D-Dl MSS Löbau 8 and Löbau 70 [3]

Sächsische Landesbibliothek, Dresden, Germany

partbook: Begun 1592; copying continued until c.1685

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MSS Löbau 8 and Löbau 70 [3]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements c. 320 x 200 mm
Other Identifiers
  • CCM: DresSL Löbau 8/70
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Löbau, Bavaria, Germany
Contents 239 pieces from 68 composers
General Description

A Tenor partbook from a set of eight volumes. Copied by Christoph Nostwitz and at least 29 other scribes, many of whom are named in the manuscript. Copying begun in 1592 on commission of the Löbau Senate. A succession of various scribes from Löbau, Bautzen, and Zittau continued to make additions over a period of many years; the latest piece was entered c. 1685. Formerly in the Löbau Ratsbibliothek, the manuscript was deposited at the library in Dresden in 1890.

DIAMM, 2017
Extent

D - 330pp, A - 318pp, T - 334pp, B - 306pp, Q - 294pp, S - 210pp, 7a - 116pp, 8a - 162pp.

DIAMM, 2023
Physical Description

Water has washed away the ink on some folios. Several pages in this book misbound: the correct sequence is ... 17-18, 21-22, 23-24, 19-20, 29-30, 25-26, 27-28, 31-32 ...

DIAMM, 2017
Binding

Original covers of white leather and parchment.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Dedication

The Tenor book contains a dedicatory preface by Nostwitz, dated 1593.

DIAMM, 2017
Foliation

No foliation. Modern pencil pagination, excludes blank pages.

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 1-143

DIAMM, 2017
Index

Original index in Bassus volume by the Löbau cantor Georg Kirchhoff (1636), supplemented by others.

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

Books 1-6 are catalogued as Löbau 8, books 7 and 8 are Löbau 70.

Only the first 16 pieces, to page 55, were copied before 1600 (all are dated, as are many of the 17th century pieces).

DIAMM, 2022
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Kyrie-Gloria pairs, 2 Magnificats, 3 Te Deuràs, 1 Canticle, 16 psalms, 3 hymns, 72 motets, 2 Latin/German sacred pieces, 60 German sacred pieces, 2 German secular pieces, 1 textless piece = 170

Agazzari-1, Bassano-2, Bianciardi-1, Bischoff-1, Bucheuserus-1, Burck-1, Clavius-1, (Clemens non Papa)-1, Croce-1, Dulichius-2, Erbach-1, A. Gabrieli-2, G. Gabrieli-1, Gesius-1, Grimm-5, Groskurdt-1, Gumpelzhaimer-1, Guyot [Castileti]-1, Hammerschmidt [A.H.]-3, Händl-1, Hassler-1, Herbschieben-1, Judex-1, A. Kadner-11, Knöfel-1, Lange-1, Lassus-3, Leder-1, Leoni-1, Lohr-2, Mel-1, Merulo-1, Nathusius-1, Pallavicino-1, Pevernage-1, H. Praetorius-6, Preschner-3, Raselius-3, Reiner-1, Richafort/(Caen/Lupus)-1, A. Riemer-2, Rosthius-1, Ruffo-6, S. Rühling-1, F. Sale-1, (Schede)-1, (Schein)-5, Schütz-10, Selich-3, Senfl-1, J. Sigfrid-1, Stadlmayr-5, Strauss-1, D. Sulcius -2, T.F.-1, Turing-1, Vulpius-29, Walliser-4, Wert-1, anon-23

8 paper partbooks, average ca. 320 x 200. Water has washed away the ink on some folios. No foliation; original numbering of pieces, 1-143. Original covers of white leather and parchment. Original index in B. Copied by Christoph Nostwitz and at least 29 other scribes, many of whom are named in the manuscript. The tenor book contains a dedicatory preface by Nostwitz, dated 1593.

Copying begun in 1592 on commission of the Löbau Senate. A succession of various scribes from Löbau, Bautzen, and Zittau continued to make additions over a period of many years; the latest piece was entered ca. 1685. Formerly in the Löbau Ratsbibliothek, the manuscript was deposited at the library in Dresden in 1890.

Vol 4

Composers: Change "J. Sigfrid-1" to "J. Sigfrid/(Harnisch)-1"; change "Vulpius-29" to "Vulpius-30"; change "anon-23" to "anon-22."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–10 Preface -
Appears on: 1–10
Genres: Text only
General Note

A lengthy rhetorical piece on the importance of music - the only contemporary composer mentioned is Jacob Handl.

11 Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis [Richafort]
Appears on: 11
Genres: Motet
Source Attribution: [Richafort]
11v–13 Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas -
Appears on: 11v–13
Genres: Motet
13–15 Herre nun lestu - 1a pars (of 2): Herre nun lestu deynen diener Paulus Pretzschnerus Dresdensis
Appears on: 13–15
Genres: Canticle, Motet, Nunc Dimittis
Source Attribution: Paulus Pretzschnerus Dresdensis
15 Herre nun lestu - 2a pars (of 2): Ein Licht zu erleuchten die Heiden -
Appears on: 15
Genres: Canticle
General Note

At end: "Hanc Cantionem exarauit M. David Schelling Dresdensis, tunc temporis Reipub. Lobauiensis Notarius, Nonis Maij, Anno à nato CHRO. 1592"

16–17 Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum Joachimus â Burck
Appears on: 16–17
Genres: Canticle
Source Attribution: Joachimus â Burck
17–18 Nunc dimittis - 2a pars (of 2): Lumen ad revelationem -
Appears on: 17–18
Genres: Canticle
General Note

At end: "Hanc Sanctissimi Simeonis cygnaeam Cantionem Simul et sequentem, Ioan. 3. Consolationem iucundissimam, in suj et dilectissimae coniugis suae Margarethae memoriam huc annotari curauit, Simeon Krebs, tunc temporis, hujus Reipub. Lobauiensis Consul, Pridie Kalendarum Septembris Anno Virginej partus M. C. XCII. [signed:] Simon Krebs"

21–23 Also hatt Gott - 1a pars (of 2): Also hatt Gott die Welt geliebt Paulus Pretzschnerus
Appears on: 21–23
Genres: Motet
Source Attribution: Paulus Pretzschnerus
General Note

the sheet pp. 19-20 has been bound in wrongly & should follow p. 24; the piece then finishes on p.29 which should have followed p.20!

24, 19–20, 29 Also hatt Gott - 2a pars (of 2): Gleich wie Moises eine schlang -
Appears on: 24, 19–20, 29
Genres: Motet
General Note

the sheet pp. 19-20 has been bound in wrongly & should follow p. 24; the piece then finishes on p.29 which should have followed p.20!

