Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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1–10 | Preface | - | |
Appears on:
1–10
Genres:
Text only
General NoteA lengthy rhetorical piece on the importance of music - the only contemporary composer mentioned is Jacob Handl. |
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11 | Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis | [Richafort] |
Caen, Arnold
(?)
|
Appears on:
11
Genres:
Motet
Source Attribution:
[Richafort]
|
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11v–13 | Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas | - |
Caen, Arnold
(?)
|
Appears on:
11v–13
Genres:
Motet
|
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13–15 | Herre nun lestu - 1a pars (of 2): Herre nun lestu deynen diener | Paulus Pretzschnerus Dresdensis | |
Appears on:
13–15
Genres:
Canticle, Motet, Nunc Dimittis
Source Attribution:
Paulus Pretzschnerus Dresdensis
|
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15 | Herre nun lestu - 2a pars (of 2): Ein Licht zu erleuchten die Heiden | - | |
Appears on:
15
Genres:
Canticle
General NoteAt end: "Hanc Cantionem exarauit M. David Schelling Dresdensis, tunc temporis Reipub. Lobauiensis Notarius, Nonis Maij, Anno à nato CHRO. 1592" |
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16–17 | Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum | Joachimus â Burck | |
Appears on:
16–17
Genres:
Canticle
Source Attribution:
Joachimus â Burck
|
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17–18 | Nunc dimittis - 2a pars (of 2): Lumen ad revelationem | - | |
Appears on:
17–18
Genres:
Canticle
General NoteAt end: "Hanc Sanctissimi Simeonis cygnaeam Cantionem Simul et sequentem, Ioan. 3. Consolationem iucundissimam, in suj et dilectissimae coniugis suae Margarethae memoriam huc annotari curauit, Simeon Krebs, tunc temporis, hujus Reipub. Lobauiensis Consul, Pridie Kalendarum Septembris Anno Virginej partus M. C. XCII. [signed:] Simon Krebs" |
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21–23 | Also hatt Gott - 1a pars (of 2): Also hatt Gott die Welt geliebt | Paulus Pretzschnerus | |
Appears on:
21–23
Genres:
Motet
Source Attribution:
Paulus Pretzschnerus
General Notethe sheet pp. 19-20 has been bound in wrongly & should follow p. 24; the piece then finishes on p.29 which should have followed p.20! |
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24, 19–20, 29 | Also hatt Gott - 2a pars (of 2): Gleich wie Moises eine schlang | - | |
Appears on:
24, 19–20, 29
Genres:
Motet
General Notethe sheet pp. 19-20 has been bound in wrongly & should follow p. 24; the piece then finishes on p.29 which should have followed p.20! |
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25 | Justorum animae in manu Dei [Domini] sunt | - | |
Appears on:
25
Genres:
Motet
|
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26–27 | Domine quando veneris judicare terram | Jacobi Handelii | |
Appears on:
26–27
Genres:
Motet
Source Attribution:
Jacobi Handelii
|
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28, 31–32 | Beati qui persecutionem | Joannes Bucheuserus | |
Appears on:
28, 31–32
Genres:
Motet
Source Attribution:
Joannes Bucheuserus
General NoteAt end: "ergo scribebat Joännes Gunterus Löbaueinsis Hexapolitanus tum temporis Reipub: Löbauiensis [...] Iudix Ordinarius in perpetua sui memoria 7 Idus Augusti Anno salutis 1595" |
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29 | Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu | - | |
Appears on:
29
Genres:
Motet
|
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29–30 | Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua | - | |
Appears on:
29–30
Genres:
Motet
|
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30 | Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus | - | |
Appears on:
30
Genres:
Motet
|
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33–34 | Domine Jesu Christe non sum dignus | Clavii | |
Appears on:
33–34
Genres:
Motet
Source Attribution:
Clavii
General NoteAt end: "Hanc praecedentem ac sequentem Cantionem in perpetuam suj nominis recordationem in hunc Thesaurum inscribere curauit Mattheus Schlocwerderus Senior tum temporis huius Reipub: Lobauiensis Consul Idibus Augusti Anno 1595" |
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34–35 | Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber | - | |
Appears on:
34–35
Genres:
Motet
|
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35 | Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben | - | |
Appears on:
35
Genres:
Motet
|
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36–37 | Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort | - | |
Appears on:
36–37
Genres:
Motet
|
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37–38 | Erhalt unns herr - 2a pars (of 6): Beweiss Dein macht Herr Jesu Christ | - | |
Appears on:
37–38
Genres:
Motet
|
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38–39 | Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist | - | |
Appears on:
38–39
Genres:
Motet
|
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40–41 | Erhalt unns herr - 4a pars (of 6): Verleih uns frieden | - | |
Appears on:
40–41
Genres:
Motet
|
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41–42 | Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] | - | |
Appears on:
41–42
Genres:
Motet
|
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43 | Erhalt unns herr - 6a pars (of 6): Amen | - | |
Appears on:
43
Genres:
Motet
General NoteAT end: "Flagrante tota Ungaria bello Turcico, scribebat haec Onophirus John [!], Gorl. civis Lubauiensis, Anno CIC IC XCV in Festo sanctorum Angelorum [= Michaelisfest], quo die ante annum munitissimum Ungariae propugnaculum Taurinum in manus Turcici Imperatoris peruenit. Igitur assiduis precibus et piis animi suspiriis a DEO flagitandum, ut per et propter filium suum propellat rabiem et barbariem Turcicam et largiatur PACEM his terris etc." |
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44–45 | Magnificate Dominum mecum | Valentinus Judex | |
Appears on:
44–45
Genres:
Motet
Source Attribution:
Valentinus Judex
