Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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1–8 | index | - | - |
index
Appears on:
1–8
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9 | Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis | [Richafort] |
Caen, Arnold
(?)
|
Appears on:
9
Genres:
Motet
Source Attribution:
[Richafort]
|
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10–11 | Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas | - |
Caen, Arnold
(?)
|
Appears on:
10–11
Genres:
Motet
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12–13 | Herre nun lestu - 1a pars (of 2): Herre nun lestu deynen diener | Paulus Pretzschnerus Dresdensis | |
Appears on:
12–13
Genres:
Canticle, Motet, Nunc Dimittis
Source Attribution:
Paulus Pretzschnerus Dresdensis
|
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13–14 | Herre nun lestu - 2a pars (of 2): Ein Licht zu erleuchten die Heiden | - | |
Appears on:
13–14
Genres:
Canticle
|
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14–16 | Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum | Joachimus â Burck | |
Appears on:
14–16
Genres:
Canticle
Source Attribution:
Joachimus â Burck
|
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16–17 | Nunc dimittis - 2a pars (of 2): Lumen ad revelationem | - | |
Appears on:
16–17
Genres:
Canticle
|
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18–20 | Also hatt Gott - 1a pars (of 2): Also hatt Gott die Welt geliebt | Paulus Pretzschnerus | |
Appears on:
18–20
Genres:
Motet
Source Attribution:
Paulus Pretzschnerus
|
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20–22 | Also hatt Gott - 2a pars (of 2): Gleich wie Moises eine schlang | - | |
Appears on:
20–22
Genres:
Motet
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23 | Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu | Ludowicus Senfelius | |
Appears on:
23
Genres:
Motet
Source Attribution:
Ludowicus Senfelius
|
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24 | Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua | - | |
Appears on:
24
Genres:
Motet
|
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25 | Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus | - | |
Appears on:
25
Genres:
Motet
|
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26–28 | Justorum animae in manu Dei [Domini] sunt | (anon) | |
Appears on:
26–28
Genres:
Motet
Source Attribution:
(anon)
|
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28–30 | Domine quando veneris judicare terram | Jacobi Handelii | |
Appears on:
28–30
Genres:
Motet
Source Attribution:
Jacobi Handelii
|
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30–32 | Beati qui persecutionem | Joannes Bucheuserus | |
Appears on:
30–32
Genres:
Motet
Source Attribution:
Joannes Bucheuserus
|
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33 | Domine Jesu Christe non sum dignus | Clavii | |
Appears on:
33
Genres:
Motet
Source Attribution:
Clavii
|
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34 | Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber | (anon) | |
Appears on:
34
Genres:
Motet
Source Attribution:
(anon)
|
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34–35 | Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben | - | |
Appears on:
34–35
Genres:
Motet
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36 | Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort | - | |
Appears on:
36
Genres:
Motet
|
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37 | Erhalt unns herr - 2a pars (of 6): Beweiss Dein macht Herr Jesu Christ | - | |
Appears on:
37
Genres:
Motet
|
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38–39 | Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist | - | |
Appears on:
38–39
Genres:
Motet
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39–40 | Erhalt unns herr - 4a pars (of 6): Verleih uns frieden | - | |
Appears on:
39–40
Genres:
Motet
|
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40–41 | Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] | - | |
Appears on:
40–41
Genres:
Motet
|
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41 | Erhalt unns herr - 6a pars (of 6): Amen | - | |
Appears on:
41
Genres:
Motet
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42–43 | Magnificate Dominum mecum | Valentinus Judex | |
Appears on:
42–43
Genres:
Motet
Source Attribution:
Valentinus Judex
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44–45 | Ich will des Herren Zorn tragen | Gregorii Langii | |
Appears on:
44–45
Genres:
Motet
Source Attribution:
Gregorii Langii
|
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46–47 | Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te | Andreas Pevernage | |
Appears on:
46–47
Genres:
Motet
Source Attribution:
Andreas Pevernage
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48–49 | Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris | - | |
Appears on:
48–49
Genres:
Motet
|
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50–51 | Quantas ostendisti mihi | Claudii Meruli | |
Appears on:
50–51
Genres:
Motet
Source Attribution:
Claudii Meruli
|
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52–53 | Gott ist getreu (= Non ti sdegnar o Filli) | Andreae Gabrielis | |
Appears on:
52–53
Genres:
Motet
Source Attribution:
Andreae Gabrielis
|
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54–55 | Benedictus es Domine Deus | Francesco Bianciardini | |
Appears on:
54–55
Genres:
Motet
Source Attribution:
Francesco Bianciardini
|
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56 | Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten | Melchioris Vulpii | |
Appears on:
56