25 Justorum animae in manu Dei [Domini] sunt -
Appears on: 25
Genres: Motet
26–27 Domine quando veneris judicare terram Jacobi Handelii
Appears on: 26–27
Genres: Motet
Source Attribution: Jacobi Handelii
28, 31–32 Beati qui persecutionem Joannes Bucheuserus
Appears on: 28, 31–32
Genres: Motet
Source Attribution: Joannes Bucheuserus
General Note

At end: "ergo scribebat Joännes Gunterus Löbaueinsis Hexapolitanus tum temporis Reipub: Löbauiensis [...] Iudix Ordinarius in perpetua sui memoria 7 Idus Augusti Anno salutis 1595"

29 Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu -
Appears on: 29
Genres: Motet
29–30 Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua -
Appears on: 29–30
Genres: Motet
30 Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus -
Appears on: 30
Genres: Motet
33–34 Domine Jesu Christe non sum dignus Clavii
Appears on: 33–34
Genres: Motet
Source Attribution: Clavii
General Note

At end: "Hanc praecedentem ac sequentem Cantionem in perpetuam suj nominis recordationem in hunc Thesaurum inscribere curauit Mattheus Schlocwerderus Senior tum temporis huius Reipub: Lobauiensis Consul Idibus Augusti Anno 1595"

34–35 Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber -
Appears on: 34–35
Genres: Motet
35 Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben -
Appears on: 35
Genres: Motet
36–37 Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort -
Appears on: 36–37
Genres: Motet
37–38 Erhalt unns herr - 2a pars (of 6): Beweiss Dein macht Herr Jesu Christ -
Appears on: 37–38
Genres: Motet
38–39 Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist -
Appears on: 38–39
Genres: Motet
40–41 Erhalt unns herr - 4a pars (of 6): Verleih uns frieden -
Appears on: 40–41
Genres: Motet
41–42 Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] -
Appears on: 41–42
Genres: Motet
43 Erhalt unns herr - 6a pars (of 6): Amen -
Appears on: 43
Genres: Motet
General Note

AT end: "Flagrante tota Ungaria bello Turcico, scribebat haec Onophirus John [!], Gorl. civis Lubauiensis, Anno CIC IC XCV in Festo sanctorum Angelorum [= Michaelisfest], quo die ante annum munitissimum Ungariae propugnaculum Taurinum in manus Turcici Imperatoris peruenit. Igitur assiduis precibus et piis animi suspiriis a DEO flagitandum, ut per et propter filium suum propellat rabiem et barbariem Turcicam et largiatur PACEM his terris etc."

44–45 Magnificate Dominum mecum Valentinus Judex
Appears on: 44–45
Genres: Motet
Source Attribution: Valentinus Judex
General Note

At end a long note which includes: "Anno M. D. XCVII. die 12. Cal. Octobr. Cum Scythae finitimis; Turci uero Germanis exercitu fortissimo bellum inferrent tristissimum, Cantionem hanc Hieronym[us] Clemstein Patriae Ciuis p[ro]pria manu scribebat"

46–47 Ich will des Herren Zorn tragen Gregorius Langius
Appears on: 46–47
Genres: Motet
Source Attribution: Gregorius Langius
General Note

At end another lengthy note about the Turkih war, including "Haec pauca exerauit in hunc Thesaurum Martinus Schlocwerderus Lobauensis Sexto Calendas Martij Anno 1598"

48–49 Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te Andreas Pevernage
Appears on: 48–49
Genres: Motet
Source Attribution: Andreas Pevernage
50–51 Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris Andreas Pevernage
Appears on: 50–51
Genres: Motet
Source Attribution: Andreas Pevernage
52–53 Quantas ostendisti mihi Claudii Meruli
Appears on: 52–53
Genres: Motet
Source Attribution: Claudii Meruli
54–55 Gott ist getreu (= Non ti sdegnar o Filli) Andreae Gabrielis
Appears on: 54–55
Genres: Motet
Source Attribution: Andreae Gabrielis
General Note

At end: "Has praecedentes sacras Cantiones Musices amore ascribere voluit Christophorus Martinj Dresdensis, Ecclesiastes Buddiss: tunc Temporis, IX. Calend: Junij, Anno 1600. Fidentem nescit deseruisse DEUS."

56–57 Benedictus es Domine Deus Francesco Bianciardini
Appears on: 56–57
Genres: Motet
Source Attribution: Francesco Bianciardini
58 Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten Melchioris Vulpii
Appears on: 58
Genres: Motet
Source Attribution: Melchioris Vulpii
59 Eile mich Gott - 2a pars (of 3): Sie müssen zurücke kehren -
Appears on: 59
Genres: Motet
60 Eile mich Gott - 3a pars (of 3): Freuen und fröhlich müssen sein -
Appears on: 60
Genres: Motet
61 Confitebor tibi Domine Joannis Bassani
Appears on: 61
Genres: Motet
Source Attribution: Joannis Bassani
62–63 Turbae autem quae praecedebant Melchior Bischofs
Appears on: 62–63
Genres: Motet
Source Attribution: Melchior Bischofs
64 Facta est cum angelo multitudo coelestis (6vv) Jacobi Reinerii
Appears on: 64
Genres: Motet
Source Attribution: Jacobi Reinerii
65 Surge illuminare Jerusalem Vincentii Ruffi
Appears on: 65
Genres: Motet
Source Attribution: Vincentii Ruffi
66 Und du Bethlehem im Judischen Lande Andreae Raselii
Appears on: 66
Genres: Motet
Source Attribution: Andreae Raselii
67 Das alte Jahr vergangen ist (8vv) Bartholomaei Gesii
Appears on: 67
Genres: Motet
Source Attribution: Bartholomaei Gesii
68 Puer natus est - 1a pars (of 2): Puer natus est nobis Hieronymi Praetorii
Appears on: 68
Genres: Motet
Source Attribution: Hieronymi Praetorii
68–69 Puer natus est - 2a pars (of 2): Haec dies quam fecit Dominus -
Appears on: 68–69
Genres: Motet
70 Furchte dich nicht Maria du hast Gnade Andreae Raselii
Appears on: 70
Genres: Motet
Source Attribution: Andreae Raselii
71 Mane nobiscum Domine Hieronimi Praetorii
Appears on: 71
Genres: Motet
Source Attribution: Hieronimi Praetorii
72–73 Dic nobis Maria Johannis Bassani
Appears on: 72–73
Genres: Motet
Source Attribution: Johannis Bassani
74–75 Jubilate Deo (8vv) Eliae Grotkurthii
Appears on: 74–75
Genres: Motet
Source Attribution: Eliae Grotkurthii
76–77 Also hatt Gott die Welt geliebt Andreae Raselii
Appears on: 76–77
Genres: Sacred Song
Source Attribution: Andreae Raselii
78 O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam Hieronymi Praetorii
Appears on: 78
Genres: Motet
Source Attribution: Hieronymi Praetorii
79 O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu, tolle ex me -
Appears on: 79
Genres: Motet
80 Quaerite primum regnum Dei et iustitiam eius Philippi Dulichii
Appears on: 80
Genres: Motet
Source Attribution: Philippi Dulichii
81 Deus Deus meus ad te de luce vigilo sitivit Joan. Leo Hasler
Appears on: 81
Genres: Motet
Source Attribution: Joan. Leo Hasler
82 Decantabat populus - 1a pars (of 2): Decantabat populus Israel et universa Rinald. del Mel
Appears on: 82
Genres: Motet
Source Attribution: Rinald. del Mel
83 Decantabat populus - 2a pars (of 2): Sanctificati sunt sacerdotes -
Appears on: 83
Genres: Motet
84 Puer natus est nobis et filius datus est Vincentii Ruffi
Appears on: 84
Genres: Motet
Source Attribution: Vincentii Ruffi
85 Eructavit cor meum Andreae Gabrielis
Appears on: 85
Genres: Motet
Source Attribution: Andreae Gabrielis
86 Exsurgens Maria - 1a pars (of 2): Exsurgens Maria abiit in montana Philipp: Dulichii
Appears on: 86
Genres: Motet
Source Attribution: Philipp: Dulichii
87 Exsurgens Maria - 2a pars (of 2): Et factum est ut audivit -
Appears on: 87
Genres: Motet
88 Es erhub sich - 1a pars (of 2): Es erhub sich ein Streit im Himmel Joh: Sigfrid Bornensis
Appears on: 88
Genres: Motet
Source Attribution: Joh: Sigfrid Bornensis
89 Es erhub sich - 2a pars (of 2): Und ich höret eine grosse Stimme -
Appears on: 89
Genres: Motet
90 Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus Joannes Castileti
Appears on: 90
Genres: Motet
Source Attribution: Joannes Castileti
91 Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae -
Appears on: 91
Genres: Motet
92 De profundis (6vv) - 1a pars (of 2): De profundis clamavi ad te Domine Joan: Croce
Appears on: 92
Genres: Motet
Source Attribution: Joan: Croce
93 De profundis (6vv) - 2a pars (of 2): In te o Domine anima mea se sustentavit -
Appears on: 93
Genres: Motet
95 Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit Melchioris Vulpii
Appears on: 95
Genres: Motet
Source Attribution: Melchioris Vulpii
General Note

