D-Z Mu 1622-1647 [Tenor]

Ratsschulbibliothek, Zwickau, Germany

partbook: c. 1535-45

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	Mu 1622-1647 [Tenor]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None / Unknown
Measurements	71 x 85 mm
Other Identifiers	CCM: ZwiR 78/3 Other catalogues/source: VollBM [see bibliography] 12 olim (Former shelfmark): MS 69.1.37 olim (Former shelfmark): MS 78,3 olim (Former shelfmark): MS LXXVIII,3
Notations	black void mensural
Relationships	Roth, Stephan (1492–1546) (owner) Zwickau Ratsschulbibliothek (owner)
Provenance	Zwickau? Saxony, Germany
Contents	Contains 38 compositions, 33 from 12 composers, 5 are anonymous.

General Description

A Tenor partbook from a set of three volumes. Copied by two main scribes (nos. 1-10, 11-25) and one additional scribe (no. 26) (BrowZ). Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

DIAMM, 2017

Extent

47 leaves

DIAMM, 2017

Binding

Original covers of brown parchment or leather, inscribed with voice designations; all three books now bound together in modern covers of speckled green cardboard

DIAMM, 2017

Watermark

crown surmounted by cross (not in Briquet, but see Briquet #5008 for general pattern)

DIAMM, 2017

Foliation

No foliation or pagination.

DIAMM, 2017

Decoration

No decorative initials; attributions in red ink.

DIAMM, 2017

Index

none

DIAMM, 2017

DIAMM Note

Original numbering of pieces, 1-26 (many pieces numbered twice, once in red ink, once in black)

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Ordinary section (without text), 2 motets (without text), 13 French secular pieces (without text), 3 Italian secular pieces (2 without text; 1 with text incipit "Fortuna"), 1 Dutch secular piece (without text), 1 German secular piece (without text), 5 textless pieces = 26

A. Agricola-1, A. Agricola/(Compère)-1, M. Agricola-1, (Com-père)-4, (Compère/Tinctoris)-1, (Craen)-1, (Hayne van Ghize-ghem)-1, Isaac-4, Isaac/(A. Agricola)-1, (Isaac/La Rue)-1, Jos-quin-3, (Obrecht)-1, Obrecht/(Isaac/Weerbecke)-1, (Senfl)-1, anon-4

3 paper partbooks (D-51 folios, T-47, B-54), 71 x 85. No foliation or pagination. Original numbering of pieces, 1-26 (many pieces numbered twice, once in red ink, once in black). Original covers of brown parchment or leather, inscribed with voice designations; all three books now bound together in modern covers of speckled green cardboard. No index. Copied by two main scribes and one additional scribe (BrowZ). No decorative initials; attributions in red ink. Watermark: crown surmounted by cross (not in Briquet, but see Briquet #5008 for general pattern).

