Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1–2 | Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis | Richafort |
Caen, Arnold
(?)
|
|
Appears on:
1–2
Genres:
Motet
Source Attribution:
Richafort
|
|||
| 2–3 | Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas | - |
Caen, Arnold
(?)
|
|
Appears on:
2–3
Genres:
Motet
|
|||
| 4–5 | Herre nun lestu - 1a pars (of 2): Herre nun lestu deynen diener | Paulus Pretzschnerus Dresdensis | |
|
Appears on:
4–5
Genres:
Canticle, Motet, Nunc Dimittis
Source Attribution:
Paulus Pretzschnerus Dresdensis
|
|||
| 5–6 | Herre nun lestu - 2a pars (of 2): Ein Licht zu erleuchten die Heiden | - | |
|
Appears on:
5–6
Genres:
Canticle
|
|||
| 6–8 | Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum | Joachimus â Burck | |
|
Appears on:
6–8
Genres:
Canticle
Source Attribution:
Joachimus â Burck
|
|||
| 8–9 | Nunc dimittis - 2a pars (of 2): Lumen ad revelationem | - | |
|
Appears on:
8–9
Genres:
Canticle
|
|||
| 10–13 | Also hatt Gott - 1a pars (of 2): Also hatt Gott die Welt geliebt | Paulus Pretzschnerus | |
|
Appears on:
10–13
Genres:
Motet
Source Attribution:
Paulus Pretzschnerus
|
|||
| 13–16 | Also hatt Gott - 2a pars (of 2): Gleich wie Moises eine schlang | - | |
|
Appears on:
13–16
Genres:
Motet
|
|||
| 16–18 | Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu | Ludowicus Senfelius | |
|
Appears on:
16–18
Genres:
Motet
Source Attribution:
Ludowicus Senfelius
General NoteIn this ms the partes are in the sequence 3a, 1a, 2a |
|||
| 18 | Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua | - | |
|
Appears on:
18
Genres:
Motet
|
|||
| 18 | Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus | - | |
|
Appears on:
18
Genres:
Motet
|
|||
| 19–21 | Justorum animae in manu Dei [Domini] sunt | (anon) | |
|
Appears on:
19–21
Genres:
Motet
Source Attribution:
(anon)
|
|||
| 22–23 | Domine quando veneris judicare terram | Jacobi Handel | |
|
Appears on:
22–23
Genres:
Motet
Source Attribution:
Jacobi Handel
|
|||
| 23–26 | Beati qui persecutionem | Joannes Bucheuserus | |
|
Appears on:
23–26
Genres:
Motet
Source Attribution:
Joannes Bucheuserus
|
|||
| 26–27 | Domine Jesu Christe non sum dignus | Clavii | |
|
Appears on:
26–27
Genres:
Motet
Source Attribution:
Clavii
|
|||
| 28 | Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber | (anon) | |
|
Appears on:
28
Genres:
Motet
Source Attribution:
(anon)
|
|||
| 28–29 | Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben | - | |
|
Appears on:
28–29
Genres:
Motet
|
|||
| 29–30 | Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort | (anon) | |
|
Appears on:
29–30
Genres:
Motet
Source Attribution:
(anon)
|
|||
| 30–31 | Erhalt unns herr - 2a pars (of 6): Beweiss Dein macht Herr Jesu Christ | - | |
|
Appears on:
30–31
Genres:
Motet
|
|||
| 32–33 | Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist | - | |
|
Appears on:
32–33
Genres:
Motet
|
|||
| 33–34 | Erhalt unns herr - 4a pars (of 6): Verleih uns frieden | - | |
|
Appears on:
33–34
Genres:
Motet
|
|||
| 34–35 | Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] | - | |
|
Appears on:
34–35
Genres:
Motet
|
|||
| 36 | Erhalt unns herr - 6a pars (of 6): Amen | - | |
|
Appears on:
36
Genres:
Motet
|
|||
| 36–37 | Magnificate Dominum mecum | Valentinus Judex | |
|
Appears on:
36–37
Genres:
Motet
Source Attribution:
Valentinus Judex
|
|||
| 38–39 | Ich will des Herren Zorn tragen | Gregorii Langii | |
|
Appears on:
38–39
Genres:
Motet
Source Attribution:
Gregorii Langii
|
|||
| 40–41 | Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te | Andreas Pevernage | |
|
Appears on:
40–41
Genres:
Motet
Source Attribution:
Andreas Pevernage
|
|||
| 42–43 | Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris | - | |
|
Appears on:
42–43
Genres:
Motet
|
|||
| 44–45 | Quantas ostendisti mihi | Claudii Meruli | |
|
Appears on:
44–45
Genres:
Motet
Source Attribution:
Claudii Meruli
|
|||
| 46–47 | Gott ist getreu (= Non ti sdegnar o Filli) | Andreae Gabrielii | |
|
Appears on:
46–47
Genres:
Motet
Source Attribution:
Andreae Gabrielii
|
|||
| 48–49 | Benedictus es Domine Deus | Francesco Bianciardini | |
|
Appears on:
48–49
Genres:
Motet
Source Attribution:
Francesco Bianciardini
|
|||
| 50 | Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten | Melchioris Vulpii | |
|
Appears on:
50
