Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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1–1v | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | - | |
Appears on:
1–1v
Genres:
Motet
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1v–2v | In convertendo Dominus - 2a pars (of 2): Qui seminant | - | |
Appears on:
1v–2v
Genres:
Motet
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2v–3 | Laudate Dominum omnes gentes, laudate eum | Claudin | |
Appears on:
2v–3
Genres:
Motet
Source Attribution:
Claudin
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3v–4 | Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen | Thomas Stoltzer | |
Appears on:
3v–4
Genres:
Motet
Source Attribution:
Thomas Stoltzer
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4–5 | Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil | - | |
Appears on:
4–5
Genres:
Motet
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5 | Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet | - | |
Appears on:
5
Genres:
Motet
General Notetacet in this part |
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5–6 | Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage | - | |
Appears on:
5–6
Genres:
Motet
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6–7 | Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen | - | |
Appears on:
6–7
Genres:
Motet
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7–8 | Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht | - | |
Appears on:
7–8
Genres:
Motet
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8–9v | Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit | - | |
Appears on:
8–9v
Genres:
Motet
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9v–10v | Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen | Thomas Stoltzer | |
Appears on:
9v–10v
Genres:
Motet
Source Attribution:
Thomas Stoltzer
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10v–12 | Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden | - | |
Appears on:
10v–12
Genres:
Motet
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12–13 | Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich | Thomas Stoltzer | |
Appears on:
12–13
Genres:
Motet
Source Attribution:
Thomas Stoltzer
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13–14 | Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich | - | |
Appears on:
13–14
Genres:
Motet
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14–15v | Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott | - | |
Appears on:
14–15v
Genres:
Motet
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15v–16v | Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem | - | Anonymous |
Appears on:
15v–16v
Genres:
Motet
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16v–17v | Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam | - | Anonymous |
Appears on:
16v–17v
Genres:
Motet
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17v–18 | Nun bitten wir den heilgen geist | - | Anonymous |
Nun bitten wir den heilgen geistAnonymous
Appears on:
17v–18
Genres:
Motet
General Notemostly c.f. in long notes, though joins the free voices in the concluding Kyrie. Texted in this voice and Tenor only, |
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18v–19 | Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine | - | |
Appears on:
18v–19
Genres:
Motet
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19–19v | Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt | - | |
Appears on:
19–19v
Genres:
Motet
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19v–20v | Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti | Thomas Crequillon | |
Appears on:
19v–20v
Genres:
Motet
Source Attribution:
Thomas Crequillon
General Notefor discussion of attribution to Lassus/Crequillon see CMM 63 vol.5, p.LIX-LXI, 66-79 , Grove 7 vol.6, p.655 |
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20v–21 | Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse | - | |
Appears on:
20v–21
Genres:
Motet
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21–22 | Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione | Tho: Krequilon | |
Appears on:
21–22
Genres:
Motet
Source Attribution:
Tho: Krequilon
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22–23 | Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea | - | |
Appears on:
22–23
Genres:
Motet
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23–23v | Salve crux sancta super omnia ligna | Clemens non papa | |
Appears on:
23–23v
Genres:
Motet
Source Attribution:
Clemens non papa
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24–24v | Si bona suscepimus de manu Domini | - | Anonymous |
Si bona suscepimus de manu DominiAnonymous
Appears on:
24–24v
Genres:
Motet
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24v–25v | Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis | N. Gombert | |
Appears on:
24v–25v
Genres:
Motet
Source Attribution:
N. Gombert
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25v–26v | Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait | - | |
Appears on:
25v–26v
Genres:
Motet
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26v–27 | O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum | M. Jam [= Maistre Jhan of Ferrara] | |
Appears on:
26v–27
Genres:
Motet
Source Attribution:
M. Jam [= Maistre Jhan of Ferrara]
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27–28 | O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium | - | |
Appears on:
27–28
Genres:
Motet
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28–28v | O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur | Jachetin de barche [= Berchem] | |
Appears on:
28–28v
Genres:
Motet
Source Attribution:
Jachetin de barche [= Berchem]
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28v | O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem | - | |
Appears on:
28v
Genres:
Motet
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29–29v | Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis | M. Jan | |
Appears on:
29–29v
Genres:
Motet, Pater noster
Source Attribution:
M. Jan
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29v–30v | Ave Maria gratia plena Dominus tecum | Verdeloth | |
Appears on:
29v–30v
Genres:
Ave Maria, Motet
Source Attribution:
Verdeloth
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30v–31v | O beatum pontificem qui totis visceribus diligebat [De sancto Martino] | Adrianus Wilhart | |
Appears on:
30v–31v
Genres:
Motet
Source Attribution:
Adrianus Wilhart
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31v–32v | Unicus O digito monstras sotera Johannes (= Si me tenes tant) | Thomas Crequillon | |
Appears on:
31v–32v
Genres:
Motet
Source Attribution:
Thomas Crequillon
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32v–33 | Ecce Dominus veniet et omnes sancti eius | Lu: Bergkholtz | |
Appears on:
32v–33
Genres:
Motet
Source Attribution:
Lu: Bergkholtz
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33–34 | Hodie Christus natus est hodie salvator | Anthonius Scandellus | |
Appears on:
33–34
Genres:
Motet
Source Attribution:
Anthonius Scandellus
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34–35 | Puer natus est nobis et filius datus est | Vincentius Ruffo da Verona | |
Appears on:
34–35
Genres:
Motet
Source Attribution:
Vincentius Ruffo da Verona
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35–36 | Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera | - | |
Appears on:
35–36
Genres:
Motet
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36–37 | Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel | - | |
Appears on:
36–37
Genres:
Motet
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37–38 | O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam | Gosse Jongkers | |
Appears on:
37–38
Genres:
Motet
Source Attribution:
Gosse Jongkers
General Noteuntexted |
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38–38v | O vos omnes - 2a pars (of 2): Attendite universi populi et videte | - | |
Appears on:
38–38v
Genres:
Motet
General Noteuntexted |
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38v–39v | Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime | Adrianus Wilhart | |
Appears on:
38v–39v
Genres:
Motet
Source Attribution:
Adrianus Wilhart
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40–40v | Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes | - | |
Appears on:
40–40v
Genres:
Motet
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41–41v | Querite Dominum dum inveniri potest | Joannes Mitner | |
Appears on:
41–41v
Genres:
Motet
Source Attribution:
Joannes Mitner
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41v–45v | Te Deum laudamus | - | |
Appears on:
41v–45v
Genres:
Liturgical work, Te Deum
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45v–46 | Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda | - | Anonymous |
Appears on:
45v–46
Genres:
Motet, Veni sancte spiritus
General Notec.f. in long notes |
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46–46v | Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum | - | Anonymous |
Appears on:
46–46v
Genres:
Motet
General Notec.f. in long notes, joins free voices in final Alleluia |
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46v–47 | Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse | Antho: Scandellus | |
Appears on:
46v–47
Genres:
Motet
Source Attribution:
Antho: Scandellus
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47v–48 | Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me | - | |
Appears on:
47v–48
Genres:
Motet
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48v–49 | Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum | - | |
Appears on:
48v–49
Genres:
Motet
General Note1a pars only (2a not copied) |
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49–49v | Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus | LS (=Senfl) | |
Appears on:
49–49v
Genres:
Motet
Source Attribution:
LS (=Senfl)
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49v–50 | Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis | - | |
Appears on:
49v–50
Genres:
Motet
|
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50–50v | Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto | - | |
Appears on:
50–50v
Genres:
Motet
General NoteAfter the piece a "VI vox ad placitum pro cornetto" (for a dofferent piece?) is written but crossed out |