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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57 | Eile mich Gott - 2a pars (of 3): Sie müssen zurücke kehren | - | |
Appears on:
57
Genres:
Motet
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58 | Eile mich Gott - 3a pars (of 3): Freuen und fröhlich müssen sein | - | |
Appears on:
58
Genres:
Motet
|
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59 | Confitebor tibi Domine | Joannis Bassani | |
Appears on:
59
Genres:
Motet
Source Attribution:
Joannis Bassani
|
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60–61 | Turbae autem quae praecedebant | Melchior Bischofs | |
Appears on:
60–61
Genres:
Motet
Source Attribution:
Melchior Bischofs
|
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62 | Facta est cum angelo multitudo coelestis (6vv) | Jacobi Reinerii | |
Appears on:
62
Genres:
Motet
Source Attribution:
Jacobi Reinerii
|
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63 | Surge illuminare Jerusalem | Vincentii Ruffi | |
Appears on:
63
Genres:
Motet
Source Attribution:
Vincentii Ruffi
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64 | Und du Bethlehem im Judischen Lande | Andreae Raselii | |
Appears on:
64
Genres:
Motet
Source Attribution:
Andreae Raselii
|
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65 | Das alte Jahr vergangen ist (8vv) | Bartholomaei Gesii | |
Appears on:
65
Genres:
Motet
Source Attribution:
Bartholomaei Gesii
|
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66 | Puer natus est - 1a pars (of 2): Puer natus est nobis | Hieron: Praetorii | |
Appears on:
66
Genres:
Motet
Source Attribution:
Hieron: Praetorii
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66–67 | Puer natus est - 2a pars (of 2): Haec dies quam fecit Dominus | - | |
Appears on:
66–67
Genres:
Motet
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68 | Furchte dich nicht Maria du hast Gnade | Andreae Raselii | |
Appears on:
68
Genres:
Motet
Source Attribution:
Andreae Raselii
|
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69 | Mane nobiscum Domine | Hieronimi Praetorii | |
Appears on:
69
Genres:
Motet
Source Attribution:
Hieronimi Praetorii
|
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70–71 | Dic nobis Maria | Johannis Bassani | |
Appears on:
70–71
Genres:
Motet
Source Attribution:
Johannis Bassani
|
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71–73 | Jubilate Deo (8vv) | Eliae Grotkurthii | |
Appears on:
71–73
Genres:
Motet
Source Attribution:
Eliae Grotkurthii
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74–75 | Also hatt Gott die Welt geliebt | Andreae Raselii | |
Appears on:
74–75
Genres:
Sacred Song
Source Attribution:
Andreae Raselii
|
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76 | O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam | Hieronymi Praetorii | |
Appears on:
76
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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77 | O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu, tolle ex me | - | |
Appears on:
77
Genres:
Motet
|
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78 | Quaerite primum regnum Dei et iustitiam eius | Philippi Dulichii | |
Appears on:
78
Genres:
Motet
Source Attribution:
Philippi Dulichii
|
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79 | Deus Deus meus ad te de luce vigilo sitivit | Joan. Leo Hasler | |
Appears on:
79
Genres:
Motet
Source Attribution:
Joan. Leo Hasler
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80 | Decantabat populus - 1a pars (of 2): Decantabat populus Israel et universa | Rinald. del Mel | |
Appears on:
80
Genres:
Motet
Source Attribution:
Rinald. del Mel
|
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81 | Decantabat populus - 2a pars (of 2): Sanctificati sunt sacerdotes | - | |
Appears on:
81
Genres:
Motet
|
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82 | Puer natus est nobis et filius datus est | Vincentii Ruffi | |
Appears on:
82
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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83 | Eructavit cor meum | Andreae Gabrielis | |
Appears on:
83
Genres:
Motet
Source Attribution:
Andreae Gabrielis
|
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84 | Exsurgens Maria - 1a pars (of 2): Exsurgens Maria abiit in montana | Philipp: Dulichii | |
Appears on:
84
Genres:
Motet
Source Attribution:
Philipp: Dulichii
|
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85 | Exsurgens Maria - 2a pars (of 2): Et factum est ut audivit | - | |
Appears on:
85
Genres:
Motet
|
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86 | Es erhub sich - 1a pars (of 2): Es erhub sich ein Streit im Himmel | Joh: Sigfrid Bornensis | |
Appears on:
86
Genres:
Motet
Source Attribution:
Joh: Sigfrid Bornensis
|
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87 | Es erhub sich - 2a pars (of 2): Und ich höret eine grosse Stimme | - | |
Appears on:
87
Genres:
Motet
|
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88 | Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus | Joannes Castileti | |
Appears on:
88
Genres:
Motet
Source Attribution:
Joannes Castileti
|
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89 | Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae | - | |
Appears on:
89
Genres:
Motet
|
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90 | De profundis (6vv) - 1a pars (of 2): De profundis clamavi ad te Domine | Joan: Croce | |
Appears on:
90
Genres:
Motet
Source Attribution:
Joan: Croce
|
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91 | De profundis (6vv) - 2a pars (of 2): In te o Domine anima mea se sustentavit | - | |
Appears on:
91
Genres:
Motet
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92 | Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit | Melchioris Vulpii | |