General NoteAt end a long note which includes: "Anno M. D. XCVII. die 12. Cal. Octobr. Cum Scythae finitimis; Turci uero Germanis exercitu fortissimo bellum inferrent tristissimum, Cantionem hanc Hieronym[us] Clemstein Patriae Ciuis p[ro]pria manu scribebat" |
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46–47 | Ich will des Herren Zorn tragen | Gregorius Langius | |
Appears on:
46–47
Genres:
Motet
Source Attribution:
Gregorius Langius
General NoteAt end another lengthy note about the Turkih war, including "Haec pauca exerauit in hunc Thesaurum Martinus Schlocwerderus Lobauensis Sexto Calendas Martij Anno 1598" |
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48–49 | Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te | Andreas Pevernage | |
Appears on:
48–49
Genres:
Motet
Source Attribution:
Andreas Pevernage
|
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50–51 | Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris | Andreas Pevernage | |
Appears on:
50–51
Genres:
Motet
Source Attribution:
Andreas Pevernage
|
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52–53 | Quantas ostendisti mihi | Claudii Meruli | |
Appears on:
52–53
Genres:
Motet
Source Attribution:
Claudii Meruli
|
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54–55 | Gott ist getreu (= Non ti sdegnar o Filli) | Andreae Gabrielis | |
Appears on:
54–55
Genres:
Motet
Source Attribution:
Andreae Gabrielis
General NoteAt end: "Has praecedentes sacras Cantiones Musices amore ascribere voluit Christophorus Martinj Dresdensis, Ecclesiastes Buddiss: tunc Temporis, IX. Calend: Junij, Anno 1600. Fidentem nescit deseruisse DEUS." |
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56–57 | Benedictus es Domine Deus | Francesco Bianciardini | |
Appears on:
56–57
Genres:
Motet
Source Attribution:
Francesco Bianciardini
|
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58 | Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten | Melchioris Vulpii | |
Appears on:
58
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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59 | Eile mich Gott - 2a pars (of 3): Sie müssen zurücke kehren | - | |
Appears on:
59
Genres:
Motet
|
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60 | Eile mich Gott - 3a pars (of 3): Freuen und fröhlich müssen sein | - | |
Appears on:
60
Genres:
Motet
|
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61 | Confitebor tibi Domine | Joannis Bassani | |
Appears on:
61
Genres:
Motet
Source Attribution:
Joannis Bassani
|
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62–63 | Turbae autem quae praecedebant | Melchior Bischofs | |
Appears on:
62–63
Genres:
Motet
Source Attribution:
Melchior Bischofs
|
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64 | Facta est cum angelo multitudo coelestis (6vv) | Jacobi Reinerii | |
Appears on:
64
Genres:
Motet
Source Attribution:
Jacobi Reinerii
|
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65 | Surge illuminare Jerusalem | Vincentii Ruffi | |
Appears on:
65
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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66 | Und du Bethlehem im Judischen Lande | Andreae Raselii | |
Appears on:
66
Genres:
Motet
Source Attribution:
Andreae Raselii
|
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67 | Das alte Jahr vergangen ist (8vv) | Bartholomaei Gesii | |
Appears on:
67
Genres:
Motet
Source Attribution:
Bartholomaei Gesii
|
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68 | Puer natus est - 1a pars (of 2): Puer natus est nobis | Hieronymi Praetorii | |
Appears on:
68
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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68–69 | Puer natus est - 2a pars (of 2): Haec dies quam fecit Dominus | - | |
Appears on:
68–69
Genres:
Motet
|
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70 | Furchte dich nicht Maria du hast Gnade | Andreae Raselii | |
Appears on:
70
Genres:
Motet
Source Attribution:
Andreae Raselii
|
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71 | Mane nobiscum Domine | Hieronimi Praetorii | |
Appears on:
71
Genres:
Motet
Source Attribution:
Hieronimi Praetorii
|
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72–73 | Dic nobis Maria | Johannis Bassani | |
Appears on:
72–73
Genres:
Motet
Source Attribution:
Johannis Bassani
|
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74–75 | Jubilate Deo (8vv) | Eliae Grotkurthii | |
Appears on:
74–75
Genres:
Motet
Source Attribution:
Eliae Grotkurthii
|
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76–77 | Also hatt Gott die Welt geliebt | Andreae Raselii | |
Appears on:
76–77
Genres:
Sacred Song
Source Attribution:
Andreae Raselii
|
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78 | O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam | Hieronymi Praetorii | |
Appears on:
78
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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79 | O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu, tolle ex me | - | |
Appears on:
79
Genres:
Motet
|
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80 | Quaerite primum regnum Dei et iustitiam eius | Philippi Dulichii | |
Appears on:
80
Genres:
Motet
Source Attribution:
Philippi Dulichii
|
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81 | Deus Deus meus ad te de luce vigilo sitivit | Joan. Leo Hasler | |
Appears on:
81
Genres:
Motet
Source Attribution:
Joan. Leo Hasler
|
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82 | Decantabat populus - 1a pars (of 2): Decantabat populus Israel et universa | Rinald. del Mel | |
Appears on:
82
Genres:
Motet
Source Attribution:
Rinald. del Mel
|
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83 | Decantabat populus - 2a pars (of 2): Sanctificati sunt sacerdotes | - | |
Appears on:
83
Genres:
Motet
|
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84 | Puer natus est nobis et filius datus est | Vincentii Ruffi | |
Appears on:
84
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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85 | Eructavit cor meum | Andreae Gabrielis | |
Appears on:
85
Genres:
Motet
Source Attribution:
Andreae Gabrielis
|