p.94 contains text-only; it and this piece are texted in red ink

96 Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me -
Appears on: 96
Genres: Motet
97 Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos -
Appears on: 97
Genres: Motet
98–99 Wohl dem der den Herren furchtet Melchioris Vulpii
Appears on: 98–99
Genres: Hymn
Source Attribution: Melchioris Vulpii
100–101 Habe deine Lust an dem Herren Paulus Pretzschner
Appears on: 100–101
Genres: Motet
Source Attribution: Paulus Pretzschner
102 Auf dich allein du treuer Gott - Anonymous
Appears on: 102
Genres: Hymn
103–105 Egressus Jesus secessit in partes Tyri et Sidoni Jacobus Wertt
Appears on: 103–105
Genres: Motet
Source Attribution: Jacobus Wertt
106–107 Pater noster qui es in caelis Johannis Knöffelii
Appears on: 106–107
Genres: Motet
Source Attribution: Johannis Knöffelii
108 Agimus tibi gratias Orlandi
Appears on: 108
Genres: Motet
Source Attribution: Orlandi
109–110 Vespere autem sabbathi venit Maria Magdalene Vincentii Ruffi
Appears on: 109–110
Genres: Motet
Source Attribution: Vincentii Ruffi
111–112 Si quis diligit me sermonem meum Vincentii Ruffi
Appears on: 111–112
Genres: Motet
Source Attribution: Vincentii Ruffi
112–113 Sancta trinitas unus Deus Vincentii Ruffi
Appears on: 112–113
Genres: Motet
Source Attribution: Vincentii Ruffi
113–114 Tu es pastor - 1a pars (of 2): Tu es pastor ovium princeps apostolorum Vincentii Ruffi
Appears on: 113–114
Genres: Motet
Source Attribution: Vincentii Ruffi
114–115 Tu es pastor - 2a pars (of 2): Petre diligis me qui respondit -
Appears on: 114–115
Genres: Motet
115–116 Ecce ascendimus Jerosolymam et consummabuntur Melchior Vulp:
Appears on: 115–116
Genres: Motet
Source Attribution: Melchior Vulp:
117–118 Sic Deus dilexit mundum Vulpius
Appears on: 117–118
Genres: Motet
Source Attribution: Vulpius
118–120 Gabriel angelus - 1a pars (of 2): Gabriel angelus locutus est Mariae Melchior Vulpius
Appears on: 118–120
Genres: Motet
Source Attribution: Melchior Vulpius
120–121 Gabriel angelus - 2a pars (of 2): Dixit autem Maria ecce ancilla Domini -
Appears on: 120–121
Genres: Motet
122–123 Laudate Dominum in sanctis eius (5vv) - 1a pars (of 2): Laudate Dominum in sanctis eius Melchior Vulpius
Appears on: 122–123
Genres: Motet
Source Attribution: Melchior Vulpius
123–125 Laudate Dominum in sanctis eius (5vv) - 2a pars (of 2): Laudate Deum in sono tubae -
Appears on: 123–125
Genres: Motet
125–126 Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo Melchioris Vulpii
Appears on: 125–126
Genres: Motet
Source Attribution: Melchioris Vulpii
126–127 Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo -
Appears on: 126–127
Genres: Motet
128 Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte Melchior Vulpius
Appears on: 128
Genres: Motet
Source Attribution: Melchior Vulpius
129 Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice -
Appears on: 129
Genres: Motet
130 Simile est regnum - 1a pars (of 2): Simile est regnum caelorum Melch: Vulp:
Appears on: 130
Genres: Motet
Source Attribution: Melch: Vulp:
131 Simile est regnum - 2a pars (of 2): Ite ergo ad exitus -
Appears on: 131
Genres: Motet
132–133 Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte Melchioris Vulpii
Appears on: 132–133
Genres: Motet
Source Attribution: Melchioris Vulpii
133–134 Cum descendisset - 2a pars (of 2): Cum autem introisset centurio -
Appears on: 133–134
Genres: Motet
134–135 Ascendente Jesu - 1a pars (of 2): Ascendente Jesu in naviculum -
Appears on: 134–135
Genres: Motet
135–136 Ascendente Jesu - 2a pars (of 2): Domine serva nos perimus -
Appears on: 135–136
Genres: Motet
136–137 Angelus ad mulieres dixit -
Appears on: 136–137
Genres: Motet
138 Accedentes servi - 1a pars (of 3): Accedentes servi ad patrem familias dixit Melchioris Vulpii
Appears on: 138
Genres: Motet
Source Attribution: Melchioris Vulpii
139 Accedentes servi - 2a pars (of 3): At ille dixit non ne colligendo zizania eradicetis -
Appears on: 139
Genres: Motet
140 Accedentes servi - 3a pars (of 3): Colligite primum zizania et colligate ea fasciculos -
Appears on: 140
Genres: Motet
141–142 Laudate Dominum omnes gentes, laudate eum Melch: Vulp:
Appears on: 141–142
Genres: Motet
Source Attribution: Melch: Vulp:
142–143 Exciens homo - 1a pars (of 2): Exciens homo primo diluculo Melch: Vulp:
Appears on: 142–143
Genres: Motet
Source Attribution: Melch: Vulp:
143–144 Exciens homo - 2a pars (of 2): Cum autem vespera -
Appears on: 143–144
Genres: Motet
144–145 Levavi oculos - 1a pars (of 2): Levavi oculos in montes Melch: Vulp:
Appears on: 144–145
Genres: Motet
Source Attribution: Melch: Vulp:
145–146 Levavi oculos - 2a pars (of 2): Dominus custodit te ab omni malo -
Appears on: 145–146
Genres: Motet
146–147 Cum turba plurima - 1a pars (of 2): Cum turba plurima conveniret et e singulis civitatibus Melch: Vulp:
Appears on: 146–147
Genres: Motet
Source Attribution: Melch: Vulp:
147–148 Cum turba plurima - 2a pars (of 2): Et inter seminandum aliud cecidit circa viam -
Appears on: 147–148
Genres: Motet
149 Laudate Dominum in sanctis eius (6vv) Melchioris Vulpii
Appears on: 149
Genres: Motet
Source Attribution: Melchioris Vulpii
150–151 Si quis diigit me Melchioris Vulpii
Appears on: 150–151
Genres: Motet
Source Attribution: Melchioris Vulpii
151–152 Ecce magi ab oriente veniunt Melchior Vulp:
Appears on: 151–152
Genres: Motet
Source Attribution: Melchior Vulp:
152–153 Deus misereatur nostri Melchioris Vulpii
Appears on: 152–153
Genres: Motet
Source Attribution: Melchioris Vulpii
154–155 Exsultent - 1a pars (of 2): Exsultent et laetentur Melchioris Vulpii
Appears on: 154–155
Genres: Motet
Source Attribution: Melchioris Vulpii
Layout