Appears on:
92
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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93 | Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me | - | |
Appears on:
93
Genres:
Motet
|
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94 | Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos | - | |
Appears on:
94
Genres:
Motet
|
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95–96 | Wohl dem der den Herren furchtet | Melchioris Vulpii | |
Appears on:
95–96
Genres:
Hymn
Source Attribution:
Melchioris Vulpii
|
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97 | Habe deine Lust an dem Herren | Paulus Pretzschner | |
Appears on:
97
Genres:
Motet
Source Attribution:
Paulus Pretzschner
|
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98–99 | Auf dich allein du treuer Gott | - | Anonymous |
Auf dich allein du treuer GottAnonymous
Appears on:
98–99
Genres:
Hymn
|
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99–101 | Egressus Jesus secessit in partes Tyri et Sidoni | Jacobus Wertt | |
Appears on:
99–101
Genres:
Motet
Source Attribution:
Jacobus Wertt
|
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102–103 | Pater noster qui es in caelis | Johannis Knöffelii | |
Appears on:
102–103
Genres:
Motet
Source Attribution:
Johannis Knöffelii
|
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104 | Agimus tibi gratias | Orlandi | |
Appears on:
104
Genres:
Motet
Source Attribution:
Orlandi
|
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106–107 | Vespere autem sabbathi venit Maria Magdalene | Vincentii Ruffi | |
Appears on:
106–107
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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108–109 | Si quis diligit me sermonem meum | Vincentii Ruffi | |
Appears on:
108–109
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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109–110 | Sancta trinitas unus Deus | Vincentii Ruffi | |
Appears on:
109–110
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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110 | Tu es pastor - 1a pars (of 2): Tu es pastor ovium princeps apostolorum | Vincentii Ruffi | |
Appears on:
110
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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110–111 | Tu es pastor - 2a pars (of 2): Petre diligis me qui respondit | - | |
Appears on:
110–111
Genres:
Motet
|
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111–112 | Ecce ascendimus Jerosolymam et consummabuntur | Melchior Vulp: | |
Appears on:
111–112
Genres:
Motet
Source Attribution:
Melchior Vulp:
|
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113–114 | Sic Deus dilexit mundum | Vulpius | |
Appears on:
113–114
Genres:
Motet
Source Attribution:
Vulpius
|
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114–115 | Gabriel angelus - 1a pars (of 2): Gabriel angelus locutus est Mariae | Melchior Vulpius | |
Appears on:
114–115
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
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115–116 | Gabriel angelus - 2a pars (of 2): Dixit autem Maria ecce ancilla Domini | - | |
Appears on:
115–116
Genres:
Motet
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116–117 | Laudate Dominum in sanctis eius (5vv) - 1a pars (of 2): Laudate Dominum in sanctis eius | Melchior Vulpius | |
Appears on:
116–117
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
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117–119 | Laudate Dominum in sanctis eius (5vv) - 2a pars (of 2): Laudate Deum in sono tubae | - | |
Appears on:
117–119
Genres:
Motet
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119–120 | Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo | Melchioris Vulpii | |
Appears on:
119–120
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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120–121 | Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo | - | |
Appears on:
120–121
Genres:
Motet
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121–122 | Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte | Melchior Vulpius | |
Appears on:
121–122
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
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122–123 | Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice | - | |
Appears on:
122–123
Genres:
Motet
|
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123–124 | Simile est regnum - 1a pars (of 2): Simile est regnum caelorum | Melch: Vulpi: | |
Appears on:
123–124
Genres:
Motet
Source Attribution:
Melch: Vulpi:
|
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124–125 | Simile est regnum - 2a pars (of 2): Ite ergo ad exitus | - | |
Appears on:
124–125
Genres:
Motet
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125–126 | Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte | Melchioris Vulpii | |
Appears on:
125–126
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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126–127 | Cum descendisset - 2a pars (of 2): Cum autem introisset centurio | - | |
Appears on:
126–127
Genres:
Motet
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128 | Ascendente Jesu - 1a pars (of 2): Ascendente Jesu in naviculum | - | |
Appears on:
128
Genres:
Motet
|
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129 | Ascendente Jesu - 2a pars (of 2): Domine serva nos perimus | - | |
Appears on:
129
Genres:
Motet
|
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130–131 | Angelus ad mulieres dixit | - | |
Appears on:
130–131
Genres:
Motet
|