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86 | Exsurgens Maria - 1a pars (of 2): Exsurgens Maria abiit in montana | Philipp: Dulichii | |
Appears on:
86
Genres:
Motet
Source Attribution:
Philipp: Dulichii
|
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87 | Exsurgens Maria - 2a pars (of 2): Et factum est ut audivit | - | |
Appears on:
87
Genres:
Motet
|
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88 | Es erhub sich - 1a pars (of 2): Es erhub sich ein Streit im Himmel | Joh: Sigfrid Bornensis | |
Appears on:
88
Genres:
Motet
Source Attribution:
Joh: Sigfrid Bornensis
|
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89 | Es erhub sich - 2a pars (of 2): Und ich höret eine grosse Stimme | - | |
Appears on:
89
Genres:
Motet
|
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90 | Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus | Joannes Castileti | |
Appears on:
90
Genres:
Motet
Source Attribution:
Joannes Castileti
|
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91 | Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae | - | |
Appears on:
91
Genres:
Motet
|
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92 | De profundis (6vv) - 1a pars (of 2): De profundis clamavi ad te Domine | Joan: Croce | |
Appears on:
92
Genres:
Motet
Source Attribution:
Joan: Croce
|
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93 | De profundis (6vv) - 2a pars (of 2): In te o Domine anima mea se sustentavit | - | |
Appears on:
93
Genres:
Motet
|
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95 | Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit | Melchioris Vulpii | |
Appears on:
95
Genres:
Motet
Source Attribution:
Melchioris Vulpii
General Notep.94 contains text-only; it and this piece are texted in red ink |
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96 | Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me | - | |
Appears on:
96
Genres:
Motet
|
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97 | Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos | - | |
Appears on:
97
Genres:
Motet
|
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98–99 | Wohl dem der den Herren furchtet | Melchioris Vulpii | |
Appears on:
98–99
Genres:
Hymn
Source Attribution:
Melchioris Vulpii
|
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100–101 | Habe deine Lust an dem Herren | Paulus Pretzschner | |
Appears on:
100–101
Genres:
Motet
Source Attribution:
Paulus Pretzschner
|
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102 | Auf dich allein du treuer Gott | - | Anonymous |
Auf dich allein du treuer GottAnonymous
Appears on:
102
Genres:
Hymn
|
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103–105 | Egressus Jesus secessit in partes Tyri et Sidoni | Jacobus Wertt | |
Appears on:
103–105
Genres:
Motet
Source Attribution:
Jacobus Wertt
|
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106–107 | Pater noster qui es in caelis | Johannis Knöffelii | |
Appears on:
106–107
Genres:
Motet
Source Attribution:
Johannis Knöffelii
|
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108 | Agimus tibi gratias | Orlandi | |
Appears on:
108
Genres:
Motet
Source Attribution:
Orlandi
|
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109–110 | Vespere autem sabbathi venit Maria Magdalene | Vincentii Ruffi | |
Appears on:
109–110
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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111–112 | Si quis diligit me sermonem meum | Vincentii Ruffi | |
Appears on:
111–112
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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112–113 | Sancta trinitas unus Deus | Vincentii Ruffi | |
Appears on:
112–113
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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113–114 | Tu es pastor - 1a pars (of 2): Tu es pastor ovium princeps apostolorum | Vincentii Ruffi | |
Appears on:
113–114
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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114–115 | Tu es pastor - 2a pars (of 2): Petre diligis me qui respondit | - | |
Appears on:
114–115
Genres:
Motet
|
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115–116 | Ecce ascendimus Jerosolymam et consummabuntur | Melchior Vulp: | |
Appears on:
115–116
Genres:
Motet
Source Attribution:
Melchior Vulp:
|
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117–118 | Sic Deus dilexit mundum | Vulpius | |
Appears on:
117–118
Genres:
Motet
Source Attribution:
Vulpius
|
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118–120 | Gabriel angelus - 1a pars (of 2): Gabriel angelus locutus est Mariae | Melchior Vulpius | |
Appears on:
118–120
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
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120–121 | Gabriel angelus - 2a pars (of 2): Dixit autem Maria ecce ancilla Domini | - | |
Appears on:
120–121
Genres:
Motet
|
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122–123 | Laudate Dominum in sanctis eius (5vv) - 1a pars (of 2): Laudate Dominum in sanctis eius | Melchior Vulpius | |
Appears on:
122–123
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
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123–125 | Laudate Dominum in sanctis eius (5vv) - 2a pars (of 2): Laudate Deum in sono tubae | - | |
Appears on:
123–125
Genres:
Motet
|
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125–126 | Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo | Melchioris Vulpii | |
Appears on:
125–126
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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126–127 | Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo | - | |
Appears on:
126–127
Genres:
Motet
|
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128 | Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte | Melchior Vulpius | |
Appears on:
128
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
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129 | Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice | - | |
Appears on:
129
Genres:
Motet
|
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130 | Simile est regnum - 1a pars (of 2): Simile est regnum caelorum | Melch: Vulp: | |
Appears on:
130
