D-Dl MS Mus. 1/D/3 [Sextus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550-60

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Mus. 1/D/3 [Sextus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 200 x 157 mm
Other Identifiers
  • CCM: DresSL 1/D/3
  • olim (Former shelfmark): B. 1270
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Wittenberg, Bavaria, Germany
Contents 55 pieces from 20 composers
General Description

A Sextus partbook from a set of six volumes. Scribal concordance with DresSL 1/D/4, DresSL 1/D/506, BudOS 22, BudOS 23, ZwiR 81/2, ZwiR 100/4, and ZwiR 106/5 (SteudeU). Final piece copied by a second scribe.

Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

DIAMM, 2017
Extent

D 110ff, A 116ff, T 97ff, B 100ff, Q 99ff, S 50ff.

DIAMM, 2023
Binding

Modern green cardboard covers on DATBQ; S has fragments of original covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: pieces numbered I-XXXV, 36-63.

DIAMM, 2017
Foliation

New foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 18 psalms, 29 motets, 12 German sacred pieces = 60

Berchem-1, Bergkholtz-1, Braetel-1, Breitengraser-2, Burckstaller-2, (Canis)-1, Clemens non Papa-2, Crecquillon-3, Gombert-1, Heugel-1, Jhan of Ferrara [M. Jam]-2, Jonckers-2, Josquin-3, Josquin/Senfl-1, (D. Köler)-1, Kropstein-2, Mitnerus-1, Rabe-2, Ruffo-1, Scandello-3, Schöckler-1, Senfl-4, Sermisy [Claudin]-1, Stoltzer-7, Stoltzer/(Bauldeweyn)-1, Verdelot-1, Verdelot/(Lupus)-1, (Walter)-1, Willaert-2, (Wircker)-1, anon-8

6 paper partbooks (D-110 folios, A-125, T-97, B-100, Q-96, S-48), 200 x 157. New foliation; pieces numbered I-XXXV, 36-63. Modern green cardboard covers on DATBQ; S has fragments of original covers. Scribal concordance with DresSL 1/D/4, BudOS 22, BudOS 23, ZwiR 81/2, and ZwiR 106/5 (SteudeU).

Ca. 1550-60 (SteudeMS); dates ranging from 1547 to 1551 in manuscript. Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

Vol. 4

Composers: Change "Gombert-1" to "Gombert-2"; change "anon-8" to "anon-7."

Physical: Add DresSL l/D/506 and ZwiR 100/4 to list of scribal concordances.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 1–1v
Genres: Motet
1v–2v In convertendo Dominus - 2a pars (of 2): Qui seminant -
Appears on: 1v–2v
Genres: Motet
2v–3 Laudate Dominum omnes gentes, laudate eum Claudin
Appears on: 2v–3
Genres: Motet
Source Attribution: Claudin
3v–4 Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen Thomas Stoltzer
Appears on: 3v–4
Genres: Motet
Source Attribution: Thomas Stoltzer
4–5 Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil -
Appears on: 4–5
Genres: Motet
5 Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet -
Appears on: 5
Genres: Motet
General Note

tacet in this part

5–6 Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage -
Appears on: 5–6
Genres: Motet
6–7 Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen -
Appears on: 6–7
Genres: Motet
7–8 Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht -
Appears on: 7–8
Genres: Motet
8–9v Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit -
Appears on: 8–9v
Genres: Motet
9v–10v Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Thomas Stoltzer
Appears on: 9v–10v
Genres: Motet
Source Attribution: Thomas Stoltzer
10v–12 Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden -
Appears on: 10v–12
Genres: Motet
12–13 Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich Thomas Stoltzer
Appears on: 12–13
Genres: Motet
Source Attribution: Thomas Stoltzer
13–14 Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich -
Appears on: 13–14
Genres: Motet
14–15v Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott -
Appears on: 14–15v
Genres: Motet
15v–16v Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem - Anonymous
Appears on: 15v–16v
Genres: Motet
16v–17v Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam - Anonymous
Appears on: 16v–17v
Genres: Motet
17v–18 Nun bitten wir den heilgen geist - Anonymous
Appears on: 17v–18
Genres: Motet
General Note

mostly c.f. in long notes, though joins the free voices in the concluding Kyrie. Texted in this voice and Tenor only,