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131 | Accedentes servi - 1a pars (of 3): Accedentes servi ad patrem familias dixit | Melchioris Vulpii | |
Appears on:
131
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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131 | Accedentes servi - 2a pars (of 3): At ille dixit non ne colligendo zizania eradicetis | - | |
Appears on:
131
Genres:
Motet
General NoteTacet in this part |
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132 | Accedentes servi - 3a pars (of 3): Colligite primum zizania et colligate ea fasciculos | - | |
Appears on:
132
Genres:
Motet
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133–134 | Laudate Dominum omnes gentes, laudate eum | Melch: Vulp: | |
Appears on:
133–134
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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134–135 | Exciens homo - 1a pars (of 2): Exciens homo primo diluculo | Melch: Vulp: | |
Appears on:
134–135
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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135–136 | Exciens homo - 2a pars (of 2): Cum autem vespera | - | |
Appears on:
135–136
Genres:
Motet
|
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136 | Levavi oculos - 1a pars (of 2): Levavi oculos in montes | Melch: Vulp: | |
Appears on:
136
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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136–137 | Levavi oculos - 2a pars (of 2): Dominus custodit te ab omni malo | - | |
Appears on:
136–137
Genres:
Motet
|
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137–138 | Cum turba plurima - 1a pars (of 2): Cum turba plurima conveniret et e singulis civitatibus | Melch: Vulp: | |
Appears on:
137–138
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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138–139 | Cum turba plurima - 2a pars (of 2): Et inter seminandum aliud cecidit circa viam | - | |
Appears on:
138–139
Genres:
Motet
|
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140 | Laudate Dominum in sanctis eius (6vv) | Melchioris Vulpii | |
Appears on:
140
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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141–142 | Si quis diigit me | Melchioris Vulpii | |
Appears on:
141–142
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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142–144 | Ecce magi ab oriente veniunt | Melchior: Vulp: | |
Appears on:
142–144
Genres:
Motet
Source Attribution:
Melchior: Vulp:
|
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144–145 | Deus misereatur nostri | Melchioris Vulpii | |
Appears on:
144–145
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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146 | Exsultent - 1a pars (of 2): Exsultent et laetentur | Melchioris Vulpii | |
Appears on:
146
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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146–147 | Exsultent - 2a pars (of 2): Ego vere egenus | - | |
Appears on:
146–147
Genres:
Motet
|
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148–149 | Caecus quidam sedebat juxta viam mendicans | Melchioris Vulpii | |
Appears on:
148–149
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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149–150 | Corde natus - 1a pars (of 2): Corde natus ex parentis | Melchioris Vulpii | |
Appears on:
149–150
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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151 | Corde natus - 2a pars (of 2): Ecce quem vates vetustis | - | |
Appears on:
151
Genres:
Motet
|
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152 | Surrexit pastor bonus (9vv) | Melch: Vulpii | |
Appears on:
152
Genres:
Motet
Source Attribution:
Melch: Vulpii
|
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153 | Primas quidam - 1a pars (of 2): Primas quidam venit ad Jesum | Melchioris Vulpii | |
Appears on:
153
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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154 | Primas quidam - 2a pars (of 2): Et cum venisset Jesus in aedes primatis | - | |
Appears on:
154
Genres:
Motet
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155 | Komm o Herr Gott heil'ger Geist -- Veni sancte spiritus reple | Davidis Sulcii | |
Appears on:
155
Genres:
Motet
Source Attribution:
Davidis Sulcii
|
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156 | Gloria tibi trinitas | David Sulcius | |
Appears on:
156
Genres:
Motet
Source Attribution:
David Sulcius
|
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157–158 | Ad te levavi animam meam (6vv, LV729) | - | |
Appears on:
157–158
Genres:
Motet
|
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158 | Lobet den Herren alle Heiden | - | |
Appears on:
158
Genres:
Motet
|
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159 | Veni sancte spiritus | Nicolai Rostii | |
Appears on:
159
Genres:
Hymn
Source Attribution:
Nicolai Rostii
|
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160 | Diligite iustitiam (6vv) | - | Anonymous |
Diligite iustitiam (6vv)Anonymous
Appears on:
160
Genres:
Motet
|
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161–162 | Obsecro te domina sancta Maria (8vv) | Aug: Agazzarii | |
Appears on:
161–162
Genres:
Motet
Source Attribution:
Aug: Agazzarii
|
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162–164 | Incolae terrarum ab ortu solis | - | |
Appears on:
162–164
Genres:
Motet
General Notealso in Lobau 42 & Lobau 69 |
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164–166 | Machet die Thore weit (8vv) | Heinrici Sagittarii (=Ruling or Schutz?) |
Ruhling, Samuel
(?)
|
Appears on:
164–166
Genres:
Motet
Source Attribution:
Heinrici Sagittarii (=Ruling or Schutz?)