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 51 | Eile mich Gott - 2a pars (of 3): Sie müssen zurücke kehren | - | |
|
Appears on:
51
Genres:
Motet
|
|||
| 52 | Eile mich Gott - 3a pars (of 3): Freuen und fröhlich müssen sein | - | |
|
Appears on:
52
Genres:
Motet
|
|||
| 53 | Confitebor tibi Domine | Joannis Bassani | |
|
Appears on:
53
Genres:
Motet
Source Attribution:
Joannis Bassani
|
|||
| 54–55 | Turbae autem quae praecedebant | Melchior Bischofs | |
|
Appears on:
54–55
Genres:
Motet
Source Attribution:
Melchior Bischofs
|
|||
| 56 | Facta est cum angelo multitudo coelestis (6vv) | Jacobi Reinerii | |
|
Appears on:
56
Genres:
Motet
Source Attribution:
Jacobi Reinerii
|
|||
| 57 | Surge illuminare Jerusalem | Vincentii Ruffi | |
|
Appears on:
57
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
|||
| 58 | Und du Bethlehem im Judischen Lande | Andreae Raselii | |
|
Appears on:
58
Genres:
Motet
Source Attribution:
Andreae Raselii
|
|||
| 59 | Das alte Jahr vergangen ist (8vv) | Bartholomaei Gesii | |
|
Appears on:
59
Genres:
Motet
Source Attribution:
Bartholomaei Gesii
|
|||
| 60 | Puer natus est - 1a pars (of 2): Puer natus est nobis | Hieronymi Praetorii | |
|
Appears on:
60
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
|||
| 60–61 | Puer natus est - 2a pars (of 2): Haec dies quam fecit Dominus | - | |
|
Appears on:
60–61
Genres:
Motet
|
|||
| 62 | Furchte dich nicht Maria du hast Gnade | Andreae Raselii | |
|
Appears on:
62
Genres:
Motet
Source Attribution:
Andreae Raselii
|
|||
| 63 | Mane nobiscum Domine | Hieronimi Praetorii | |
|
Appears on:
63
Genres:
Motet
Source Attribution:
Hieronimi Praetorii
|
|||
| 64–65 | Dic nobis Maria | Johannis Bassani | |
|
Appears on:
64–65
Genres:
Motet
Source Attribution:
Johannis Bassani
|
|||
| 66–67 | Jubilate Deo (8vv) | eliae | |
|
Appears on:
66–67
Genres:
Motet
Source Attribution:
eliae
|
|||
| 68–69 | Also hatt Gott die Welt geliebt | Andreae Raselii | |
|
Appears on:
68–69
Genres:
Sacred Song
Source Attribution:
Andreae Raselii
|
|||
| 70 | O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam | Hieronymi Praetorii | |
|
Appears on:
70
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
|||
| 71 | O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu, tolle ex me | - | |
|
Appears on:
71
Genres:
Motet
|
|||
| 72 | Quaerite primum regnum Dei et iustitiam eius | Philippi Dulichii | |
|
Appears on:
72
Genres:
Motet
Source Attribution:
Philippi Dulichii
|
|||
| 73 | Deus Deus meus ad te de luce vigilo sitivit | Joan. Leo Hasler | |
|
Appears on:
73
Genres:
Motet
Source Attribution:
Joan. Leo Hasler
|
|||
| 74 | Decantabat populus - 1a pars (of 2): Decantabat populus Israel et universa | Rinald. del Mel | |
|
Appears on:
74
Genres:
Motet
Source Attribution:
Rinald. del Mel
|
|||
| 75 | Decantabat populus - 2a pars (of 2): Sanctificati sunt sacerdotes | - | |
|
Appears on:
75
Genres:
Motet
|
|||
| 76 | Puer natus est nobis et filius datus est | Vincentii Ruffi | |
|
Appears on:
76
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
|||
| 77 | Eructavit cor meum | Andreae Gabrielis | |
|
Appears on:
77
Genres:
Motet
Source Attribution:
Andreae Gabrielis
|
|||
| 78 | Exsurgens Maria - 1a pars (of 2): Exsurgens Maria abiit in montana | Philipp: Dulichii | |
|
Appears on:
78
Genres:
Motet
Source Attribution:
Philipp: Dulichii
|
|||
| 79 | Exsurgens Maria - 2a pars (of 2): Et factum est ut audivit | - | |
|
Appears on:
79
Genres:
Motet
|
|||
| 80 | Es erhub sich - 1a pars (of 2): Es erhub sich ein Streit im Himmel | Joh: Sigfrid Bornensis | |
|
Appears on:
80
Genres:
Motet
Source Attribution:
Joh: Sigfrid Bornensis
|
|||
| 81 | Es erhub sich - 2a pars (of 2): Und ich höret eine grosse Stimme | - | |
|
Appears on:
81
Genres:
Motet
|
|||
| 82 | Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus | Joannes Castileti | |
|
Appears on:
82
Genres:
Motet
Source Attribution:
Joannes Castileti
|
|||
| 83 | Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae | - | |
|
Appears on:
83
Genres:
Motet
|
|||
| 84 | De profundis (6vv) - 1a pars (of 2): De profundis clamavi ad te Domine | Joan: Croce | |
|
Appears on:
84
Genres:
Motet
Source Attribution:
Joan: Croce
|
|||
| 85 | De profundis (6vv) - 2a pars (of 2): In te o Domine anima mea se sustentavit | - | |
|
Appears on:
85
Genres:
Motet
|
|||
| 86 | Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit | Melchioris Vulpii | |