Ca. 1535-45. Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2–4v	Ich stund an einem morgen heimlich [S165 - 3vv]	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich stund an einem morgen heimlich [S165 - 3vv] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 2–4v Genres: Song
4v–5v	untexted	-	Anonymous
untexted Anonymous Appears on: 4v–5v Genres: textless
5v–8	Si dormiero (O mitis mater Christi) 14.13	-	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Si dormiero (O mitis mater Christi) 14.13 Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 5v–8 Genres: Motet
8–10v	Ecce video caelos apertos 19.2	-	Craen, Nicolaus (ca. 1440–1502) (?) Despres, Josquin (ca. 1450–1521) (?)
Ecce video caelos apertos 19.2 Craen, Nicolaus (ca. 1440–1502) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 8–10v Genres: Motet
10v–12v	untexted	-	Anonymous
untexted Anonymous Appears on: 10v–12v Genres: textless
12v–14	untexted	-	Anonymous
untexted Anonymous Appears on: 12v–14 Genres: textless
14–15v	untexted	-	Anonymous
untexted Anonymous Appears on: 14–15v Genres: textless
15v–16	Tandernacken liegt an dem Rhein	-	Obrecht, Jacobus (ca. 1457–1505)
Tandernacken liegt an dem Rhein Obrecht, Jacobus (ca. 1457–1505) Appears on: 15v–16 Genres: Song
16v–17v	Missa Quant j'ai au coeur: Benedictus	Isaac	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: 16v–17v Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus Source Attribution: Isaac
17v	Fortuna [desperata]	-	Anonymous
Fortuna [desperata] Anonymous Appears on: 17v Genres: Chanson, textless
18	Fortuna desperata iniqua e maledecta	-	Isaac, Heinrich (ca. 1450–1517) (?)
Fortuna desperata iniqua e maledecta Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 18 Genres: Italian secular General Note presented as '2a pars' of the preceding piece, but identical with ?Isaac's 'Fortuna desperata'
18v–19	Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence	-	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 18v–19 Genres: Chanson, Contrafactum, Motet
19v–20	Allez mon coeur dèla la mer a travers	-	Agricola, Alexander (ca. 1445–1506)
Allez mon coeur dèla la mer a travers Agricola, Alexander (ca. 1445–1506) Appears on: 19v–20 Genres: Chanson
20v–21	Cela sans plus et plus hola	Josquin	Despres, Josquin (ca. 1450–1521)
Cela sans plus et plus hola Despres, Josquin (ca. 1450–1521) Appears on: 20v–21 Genres: Chanson Source Attribution: Josquin
21–22	Ne doibt on prendre quand on donne	-	Compère, Loyset (ca. 1445–1518)
Ne doibt on prendre quand on donne Compère, Loyset (ca. 1445–1518) Appears on: 21–22 Genres: Chanson
22v–23	Le renvoi d'un coeur esgaré	-	Compère, Loyset (ca. 1445–1518)
Le renvoi d'un coeur esgaré Compère, Loyset (ca. 1445–1518) Appears on: 22v–23 Genres: Chanson
23v–24	Venes regrets venes il en est heure	-	Compère, Loyset (ca. 1445–1518)
Venes regrets venes il en est heure Compère, Loyset (ca. 1445–1518) Appears on: 23v–24 Genres: Chanson
24v–25v	Madame helas 27.24 (= Dux Carlus WA 19)	Josquin	Despres, Josquin (ca. 1450–1521)
Madame helas 27.24 (= Dux Carlus WA 19) Despres, Josquin (ca. 1450–1521) Appears on: 24v–25v Genres: Chanson Source Attribution: Josquin
25v–26v	La stangetta (= Ortus de caelo)	Obrecht	Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?)
La stangetta (= Ortus de caelo) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Appears on: 25v–26v Genres: Chanson Source Attribution: Obrecht
26v–28	Mes pensées ne me laissent une heure 27.26	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Mes pensées ne me laissent une heure 27.26 Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 26v–28 Genres: Chanson
28–29v	J'ai beau huer avant que bien avoir	-	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)
J'ai beau huer avant que bien avoir Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 28–29v Genres: Chanson
29v–30v	Helas le bon temps que j'avoie (= Helas Abraham)	-	Tinctoris, Johannes (ca. 1435–1511) (?) Compère, Loyset (ca. 1445–1518) (?)
Helas le bon temps que j'avoie (= Helas Abraham) Tinctoris, Johannes (ca. 1435–1511) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 29v–30v Genres: Chanson
31–31v	La plus des plus seule sans per 27.22	Josquin	Despres, Josquin (ca. 1450–1521)
La plus des plus seule sans per 27.22 Despres, Josquin (ca. 1450–1521) Appears on: 31–31v Genres: Chanson Source Attribution: Josquin
32–33	Helas que devera mon coeur 27.14	Isaac	Despres, Josquin (ca. 1450–1521) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Helas que devera mon coeur 27.14 Despres, Josquin (ca. 1450–1521) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 32–33 Genres: Chanson Source Attribution: Isaac
33v–35	Adieu fillette de regnon	Isaac	Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Adieu fillette de regnon Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 33v–35 Genres: Chanson Source Attribution: Isaac
35–36	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: 35–36 Genres: Italian secular Source Attribution: Isaac
36v–37v	untexted	Martini Agricoli	Agricola, Martin (ca. 1486–1556)
untexted Agricola, Martin (ca. 1486–1556) Appears on: 36v–37v Genres: textless Source Attribution: Martini Agricoli