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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131 | Simile est regnum - 2a pars (of 2): Ite ergo ad exitus | - | |
Appears on:
131
Genres:
Motet
|
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132–133 | Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte | Melchioris Vulpii | |
Appears on:
132–133
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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133–134 | Cum descendisset - 2a pars (of 2): Cum autem introisset centurio | - | |
Appears on:
133–134
Genres:
Motet
|
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134–135 | Ascendente Jesu - 1a pars (of 2): Ascendente Jesu in naviculum | - | |
Appears on:
134–135
Genres:
Motet
|
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135–136 | Ascendente Jesu - 2a pars (of 2): Domine serva nos perimus | - | |
Appears on:
135–136
Genres:
Motet
|
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136–137 | Angelus ad mulieres dixit | - | |
Appears on:
136–137
Genres:
Motet
|
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138 | Accedentes servi - 1a pars (of 3): Accedentes servi ad patrem familias dixit | Melchioris Vulpii | |
Appears on:
138
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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139 | Accedentes servi - 2a pars (of 3): At ille dixit non ne colligendo zizania eradicetis | - | |
Appears on:
139
Genres:
Motet
|
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140 | Accedentes servi - 3a pars (of 3): Colligite primum zizania et colligate ea fasciculos | - | |
Appears on:
140
Genres:
Motet
|
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141–142 | Laudate Dominum omnes gentes, laudate eum | Melch: Vulp: | |
Appears on:
141–142
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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142–143 | Exciens homo - 1a pars (of 2): Exciens homo primo diluculo | Melch: Vulp: | |
Appears on:
142–143
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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143–144 | Exciens homo - 2a pars (of 2): Cum autem vespera | - | |
Appears on:
143–144
Genres:
Motet
|
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144–145 | Levavi oculos - 1a pars (of 2): Levavi oculos in montes | Melch: Vulp: | |
Appears on:
144–145
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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145–146 | Levavi oculos - 2a pars (of 2): Dominus custodit te ab omni malo | - | |
Appears on:
145–146
Genres:
Motet
|
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146–147 | Cum turba plurima - 1a pars (of 2): Cum turba plurima conveniret et e singulis civitatibus | Melch: Vulp: | |
Appears on:
146–147
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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147–148 | Cum turba plurima - 2a pars (of 2): Et inter seminandum aliud cecidit circa viam | - | |
Appears on:
147–148
Genres:
Motet
|
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149 | Laudate Dominum in sanctis eius (6vv) | Melchioris Vulpii | |
Appears on:
149
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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150–151 | Si quis diigit me | Melchioris Vulpii | |
Appears on:
150–151
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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151–152 | Ecce magi ab oriente veniunt | Melchior Vulp: | |
Appears on:
151–152
Genres:
Motet
Source Attribution:
Melchior Vulp:
|
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152–153 | Deus misereatur nostri | Melchioris Vulpii | |
Appears on:
152–153
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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154–155 | Exsultent - 1a pars (of 2): Exsultent et laetentur | Melchioris Vulpii | |
Appears on:
154–155
Genres:
Motet
Source Attribution:
Melchioris Vulpii
LayoutParts for T1 (verso) & T2 (recto) |
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154–157 | Exsultent - 2a pars (of 2): Ego vere egenus | - | |
Appears on:
154–157
Genres:
Motet
LayoutParts for T1 (verso) & T2 (recto) |
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158–159 | Caecus quidam sedebat juxta viam mendicans | Melchioris Vulpii | |
Appears on:
158–159
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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159–160 | Corde natus - 1a pars (of 2): Corde natus ex parentis | Melchioris Vulpii | |
Appears on:
159–160
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
160–161 | Corde natus - 2a pars (of 2): Ecce quem vates vetustis | - | |
Appears on:
160–161
Genres:
Motet
|
|||
162 | Surrexit pastor bonus (9vv) | Melch: Vulpii | |
Appears on:
162
Genres:
Motet
Source Attribution:
Melch: Vulpii
|
|||
163–164 | Primas quidam - 1a pars (of 2): Primas quidam venit ad Jesum | Melchioris Vulpii | |
Appears on:
163–164
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
164–165 | Primas quidam - 2a pars (of 2): Et cum venisset Jesus in aedes primatis | - | |
Appears on:
164–165
Genres:
Motet
|
|||
166 | Komm o Herr Gott heil'ger Geist -- Veni sancte spiritus reple | Davidis Sulcii | |
Appears on:
166
Genres:
Motet
Source Attribution:
Davidis Sulcii
|
|||
167 | Gloria tibi trinitas | David Sulcius | |
Appears on:
167
Genres:
Motet
Source Attribution:
David Sulcius
|
|||
168–169 | Ad te levavi animam meam (6vv, LV729) | - | |
Appears on:
168–169
Genres:
Motet
|
|||
170–171 | Lobet den Herren alle Heiden | - | |
Appears on:
170–171
Genres:
Motet
|
|||
171–173 | Veni sancte spiritus | Nicolai Rostii | |
Appears on:
171–173
Genres:
Hymn
Source Attribution:
Nicolai Rostii
|
|||
173–174 | Diligite iustitiam (6vv) | - | Anonymous |
Diligite iustitiam (6vv)Anonymous
Appears on:
173–174
Genres:
Motet
|
|||
175 | Obsecro te domina sancta Maria (8vv) | Aug: Agazzarii | |
Appears on:
175
Genres:
Motet
Source Attribution:
Aug: Agazzarii
|
|||
176–177 | Incolae terrarum ab ortu solis | - | |
Appears on:
176–177
Genres:
Motet
Concordancesalso in Lobau 42 & Lobau 69 |
|||
177–179 | Machet die Thore weit (8vv) | Heinrici Sagittarii (=Ruling or Schutz?) |
Ruhling, Samuel
(?)