|
Appears on:
86
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 87 | Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me | - | |
|
Appears on:
87
Genres:
Motet
|
|||
| 88 | Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos | - | |
|
Appears on:
88
Genres:
Motet
|
|||
| 89–90 | Wohl dem der den Herren furchtet | Melchioris Vulpii | |
|
Appears on:
89–90
Genres:
Hymn
Source Attribution:
Melchioris Vulpii
|
|||
| 91–92 | Habe deine Lust an dem Herren | Paulus Pretzschner | |
|
Appears on:
91–92
Genres:
Motet
Source Attribution:
Paulus Pretzschner
|
|||
| 93 | Auf dich allein du treuer Gott | - | Anonymous |
Auf dich allein du treuer GottAnonymous
Appears on:
93
Genres:
Hymn
|
|||
| 94–96 | Egressus Jesus secessit in partes Tyri et Sidoni | Jacobus Wertt | |
|
Appears on:
94–96
Genres:
Motet
Source Attribution:
Jacobus Wertt
|
|||
| 96–98 | Pater noster qui es in caelis | Johannis Knöffelii | |
|
Appears on:
96–98
Genres:
Motet
Source Attribution:
Johannis Knöffelii
|
|||
| 99 | Agimus tibi gratias | Orlandi | |
|
Appears on:
99
Genres:
Motet
Source Attribution:
Orlandi
|
|||
| 100 | Fata movent hominis mea pectora | Francis: Sale | |
|
Appears on:
100
Genres:
Motet
Source Attribution:
Francis: Sale
|
|||
| 101–102 | Vespere autem sabbathi venit Maria Magdalene | Vincentii Ruffi | |
|
Appears on:
101–102
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
|||
| 103–104 | Si quis diligit me sermonem meum | Vincentii Ruffi | |
|
Appears on:
103–104
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
|||
| 104 | Sancta trinitas unus Deus | Vincentii Ruffi | |
|
Appears on:
104
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
|||
| 105 | Tu es pastor - 1a pars (of 2): Tu es pastor ovium princeps apostolorum | Vincentii Ruffi | |
|
Appears on:
105
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
|||
| 105–106 | Tu es pastor - 2a pars (of 2): Petre diligis me qui respondit | - | |
|
Appears on:
105–106
Genres:
Motet
|
|||
| 106–108 | Ecce ascendimus Jerosolymam et consummabuntur | Melchior Vulp: | |
|
Appears on:
106–108
Genres:
Motet
Source Attribution:
Melchior Vulp:
|
|||
| 108–109 | Sic Deus dilexit mundum | Vulpius | |
|
Appears on:
108–109
Genres:
Motet
Source Attribution:
Vulpius
|
|||
| 110–111 | Gabriel angelus - 1a pars (of 2): Gabriel angelus locutus est Mariae | Melchior Vulpius | |
|
Appears on:
110–111
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
|||
| 111–112 | Gabriel angelus - 2a pars (of 2): Dixit autem Maria ecce ancilla Domini | - | |
|
Appears on:
111–112
Genres:
Motet
|
|||
| 113–114 | Laudate Dominum in sanctis eius (5vv) - 1a pars (of 2): Laudate Dominum in sanctis eius | Melchior Vulpius | |
|
Appears on:
113–114
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
|||
| 114–116 | Laudate Dominum in sanctis eius (5vv) - 2a pars (of 2): Laudate Deum in sono tubae | - | |
|
Appears on:
114–116
Genres:
Motet
|
|||
| 117 | Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo | Melchioris Vulpii | |
|
Appears on:
117
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 118 | Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo | - | |
|
Appears on:
118
Genres:
Motet
|
|||
| 119 | Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte | Melchior Vulpius | |
|
Appears on:
119
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
|||
| 120 | Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice | - | |
|
Appears on:
120
Genres:
Motet
|
|||
| 121–122 | Simile est regnum - 1a pars (of 2): Simile est regnum caelorum | Melch: Vulpi: | |
|
Appears on:
121–122
Genres:
Motet
Source Attribution:
Melch: Vulpi:
|
|||
| 122–123 | Simile est regnum - 2a pars (of 2): Ite ergo ad exitus | - | |
|
Appears on:
122–123
Genres:
Motet
|
|||
| 124 | Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte | Melchioris Vulpii | |
|
Appears on:
124
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 125–126 | Cum descendisset - 2a pars (of 2): Cum autem introisset centurio | - | |
|
Appears on:
125–126
Genres:
Motet
|
|||
| 126–127 | Ascendente Jesu - 1a pars (of 2): Ascendente Jesu in naviculum | - | |
|
Appears on:
126–127
Genres:
Motet
|
|||
| 127–128 | Ascendente Jesu - 2a pars (of 2): Domine serva nos perimus | - | |
|
Appears on:
127–128
Genres:
Motet
|
|||
| 128–129 | Angelus ad mulieres dixit | - | |
|
Appears on:
128–129
Genres:
Motet
|
|||