Parts for T1 (verso) & T2 (recto)

154–157 Exsultent - 2a pars (of 2): Ego vere egenus -
Appears on: 154–157
Genres: Motet
Layout

Parts for T1 (verso) & T2 (recto)

158–159 Caecus quidam sedebat juxta viam mendicans Melchioris Vulpii
Appears on: 158–159
Genres: Motet
Source Attribution: Melchioris Vulpii
159–160 Corde natus - 1a pars (of 2): Corde natus ex parentis Melchioris Vulpii
Appears on: 159–160
Genres: Motet
Source Attribution: Melchioris Vulpii
160–161 Corde natus - 2a pars (of 2): Ecce quem vates vetustis -
Appears on: 160–161
Genres: Motet
162 Surrexit pastor bonus (9vv) Melch: Vulpii
Appears on: 162
Genres: Motet
Source Attribution: Melch: Vulpii
163–164 Primas quidam - 1a pars (of 2): Primas quidam venit ad Jesum Melchioris Vulpii
Appears on: 163–164
Genres: Motet
Source Attribution: Melchioris Vulpii
164–165 Primas quidam - 2a pars (of 2): Et cum venisset Jesus in aedes primatis -
Appears on: 164–165
Genres: Motet
166 Komm o Herr Gott heil'ger Geist -- Veni sancte spiritus reple Davidis Sulcii
Appears on: 166
Genres: Motet
Source Attribution: Davidis Sulcii
167 Gloria tibi trinitas David Sulcius
Appears on: 167
Genres: Motet
Source Attribution: David Sulcius
168–169 Ad te levavi animam meam (6vv, LV729) -
Appears on: 168–169
Genres: Motet
170–171 Lobet den Herren alle Heiden -
Appears on: 170–171
Genres: Motet
171–173 Veni sancte spiritus Nicolai Rostii
Appears on: 171–173
Genres: Hymn
Source Attribution: Nicolai Rostii
173–174 Diligite iustitiam (6vv) - Anonymous
Appears on: 173–174
Genres: Motet
175 Obsecro te domina sancta Maria (8vv) Aug: Agazzarii
Appears on: 175
Genres: Motet
Source Attribution: Aug: Agazzarii
176–177 Incolae terrarum ab ortu solis -
Appears on: 176–177
Genres: Motet
Concordances

also in Lobau 42 & Lobau 69

177–179 Machet die Thore weit (8vv) Heinrici Sagittarii (=Ruling or Schutz?)
Appears on: 177–179
Genres: Motet
Source Attribution: Heinrici Sagittarii (=Ruling or Schutz?)
General Note

In 5 sections, Machet - Intermedium (Wer ist der Herr) - Ehre sei Gott - Intermedium (repeat) - Es ist der Herr. For composer identification, see SteudeS

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

179–180 O Domine Jesu Christe memento (8vv) -
Appears on: 179–180
Genres: Motet
180–181 O Domine Jesu Christe adoro te (8vv) Johan: Gabriel
Appears on: 180–181
Genres: Motet
Source Attribution: Johan: Gabriel
182 Aurora lucis rutilat T. F.
Appears on: 182
Genres: Hymn
Source Attribution: T. F.
183–184 Vespere autem sabbati Adam[us] Gumpelzhaimerus
Appears on: 183–184
Genres: Motet
Source Attribution: Adam[us] Gumpelzhaimerus
185 Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war A Kad:
Appears on: 185
Genres: Motet
Source Attribution: A Kad:
General Note

Not the same as the setting at p.236. The Q, 7a and 8a books all have blank pages left ready for copying which was not completed.

185 Da der Sabbat (I) - 2a pars (of 5): Wer walzet uns den Stein -
Appears on: 185
Genres: Motet
General Note

Tacet in this part

185–186 Da der Sabbat (I) - 3a pars (of 5): Dass der grosse Stein abgewalzet war -
Appears on: 185–186
Genres: Motet
186 Da der Sabbat (I) - 4a pars (of 5): Was suchet ihr den Lebendigen -
Appears on: 186
Genres: Motet
General Note

Tacet in this part

186 Da der Sabbat (I) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie -
Appears on: 186
Genres: Motet
187 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Orlandi
Appears on: 187
Genres: Motet
Source Attribution: Orlandi
187–188 In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 187–188
Genres: Motet
188–190 Gott ist unser Zuversicht (8vv) Georg. Herbschleb. Cant. Primislau
Appears on: 188–190
Genres: Motet
Source Attribution: Georg. Herbschleb. Cant. Primislau
190–192 Dilectus meus mihi (8vv) Hieron. Prator. (sic)
Appears on: 190–192
Genres: Motet
Source Attribution: Hieron. Prator. (sic)
192–193 Wie ein Jungling eine Jungfrau liebet - Anonymous
Appears on: 192–193
Genres: Motet
193–195 Ach Herr straf mich nicht in deinem Zorn Heinrich Schützens
Appears on: 193–195
Genres: Motet
Source Attribution: Heinrich Schützens
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

195–197 Aus der tiefe ruf' ich Herr zu dir H. Schützens
Appears on: 195–197
Genres: Motet
Source Attribution: H. Schützens
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

197–199 Herr unser Herrscher wie herrlich ist dein Nam Sagittarii
Appears on: 197–199
Genres: Motet
Source Attribution: Sagittarii
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

199–201 An den Wassern zu Babel sassen wir Heinrich Schützens
Appears on: 199–201
Genres: Motet
Source Attribution: Heinrich Schützens
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

202–203 Ist nicht Ephraim mein teurer Sohn "eiusd[em] autoris" (i.e. Schutz)
Appears on: 202–203
Genres: Motet
Source Attribution: "eiusd[em] autoris" (i.e. Schutz)
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

203–204 Der Herr sprach zur meinem Herren Henrici Schützens
Appears on: 203–204
Genres: Motet
Source Attribution: Henrici Schützens
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

205–206 Laudate pueri Dominum (10vv) Daniel Seelich
Appears on: 205–206
Genres: Motet
Source Attribution: Daniel Seelich
General Note

2x5vv choirs, 2nd choir parts doubled by strings: S1 vln, S2 vln, A vla, T vla da gamba, B bass

206–208 Der Herr erhöre dich Daniel: Selchii
Appears on: 206–208
Genres: Motet
Source Attribution: Daniel: Selchii
General Note