General NoteFor composer attribution see SteudeS. In 5 sections, Machet - Intermedium (Wer ist der Herr) - Ehre sei Gott - Intermedium (repeat) - Es ist der Herr. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
166–167 | O Domine Jesu Christe memento (8vv) | - | |
Appears on:
166–167
Genres:
Motet
|
|||
167–168 | O Domine Jesu Christe adoro te (8vv) | Johan: Gabriel | |
Appears on:
167–168
Genres:
Motet
Source Attribution:
Johan: Gabriel
|
|||
168–169 | Aurora lucis rutilat | T. F. | |
Appears on:
168–169
Genres:
Hymn
Source Attribution:
T. F.
|
|||
170–171 | Vespere autem sabbati | Adam[us] Gumpelzhaimerus | |
Appears on:
170–171
Genres:
Motet
Source Attribution:
Adam[us] Gumpelzhaimerus
|
|||
171 | Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war | A Kad: | |
Appears on:
171
Genres:
Motet
Source Attribution:
A Kad:
General NoteDifferent from the setting at p.221. Incomplete - there is a page missing after p. 171. The Q, 7a and 8a books all have blank pages left ready for copying which was not completed. |
|||
172 | Da der Sabbat (I) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
Appears on:
172
Genres:
Motet
General NoteIncomplete - there is a page missing before p. 172 |
|||
172–173 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Orlandi | |
Appears on:
172–173
Genres:
Motet
Source Attribution:
Orlandi
|
|||
173 | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | |
Appears on:
173
Genres:
Motet
|
|||
174–175 | Gott ist unser Zuversicht (8vv) | Georg. Herbschleb. Cant. Primislau | |
Appears on:
174–175
Genres:
Motet
Source Attribution:
Georg. Herbschleb. Cant. Primislau
|
|||
175–177 | Dilectus meus mihi (8vv) | Hieron. Prator. (sic) | |
Appears on:
175–177
Genres:
Motet
Source Attribution:
Hieron. Prator. (sic)
|
|||
178–179 | Wie ein Jungling eine Jungfrau liebet | - | Anonymous |
Wie ein Jungling eine Jungfrau liebetAnonymous
Appears on:
178–179
Genres:
Motet
|
|||
179–181 | Ach Herr straf mich nicht in deinem Zorn | Heinrich Schützens / Henrici Sagittarii | |
Appears on:
179–181
Genres:
Motet
Source Attribution:
Heinrich Schützens / Henrici Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
181–183 | Aus der tiefe ruf' ich Herr zu dir | H. Schützens | |
Appears on:
181–183
Genres:
Motet
Source Attribution:
H. Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
183–185 | Herr unser Herrscher wie herrlich ist dein Nam | Sagittarii | |
Appears on:
183–185
Genres:
Motet
Source Attribution:
Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
185–187 | An den Wassern zu Babel sassen wir | Heinrich Schützens | |
Appears on:
185–187
Genres:
Motet
Source Attribution:
Heinrich Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
187–189 | Ist nicht Ephraim mein teurer Sohn | eiusd.autoris (i.e. Schutz) | |
Appears on:
187–189
Genres:
Motet
Source Attribution:
eiusd.autoris (i.e. Schutz)
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
189–190 | Der Herr sprach zur meinem Herren | Henrici Schützens | |
Appears on:
189–190
Genres:
Motet
Source Attribution:
Henrici Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
190–192 | Laudate pueri Dominum (10vv) | Daniel Seelich | |
Appears on:
190–192
Genres:
Motet
Source Attribution:
Daniel Seelich
General Note2x5vv choirs, 2nd choir parts doubled by strings: S1 vln, S2 vln, A vla, T vla da gamba, B bass |
|||
192–194 | Der Herr erhöre dich | Daniel: Selchii | |
Appears on:
192–194
Genres:
Motet
Source Attribution:
Daniel: Selchii
General NoteChoirs of 4+5vv, labelled chorus vocalis & chorus instrumentalis |
|||
195 | Jubilate Deo | Danielis Seelichii | |
Appears on:
195
Genres:
Motet
Source Attribution:
Danielis Seelichii
General NoteFor "4,8,9 voc in concerto" as above - but note that instrumental parts are also texted |