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	(?) Adieu fillette de regnon – 33v–35 Allez mon coeur dèla la mer a travers – 19v–20 (?) Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence – 18v–19 (?) J'ai beau huer avant que bien avoir – 28–29v
Agricola, Martin (ca. 1486-1556)	untexted – 36v–37v
Anonymous	Fortuna [desperata] – 17v untexted – 12v–14 untexted – 14–15v untexted – 10v–12v untexted – 4v–5v
Compère, Loyset (ca. 1445-1518)	(?) Helas le bon temps que j'avoie (= Helas Abraham) – 29v–30v (?) J'ai beau huer avant que bien avoir – 28–29v Le renvoi d'un coeur esgaré – 22v–23 Mes pensées ne me laissent une heure 27.26 – 26v–28 Ne doibt on prendre quand on donne – 21–22 Venes regrets venes il en est heure – 23v–24
Craen, Nicolaus (ca. 1440-1502)	(?) Ecce video caelos apertos 19.2 – 8–10v
Despres, Josquin (ca. 1450-1521)	Cela sans plus et plus hola – 20v–21 (?) Ecce video caelos apertos 19.2 – 8–10v (?) Helas que devera mon coeur 27.14 – 32–33 La plus des plus seule sans per 27.22 – 31–31v Madame helas 27.24 (= Dux Carlus WA 19) – 24v–25v (?) Mes pensées ne me laissent une heure 27.26 – 26v–28 (?) Si dormiero (O mitis mater Christi) 14.13 – 5v–8
Ghizeghem, Hayne van (ca. 1445-ca. 1497)	Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence – 18v–19
Isaac, Heinrich (ca. 1450-1517)	(?) Adieu fillette de regnon – 33v–35 (?) Fortuna desperata iniqua e maledecta – 18 (?) Helas que devera mon coeur 27.14 – 32–33 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – 35–36 (?) La stangetta (= Ortus de caelo) – 25v–26v Missa Quant j'ai au coeur: Benedictus – 16v–17v (?) Si dormiero (O mitis mater Christi) 14.13 – 5v–8
Obrecht, Jacobus (ca. 1457-1505)	(?) La stangetta (= Ortus de caelo) – 25v–26v Tandernacken liegt an dem Rhein – 15v–16
Rue, Pierre de la (ca. 1452-1518)	(?) Si dormiero (O mitis mater Christi) 14.13 – 5v–8
Senfl, Ludwig (ca. 1486-ca. 1543)	Ich stund an einem morgen heimlich [S165 - 3vv] – 2–4v
Tinctoris, Johannes (ca. 1435-1511)	(?) Helas le bon temps que j'avoie (= Helas Abraham) – 29v–30v
Weerbecke, Gaspar van (ca. 1445-ca. 1516)	(?) La stangetta (= Ortus de caelo) – 25v–26v