Choirs of 4+5vv, labelled chorus vocalis & chorus instrumentalis

208–210 Jubilate Deo Danielis Seelichii
Appears on: 208–210
Genres: Motet
Source Attribution: Danielis Seelichii
General Note

For "4,8,9 voc in concerto" as above - but note that instrumental parts are also texted

211 Egressus Jesus - 1a pars (of 2): Egressus Jesus -
Appears on: 211
Genres: Motet
212 Egressus Jesus - 2a pars (of 2): Et statim aperte -
Appears on: 212
Genres: Motet
213–215 Magnificat: Anima mea Christoph: Thomae Walliser
Appears on: 213–215
Genres: BVM, Canticle, Magnificat
Source Attribution: Christoph: Thomae Walliser
215–216 Canite tuba in Sion Benedicti Palavicini
Appears on: 215–216
Genres: Motet
Source Attribution: Benedicti Palavicini
216–218 Furwahr er trug unser' Krankheit Michaelis Lohr
Appears on: 216–218
Genres: Motet
Source Attribution: Michaelis Lohr
218–219 Bleib bei uns Herr mit deinem Wort Joh: Turing
Appears on: 218–219
Genres: Motet
Source Attribution: Joh: Turing
219–221 Venite exultemus Domino Hieronymi Praetorii
Appears on: 219–221
Genres: Motet
Source Attribution: Hieronymi Praetorii
221–222 Habeto benevolentiam cum adversario tuo (2p. Amen dico tibi) M. Vulpii
Appears on: 221–222
Genres: Motet
Source Attribution: M. Vulpii
223 Oremus praeceptis Christoph Walliseri
Appears on: 223
Genres: Motet
Source Attribution: Christoph Walliseri
224 Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas Leonis Leonii
Appears on: 224
Genres: Motet
Source Attribution: Leonis Leonii
224–225 Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam -
Appears on: 224–225
Genres: Motet
225–226 Wohl dem der sich des Dürftigen annimmt Abrahami Riemeri
Appears on: 225–226
Genres: Motet
Source Attribution: Abrahami Riemeri
226–228 Ich hab' den Herrn allzeit für Augen -
Appears on: 226–228
Genres: Motet
228–230 Missa super Cum natus esset Jesus & Cantate Domino: Kyrie Andreae Kadneri
Appears on: 228–230
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Andreae Kadneri
General Note

also in Lob65 (a compendium of his masses & motets, possibly autograph). On Walliser's Cum natus & H Praetorius's Cantate Domino

230–234 Missa super Cum natus esset Jesus & Cantate Domino: Gloria -
Appears on: 230–234
Genres: Gloria (et in terra pax), Mass Ordinary
234–235 Herrn wenn ich nur dich habe Michaelis Lohr
Appears on: 234–235
Genres: Motet
Source Attribution: Michaelis Lohr
236 Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war Andr: Kadneri
Appears on: 236
Genres: Motet
Source Attribution: Andr: Kadneri
General Note

a different setting from that at p.185

237 Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein -
Appears on: 237
Genres: Motet
General Note

This pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books

237 Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war -
Appears on: 237
Genres: Motet
237–238 Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen -
Appears on: 237–238
Genres: Motet
General Note

This pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books

238 Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie -
Appears on: 238
Genres: Motet
239 Da der Sabbat vergangen war -
Appears on: 239
Genres: Motet
240 Erstanden ist der heilige Christ Samuel: Rüling
Appears on: 240
Genres: Motet
Source Attribution: Samuel: Rüling
241–242 Und Tobias sprach ich will heute H. G. H. (Heinrich Grimm Hofkapellmeister(?))
Appears on: 241–242
Genres: Motet
Source Attribution: H. G. H. (Heinrich Grimm Hofkapellmeister(?))
243–244 Ein freundlich' Weib erfreuet ihren Mann Abram: Riemerus
Appears on: 243–244
Genres: Motet
Source Attribution: Abram: Riemerus
246 Nunc angelorum gloria -
Appears on: 246
Genres: Motet
245 Quem pastores laudavere - Anonymous
Appears on: 245
Genres: Motet
247 Christus natus est nobis - Anonymous
Appears on: 247
Genres: Hymn
248–249 Missa Ingredimini omnes (8vv): Kyrie Johann: Stadelmayr
Appears on: 248–249
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johann: Stadelmayr
249–250 Missa Ingredimini omnes (8vv): Gloria -
Appears on: 249–250
Genres: Gloria (et in terra pax), Mass Ordinary
251 Missa Fuggi pur se sai: Kyrie Stadlmaieri
Appears on: 251
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Stadlmaieri
251–252 Missa Fuggi pur se sai: Gloria -
Appears on: 251–252
Genres: Gloria (et in terra pax), Mass Ordinary
252–254 Da antwortet' Laban und Bethuel (8vv) Grimmii
Appears on: 252–254
Genres: Motet
Source Attribution: Grimmii
255–257 Te Deum (6vv) And: Cadneri
Appears on: 255–257
Genres: Te Deum
Source Attribution: And: Cadneri
257–258 Te Deum (5vv) And: Cadneri
Appears on: 257–258
Genres: Te Deum
Source Attribution: And: Cadneri
259–260 Ein feste Burg ist unser Gott Wallis:
Appears on: 259–260
Genres: Motet
Source Attribution: Wallis:
261–262 Ein' feste Burg ist unser Gott Cadneri
Appears on: 261–262
Genres: Motet
Source Attribution: Cadneri
263–264 An den Wassern zu Babel saßen wir und weineten A. Cadneri
Appears on: 263–264
Genres: Motet
Source Attribution: A. Cadneri
265–266 War' Gott nicht mit uns diese Zeit A. Cad.
Appears on: 265–266
Genres: Motet
Source Attribution: A. Cad.
267 Missa (5vv): Kyrie And: Cadneri
Appears on: 267
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: And: Cadneri
General Note

not concordant with any of the masses in Lob65, the 'Kadner manuscript'

268–270 Missa (5vv): Gloria -
Appears on: 268–270
Genres: Gloria (et in terra pax), Mass Ordinary
270–271 Da antwortet' Laban und Bethuel (5vv) H. Grimmii
Appears on: 270–271
Genres: Motet
Source Attribution: H. Grimmii
272–273 Lobe den Herren meine Seele und vergiss nicht Heinrich Schüzens
Appears on: 272–273
Genres: Motet
Source Attribution: Heinrich Schüzens
274–275 Bonum est confiteri Domino (8vv) Christoph: Straus
Appears on: 274–275
Genres: Motet
Source Attribution: Christoph: Straus
General Note