18v–19 Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine -
Appears on: 18v–19
Genres: Motet
19–19v Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt -
Appears on: 19–19v
Genres: Motet
19v–20v Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti Thomas Crequillon
Appears on: 19v–20v
Genres: Motet
Source Attribution: Thomas Crequillon
General Note

for discussion of attribution to Lassus/Crequillon see CMM 63 vol.5, p.LIX-LXI, 66-79 , Grove 7 vol.6, p.655

20v–21 Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 20v–21
Genres: Motet
21–22 Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Tho: Krequilon
Appears on: 21–22
Genres: Motet
Source Attribution: Tho: Krequilon
22–23 Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 22–23
Genres: Motet
23–23v Salve crux sancta super omnia ligna Clemens non papa
Appears on: 23–23v
Genres: Motet
Source Attribution: Clemens non papa
24–24v Si bona suscepimus de manu Domini - Anonymous
Appears on: 24–24v
Genres: Motet
24v–25v Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis N. Gombert
Appears on: 24v–25v
Genres: Motet
Source Attribution: N. Gombert
25v–26v Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait -
Appears on: 25v–26v
Genres: Motet
26v–27 O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum M. Jam [= Maistre Jhan of Ferrara]
Appears on: 26v–27
Genres: Motet
Source Attribution: M. Jam [= Maistre Jhan of Ferrara]
27–28 O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium -
Appears on: 27–28
Genres: Motet
28–28v O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Jachetin de barche [= Berchem]
Appears on: 28–28v
Genres: Motet
Source Attribution: Jachetin de barche [= Berchem]
28v O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem -
Appears on: 28v
Genres: Motet
29–29v Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis M. Jan
Appears on: 29–29v
Genres: Motet, Pater noster
Source Attribution: M. Jan
29v–30v Ave Maria gratia plena Dominus tecum Verdeloth
Appears on: 29v–30v
Genres: Ave Maria, Motet
Source Attribution: Verdeloth
30v–31v O beatum pontificem qui totis visceribus diligebat [De sancto Martino] Adrianus Wilhart
Appears on: 30v–31v
Genres: Motet
Source Attribution: Adrianus Wilhart
31v–32v Unicus O digito monstras sotera Johannes (= Si me tenes tant) Thomas Crequillon
Appears on: 31v–32v
Genres: Motet
Source Attribution: Thomas Crequillon
32v–33 Ecce Dominus veniet et omnes sancti eius Lu: Bergkholtz
Appears on: 32v–33
Genres: Motet
Source Attribution: Lu: Bergkholtz
33–34 Hodie Christus natus est hodie salvator Anthonius Scandellus
Appears on: 33–34
Genres: Motet
Source Attribution: Anthonius Scandellus
34–35 Puer natus est nobis et filius datus est Vincentius Ruffo da Verona
Appears on: 34–35
Genres: Motet
Source Attribution: Vincentius Ruffo da Verona
35–36 Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera -
Appears on: 35–36
Genres: Motet
36–37 Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel -
Appears on: 36–37
Genres: Motet
37–38 O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam Gosse Jongkers
Appears on: 37–38
Genres: Motet
Source Attribution: Gosse Jongkers
General Note

untexted

38–38v O vos omnes - 2a pars (of 2): Attendite universi populi et videte -
Appears on: 38–38v
Genres: Motet
General Note

untexted

38v–39v Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime Adrianus Wilhart
Appears on: 38v–39v
Genres: Motet
Source Attribution: Adrianus Wilhart
40–40v Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes -
Appears on: 40–40v
Genres: Motet
41–41v Querite Dominum dum inveniri potest Joannes Mitner
Appears on: 41–41v
Genres: Motet
Source Attribution: Joannes Mitner
41v–45v Te Deum laudamus -
Appears on: 41v–45v
Genres: Liturgical work, Te Deum
45v–46 Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 45v–46
Genres: Motet, Veni sancte spiritus
General Note

c.f. in long notes

46–46v Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum - Anonymous
Appears on: 46–46v
Genres: Motet
General Note

c.f. in long notes, joins free voices in final Alleluia

46v–47 Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse Antho: Scandellus
Appears on: 46v–47
Genres: Motet
Source Attribution: Antho: Scandellus
47v–48 Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me -
Appears on: 47v–48
Genres: Motet
48v–49 Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum -
Appears on: 48v–49
Genres: Motet
General Note

