Josquin de pres
Appears on: 23–24
Genres: Chanson
Source Attribution: Josquin de pres
24–24v Maudit soit cil qui trouva jaulosie (Carmen in sol) Henricus Ÿsaac
Appears on: 24–24v
Genres: Song
Source Attribution: Henricus Ÿsaac
24v–25 Lass rauschen lieb, ist acht nit Henricus Ÿsaac
Appears on: 24v–25
Genres: Song
Source Attribution: Henricus Ÿsaac
25–25v Froh bin ich Dein Herz, liebste mein (I) Pauls Hofhaÿmer
Appears on: 25–25v
Genres: Song
Source Attribution: Pauls Hofhaÿmer
25v Froh bin ich Dein Herz, liebste mein (II) Pauls Hofhaÿmer
Appears on: 25v
Genres: Lied
Source Attribution: Pauls Hofhaÿmer
25v–26v Fille vous have mal guarde / Ave sanctissima Maria Henricus Ÿsaac
Appears on: 25v–26v
Genres: Contrafactum, Marian antiphon, Song
Source Attribution: Henricus Ÿsaac
26v–27 Carmen Pauls Hofhaÿmer
Appears on: 26v–27
Genres: Song
Source Attribution: Pauls Hofhaÿmer
27v Missa Lalahe: Pleni sunt caeli Henricus Ÿsaac
Appears on: 27v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Henricus Ÿsaac
28–28v Von Herzen Dein Johann Herbaut
Appears on: 28–28v
Genres: Song
Source Attribution: Johann Herbaut
28v–30v Carmen - Anonymous