Choir 1: D1, D2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c

275–276 Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen A. Cadeneri
Appears on: 275–276
Genres: Motet
Source Attribution: A. Cadeneri
277–278 Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich -
Appears on: 277–278
Genres: Motet
278–280 Danket dem Herren, denn er ist freundlich Heinrich Schütz
Appears on: 278–280
Genres: Motet
Source Attribution: Heinrich Schütz
281–297 Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi Heinrich Schützen Churf. Sächs. Capellmeister
Appears on: 281–297
Genres: Passion
Source Attribution: Heinrich Schützen Churf. Sächs. Capellmeister
General Note

parts for Tenor & Bass soloists

297–298 Cum natus esset Jesus in Bethlehem Juda Thom. Walliseri
Appears on: 297–298
Genres: Motet
Source Attribution: Thom. Walliseri
299–300 Cantate Domino canticum novum -
Appears on: 299–300
Genres: Motet
300 Missa Jubilate Deo: Kyrie Johannis Stadelmaier
Appears on: 300
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johannis Stadelmaier
300–301 Missa Jubilate Deo: Gloria -
Appears on: 300–301
Genres: Gloria (et in terra pax), Mass Ordinary
301–302 Missa Donna la pura luce: Kyrie Johannis Stadelmai:
Appears on: 301–302
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johannis Stadelmai:
302–303 Missa Donna la pura luce: Gloria -
Appears on: 302–303
Genres: Gloria (et in terra pax), Mass Ordinary
303 Missa Dies est laetitiae: Kyrie Johannis Stadelmaiers
Appears on: 303
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johannis Stadelmaiers
303–304 Missa Dies est laetitiae: Gloria -
Appears on: 303–304
Genres: Gloria (et in terra pax), Mass Ordinary
305–306 Jauchzet dem Herren alle Welt A. H. (=Hammerschmidt)
Appears on: 305–306
Genres: Motet
Source Attribution: A. H. (=Hammerschmidt)
General Note

For 6vv + b.c. (which is in the 7a book). The 8a book has an additional optional altus part. Vocal parts have instruments ad lib (2 vl, 3 vla, fl, 4 trb)

306 Der Herr erhore dich in der Not A. H. (=Hammerschmidt)
Appears on: 306
Genres: Motet
Source Attribution: A. H. (=Hammerschmidt)
General Note

For 6vv + b.c. (which is in the 7a book); optional string parts also indicated.

307–308 Alleluia. Freuet euch ihr Christen alle -
Appears on: 307–308
Genres: Motet
General Note

Grouped into 2 choirs 5 (capella) + 3 (favorit); vocal parts have ad lib instruments (vl, vla, fl, cnto, trb).

309–310 Steh auf Nordwind / Meine Schwester liebe Braut Eliae Nathusii
Appears on: 309–310
Genres: Motet
Source Attribution: Eliae Nathusii
General Note

MaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro

Item Bibliography

Maul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98. https://digital.slub-dresden.de/werkansicht/dlf/264790/72(Accessed: 10-02-2023).

311 Missa A Domino factum est: Kyrie -
Appears on: 311
Genres: Kyrie eleison, Mass Ordinary
311–312 Missa A Domino factum est: Gloria -
Appears on: 311–312
Genres: Gloria (et in terra pax), Mass Ordinary
313–314 Herr Gott dich loben wir - Anonymous
Appears on: 313–314
Genres: Motet
General Note

For 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb)

315–318 Magnificat quinti toni: Et exultavit George Ledern
Appears on: 315–318
Genres: BVM, Canticle, Magnificat
Source Attribution: George Ledern
General Note

Additional Latin, German, Latin/German Christmas motets are inserted between the verses.

315 Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit -
Appears on: 315
Genres: Contrafactum, Motet
316 Zu Bethlehem im Krippelein -
Appears on: 316
Genres: Hymn
316 In dulci jubilo - Anonymous

In dulci jubilo

Anonymous
Appears on: 316
Genres: Hymn
317 Freut euch ir menschen kinder all -
Appears on: 317
Genres: Sacred Song
317–318 Jetzt sprosst herfür aus Davids Stämmelein (6vv) -
Appears on: 317–318
Genres: Motet
318 Ehr sei dir, lieber Herre Gott - Anonymous
Appears on: 318
Genres: Motet
319 Veni redemptor gentium -
Appears on: 319
Genres: Hymn
320 A solis ortus cardine -
Appears on: 320
Genres: Hymn
321 Vita sanctorum decus -
Appears on: 321
Genres: Hymn
322–324 Magnificat: Et exsultavit - Anonymous
Appears on: 322–324
Genres: BVM, Canticle, Magnificat
General Note

Additional German Christmas motets are inserted between the verses

322 Schlaf mein liebes Jesulein du allerschönstes Kindelein - Anonymous
Appears on: 322
Genres: Motet
322–323 Susses Kindlein sei willkommen - Anonymous
Appears on: 322–323
Genres: Motet
323 Freude o Freude grosse Freude - Anonymous
Appears on: 323
Genres: Motet
324 Ehre sei Gott in der Hohe - Anonymous
Appears on: 324
Genres: Motet
325 Veni creator spiritus -
Appears on: 325
Genres: Hymn, Veni creator spiritus
326 Komm Heiliger Geist Herre Gott (4vv) -
Appears on: 326
Genres: Hymn, Veni sancte spiritus
327 Gott der Vater wohn uns bei -
Appears on: 327
Genres: Hymn
328 Es woll uns Gott genedig sein -
Appears on: 328
Genres: Motet
329 fragment - Anonymous

fragment

Anonymous
Appears on: 329
General Note

Staves drawn, title added & partially texted, but no music copied.

330 Komm zu uns o heil'ger Geist - Anonymous
Appears on: 330
Genres: Hymn
331 Herr Gott dich loben alle wir -
Appears on: 331
Genres: Hymn
332 Meine Seele erhebe den Herren (Magnificat) -
Appears on: 332
Genres: BVM, Canticle, Magnificat
333 Heut sind die lieben Engelein - Anonymous
Appears on: 333
Genres: Motet
334 Quem pastores laudavere - Anonymous
Appears on: 334
Genres: Motet
General Note

note in tenor indicates it is originally for 3 choirs(!) : "Chor: 2 et 3 desunt", presumably a 4vv 'arrangement'. Only the tenor part survives