|||
196 | Egressus Jesus - 1a pars (of 2): Egressus Jesus | - | |
Appears on:
196
Genres:
Motet
|
|||
197 | Egressus Jesus - 2a pars (of 2): Et statim aperte | - | |
Appears on:
197
Genres:
Motet
|
|||
198–200 | Magnificat: Anima mea | Christoph Thomae Walliseri | |
Appears on:
198–200
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Christoph Thomae Walliseri
|
|||
201 | Canite tuba in Sion | Benedicti Palavicini | |
Appears on:
201
Genres:
Motet
Source Attribution:
Benedicti Palavicini
|
|||
202–203 | Furwahr er trug unser' Krankheit | Michaelis Lohr | |
Appears on:
202–203
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
|||
203–204 | Bleib bei uns Herr mit deinem Wort | Joh: Turing | |
Appears on:
203–204
Genres:
Motet
Source Attribution:
Joh: Turing
|
|||
205–206 | Venite exultemus Domino | Hieronymi Praetorii | |
Appears on:
205–206
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
|||
206–207 | Habeto benevolentiam cum adversario tuo (2p. Amen dico tibi) | M. Vulpii | |
Appears on:
206–207
Genres:
Motet
Source Attribution:
M. Vulpii
|
|||
207–208 | Oremus praeceptis | Christoph Walliseri | |
Appears on:
207–208
Genres:
Motet
Source Attribution:
Christoph Walliseri
|
|||
208–209 | Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas | Leonis Leonii | |
Appears on:
208–209
Genres:
Motet
Source Attribution:
Leonis Leonii
|
|||
209 | Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam | - | |
Appears on:
209
Genres:
Motet
|
|||
210–211 | Wohl dem der sich des Dürftigen annimmt | Abrahami Riemeri | |
Appears on:
210–211
Genres:
Motet
Source Attribution:
Abrahami Riemeri
|
|||
212 | Ich hab' den Herrn allzeit für Augen | - |
Grimm, Heinrich
(?)
Ruhling, Samuel
(?)
|
Appears on:
212
Genres:
Motet
|
|||
213–214 | Missa super Cum natus esset Jesus & Cantate Domino: Kyrie | Andreae Kadneri | |
Appears on:
213–214
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Andreae Kadneri
ConcordancesAlso in Lob65 (a compendium of Kadner's masses & motets, possibly autograph). On Walliser's Cum natus & H Praetorius's Cantate Domino |
|||
214–217 | Missa super Cum natus esset Jesus & Cantate Domino: Gloria | - | |
Appears on:
214–217
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
217–218 | Christ lag in Todesbanden (5vv) | - | Anonymous |
Christ lag in Todesbanden (5vv)Anonymous
Appears on:
217–218
Genres:
Motet
|
|||
219 | Surrexit Christus hodie | Christiani Erbachi | |
Appears on:
219
Genres:
Motet
Source Attribution:
Christiani Erbachi
|
|||
220–221 | Herrn wenn ich nur dich habe | Michaelis Lohr | |
Appears on:
220–221
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
|||
221–222 | Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war | Andr: Kadneri | |
Appears on:
221–222
Genres:
Motet
Source Attribution:
Andr: Kadneri
General NoteDifferent from the setting at p.171 |
|||
222 | Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein | - | |
Appears on:
222
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books |
|||
222 | Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war | - | |
Appears on:
222
Genres:
Motet
|
|||
222 | Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
Appears on:
222
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books |
|||
223 | Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
Appears on:
223
Genres:
Motet
|
|||
223–224 | Da der Sabbat vergangen war | - | |
Appears on:
223–224
Genres:
Motet
|
|||
224 | Erstanden ist der heilige Christ | Samuel: Rüling | |
Appears on:
224
Genres:
Motet
Source Attribution:
Samuel: Rüling
|
|||
225–226 | Und Tobias sprach ich will heute | H. G. H. (Heinrich Grimm Hofkapellmeister(?)) | |
Appears on:
225–226
Genres:
Motet
Source Attribution:
H. G. H. (Heinrich Grimm Hofkapellmeister(?))
|
|||
226–227 | Ein freundlich' Weib erfreuet ihren Mann | Abram: Riemerus | |
Appears on:
226–227
Genres:
Motet
Source Attribution:
Abram: Riemerus
|
|||
227–228 | Quem pastores laudavere | - | Anonymous |
Quem pastores laudavereAnonymous
Appears on:
227–228
Genres:
Motet
General NotePerhaps incomplete in 3vv? In Bassus, written twice - incomplete on p.227 (end missing), complete on p.228 |
|||
229–230 | Nunc angelorum gloria | - | |
Appears on:
229–230
Genres:
Motet
|
|||
230–231 | Christus natus est nobis | - | Anonymous |
Christus natus est nobisAnonymous
Appears on:
230–231
Genres:
Hymn
|
|||
232–233 | Missa Ingredimini omnes (8vv): Kyrie | Johann: Stadelmayr | |
Appears on:
232–233
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johann: Stadelmayr
|
|||
233–234 | Missa Ingredimini omnes (8vv): Gloria | - | |
Appears on:
233–234
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
235 | Missa Fuggi pur se sai: Kyrie | Stadlmaieri | |
Appears on:
235
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Stadlmaieri
|
|||
235–236 | Missa Fuggi pur se sai: Gloria | - | |
Appears on:
235–236
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
236–237 | Da antwortet' Laban und Bethuel (8vv) | Grimmii# | |
Appears on:
236–237
Genres:
Motet
Source Attribution:
Grimmii#
|
|||
238–240 | Te Deum (6vv) | - | |
Appears on:
238–240
Genres:
Te Deum
|
|||
240–242 | Te Deum (5vv) | And. Cadneri | |
Appears on:
240–242
Genres:
Te Deum
Source Attribution:
And. Cadneri
|
|||
242–243 | Ein feste Burg ist unser Gott | Wallis: | |
Appears on:
242–243
Genres:
Motet
Source Attribution:
Wallis:
|
|||
243–244 | Ein' feste Burg ist unser Gott | Cadneri | |
Appears on:
243–244
Genres:
Motet
Source Attribution:
Cadneri
|
|||
245–246 | An den Wassern zu Babel saßen wir und weineten | A. Cadneri | |
Appears on:
245–246
Genres:
Motet
Source Attribution:
A. Cadneri
|
|||
247–248 | War' Gott nicht mit uns diese Zeit | A. Cad. | |
Appears on:
247–248
Genres:
Motet
Source Attribution:
A. Cad.
|
|||
249–250 | Missa (5vv): Kyrie | And: Cadneri | |
Appears on:
249–250
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
And: Cadneri
General NoteNot concordant with any of the masses in Lob65, the 'Kadner manuscript' |
|||
250–251 | Missa (5vv): Gloria | - | |
Appears on:
250–251
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
251–253 | Da antwortet' Laban und Bethuel (5vv) | H. Grimmii | |
Appears on:
251–253
Genres:
Motet
Source Attribution:
H. Grimmii
|
|||
253–255 | Lobe den Herren meine Seele und vergiss nicht | Heinrich Schüzens | |
Appears on:
253–255
Genres:
Motet
Source Attribution:
Heinrich Schüzens
|
|||
255–257 | Bonum est confiteri Domino (8vv) | Christoph: Straus | |
Appears on:
255–257
Genres:
Motet
Source Attribution:
Christoph: Straus
General NoteChoir 1: S 1, S 2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c |
|||
257–259 | Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen | A. Cadeneri | |
Appears on:
257–259
Genres:
Motet
Source Attribution:
A. Cadeneri
|
|||
260–261 | Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich | - | |
Appears on:
260–261
Genres:
Motet
|
|||
261–263 | Danket dem Herren, denn er ist freundlich | Heinrich Schütz | |
Appears on:
261–263
Genres:
Motet
Source Attribution:
Heinrich Schütz
|
|||
264–265 | Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi | Heinrich Schützen Churf. Sächs. Capellmeister | |
Appears on:
264–265
Genres:
Passion
Source Attribution:
Heinrich Schützen Churf. Sächs. Capellmeister
General NoteFor 9vv + b.c. (the b.c. is in the 7a book) |
|||
266–267 | Cum natus esset Jesus in Bethlehem Juda | Thom. Walliseri | |
Appears on:
266–267
Genres:
Motet
Source Attribution:
Thom. Walliseri
|
|||
268–269 | Cantate Domino canticum novum | - | |
Appears on:
268–269
Genres:
Motet
|
|||
269–270 | Missa Jubilate Deo: Kyrie | Johannis Stadelmaier | |
Appears on:
269–270
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaier
|
|||
270–271 | Missa Jubilate Deo: Gloria | - | |
Appears on:
270–271
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
271–272 | Missa Donna la pura luce: Kyrie | Johannis Stadelmai: | |
Appears on:
271–272
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmai:
|
|||
272–273 | Missa Donna la pura luce: Gloria | - | |
Appears on:
272–273
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