Carmen

Anonymous
Appears on: 28v–30v
Genres: Song
30v–31 Ach hulf mich leid und sendlich Klag 28.2 Noel Balduin
Appears on: 30v–31
Genres: Song
Source Attribution: Noel Balduin
31–31v Kein Klag hab ich dann, dass ich dich Jörg Planckenmuller
Appears on: 31–31v
Genres: Song
Source Attribution: Jörg Planckenmuller
31v–32v Lust hab ich ghabt zur Musica von jugend Ludwig Sennfl
Appears on: 31v–32v
Genres: Song
Source Attribution: Ludwig Sennfl
32v–33 Unseglich Schmerz empfind mein herz Ludwig Sennfl
Appears on: 32v–33
Genres: Song
Source Attribution: Ludwig Sennfl
33–33v Inn stetter hut leÿb er und gut Jörg Planckenmuller
Appears on: 33–33v
Genres: Song
Source Attribution: Jörg Planckenmuller
34–34v Noch waÿs ich ein schöne junckfraw - Anonymous
Appears on: 34–34v
Genres: Song
35 Jouissance vous donnerai, mon ami Petri de la Rue/[Sermisy]
Appears on: 35
Genres: Chanson
Source Attribution: Petri de la Rue/[Sermisy]
35v–36 Tous les regrets qui les coeurs tormentés 28.34 Petri de la Rue
Appears on: 35v–36
Genres: Song
Source Attribution: Petri de la Rue
36–36v Nasci pati mori / Fortuna desperata (S112) -
Appears on: 36–36v
Genres: Motet
37 Ich stund an einem morgen heimlich / Fortuna desperata [S111 - 5vv] -
Appears on: 37
Genres: Song
37v–38v Helena desiderio plena orabat cum lachrimis / Fortuna desperata (S110) Ludovicus Sennfl
Appears on: 37v–38v
Genres: Italian secular
Source Attribution: Ludovicus Sennfl
39–39v Virgo prudentissima quo progrederis quasi aurora / Fortuna desperata (S113) Ludovicus Sennfl
Appears on: 39–39v
Genres: Contrafactum, Motet
Source Attribution: Ludovicus Sennfl
40–41 Die Brünnlein, die da fliessen (6vv, S55) Lud. Sennfl
Appears on: 40–41
Genres: Lied
Source Attribution: Lud. Sennfl
41–42 N'aves vous point veu mal assenee 29.15 -
Appears on: 41–42
Genres: Chanson
42–42v Jouissance vous donnerai, mon ami - Anonymous
Appears on: 42–42v
Genres: Chanson
42v–43 Kein sach mir nie auf Erden hat großern Ludwig Sennfl
Appears on: 42v–43
Genres: Song
Source Attribution: Ludwig Sennfl
43v–44 Warhafftig mag ich sprechen wol was von Got -
Appears on: 43v–44
Genres: Song
44–45 K. Dein bin ich du frewest mich [S189] Ludovicus Sennfl
Appears on: 44–45
Genres: Song
Source Attribution: Ludovicus Sennfl
45–45v Ich sag und clag vergangen tag ellend Ludovicus Sennfl
Appears on: 45–45v
Genres: Song
Source Attribution: Ludovicus Sennfl
46–46v M. Dein bin ich / Es taget vor dem walde [S213] Ludovicus Sennfl
Appears on: 46–46v
Genres: Song
Source Attribution: Ludovicus Sennfl
46v–47v M. Dein bin ich / Es taget vor dem Walde [S214] Ludwig Sennfl
Appears on: 46v–47v
Genres: Lied
Source Attribution: Ludwig Sennfl
47v Nun bitten wir den heiligen geist (5vv) Conradus Rupsch der Junger
Appears on: 47v
Genres: Motet, Veni sancte spiritus
Source Attribution: Conradus Rupsch der Junger
48 Ohn allen Scherz ist mir mein Herz -
Appears on: 48
Genres: Song
48v–49 Dem ewigen Gott sei Lob und Dank Ludwig Sennfl
Appears on: 48v–49
Genres: Motet
Source Attribution: Ludwig Sennfl
49–50 Albrecht mirs schwer und gross Leid Ludwig Sennfl
Appears on: 49–50
Genres: Song
Source Attribution: Ludwig Sennfl
50–50v In lieb und freid hab ich mein bscheid Ludwig Sennfl
Appears on: 50–50v
Genres: Song
Source Attribution: Ludwig Sennfl
51 Ich armer Mann, mein Herz ist alles Traurens voll / Ach Gott wem soll ich's klagen Ludwig Sennfl
Appears on: 51
Genres: Song
Source Attribution: Ludwig Sennfl
Composer Compositions
Alamire, Petrus (ca. 1470–1536)
Anonymous
Bauldeweyn, Noel (ca. 1480–1529)
Blanckenmuller, Georg
Buchner, Hans
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich
Grefinger, Wolfgang
Herbaut, Johann
Hofhaimer, Paul
Isaac, Heinrich (ca. 1450–1517)
Pipelare, Mattheus (ca. 1450–ca. 1515)
Rener, Adam (ca. 1485–ca. 1520)
Rue, Pierre de la (ca. 1452–1518)
Rupsch, Conrad
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Sigler, Hans
Walter, Johann (1496–1570)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
Ach einigs ein 1
Ach Gott wem soll ichs klagen das heimliche leiden 1v
Ach hulf mich leid und sendlich Klag 28.2 30v–31
Adieux Florens la jolie = Carmen in sol 20–20v
Albrecht mirs schwer und gross Leid 49–50
Allez regrets vuides de ma présence 2–2v
Brich nit an mir mein zuversicht ich richt Anonymous 7
Bruder Conrad / Fortuna desperata 19v–20
Carmen 20v–21
Carmen 22v–23
Carmen 26v–27
Carmen Anonymous 28v–30v
Carmen (I) (S35) 4–4v
Carmen (II) (S36) 4v–5
Carmen / Lamentatio (S202) 3v
Carmen in fa = Carmen Hercules 22–22v
Christ ist erstanden von der marter alle 16v–17
Dem ewigen Gott sei Lob und Dank 48v–49
Die Brünnlein, die da fliessen (6vv, S55) 40–41
Ein fröhlich Wesen hab ich erlesen 21–21v
En l'ombre d'un buissonet au matinet 18–19
Entre je suis en grand pensée 28.13 2v–3
Es wolt ein maidlein waschen Anonymous 19–19v
Eyffrer greiner = Greiner zanner eifrer wie gefelt dir das 9v–10
Fille vous have mal guarde / Ave sanctissima Maria 25v–26v
Froh bin ich Dein Herz, liebste mein (I) 25–25v
Froh bin ich Dein Herz, liebste mein (II) 25v
Gottes namen fahren wir seiner gnaden 21v–22
Hab ich Lieb 10v
Helena desiderio plena orabat cum lachrimis / Fortuna desperata (S110) 37v–38v
Ich armer Mann, mein Herz ist alles Traurens voll / Ach Gott wem soll ich's klagen 51
Ich hab ain fraintlich lieb erwelt Anonymous 14–14v
Ich sag und clag vergangen tag ellend 45–45v
Ich stund an einem morgen heimlich / Fortuna desperata [S111 - 5vv] 37
In lieb und freid hab ich mein bscheid 50–50v
Inn stetter hut leÿb er und gut 33–33v
Jetz scheiden bringt mir schwer und macht 10v–11
Jetz scheiden bringt mir schwer und macht 11–11v
Jouissance vous donnerai, mon ami 35
Jouissance vous donnerai, mon ami Anonymous 42–42v
K. Dein bin ich du frewest mich [S189] 44–45
Kein Klag hab ich dann, dass ich dich 31–31v
Kein sach mir nie auf Erden hat großern 42v–43
Lass rauschen lieb, ist acht nit 24v–25
Leal schray tante! 6
Lust hab ich ghabt zur Musica von jugend 31v–32v
M. Dein bin ich / Es taget vor dem walde [S213] 46–46v
M. Dein bin ich / Es taget vor dem Walde [S214] 46v–47v
Maudit soit cil qui trouva jaulosie (Carmen in sol) 24–24v
Mein höchste frucht Dein schön und zucht 11v–12
Mir leÿt ser an das ich nit kan Anonymous 9
Missa Lalahe: Gloria 17–18
Missa Lalahe: Pleni sunt caeli 27v
N'aves vous point veu mal assenee 29.15 41–42
Nasci pati mori / Fortuna desperata (S112) 36–36v
Noch waÿs ich ein schöne junckfraw Anonymous 34–34v
Nun bitten wir den heiligen geist (5vv) 47v
O Venus bant O vierich brand Anonymous 12–12v
Ob glück hat neÿd und unfal freyd 12v–13
Ohn allen Scherz ist mir mein Herz 48
Plus mils regrets 28.28 (= Plus nulz regrets) 7–8
Plus oultre pretens parvenir Anonymous 16–16v
Qui belles amours 28.29 23–24
Secrets regrets de nature ennemis par grief 5–5v
Tag und auch nacht leid ich gross not 6v
Tandernack uf dem Rhein lag 13–14
Tous les regrets qui les coeurs tormentés 28.34 35v–36
Unseglich Schmerz empfind mein herz 32v–33
Vil glück und haÿl Anonymous 15v–16
Virgo prudentissima quo progrederis quasi aurora / Fortuna desperata (S113) 39–39v
Von Herzen Dein 28–28v
Warhafftig mag ich sprechen wol was von Got 43v–44
Waÿs nit Anonymous 8
Wes ich mich leyd reyd ich die pein 14v–15
Zart liebste frucht 8v–9
Zwischen Berg und tiefe Tal, da liegt 15–15v