335 Gelobet seistu Jesu Christ - Anonymous
Appears on: 335
Genres: Motet
336 In dulci jubilo -
Appears on: 336
Genres: Motet
337 Jesus Christus unser Heiland der den Tod überwand - Anonymous
Appears on: 337
Genres: Motet
Composer Compositions
Agazzari, Agostino (ca. 1579–ca. 1642)
Anonymous
Bassano, Giovanni (ca. 1560–1617)
Bianciardi, Francesco (ca. 1571–1607)
Bischoff, Melchior
Bucheuserus, Joannes
Burck, Joachim à (1546–1610)
Caen, Arnold
Clavius, Christophorus
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Croce, Giovanni (ca. 1557–1609)
Dressler, Gallus
Dulichius, Philipp
Figulus, Wolfgang (ca. 1525–1589)
Freundt, Cornelius (1535–1591)
Gabrieli, Andrea (ca. 1532–1585)
Gabrieli, Giovanni (ca. 1554–1612)
Gesius, Bartholomäus (ca. 1555–1613)
Grimm, Heinrich
Groskurdt, Elias
Gumpelzhaimer, Adam (1559–1625)
Guyot (Castileti), Jean
Hammerschmidt, Andreas (ca. 1611–1675)
Handl (Gallus), Jacobus (1550–1591)
Harnisch, Otto Siegfried
Hassler, Hans Leo (1564–1612)
Hellinck, Lupus (ca. 1494–1541)
Herbschlebe[n], Georg
Judex, Valentin
Kadner (Cadener), Andreas
Knöfel, Johannes (ca. 1525–1617)
Lange, Gregor (ca. 1540–1587)
Lassus, Orlande de (ca. 1532–1594)
Leder, Georg
Leisring, Volckmar
Leoni, Leone
Lohr, Michael
Mel, Rinaldo del
Merulo, Claudio (1533–1604)
Nathusius, Elias
Nostwitz, Christoph
Pallavicino, Benedetto
Pevernage, Andreas
Praetorius, Hieronymus (1560–1629)
Preschner, Paul
Raselius, Andreas (ca. 1563–1602)
Reiner, Jacob
Richafort, Jean (ca. 1480–ca. 1550)
Riemer, Abraham
Rost, Nicolaus
Ruffo, Vincenzo (ca. 1508–1587)
Ruhling, Samuel
Schede, Paul Melissus
Schein, Johann Hermann
Schütz, Heinrich (1585–1672)
Selich, Daniel
Senfl, Ludwig (ca. 1486–ca. 1543)
Sigfrid, Johannes
Stadlmayr, Johann
Strauss, Christoph
Sulcius, David
T. F.
Thuring, Johann
Vulpius, Melchior (ca. 1570–1615)
Walliser, Christoph Thomas (1568–1648)
Weissensee, Friedrich
Wert, Giaches [Jaches] de (1535–1596)
Zucchini, Gregorio (ca. 1540–ca. 1616)
Composition Composers (? Uncertain) Folios / Pages
A solis ortus cardine 320
Accedentes servi - 1a pars (of 3): Accedentes servi ad patrem familias dixit 138
Accedentes servi - 2a pars (of 3): At ille dixit non ne colligendo zizania eradicetis 139
Accedentes servi - 3a pars (of 3): Colligite primum zizania et colligate ea fasciculos 140
Ach Herr straf mich nicht in deinem Zorn 193–195
Ad te levavi animam meam (6vv, LV729) 168–169
Agimus tibi gratias 108
Alleluia. Freuet euch ihr Christen alle 307–308
Also hatt Gott - 1a pars (of 2): Also hatt Gott die Welt geliebt 21–23
Also hatt Gott - 2a pars (of 2): Gleich wie Moises eine schlang 24, 19–20, 29
Also hatt Gott die Welt geliebt 76–77
An den Wassern zu Babel sassen wir 199–201
An den Wassern zu Babel saßen wir und weineten 263–264
Angelus ad mulieres dixit 136–137
Ascendente Jesu - 1a pars (of 2): Ascendente Jesu in naviculum 134–135
Ascendente Jesu - 2a pars (of 2): Domine serva nos perimus 135–136
Auf dich allein du treuer Gott Anonymous 102
Aurora lucis rutilat 182
Aus der tiefe ruf' ich Herr zu dir 195–197
Beati qui persecutionem 28, 31–32
Benedictus es Domine Deus 56–57
Bleib bei uns Herr mit deinem Wort 218–219
Bonum est confiteri Domino (8vv) 274–275
Caecus quidam sedebat juxta viam mendicans 158–159
Canite tuba in Sion 215–216
Cantate Domino canticum novum 299–300
Christus natus est nobis Anonymous 247
Confitebor tibi Domine 61
Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus 90
Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae 91
Corde natus - 1a pars (of 2): Corde natus ex parentis 159–160
Corde natus - 2a pars (of 2): Ecce quem vates vetustis 160–161
Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte 132–133
Cum descendisset - 2a pars (of 2): Cum autem introisset centurio 133–134
Cum natus esset Jesus in Bethlehem Juda 297–298
Cum turba plurima - 1a pars (of 2): Cum turba plurima conveniret et e singulis civitatibus 146–147
Cum turba plurima - 2a pars (of 2): Et inter seminandum aliud cecidit circa viam 147–148
Da antwortet' Laban und Bethuel (5vv) 270–271
Da antwortet' Laban und Bethuel (8vv) 252–254
Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war 185
Da der Sabbat (I) - 2a pars (of 5): Wer walzet uns den Stein 185
Da der Sabbat (I) - 3a pars (of 5): Dass der grosse Stein abgewalzet war 185–186
Da der Sabbat (I) - 4a pars (of 5): Was suchet ihr den Lebendigen 186
Da der Sabbat (I) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie 186
Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war 236
Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein 237
Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war 237
Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen 237–238
Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie 238
Da der Sabbat vergangen war 239
Danket dem Herren, denn er ist freundlich 278–280
Das alte Jahr vergangen ist (8vv) 67
De profundis (6vv) - 1a pars (of 2): De profundis clamavi ad te Domine 92
De profundis (6vv) - 2a pars (of 2): In te o Domine anima mea se sustentavit 93
Decantabat populus - 1a pars (of 2): Decantabat populus Israel et universa 82
Decantabat populus - 2a pars (of 2): Sanctificati sunt sacerdotes 83
Der Herr erhore dich in der Not 306
Der Herr erhöre dich 206–208
Der Herr sprach zur meinem Herren 203–204
Deus Deus meus ad te de luce vigilo sitivit 81
Deus misereatur nostri 152–153
Dic nobis Maria 72–73
Dilectus meus mihi (8vv) 190–192
Diligite iustitiam (6vv) Anonymous 173–174
Domine Jesu Christe non sum dignus 33–34
Domine quando veneris judicare terram 26–27
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo 125–126
Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo 126–127
Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte 128
Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice 129
Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit 95
Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me 96
Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos 97
Ecce ascendimus Jerosolymam et consummabuntur 115–116
Ecce magi ab oriente veniunt 151–152
Egressus Jesus - 1a pars (of 2): Egressus Jesus 211
Egressus Jesus - 2a pars (of 2): Et statim aperte 212
Egressus Jesus secessit in partes Tyri et Sidoni 103–105
Ehr sei dir, lieber Herre Gott Anonymous 318
Ehre sei Gott in der Hohe Anonymous 324
Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten 58
Eile mich Gott - 2a pars (of 3): Sie müssen zurücke kehren 59
Eile mich Gott - 3a pars (of 3): Freuen und fröhlich müssen sein 60
Ein feste Burg ist unser Gott 259–260
Ein freundlich' Weib erfreuet ihren Mann 243–244
Ein' feste Burg ist unser Gott 261–262
Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort 36–37
Erhalt unns herr - 2a pars (of 6): Beweiss Dein macht Herr Jesu Christ 37–38
Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist 38–39
Erhalt unns herr - 4a pars (of 6): Verleih uns frieden 40–41
Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] 41–42
Erhalt unns herr - 6a pars (of 6): Amen 43
Erstanden ist der heilige Christ 240
Eructavit cor meum 85
Es erhub sich - 1a pars (of 2): Es erhub sich ein Streit im Himmel 88