| 130 | Accedentes servi - 1a pars (of 3): Accedentes servi ad patrem familias dixit | Melchioris Vulpii | |
|
Appears on:
130
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 130 | Accedentes servi - 2a pars (of 3): At ille dixit non ne colligendo zizania eradicetis | - | |
|
Appears on:
130
Genres:
Motet
General Note2a pars tacet in this voice |
|||
| 131 | Accedentes servi - 3a pars (of 3): Colligite primum zizania et colligate ea fasciculos | - | |
|
Appears on:
131
Genres:
Motet
|
|||
| 132 | Laudate Dominum omnes gentes, laudate eum | Melch: Vulp: | |
|
Appears on:
132
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
|||
| 133 | Exciens homo - 1a pars (of 2): Exciens homo primo diluculo | Melch: Vulp: | |
|
Appears on:
133
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
|||
| 134 | Exciens homo - 2a pars (of 2): Cum autem vespera | - | |
|
Appears on:
134
Genres:
Motet
|
|||
| 135 | Levavi oculos - 1a pars (of 2): Levavi oculos in montes | Melch: Vulp: | |
|
Appears on:
135
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
|||
| 136 | Levavi oculos - 2a pars (of 2): Dominus custodit te ab omni malo | - | |
|
Appears on:
136
Genres:
Motet
|
|||
| 137 | Cum turba plurima - 1a pars (of 2): Cum turba plurima conveniret et e singulis civitatibus | Melch: Vulp: | |
|
Appears on:
137
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
|||
| 138–139 | Cum turba plurima - 2a pars (of 2): Et inter seminandum aliud cecidit circa viam | - | |
|
Appears on:
138–139
Genres:
Motet
|
|||
| 139–140 | Laudate Dominum in sanctis eius (6vv) | Melchioris Vulpii | |
|
Appears on:
139–140
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 140–141 | Si quis diigit me | Melchioris Vulpii | |
|
Appears on:
140–141
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 142–143 | Ecce magi ab oriente veniunt | Melchior Vulp: | |
|
Appears on:
142–143
Genres:
Motet
Source Attribution:
Melchior Vulp:
|
|||
| 143–145 | Deus misereatur nostri | Melchioris Vulpii | |
|
Appears on:
143–145
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 145 | Exsultent - 1a pars (of 2): Exsultent et laetentur | Melchioris Vulpii | |
|
Appears on:
145
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 146 | Exsultent - 2a pars (of 2): Ego vere egenus | - | |
|
Appears on:
146
Genres:
Motet
|
|||
| 147–148 | Caecus quidam sedebat juxta viam mendicans | Melchioris Vulpii | |
|
Appears on:
147–148
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 148–149 | Corde natus - 1a pars (of 2): Corde natus ex parentis | Melchioris Vulpii | |
|
Appears on:
148–149
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 149–150 | Corde natus - 2a pars (of 2): Ecce quem vates vetustis | - | |
|
Appears on:
149–150
Genres:
Motet
|
|||
| 151 | Surrexit pastor bonus (9vv) | Melch: Vulpii | |
|
Appears on:
151
Genres:
Motet
Source Attribution:
Melch: Vulpii
|
|||
| 152 | Primas quidam - 1a pars (of 2): Primas quidam venit ad Jesum | Melchioris Vulpii | |
|
Appears on:
152
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
| 153 | Primas quidam - 2a pars (of 2): Et cum venisset Jesus in aedes primatis | - | |
|
Appears on:
153
Genres:
Motet
|
|||
| 154 | Komm o Herr Gott heil'ger Geist -- Veni sancte spiritus reple | Davidis Sulcii | |
|
Appears on:
154
Genres:
Motet
Source Attribution:
Davidis Sulcii
|
|||
| 155 | Gloria tibi trinitas | David Sulcius | |
|
Appears on:
155
Genres:
Motet
Source Attribution:
David Sulcius
|
|||
| 156 | Ad te levavi animam meam (6vv, LV729) | - | |
|
Appears on:
156
Genres:
Motet
|
|||
| 157 | Lobet den Herren alle Heiden | - | |
|
Appears on:
157
Genres:
Motet
|
|||
| 157–158 | Veni sancte spiritus | Nicolai Rostii | |
|
Appears on:
157–158
Genres:
Hymn
Source Attribution:
Nicolai Rostii
|
|||
| 159–160 | Diligite iustitiam (6vv) | - | Anonymous |
Diligite iustitiam (6vv)Anonymous
Appears on:
159–160
Genres:
Motet
|
|||
| 161 | Obsecro te domina sancta Maria (8vv) | Aug: Agazzarii | |
|
Appears on:
161
Genres:
Motet
Source Attribution:
Aug: Agazzarii
|
|||
| 162–163 | Incolae terrarum ab ortu solis | - | |
|
Appears on:
162–163
Genres:
Motet
General NoteAlso in Lobau 42 & Lobau 69 |
|||
| 163–165 | Machet die Thore weit (8vv) | Heinrici Sagittarii (=Ruhling or Schütz?) |
Ruhling, Samuel
(?)
|
|
Appears on:
163–165
Genres:
Motet
Source Attribution:
Heinrici Sagittarii (=Ruhling or Schütz?)