|
Appears on:
177–179
Genres:
Motet
Source Attribution:
Heinrici Sagittarii (=Ruling or Schutz?)
General NoteIn 5 sections, Machet - Intermedium (Wer ist der Herr) - Ehre sei Gott - Intermedium (repeat) - Es ist der Herr. For composer identification, see SteudeS Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
179–180 | O Domine Jesu Christe memento (8vv) | - | |
Appears on:
179–180
Genres:
Motet
|
|||
180–181 | O Domine Jesu Christe adoro te (8vv) | Johan: Gabriel | |
Appears on:
180–181
Genres:
Motet
Source Attribution:
Johan: Gabriel
|
|||
182 | Aurora lucis rutilat | T. F. | |
Appears on:
182
Genres:
Hymn
Source Attribution:
T. F.
|
|||
183–184 | Vespere autem sabbati | Adam[us] Gumpelzhaimerus | |
Appears on:
183–184
Genres:
Motet
Source Attribution:
Adam[us] Gumpelzhaimerus
|
|||
185 | Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war | A Kad: | |
Appears on:
185
Genres:
Motet
Source Attribution:
A Kad:
General NoteNot the same as the setting at p.236. The Q, 7a and 8a books all have blank pages left ready for copying which was not completed. |
|||
185 | Da der Sabbat (I) - 2a pars (of 5): Wer walzet uns den Stein | - | |
Appears on:
185
Genres:
Motet
General NoteTacet in this part |
|||
185–186 | Da der Sabbat (I) - 3a pars (of 5): Dass der grosse Stein abgewalzet war | - | |
Appears on:
185–186
Genres:
Motet
|
|||
186 | Da der Sabbat (I) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
Appears on:
186
Genres:
Motet
General NoteTacet in this part |
|||
186 | Da der Sabbat (I) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
Appears on:
186
Genres:
Motet
|
|||
187 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Orlandi | |
Appears on:
187
Genres:
Motet
Source Attribution:
Orlandi
|
|||
187–188 | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | |
Appears on:
187–188
Genres:
Motet
|
|||
188–190 | Gott ist unser Zuversicht (8vv) | Georg. Herbschleb. Cant. Primislau | |
Appears on:
188–190
Genres:
Motet
Source Attribution:
Georg. Herbschleb. Cant. Primislau
|
|||
190–192 | Dilectus meus mihi (8vv) | Hieron. Prator. (sic) | |
Appears on:
190–192
Genres:
Motet
Source Attribution:
Hieron. Prator. (sic)
|
|||
192–193 | Wie ein Jungling eine Jungfrau liebet | - | Anonymous |
Wie ein Jungling eine Jungfrau liebetAnonymous
Appears on:
192–193
Genres:
Motet
|
|||
193–195 | Ach Herr straf mich nicht in deinem Zorn | Heinrich Schützens | |
Appears on:
193–195
Genres:
Motet
Source Attribution:
Heinrich Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
195–197 | Aus der tiefe ruf' ich Herr zu dir | H. Schützens | |
Appears on:
195–197
Genres:
Motet
Source Attribution:
H. Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
197–199 | Herr unser Herrscher wie herrlich ist dein Nam | Sagittarii | |
Appears on:
197–199
Genres:
Motet
Source Attribution:
Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
199–201 | An den Wassern zu Babel sassen wir | Heinrich Schützens | |
Appears on:
199–201
Genres:
Motet
Source Attribution:
Heinrich Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
202–203 | Ist nicht Ephraim mein teurer Sohn | "eiusd[em] autoris" (i.e. Schutz) | |
Appears on:
202–203
Genres:
Motet
Source Attribution:
"eiusd[em] autoris" (i.e. Schutz)
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
203–204 | Der Herr sprach zur meinem Herren | Henrici Schützens | |
Appears on:
203–204
Genres:
Motet
Source Attribution:
Henrici Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
205–206 | Laudate pueri Dominum (10vv) | Daniel Seelich | |
Appears on:
205–206
Genres:
Motet
Source Attribution:
Daniel Seelich
General Note2x5vv choirs, 2nd choir parts doubled by strings: S1 vln, S2 vln, A vla, T vla da gamba, B bass |
|||
206–208 | Der Herr erhöre dich | Daniel: Selchii | |
Appears on:
206–208