Es erhub sich - 2a pars (of 2): Und ich höret eine grosse Stimme 89
Es woll uns Gott genedig sein 328
Exciens homo - 1a pars (of 2): Exciens homo primo diluculo 142–143
Exciens homo - 2a pars (of 2): Cum autem vespera 143–144
Exsultent - 1a pars (of 2): Exsultent et laetentur 154–155
Exsultent - 2a pars (of 2): Ego vere egenus 154–157
Exsurgens Maria - 1a pars (of 2): Exsurgens Maria abiit in montana 86
Exsurgens Maria - 2a pars (of 2): Et factum est ut audivit 87
Facta est cum angelo multitudo coelestis (6vv) 64
fragment Anonymous 329
Freude o Freude grosse Freude Anonymous 323
Freut euch ir menschen kinder all 317
Furchte dich nicht Maria du hast Gnade 70
Furwahr er trug unser' Krankheit 216–218
Gabriel angelus - 1a pars (of 2): Gabriel angelus locutus est Mariae 118–120
Gabriel angelus - 2a pars (of 2): Dixit autem Maria ecce ancilla Domini 120–121
Gelobet seistu Jesu Christ Anonymous 335
Gloria tibi trinitas 167
Gott der Vater wohn uns bei 327
Gott ist getreu (= Non ti sdegnar o Filli) 54–55
Gott ist unser Zuversicht (8vv) 188–190
Habe deine Lust an dem Herren 100–101
Habeto benevolentiam cum adversario tuo (2p. Amen dico tibi) 221–222
Herr Gott dich loben alle wir 331
Herr Gott dich loben wir Anonymous 313–314
Herr unser Herrscher wie herrlich ist dein Nam 197–199
Herre nun lestu - 1a pars (of 2): Herre nun lestu deynen diener 13–15
Herre nun lestu - 2a pars (of 2): Ein Licht zu erleuchten die Heiden 15
Herrn wenn ich nur dich habe 234–235
Heut sind die lieben Engelein Anonymous 333
Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi 281–297
Ich hab' den Herrn allzeit für Augen 226–228
Ich will des Herren Zorn tragen 46–47
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 187
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 187–188
In dulci jubilo Anonymous 316
In dulci jubilo 336
Incolae terrarum ab ortu solis 176–177
Ist nicht Ephraim mein teurer Sohn 202–203
Jauchzet dem Herren alle Welt 305–306
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis 11
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas 11v–13
Jesus Christus unser Heiland der den Tod überwand Anonymous 337
Jetzt sprosst herfür aus Davids Stämmelein (6vv) 317–318
Jubilate Deo 208–210
Jubilate Deo (8vv) 74–75
Justorum animae in manu Dei [Domini] sunt 25
Komm Heiliger Geist Herre Gott (4vv) 326
Komm o Herr Gott heil'ger Geist -- Veni sancte spiritus reple 166
Komm zu uns o heil'ger Geist Anonymous 330
Laudate Dominum in sanctis eius (5vv) - 1a pars (of 2): Laudate Dominum in sanctis eius 122–123
Laudate Dominum in sanctis eius (5vv) - 2a pars (of 2): Laudate Deum in sono tubae 123–125
Laudate Dominum in sanctis eius (6vv) 149
Laudate Dominum omnes gentes, laudate eum 141–142
Laudate pueri Dominum (10vv) 205–206
Levavi oculos - 1a pars (of 2): Levavi oculos in montes 144–145
Levavi oculos - 2a pars (of 2): Dominus custodit te ab omni malo 145–146
Lobe den Herren meine Seele und vergiss nicht 272–273
Lobet den Herren alle Heiden 170–171
Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen 275–276
Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich 277–278
Machet die Thore weit (8vv) 177–179
Magnificat quinti toni: Et exultavit 315–318
Magnificat: Anima mea 213–215
Magnificat: Et exsultavit Anonymous 322–324
Magnificate Dominum mecum 44–45
Mane nobiscum Domine 71
Meine Seele erhebe den Herren (Magnificat) 332
Missa (5vv): Gloria 268–270
Missa (5vv): Kyrie 267
Missa A Domino factum est: Gloria 311–312
Missa A Domino factum est: Kyrie 311
Missa Dies est laetitiae: Gloria 303–304
Missa Dies est laetitiae: Kyrie 303
Missa Donna la pura luce: Gloria 302–303
Missa Donna la pura luce: Kyrie 301–302
Missa Fuggi pur se sai: Gloria 251–252
Missa Fuggi pur se sai: Kyrie 251
Missa Ingredimini omnes (8vv): Gloria 249–250
Missa Ingredimini omnes (8vv): Kyrie 248–249
Missa Jubilate Deo: Gloria 300–301
Missa Jubilate Deo: Kyrie 300
Missa super Cum natus esset Jesus & Cantate Domino: Gloria 230–234
Missa super Cum natus esset Jesus & Cantate Domino: Kyrie 228–230
Nunc angelorum gloria 246
Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum 16–17
Nunc dimittis - 2a pars (of 2): Lumen ad revelationem 17–18
O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam 78
O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu, tolle ex me 79
O Domine Jesu Christe adoro te (8vv) 180–181
O Domine Jesu Christe memento (8vv) 179–180
Obsecro te domina sancta Maria (8vv) 175
Oremus praeceptis 223
Pater noster qui es in caelis 106–107
Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te 48–49
Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris 50–51
Preface 1–10
Primas quidam - 1a pars (of 2): Primas quidam venit ad Jesum 163–164
Primas quidam - 2a pars (of 2): Et cum venisset Jesus in aedes primatis 164–165
Puer natus est - 1a pars (of 2): Puer natus est nobis 68
Puer natus est - 2a pars (of 2): Haec dies quam fecit Dominus 68–69
Puer natus est nobis et filius datus est 84
Quaerite primum regnum Dei et iustitiam eius 80
Quantas ostendisti mihi 52–53
Quem pastores laudavere Anonymous 245
Quem pastores laudavere Anonymous 334
Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua 29–30
Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus 30
Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu 29
Sancta trinitas unus Deus 112–113
Schlaf mein liebes Jesulein du allerschönstes Kindelein Anonymous 322
Si quis diigit me 150–151
Si quis diligit me sermonem meum 111–112
Sic Deus dilexit mundum 117–118
Simile est regnum - 1a pars (of 2): Simile est regnum caelorum 130
Simile est regnum - 2a pars (of 2): Ite ergo ad exitus 131
Steh auf Nordwind / Meine Schwester liebe Braut 309–310
Surge illuminare Jerusalem 65
Surrexit pastor bonus (9vv) 162
Susses Kindlein sei willkommen Anonymous 322–323
Te Deum (5vv) 257–258
Te Deum (6vv) 255–257
Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas 224
Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam 224–225
Tu es pastor - 1a pars (of 2): Tu es pastor ovium princeps apostolorum 113–114
Tu es pastor - 2a pars (of 2): Petre diligis me qui respondit 114–115
Turbae autem quae praecedebant 62–63
Und du Bethlehem im Judischen Lande 66
Und Tobias sprach ich will heute 241–242
Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit 315
Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber 34–35
Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben 35
Veni creator spiritus 325
Veni redemptor gentium 319
Veni sancte spiritus 171–173
Venite exultemus Domino 219–221
Vespere autem sabbathi venit Maria Magdalene 109–110
Vespere autem sabbati 183–184
Vita sanctorum decus 321
War' Gott nicht mit uns diese Zeit 265–266
Wie ein Jungling eine Jungfrau liebet Anonymous 192–193
Wohl dem der den Herren furchtet 98–99
Wohl dem der sich des Dürftigen annimmt 225–226
Zu Bethlehem im Krippelein 316

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 111-7. Notes: physical description (partial); contents list; concordances (partial).

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Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Dedication Note; Foliation Note; Foliation Note; Contents Note; Surface Note