Composition	Composers (? Uncertain)	Folios / Pages
Adieu fillette de regnon	Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?)	33v–35
Allez mon coeur dèla la mer a travers	Agricola, Alexander (ca. 1445–1506)	19v–20
Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497)	18v–19
Cela sans plus et plus hola	Despres, Josquin (ca. 1450–1521)	20v–21
Ecce video caelos apertos 19.2	Craen, Nicolaus (ca. 1440–1502) (?) Despres, Josquin (ca. 1450–1521) (?)	8–10v
Fortuna [desperata]	Anonymous	17v
Fortuna desperata iniqua e maledecta	Isaac, Heinrich (ca. 1450–1517) (?)	18
Helas le bon temps que j'avoie (= Helas Abraham)	Tinctoris, Johannes (ca. 1435–1511) (?) Compère, Loyset (ca. 1445–1518) (?)	29v–30v
Helas que devera mon coeur 27.14	Despres, Josquin (ca. 1450–1521) (?) Isaac, Heinrich (ca. 1450–1517) (?)	32–33
Ich stund an einem morgen heimlich [S165 - 3vv]	Senfl, Ludwig (ca. 1486–ca. 1543)	2–4v
J'ai beau huer avant que bien avoir	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)	28–29v
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	35–36
La plus des plus seule sans per 27.22	Despres, Josquin (ca. 1450–1521)	31–31v
La stangetta (= Ortus de caelo)	Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?)	25v–26v
Le renvoi d'un coeur esgaré	Compère, Loyset (ca. 1445–1518)	22v–23
Madame helas 27.24 (= Dux Carlus WA 19)	Despres, Josquin (ca. 1450–1521)	24v–25v
Mes pensées ne me laissent une heure 27.26	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	26v–28
Missa Quant j'ai au coeur: Benedictus	Isaac, Heinrich (ca. 1450–1517)	16v–17v
Ne doibt on prendre quand on donne	Compère, Loyset (ca. 1445–1518)	21–22
Si dormiero (O mitis mater Christi) 14.13	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?)	5v–8
Tandernacken liegt an dem Rhein	Obrecht, Jacobus (ca. 1457–1505)	15v–16
untexted	Anonymous	4v–5v
untexted	Anonymous	10v–12v
untexted	Anonymous	12v–14
untexted	Anonymous	14–15v
untexted	Agricola, Martin (ca. 1486–1556)	36v–37v
Venes regrets venes il en est heure	Compère, Loyset (ca. 1445–1518)	23v–24

Set: MS 78,3

Type: Partbooks

No images available

D-Z Mu 1622-1647 [Bassus]

No images available

D-Z Mu 1622-1647 [Discantus]

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D-Z Mu 1622-1647 [Tenor]

‡ denotes primary source study

Brown, Howard Mayer. 1985. Music for a Town Official in Sixteenth-Century Zwickau. Musica Antiqua: Acta Scientifica [Bydgoszcz, Poland], Musica Antiqua: Acta Scientifica [Bydgoszcz, Poland], vol. VII. 479-91. Notes: contents list; concordances (partial); mention of MS; discussion.

Weiss, Susan Forscher. 1985. The Manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese Instrumental Collection of the Early Cinquecento. University of Maryland, Unpublished Ph.D. dissertation. Pages: 104-5,339-40,349,368. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 147-8,198,209-12,215,221, 262,289,296. Notes: contents list (partial); concordances (partial).

Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, Cambridge. Pages: 283. Notes: contents list (partial); concordances (partial).

Kämper, Dietrich. 1980. La stangetta-eine Instrumentalkomposition Gåspars van Weerbeke? Ars Musica, Musica Scientia: Festschrift Heinrich Huschen zum fünfundsechzigsten Geburtstag, Beiträge zur Rheinischen Musikgeschichte, vol. 126. 277-88. Cologne. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 58-9, 293-4,431-2,453,462,466,478,483. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 339-40,727. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae, vol. 74. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii,xxvii,xxxiv. Notes: mention of MS; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xlvi,32-4,72. Notes: physical description; contents list (partial); concordances (partial).

Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae, vol. 18. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiii-xiv. Notes: contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies, vol. 27. Brooklyn. Pages: I,81,126,174,187,203. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 98, passim. Notes: physical description (partial); contents list (partial); concordances (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Pages: 38,50-2,54. Notes: mention of MS; contents list (partial); concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,xxi-xxii,xxxi. Notes: contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,376. Notes: physical description (partial); contents list (partial); concordances (partial).

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 149ff. Notes: contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,465. Notes: physical description (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XV/XVI,viii,45-7. Notes: physical description (partial); contents list (partial); transcription (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII,174, passim. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, 26: . Pages: 28-30. Notes: physical description (partial); incipits.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note