Genres:
Motet
Source Attribution:
Daniel: Selchii
General NoteChoirs of 4+5vv, labelled chorus vocalis & chorus instrumentalis |
|||
208–210 | Jubilate Deo | Danielis Seelichii | |
Appears on:
208–210
Genres:
Motet
Source Attribution:
Danielis Seelichii
General NoteFor "4,8,9 voc in concerto" as above - but note that instrumental parts are also texted |
|||
211 | Egressus Jesus - 1a pars (of 2): Egressus Jesus | - | |
Appears on:
211
Genres:
Motet
|
|||
212 | Egressus Jesus - 2a pars (of 2): Et statim aperte | - | |
Appears on:
212
Genres:
Motet
|
|||
213–215 | Magnificat: Anima mea | Christoph: Thomae Walliser | |
Appears on:
213–215
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Christoph: Thomae Walliser
|
|||
215–216 | Canite tuba in Sion | Benedicti Palavicini | |
Appears on:
215–216
Genres:
Motet
Source Attribution:
Benedicti Palavicini
|
|||
216–218 | Furwahr er trug unser' Krankheit | Michaelis Lohr | |
Appears on:
216–218
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
|||
218–219 | Bleib bei uns Herr mit deinem Wort | Joh: Turing | |
Appears on:
218–219
Genres:
Motet
Source Attribution:
Joh: Turing
|
|||
219–221 | Venite exultemus Domino | Hieronymi Praetorii | |
Appears on:
219–221
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
|||
221–222 | Habeto benevolentiam cum adversario tuo (2p. Amen dico tibi) | M. Vulpii | |
Appears on:
221–222
Genres:
Motet
Source Attribution:
M. Vulpii
|
|||
223 | Oremus praeceptis | Christoph Walliseri | |
Appears on:
223
Genres:
Motet
Source Attribution:
Christoph Walliseri
|
|||
224 | Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas | Leonis Leonii | |
Appears on:
224
Genres:
Motet
Source Attribution:
Leonis Leonii
|
|||
224–225 | Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam | - | |
Appears on:
224–225
Genres:
Motet
|
|||
225–226 | Wohl dem der sich des Dürftigen annimmt | Abrahami Riemeri | |
Appears on:
225–226
Genres:
Motet
Source Attribution:
Abrahami Riemeri
|
|||
226–228 | Ich hab' den Herrn allzeit für Augen | - |
Grimm, Heinrich
(?)
Ruhling, Samuel
(?)
|
Appears on:
226–228
Genres:
Motet
|
|||
228–230 | Missa super Cum natus esset Jesus & Cantate Domino: Kyrie | Andreae Kadneri | |
Appears on:
228–230
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Andreae Kadneri
General Notealso in Lob65 (a compendium of his masses & motets, possibly autograph). On Walliser's Cum natus & H Praetorius's Cantate Domino |
|||
230–234 | Missa super Cum natus esset Jesus & Cantate Domino: Gloria | - | |
Appears on:
230–234
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
234–235 | Herrn wenn ich nur dich habe | Michaelis Lohr | |
Appears on:
234–235
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
|||
236 | Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war | Andr: Kadneri | |
Appears on:
236
Genres:
Motet
Source Attribution:
Andr: Kadneri
General Notea different setting from that at p.185 |
|||
237 | Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein | - | |
Appears on:
237
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books |
|||
237 | Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war | - | |
Appears on:
237
Genres:
Motet
|
|||
237–238 | Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
Appears on:
237–238
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books |
|||
238 | Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
Appears on:
238
Genres:
Motet
|
|||
239 | Da der Sabbat vergangen war | - | |
Appears on:
239
Genres:
Motet
|
|||
240 | Erstanden ist der heilige Christ | Samuel: Rüling | |
Appears on:
240
Genres:
Motet
Source Attribution:
Samuel: Rüling
|
|||
241–242 | Und Tobias sprach ich will heute | H. G. H. (Heinrich Grimm Hofkapellmeister(?)) | |
Appears on:
241–242
Genres:
Motet
Source Attribution:
