Miscellany of sermons; short devotional tracts; lists and diagrams; prayers and verses (mostly Latin, a few in French), Latin song. Copied by several hands, with many gaps between texts. Some leaves have been tipped in: these pages are of varying sizes and and parchment quality. The only piece of polyphonic music is the well-known conductus Verifloris subfigura quem produxit, here in two parts only (for the incipit, see the lower two parts of W1 10). The music is written straight across f. 63 in score. It was added on an originally blank page, which seems to be coeval with the preceding page written in brown ink. The MS was in possession of Osney Abbey by the 15th century (letters from abbot added to final leaf).
GB-Lbl Harley 524
British Library, London, England
Codex (complete), miscellany, with added polyphony: 1st quarter 13th century
| Archive | British Library, London, England (GB-Lbl) |
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| Shelfmark | Harley 524 |
| Surface | Mixed Paper and Parchment |
| Numbering System | Foliation |
| Format | portrait |
| Measurements | 210 x 150 mm |
| Other Identifiers |
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| Provenance |
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| Contents | Contains 1 composition, 1 is anonymous. |
General Description
Binding
dark brown morocco, 19th century. The 2 unnumbered paper folios belong to this binding
Notation
oblong notes: uses the ascending binary ligature whose first note is written as a duplex longa, the undulating body of which suggests an ornament such as a trill. Another unusual ligature is a descending binary ligature whose first note has the length of a duplex longa and is moreover surmounted by two dots.
Ruling
red four-line staves with bar-lines
Foliation
63
Foliation
modern pencil foliation at t.r.r., includes two paper folios, but excludes two others
Surface
i + i paper + 160 parchment + i + i paper
RISM Description
RISM B/IV 1: A 13th and 14th century parchment manuscript meas. 207 x 150 mm. and containing 147 folios. In addition, there is 1 ribbed paper folio at the back; the similar folio at the front is included in the modern pencil foliation at t.r.r. 2 further unnumbered paper folios go with the late 19th century binding of dark brown morocco, which has gilt arms on the front cover. This miscellany of sermons and other theological items contains only one piece of polyphonic music, the well-known conductus Verifloris subfigura quem produxit, here in two parts only (for the incipit, see the lower two parts of W1 10). The music is written straight across f. 63 in score on red four-line staves with bar-lines and oblong notes like Burney 357, another British Museum ms. The black ink shows that this piece was added on an originally blank page, which however seems to be coeval with the preceding page written in brown ink. This is another source using the ascending binary ligature whose first note is written as a duplex longa, the undulating body of which suggests an ornament such as a trill. Another unusual ligature is a descending binary ligature whose first note has the length of a duplex longa and is moreover surmounted by two dots.
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63
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Sets
Sources of British Song 1150-1300
Project Collection · 35 sources
‡ denotes primary source study
Deeming, Helen. 2009. French Devotional Texts in Thirteenth-century Preachers' Anthologies. Language and Culture in Medieval Britain: The French of England, c.1100-c.1500, edited by Helen Deeming, 254-65. Woodbridge: York Medieval Press in association with Boydell Press.
Watson, Andrew G. 1969. The Manuscripts of Henry Savile of Bank. London: Bibliographical Society. Pages: p. 56.
Hughes, Dom Anselm, and Gerald Abraham (editors). 1954-60. New Oxford History of Music. Pages: 330 ff (transcription of the polyphonic piece after all sources).
Hughes, Dom Anselm. 1953. History of Music in Sound. Pages: 48 (a similar transcription).
Wooldridge, Harry Ellis, and H V Hughes (editors). 1897 and 1913. Early English Harmony from the 10th to the 15th Century. 2 vols. London: The Plainsong and Medieval Music Society. Pages: vol.1, plate 31 and vol.2, pp.61-62.
Wanley, Humphrey. 1808-12. A Catalogue of the Harleian Manuscripts in the British Museum. London. Pages: vol.1, pp.339-341.
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Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description