General NoteSee SteudeS for composer attribution Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. Notes: composer attribution. |
|||
| 165–166 | O Domine Jesu Christe memento (8vv) | - | |
|
Appears on:
165–166
Genres:
Motet
|
|||
| 166–167 | O Domine Jesu Christe adoro te (8vv) | Johan: Gabriel | |
|
Appears on:
166–167
Genres:
Motet
Source Attribution:
Johan: Gabriel
|
|||
| 167–168 | Aurora lucis rutilat | T. F. | |
|
Appears on:
167–168
Genres:
Hymn
Source Attribution:
T. F.
|
|||
| 168–170 | Vespere autem sabbati | Adam[us] Gumpelzhaimerus | |
|
Appears on:
168–170
Genres:
Motet
Source Attribution:
Adam[us] Gumpelzhaimerus
|
|||
| 170–171 | Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war | A. Kad: | |
|
Appears on:
170–171
Genres:
Motet
Source Attribution:
A. Kad:
ConcordancesThere is a different setting of the same text by Kadner at p. 221 General NoteThe Bassus is incomplete owing to loss of a page; the Q, 7a and 8a books all have blank pages left ready for copying which was not completed. |
|||
| 171 | Da der Sabbat (I) - 2a pars (of 5): Wer walzet uns den Stein | - | |
|
Appears on:
171
Genres:
Motet
General Note2a pars tacet in this voice |
|||
| 171–172 | Da der Sabbat (I) - 3a pars (of 5): Dass der grosse Stein abgewalzet war | - | |
|
Appears on:
171–172
Genres:
Motet
|
|||
| 172 | Da der Sabbat (I) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
|
Appears on:
172
Genres:
Motet
General Note4a pars tacet in this voice |
|||
| 172–173 | Da der Sabbat (I) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
|
Appears on:
172–173
Genres:
Motet
|
|||
| 173 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Orlandi | |
|
Appears on:
173
Genres:
Motet
Source Attribution:
Orlandi
|
|||
| 174 | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | |
|
Appears on:
174
Genres:
Motet
|
|||
| 174–176 | Gott ist unser Zuversicht (8vv) | Georg. Herbschleb. Cant. Primislau | |
|
Appears on:
174–176
Genres:
Motet
Source Attribution:
Georg. Herbschleb. Cant. Primislau
|
|||
| 177–178 | Dilectus meus mihi (8vv) | Hieron. Prator. (sic) | |
|
Appears on:
177–178
Genres:
Motet
Source Attribution:
Hieron. Prator. (sic)
|
|||
| 179–180 | Wie ein Jungling eine Jungfrau liebet | - | Anonymous |
Wie ein Jungling eine Jungfrau liebetAnonymous
Appears on:
179–180
Genres:
Motet
|
|||
| 180–181 | Ach Herr straf mich nicht in deinem Zorn | Heinrich Schützens / Henrici Sagittarii | |
|
Appears on:
180–181
Genres:
Motet
Source Attribution:
Heinrich Schützens / Henrici Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
| 182–183 | Aus der tiefe ruf' ich Herr zu dir | H. Schützens / Henrici Sagittarii | |
|
Appears on:
182–183
Genres:
Motet
Source Attribution:
H. Schützens / Henrici Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
| 183–185 | Herr unser Herrscher wie herrlich ist dein Nam | Henrici Sagittarii | |
|
Appears on:
183–185
Genres:
Motet
Source Attribution:
Henrici Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
| 186–187 | An den Wassern zu Babel sassen wir | Heinrich Schützens / Henrici Sagittarii | |
|
Appears on:
186–187
Genres:
Motet
Source Attribution:
Heinrich Schützens / Henrici Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
| 188–189 | Ist nicht Ephraim mein teurer Sohn | - | |
|
Appears on:
188–189
Genres:
Motet
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
| 189–190 | Der Herr sprach zur meinem Herren | Henrici Schützens / Henrici Sagittarii | |
|
Appears on:
189–190
Genres:
Motet
Source Attribution:
Henrici Schützens / Henrici Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
| 191–192 | Laudate pueri Dominum (10vv) | Daniel Seelich | |
|
Appears on:
191–192
Genres:
Motet
Source Attribution:
Daniel Seelich
General Notefor two 5vv choirs, with the second doubled by strings: D1 vln, D2 vln, A vla. T vla da gamba, B bass General Notefor two 5vv choirs, with the second doubled by strings: D1 vln, D2 vln, A vla. T vla da gamba, B bass |
|||
| 192–194 | Der Herr erhöre dich | - | |
|
Appears on:
192–194
Genres:
Motet
General Notefor two choirs, 4vv & 5vv, labelled chorus vocalis & chorus instrumentalis General Notefor two choirs, 4vv & 5vv, labelled chorus vocalis & chorus instrumentalis |
|||
| 194–196 | Jubilate Deo | Danielis Seelichii | |