H. G. H. (Heinrich Grimm Hofkapellmeister(?))
|
|||
243–244 | Ein freundlich' Weib erfreuet ihren Mann | Abram: Riemerus | |
Appears on:
243–244
Genres:
Motet
Source Attribution:
Abram: Riemerus
|
|||
246 | Nunc angelorum gloria | - | |
Appears on:
246
Genres:
Motet
|
|||
245 | Quem pastores laudavere | - | Anonymous |
Quem pastores laudavereAnonymous
Appears on:
245
Genres:
Motet
|
|||
247 | Christus natus est nobis | - | Anonymous |
Christus natus est nobisAnonymous
Appears on:
247
Genres:
Hymn
|
|||
248–249 | Missa Ingredimini omnes (8vv): Kyrie | Johann: Stadelmayr | |
Appears on:
248–249
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johann: Stadelmayr
|
|||
249–250 | Missa Ingredimini omnes (8vv): Gloria | - | |
Appears on:
249–250
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
251 | Missa Fuggi pur se sai: Kyrie | Stadlmaieri | |
Appears on:
251
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Stadlmaieri
|
|||
251–252 | Missa Fuggi pur se sai: Gloria | - | |
Appears on:
251–252
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
252–254 | Da antwortet' Laban und Bethuel (8vv) | Grimmii | |
Appears on:
252–254
Genres:
Motet
Source Attribution:
Grimmii
|
|||
255–257 | Te Deum (6vv) | And: Cadneri | |
Appears on:
255–257
Genres:
Te Deum
Source Attribution:
And: Cadneri
|
|||
257–258 | Te Deum (5vv) | And: Cadneri | |
Appears on:
257–258
Genres:
Te Deum
Source Attribution:
And: Cadneri
|
|||
259–260 | Ein feste Burg ist unser Gott | Wallis: | |
Appears on:
259–260
Genres:
Motet
Source Attribution:
Wallis:
|
|||
261–262 | Ein' feste Burg ist unser Gott | Cadneri | |
Appears on:
261–262
Genres:
Motet
Source Attribution:
Cadneri
|
|||
263–264 | An den Wassern zu Babel saßen wir und weineten | A. Cadneri | |
Appears on:
263–264
Genres:
Motet
Source Attribution:
A. Cadneri
|
|||
265–266 | War' Gott nicht mit uns diese Zeit | A. Cad. | |
Appears on:
265–266
Genres:
Motet
Source Attribution:
A. Cad.
|
|||
267 | Missa (5vv): Kyrie | And: Cadneri | |
Appears on:
267
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
And: Cadneri
General Notenot concordant with any of the masses in Lob65, the 'Kadner manuscript' |
|||
268–270 | Missa (5vv): Gloria | - | |
Appears on:
268–270
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
270–271 | Da antwortet' Laban und Bethuel (5vv) | H. Grimmii | |
Appears on:
270–271
Genres:
Motet
Source Attribution:
H. Grimmii
|
|||
272–273 | Lobe den Herren meine Seele und vergiss nicht | Heinrich Schüzens | |
Appears on:
272–273
Genres:
Motet
Source Attribution:
Heinrich Schüzens
|
|||
274–275 | Bonum est confiteri Domino (8vv) | Christoph: Straus | |
Appears on:
274–275
Genres:
Motet
Source Attribution:
Christoph: Straus
General NoteChoir 1: D1, D2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c |
|||
275–276 | Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen | A. Cadeneri | |
Appears on:
275–276
Genres:
Motet
Source Attribution:
A. Cadeneri
|
|||
277–278 | Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich | - | |
Appears on:
277–278
Genres:
Motet
|
|||
278–280 | Danket dem Herren, denn er ist freundlich | Heinrich Schütz | |
Appears on:
278–280
Genres:
Motet
Source Attribution:
Heinrich Schütz
|
|||
281–297 | Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi | Heinrich Schützen Churf. Sächs. Capellmeister | |
Appears on:
281–297
Genres:
Passion
Source Attribution:
Heinrich Schützen Churf. Sächs. Capellmeister
General Noteparts for Tenor & Bass soloists |
|||
297–298 | Cum natus esset Jesus in Bethlehem Juda | Thom. Walliseri | |
Appears on:
297–298
Genres:
Motet
Source Attribution:
Thom. Walliseri
|
|||
299–300 | Cantate Domino canticum novum | - | |
Appears on:
299–300
Genres:
Motet
|
|||
300 | Missa Jubilate Deo: Kyrie | Johannis Stadelmaier | |
Appears on:
300
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaier
|
|||
300–301 | Missa Jubilate Deo: Gloria | - | |
Appears on:
300–301
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
301–302 | Missa Donna la pura luce: Kyrie | Johannis Stadelmai: | |
Appears on:
301–302
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmai:
|
|||
302–303 | Missa Donna la pura luce: Gloria | - | |
Appears on:
302–303
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
303 | Missa Dies est laetitiae: Kyrie | Johannis Stadelmaiers | |
Appears on:
303
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaiers
|
|||
303–304 | Missa Dies est laetitiae: Gloria | - | |
Appears on:
303–304
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
305–306 | Jauchzet dem Herren alle Welt | A. H. (=Hammerschmidt) | |
Appears on:
305–306
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book). The 8a book has an additional optional altus part. Vocal parts have instruments ad lib (2 vl, 3 vla, fl, 4 trb) |
|||
306 | Der Herr erhore dich in der Not | A. H. (=Hammerschmidt) | |
Appears on:
306
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book); optional string parts also indicated. |
|||
307–308 | Alleluia. Freuet euch ihr Christen alle | - | |
Appears on:
307–308
Genres:
Motet
General NoteGrouped into 2 choirs 5 (capella) + 3 (favorit); vocal parts have ad lib instruments (vl, vla, fl, cnto, trb). |
|||