Set: Mus.Hs. 18810 Mus

Type: Partbooks

No images available

A-Wn Mus.Hs. 18810 [Altus]

No images available

A-Wn Mus.Hs. 18810 [Bassus]

No images available

A-Wn Mus.Hs. 18810 [Discantus]

No images available

A-Wn Mus.Hs. 18810 [Quintus]

No images available

A-Wn Mus.Hs. 18810 [Tenor]

denotes primary source study

Fallows, David. 2006. The Copyist Formerly Known as Lucas Wagenrieder – Bernhard Rem and his Circle. Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext: Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, München 02.–04. August 2004, Phil.-Hist. Klasse, Abhandlungen, Neue Folge. 212-223. Munich: Bayerische Akademie der Wissenschaften.

Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 113-126.

Robinson, John Orian. 1983-5. Vienna, Austrian National Library, Manuscript , 18810: A Repertory Study and Manuscript Inventory with Concordances. Royal Musical Association Research Chronicle, 68-84. Notes: physical description (partial); contents list; concordances (partial); transcription (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music.  Chicago and London. Pages: 197, 239, 266-7. Notes: contents list (partial); mention of MS; discussion.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg. Pages: II, 12, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus.  Kassel, Basel, and London. Pages: 325-33. Notes: contents list; incipits.

Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts,  Cambridge. Pages: 277, 281-2. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1981. Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 71-94. Munich. Pages: 72, 75-7, 92-3. Notes: facsimile (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xliv, 28, 30, 49, 78 II, 98-9 III, 49, 180-1. Notes: physical description; contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies.  Brooklyn. Pages: I, 61, 144-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Robinson, John Orian. 1975. Vienna, Nationalbibliothek Manuscript 18810: A Transcription of the Unpublished Pieces with Comments on Performance Practices in Early Sixteenth Century Germany. Stanford University, Unpublished D.M.A. thesis. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Staehelin, Martin. 1972. Neues zu Bartholomäus Frank. Festschrift Arnold Geering zum 70. Geburtstag, 119-28. Bern. Pages: 120-1, 125. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, xxv, xxviii, 88-92. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 119, 229, 234, 244, 256-68. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Parker, Robert LeRoy. 1966. The Polyphonic Lieder of Adam Rener: A Postscript to Recent Studies of the Composer's Works. Paul A Pisk: Essays in His Honor, 38-56. Austin, Texas. Pages: 39-40, 43, 53-4, 56. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Cross, Ronald. 1963. The Life and Works of Matthaeus Pipelare. Musica Disciplina, 97-114. Pages: 109, 112. Notes: contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 375-6. Notes: physical description; contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VII, 530. Notes: facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VI, 58-68, 95, 101 VII, 10-4, xiv, xvi. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak,  Vienna: H. Bauer-Verlag. Notes: physical description (partial); mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, 53-81, 125, 130 XV, 143, 145, 151 LXX, 184-8, 194, 209. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken.  Amsterdam. Pages: III, ix, xiii V, ix-xi. Notes: physical description (partial); contents list (partial); concordances (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII, 174, passim LXXII, 32-3, 36, 101ff. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 219-24. Notes: physical description (partial); contents list.

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