|
Appears on:
194–196
Genres:
Motet
Source Attribution:
Danielis Seelichii
General Note"4,8,9 voc in concerto" laid out similarly to the previous piece, though the instrumental parts are also texted. Only 8 parts are copied (none in the 7a book, 2 in the 8a book). Perhaps a part in the 7a book is missing? Instrumental lines double vocal, Quintus+vl/cont, Sextus+vla,fl, ?8a vox (in 8a book)+vl/cont, ?9a (in 8a book)+vla/trb. |
|||
| 197–198 | Egressus Jesus - 1a pars (of 2): Egressus Jesus | - | |
|
Appears on:
197–198
Genres:
Motet
|
|||
| 198 | Egressus Jesus - 2a pars (of 2): Et statim aperte | - | |
|
Appears on:
198
Genres:
Motet
|
|||
| 199–201 | Magnificat: Anima mea | Christoph: Thomae Walliser | |
|
Appears on:
199–201
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Christoph: Thomae Walliser
|
|||
| 201 | Canite tuba in Sion | Benedicti Palavicini | |
|
Appears on:
201
Genres:
Motet
Source Attribution:
Benedicti Palavicini
|
|||
| 202–203 | Furwahr er trug unser' Krankheit | Michaelis Lohr | |
|
Appears on:
202–203
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
|||
| 203–204 | Bleib bei uns Herr mit deinem Wort | Joh: Turing | |
|
Appears on:
203–204
Genres:
Motet
Source Attribution:
Joh: Turing
|
|||
| 214–216 | Venite exultemus Domino | Hieronymi Praetorii | |
|
Appears on:
214–216
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
|||
| 206–207 | Habeto benevolentiam cum adversario tuo (2p. Amen dico tibi) | M. Vulpii | |
|
Appears on:
206–207
Genres:
Motet
Source Attribution:
M. Vulpii
|
|||
| 208 | Oremus praeceptis | Christoph: Walliseri | |
|
Appears on:
208
Genres:
Motet
Source Attribution:
Christoph: Walliseri
|
|||
| 209 | Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas | Leonis Leonii | |
|
Appears on:
209
Genres:
Motet
Source Attribution:
Leonis Leonii
|
|||
| 209–210 | Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam | - | |
|
Appears on:
209–210
Genres:
Motet
|
|||
| 210–211 | Wohl dem der sich des Dürftigen annimmt | Abrahami Riemeri | |
|
Appears on:
210–211
Genres:
Motet
Source Attribution:
Abrahami Riemeri
|
|||
| 211–213 | Ich hab' den Herrn allzeit für Augen | - |
Grimm, Heinrich
(?)
Ruhling, Samuel
(?)
|
|
Appears on:
211–213
Genres:
Motet
|
|||
| 213–215 | Missa super Cum natus esset Jesus & Cantate Domino: Kyrie | Andreae Kadneri | |
|
Appears on:
213–215
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Andreae Kadneri
General Notealso in the (possibly autograoh) Kadner collection Lobau 65. Based on Walliser's "Cum natus" and H Praetorius "Cantate Domino". General Notealso in the (possibly autograph) Kadner collection Lobau 65. Based on Walliser's "Cum natus" and H Praetorius "Cantate Domino". |
|||
| 215–217 | Missa super Cum natus esset Jesus & Cantate Domino: Gloria | - | |
|
Appears on:
215–217
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 217–218 | Christ lag in Todesbanden (5vv) | - | Anonymous |
Christ lag in Todesbanden (5vv)Anonymous
Appears on:
217–218
Genres:
Motet
|
|||
| 219–220 | Surrexit Christus hodie | Christiani Erbachi | |
|
Appears on:
219–220
Genres:
Motet
Source Attribution:
Christiani Erbachi
|
|||
| 220–221 | Herrn wenn ich nur dich habe | Michaelis Lohr | |
|
Appears on:
220–221
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
|||
| 221–222 | Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war | Andr: Kadneri | |
|
Appears on:
221–222
Genres:
Motet
Source Attribution:
Andr: Kadneri
ConcordancesA different setting from the one at p.170 |
|||
| 222 | Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein | - | |
|
Appears on:
222
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books |
|||
| 222 | Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war | - | |
|
Appears on:
222
Genres:
Motet
|
|||
| 222–223 | Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
|
Appears on:
222–223
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books |
|||
| 223–224 | Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
|
Appears on:
223–224
Genres:
Motet
|
|||
| 224–225 | Da der Sabbat vergangen war | - | |
|
Appears on:
224–225
Genres:
Motet
|
|||
| 225–226 | Erstanden ist der heilige Christ | Samuel Rüling | |
|
Appears on:
225–226
Genres:
Motet
Source Attribution:
Samuel Rüling