309–310 | Steh auf Nordwind / Meine Schwester liebe Braut | Eliae Nathusii | |
Appears on:
309–310
Genres:
Motet
Source Attribution:
Eliae Nathusii
General NoteMaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro Item BibliographyMaul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98. https://digital.slub-dresden.de/werkansicht/dlf/264790/72(Accessed: 10-02-2023). |
|||
311 | Missa A Domino factum est: Kyrie | - | |
Appears on:
311
Genres:
Kyrie eleison, Mass Ordinary
|
|||
311–312 | Missa A Domino factum est: Gloria | - | |
Appears on:
311–312
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
313–314 | Herr Gott dich loben wir | - | Anonymous |
Herr Gott dich loben wirAnonymous
Appears on:
313–314
Genres:
Motet
General NoteFor 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb) |
|||
315–318 | Magnificat quinti toni: Et exultavit | George Ledern | |
Appears on:
315–318
Genres:
BVM, Canticle, Magnificat
Source Attribution:
George Ledern
General NoteAdditional Latin, German, Latin/German Christmas motets are inserted between the verses. |
|||
315 | Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit | - | |
Appears on:
315
Genres:
Contrafactum, Motet
|
|||
316 | Zu Bethlehem im Krippelein | - | |
Appears on:
316
Genres:
Hymn
|
|||
316 | In dulci jubilo | - | Anonymous |
In dulci jubiloAnonymous
Appears on:
316
Genres:
Hymn
|
|||
317 | Freut euch ir menschen kinder all | - | |
Appears on:
317
Genres:
Sacred Song
|
|||
317–318 | Jetzt sprosst herfür aus Davids Stämmelein (6vv) | - | |
Appears on:
317–318
Genres:
Motet
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318 | Ehr sei dir, lieber Herre Gott | - | Anonymous |
Ehr sei dir, lieber Herre GottAnonymous
Appears on:
318
Genres:
Motet
|
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319 | Veni redemptor gentium | - | |
Appears on:
319
Genres:
Hymn
|
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320 | A solis ortus cardine | - | |
Appears on:
320
Genres:
Hymn
|
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321 | Vita sanctorum decus | - | |
Appears on:
321
Genres:
Hymn
|
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322–324 | Magnificat: Et exsultavit | - | Anonymous |
Magnificat: Et exsultavitAnonymous
Appears on:
322–324
Genres:
BVM, Canticle, Magnificat
General NoteAdditional German Christmas motets are inserted between the verses |
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322 | Schlaf mein liebes Jesulein du allerschönstes Kindelein | - | Anonymous |
Appears on:
322
Genres:
Motet
|
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322–323 | Susses Kindlein sei willkommen | - | Anonymous |
Susses Kindlein sei willkommenAnonymous
Appears on:
322–323
Genres:
Motet
|
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323 | Freude o Freude grosse Freude | - | Anonymous |
Freude o Freude grosse FreudeAnonymous
Appears on:
323
Genres:
Motet
|
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324 | Ehre sei Gott in der Hohe | - | Anonymous |
Ehre sei Gott in der HoheAnonymous
Appears on:
324
Genres:
Motet
|
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325 | Veni creator spiritus | - | |
Appears on:
325
Genres:
Hymn, Veni creator spiritus
|
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326 | Komm Heiliger Geist Herre Gott (4vv) | - | |
Appears on:
326
Genres:
Hymn, Veni sancte spiritus
|
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327 | Gott der Vater wohn uns bei | - | |
Appears on:
327
Genres:
Hymn
|
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328 | Es woll uns Gott genedig sein | - | |
Appears on:
328
Genres:
Motet
|
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329 | fragment | - | Anonymous |
fragmentAnonymous
Appears on:
329
General NoteStaves drawn, title added & partially texted, but no music copied. |
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330 | Komm zu uns o heil'ger Geist | - | Anonymous |
Komm zu uns o heil'ger GeistAnonymous
Appears on:
330
Genres:
Hymn
|
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331 | Herr Gott dich loben alle wir | - | |
Appears on:
331
Genres:
Hymn
|
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332 | Meine Seele erhebe den Herren (Magnificat) | - | |
Appears on:
332
Genres:
BVM, Canticle, Magnificat
|
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333 | Heut sind die lieben Engelein | - | Anonymous |
Heut sind die lieben EngeleinAnonymous
Appears on:
333
Genres:
Motet
|
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334 | Quem pastores laudavere | - | Anonymous |
Quem pastores laudavereAnonymous
Appears on:
334
Genres:
Motet
General Notenote in tenor indicates it is originally for 3 choirs(!) : "Chor: 2 et 3 desunt", presumably a 4vv 'arrangement'. Only the tenor part survives |
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335 | Gelobet seistu Jesu Christ | - | Anonymous |
Gelobet seistu Jesu ChristAnonymous
Appears on:
335
Genres:
Motet
|
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336 | In dulci jubilo | - | |
Appears on:
336
Genres:
Motet
|
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337 | Jesus Christus unser Heiland der den Tod überwand | - | Anonymous |
Appears on:
337
Genres:
Motet
|