273 | Missa Dies est laetitiae: Kyrie | Johannis Stadelmaiers | |
Appears on:
273
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaiers
|
|||
273–274 | Missa Dies est laetitiae: Gloria | - | |
Appears on:
273–274
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
275 | Jauchzet dem Herren alle Welt | A. H. (=Hammerschmidt) | |
Appears on:
275
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book). The 8a book has an additional optional altus part. Vocal parts have instruments ad lib (2 vl, 3 vla, fl, 4 trb) |
|||
276–277 | Der Herr erhore dich in der Not | - | |
Appears on:
276–277
Genres:
Motet
General NoteFor 6vv + b.c. (which is in the 7a book); optional string parts also indicated. |
|||
277–278 | Alleluia. Freuet euch ihr Christen alle | - | |
Appears on:
277–278
Genres:
Motet
General NoteGrouped into 2 choirs 5 (capella) + 3 (favorit); vocal parts have ad lib instruments (vl, vla, fl, cnto, trb). |
|||
279–280 | Steh auf Nordwind / Meine Schwester liebe Braut | Eliae Nathusii | |
Appears on:
279–280
Genres:
Motet
Source Attribution:
Eliae Nathusii
General NoteMaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro Item BibliographyMaul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98. https://digital.slub-dresden.de/werkansicht/dlf/264790/72(Accessed: 10-02-2023). |
|||
281 | Missa A Domino factum est: Kyrie | - | |
Appears on:
281
Genres:
Kyrie eleison, Mass Ordinary
|
|||
281–282 | Missa A Domino factum est: Gloria | - | |
Appears on:
281–282
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
283–284 | Herr Gott dich loben wir | - | Anonymous |
Herr Gott dich loben wirAnonymous
Appears on:
283–284
Genres:
Motet
General NoteFor 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb) |
|||
285–288 | Magnificat quinti toni: Et exultavit | George Ledern | |
Appears on:
285–288
Genres:
BVM, Canticle, Magnificat
Source Attribution:
George Ledern
|
|||
285 | Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit | - | |
Appears on:
285
Genres:
Contrafactum, Motet
|
|||
286 | Zu Bethlehem im Krippelein | - | |
Appears on:
286
Genres:
Hymn
|
|||
286 | In dulci jubilo | - | Anonymous |
In dulci jubiloAnonymous
Appears on:
286
Genres:
Hymn
|
|||
287 | Freut euch ir menschen kinder all | - | |
Appears on:
287
Genres:
Sacred Song
|
|||
287 | Jetzt sprosst herfür aus Davids Stämmelein (6vv) | - | |
Appears on:
287
Genres:
Motet
|
|||
288 | Ehr sei dir, lieber Herre Gott | - | Anonymous |
Ehr sei dir, lieber Herre GottAnonymous
Appears on:
288
Genres:
Motet
|
|||
289 | Veni redemptor gentium | - | |
Appears on:
289
Genres:
Hymn
|
|||
290 | A solis ortus cardine | - | |
Appears on:
290
Genres:
Hymn
|
|||
291 | Vita sanctorum decus | - | |
Appears on:
291
Genres:
Hymn
|
|||
292–294 | Magnificat: Et exsultavit | - | Anonymous |
Magnificat: Et exsultavitAnonymous
Appears on:
292–294
Genres:
BVM, Canticle, Magnificat
|
|||
292 | Schlaf mein liebes Jesulein du allerschönstes Kindelein | - | Anonymous |
Appears on:
292
Genres:
Motet
|
|||
293 | Susses Kindlein sei willkommen | - | Anonymous |
Susses Kindlein sei willkommenAnonymous
Appears on:
293
Genres:
Motet
|
|||
293 | Freude o Freude grosse Freude | - | Anonymous |
Freude o Freude grosse FreudeAnonymous
Appears on:
293
Genres:
Motet
|
|||
294 | Ehre sei Gott in der Hohe | - | Anonymous |
Ehre sei Gott in der HoheAnonymous
Appears on:
294
Genres:
Motet
|
|||
295 | Veni creator spiritus | - | |
Appears on:
295
Genres:
Hymn, Veni creator spiritus
|
|||
296–297 | Komm Heiliger Geist Herre Gott (4vv) | - | |
Appears on:
296–297
Genres:
Hymn, Veni sancte spiritus
|
|||
297 | Gott der Vater wohn uns bei | - | |
Appears on:
297
Genres:
Hymn
|
|||
298 | Es woll uns Gott genedig sein | - | |
Appears on:
298
Genres:
Motet
|
|||
299 | Komm zu uns o heil'ger Geist | - | Anonymous |
Komm zu uns o heil'ger GeistAnonymous
Appears on:
299
Genres:
Hymn
|
|||
300 | Herr Gott dich loben alle wir | - | |
Appears on:
300
Genres:
Hymn
|
|||
301 | Meine Seele erhebe den Herren (Magnificat) | - | |
Appears on:
301
Genres:
BVM, Canticle, Magnificat
|
|||
302 | Heut sind die lieben Engelein | - | Anonymous |
Heut sind die lieben EngeleinAnonymous
Appears on:
302
Genres:
Motet
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303 | In dulci jubilo | - | |
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304 | Jesus Christus unser Heiland der den Tod überwand | - | Anonymous |
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