|
|||
| 226–227 | Und Tobias sprach ich will heute | H. G. H. (=Grimm) | |
|
Appears on:
226–227
Genres:
Motet
Source Attribution:
H. G. H. (=Grimm)
|
|||
| 228–229 | Ein freundlich' Weib erfreuet ihren Mann | Abram: Riemerus | |
|
Appears on:
228–229
Genres:
Motet
Source Attribution:
Abram: Riemerus
|
|||
| 230 | Nunc angelorum gloria | - | |
|
Appears on:
230
Genres:
Motet
|
|||
| 231 | Christus natus est nobis | - | Anonymous |
Christus natus est nobisAnonymous
Appears on:
231
Genres:
Hymn
|
|||
| 232–233 | Missa Ingredimini omnes (8vv): Kyrie | Johann: Stadelmayr | |
|
Appears on:
232–233
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johann: Stadelmayr
|
|||
| 233–234 | Missa Ingredimini omnes (8vv): Gloria | - | |
|
Appears on:
233–234
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 235 | Missa Fuggi pur se sai: Kyrie | Stadlmaieri | |
|
Appears on:
235
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Stadlmaieri
|
|||
| 235–236 | Missa Fuggi pur se sai: Gloria | - | |
|
Appears on:
235–236
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 236–238 | Da antwortet' Laban und Bethuel (8vv) | Grimmii | |
|
Appears on:
236–238
Genres:
Motet
Source Attribution:
Grimmii
|
|||
| 238–240 | Te Deum (6vv) | And: Cadneri | |
|
Appears on:
238–240
Genres:
Te Deum
Source Attribution:
And: Cadneri
|
|||
| 241–243 | Te Deum (5vv) | And: Cadneri | |
|
Appears on:
241–243
Genres:
Te Deum
Source Attribution:
And: Cadneri
|
|||
| 243–244 | Ein feste Burg ist unser Gott | Wallis: | |
|
Appears on:
243–244
Genres:
Motet
Source Attribution:
Wallis:
|
|||
| 244–245 | Ein' feste Burg ist unser Gott | Cadneri | |
|
Appears on:
244–245
Genres:
Motet
Source Attribution:
Cadneri
|
|||
| 246–247 | An den Wassern zu Babel saßen wir und weineten | A. Cadneri | |
|
Appears on:
246–247
Genres:
Motet
Source Attribution:
A. Cadneri
|
|||
| 248–249 | War' Gott nicht mit uns diese Zeit | A. Cad. | |
|
Appears on:
248–249
Genres:
Motet
Source Attribution:
A. Cad.
|
|||
| 250–251 | Missa (5vv): Kyrie | And. Cadneri | |
|
Appears on:
250–251
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
And. Cadneri
|
|||
| 251–253 | Missa (5vv): Gloria | - | |
|
Appears on:
251–253
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 253–254 | Da antwortet' Laban und Bethuel (5vv) | H. Grimmii | |
|
Appears on:
253–254
Genres:
Motet
Source Attribution:
H. Grimmii
|
|||
| 255–257 | Lobe den Herren meine Seele und vergiss nicht | Heinrich Schüzens | |
|
Appears on:
255–257
Genres:
Motet
Source Attribution:
Heinrich Schüzens
|
|||
| 257–260 | Bonum est confiteri Domino (8vv) | Christoph: Straus | |
|
Appears on:
257–260
Genres:
Motet
Source Attribution:
Christoph: Straus
General NoteChoir 1: D1, D2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c |
|||
| 260–263 | Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen | Christoph: Straus | |
|
Appears on:
260–263
Genres:
Motet
Source Attribution:
Christoph: Straus
|
|||
| 263–264 | Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich | - | |
|
Appears on:
263–264
Genres:
Motet
|
|||
| 264–267 | Danket dem Herren, denn er ist freundlich | Heinrich Schütz | |
|
Appears on:
264–267
Genres:
Motet
Source Attribution:
Heinrich Schütz
|
|||
| 267–269 | Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi | Heinrich Schützen Churf. Sächs. Capellmeister | |
|
Appears on:
267–269
Genres:
Passion
Source Attribution:
Heinrich Schützen Churf. Sächs. Capellmeister
|
|||
| 280–281 | Cum natus esset Jesus in Bethlehem Juda | Thom. Walliseri | |
|
Appears on:
280–281
Genres:
Motet
Source Attribution:
Thom. Walliseri
|
|||
| 282–283 | Cantate Domino canticum novum | - | |
|
Appears on:
282–283
Genres:
Motet
|
|||
| 283–284 | Missa Jubilate Deo: Kyrie | Johannis Stadelmaier | |
|
Appears on:
283–284
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaier
|
|||
| 284–285 | Missa Jubilate Deo: Gloria | - | |
|
Appears on:
284–285
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 285–286 | Missa Donna la pura luce: Kyrie | Johannis Stadelmai: | |
|
Appears on:
285–286
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmai:
|
|||
| 286–287 | Missa Donna la pura luce: Gloria | - | |
|
Appears on:
286–287