1a pars only (2a not copied)

49–49v Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus LS (=Senfl)
Appears on: 49–49v
Genres: Motet
Source Attribution: LS (=Senfl)
49v–50 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis -
Appears on: 49v–50
Genres: Motet
50–50v Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto -
Appears on: 50–50v
Genres: Motet
General Note

After the piece a "VI vox ad placitum pro cornetto" (for a dofferent piece?) is written but crossed out

Composer Compositions
Anonymous
Berchem, Jacques (ca. 1505–1567)
Bergholtz, Lucas
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Gombert, Nicolas (ca. 1495–ca. 1560)
Jonckers, Maistre Gosse
Lassus, Orlande de (ca. 1532–1594)
Manchicourt, Pierre de
Mitnerus, Joannes
Ruffo, Vincenzo (ca. 1508–1587)
Scandello, Antonio
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Wircker, Johann (ca. 1548–ca. 1572)
Composition Composers (? Uncertain) Folios / Pages
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus 49–49v
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis 49v–50
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto 50–50v
Ave Maria gratia plena Dominus tecum 29v–30v
Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera 35–36
Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel 36–37
Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse 46v–47
Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me 47v–48
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem Anonymous 15v–16v
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Anonymous 16v–17v
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 21–22
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 22–23
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 19v–20v
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 20v–21
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime 38v–39v
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes 40–40v
Ecce Dominus veniet et omnes sancti eius 32v–33
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 3v–4
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil 4–5
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet 5
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage 5–6
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 6–7
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht 7–8
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit 8–9v
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich 12–13
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich 13–14
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott 14–15v
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen 9v–10v
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden 10v–12
Hodie Christus natus est hodie salvator 33–34
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum 48v–49
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 1–1v
In convertendo Dominus - 2a pars (of 2): Qui seminant 1v–2v
Laudate Dominum omnes gentes, laudate eum 2v–3
Nun bitten wir den heilgen geist Anonymous 17v–18
O beatum pontificem qui totis visceribus diligebat [De sancto Martino] 30v–31v
O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum 26v–27
O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium 27–28
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur 28–28v
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem 28v
O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam 37–38
O vos omnes - 2a pars (of 2): Attendite universi populi et videte 38–38v
Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine 18v–19
Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt 19–19v
Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis 29–29v
Puer natus est nobis et filius datus est 34–35
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis 24v–25v
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait 25v–26v
Querite Dominum dum inveniri potest 41–41v
Salve crux sancta super omnia ligna 23–23v
Si bona suscepimus de manu Domini Anonymous 24–24v
Te Deum laudamus 41v–45v
Unicus O digito monstras sotera Johannes (= Si me tenes tant) 31v–32v
Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda Anonymous 45v–46
Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum Anonymous 46–46v

Set: MS Mus. 1/D/3

Type: Partbooks

No images available

D-Dl MS Mus. 1/D/3 [Altus]

No images available

D-Dl MS Mus. 1/D/3 [Bassus]

No images available

D-Dl MS Mus. 1/D/3 [Discantus]

No images available

D-Dl MS Mus. 1/D/3 [Quintus]

No images available

D-Dl MS Mus. 1/D/3 [Sextus]

No images available

D-Dl MS Mus. 1/D/3 [Tenor]

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 343,349-50,388-90,797. Notes: contents list (partial); concordances (partial).

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: 9-11, passim; Abb. 1-3. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93.  London, New York, and Toronto. Pages: 288-9. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 18-36. Pages: 27-8. Notes: mention of MS.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 20-3. Notes: physical description (partial); contents list; concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 140. Notes: concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 107-8, passim. Notes: physical description; mention of MS; discussion; facsimile (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 148-56, 303. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 106ff. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 194. Notes: concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 270, 296. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 132. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 51. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XII, 1399-1400. Notes: facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 115; LXVI, 173, x. Notes: physical description; facsimile (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII, v. Notes: physical description.

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, . Pages: 57-62. Notes: physical description; contents list.

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Monday, 23 January, 2017

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