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 287 | Missa Dies est laetitiae: Kyrie | Johannis Stadelmaiers | |
|
Appears on:
287
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaiers
|
|||
| 288 | Missa Dies est laetitiae: Gloria | - | |
|
Appears on:
288
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 289–290 | Jauchzet dem Herren alle Welt | A. H. (=Hammerschmidt) | |
|
Appears on:
289–290
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
|
|||
| 290–291 | Der Herr erhore dich in der Not | A. H. (=Hammerschmidt) | |
|
Appears on:
290–291
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
|
|||
| 292–293 | Alleluia. Freuet euch ihr Christen alle | - | |
|
Appears on:
292–293
Genres:
Motet
|
|||
| 294–295 | Steh auf Nordwind / Meine Schwester liebe Braut | Eliae Nathusii | |
|
Appears on:
294–295
Genres:
Motet
Source Attribution:
Eliae Nathusii
General NoteMaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro Item BibliographyMaul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98. https://digital.slub-dresden.de/werkansicht/dlf/264790/72(Accessed: 10-02-2023). |
|||
| 296 | Missa A Domino factum est: Kyrie | - | |
|
Appears on:
296
Genres:
Kyrie eleison, Mass Ordinary
|
|||
| 296–297 | Missa A Domino factum est: Gloria | - | |
|
Appears on:
296–297
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 298–299 | Herr Gott dich loben wir | - | Anonymous |
Herr Gott dich loben wirAnonymous
Appears on:
298–299
Genres:
Motet
General NoteFor 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb) |
|||
| 300–303 | Magnificat quinti toni: Et exultavit | George Ledern | |
|
Appears on:
300–303
Genres:
BVM, Canticle, Magnificat
Source Attribution:
George Ledern
General Note6a incompl, only 1st page remains (to 'Virga Jesse'). Additional Latin, German, Latin/German Christmas motets are inserted between the verses. |
|||
| 300 | Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit | - | |
|
Appears on:
300
Genres:
Contrafactum, Motet
|
|||
| 301 | Zu Bethlehem im Krippelein | - | |
|
Appears on:
301
Genres:
Hymn
|
|||
| 301 | In dulci jubilo | - | Anonymous |
In dulci jubiloAnonymous
Appears on:
301
Genres:
Hymn
|
|||
| 302 | Freut euch ir menschen kinder all | - | |
|
Appears on:
302
Genres:
Sacred Song
|
|||
| 302 | Jetzt sprosst herfür aus Davids Stämmelein (6vv) | - | |
|
Appears on:
302
Genres:
Motet
|
|||
| 303 | Ehr sei dir, lieber Herre Gott | - | Anonymous |
Ehr sei dir, lieber Herre GottAnonymous
Appears on:
303
Genres:
Motet
|
|||
| 304 | Veni redemptor gentium | - | |
|
Appears on:
304
Genres:
Hymn
|
|||
| 305 | A solis ortus cardine | - | |
|
Appears on:
305
Genres:
Hymn
|
|||
| 306 | Vita sanctorum decus | - | |
|
Appears on:
306
Genres:
Hymn
|
|||
| 307–309 | Magnificat: Et exsultavit | - | Anonymous |
Magnificat: Et exsultavitAnonymous
Appears on:
307–309
Genres:
BVM, Canticle, Magnificat
General NoteAdditional German Christmas motets are inserted between the verses |
|||
| 307 | Schlaf mein liebes Jesulein du allerschönstes Kindelein | - | Anonymous |
|
Appears on:
307
Genres:
Motet
|
|||
| 307–308 | Susses Kindlein sei willkommen | - | Anonymous |
Susses Kindlein sei willkommenAnonymous
Appears on:
307–308
Genres:
Motet
|
|||
| 308 | Freude o Freude grosse Freude | - | Anonymous |
Freude o Freude grosse FreudeAnonymous
Appears on:
308
Genres:
Motet
|
|||
| 309 | Ehre sei Gott in der Hohe | - | Anonymous |
Ehre sei Gott in der HoheAnonymous
Appears on:
309
Genres:
Motet
|
|||
| 310 | Veni creator spiritus | - | |
|
Appears on:
310
Genres:
Hymn, Veni creator spiritus
|
|||
| 311 | Komm Heiliger Geist Herre Gott (4vv) | - | |
|
Appears on:
311
Genres:
Hymn, Veni sancte spiritus
|
|||
| 312 | Gott der Vater wohn uns bei | - | |
|
Appears on:
312
Genres:
Hymn
|
|||
| 313 | Es woll uns Gott genedig sein | - | |
|
Appears on:
313
Genres:
Motet
|
|||
| 314 | Komm zu uns o heil'ger Geist | - | Anonymous |
Komm zu uns o heil'ger GeistAnonymous
Appears on:
314
Genres:
Hymn
|
|||
| 315 | Herr Gott dich loben alle wir | - | |
|
Appears on:
315
Genres:
Hymn
|
|||
| 316 | Meine Seele erhebe den Herren (Magnificat) | - | |
|
Appears on:
316
Genres:
BVM, Canticle, Magnificat
|
|||
| 317 | Heut sind die lieben Engelein | - | Anonymous |
Heut sind die lieben EngeleinAnonymous
Appears on:
317
Genres:
Motet
|
|||