D-Dl MS Mus. 1/D/3 [Altus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550-60

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Mus. 1/D/3 [Altus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 200 x 157 mm
Other Identifiers
  • CCM: DresSL 1/D/3
  • olim (Former shelfmark): B. 1270
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Wittenberg, Bavaria, Germany
Contents 118 pieces from 34 composers
General Description

An Altus partbook from a set of six volumes. Scribal concordance with DresSL 1/D/4, DresSL 1/D/506, BudOS 22, BudOS 23, ZwiR 81/2, ZwiR 100/4, and ZwiR 106/5 (SteudeU). Final piece copied by a second scribe.

Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

DIAMM, 2017
Extent

D 110ff, A 116ff, T 97ff, B 100ff, Q 99ff, S 50ff.

DIAMM, 2023
Binding

Modern green cardboard covers on DATBQ; S has fragments of original covers

DIAMM, 2017
Watermark

cf. Briquet #1076, 1078, 1193, 2332, 2335, 4996, 5030

DIAMM, 2023
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: pieces numbered I-XXXV, 36-63.

DIAMM, 2017
Foliation

New foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 18 psalms, 29 motets, 12 German sacred pieces = 60

Berchem-1, Bergkholtz-1, Braetel-1, Breitengraser-2, Burckstaller-2, (Canis)-1, Clemens non Papa-2, Crecquillon-3, Gombert-1, Heugel-1, Jhan of Ferrara [M. Jam]-2, Jonckers-2, Josquin-3, Josquin/Senfl-1, (D. Köler)-1, Kropstein-2, Mitnerus-1, Rabe-2, Ruffo-1, Scandello-3, Schöckler-1, Senfl-4, Sermisy [Claudin]-1, Stoltzer-7, Stoltzer/(Bauldeweyn)-1, Verdelot-1, Verdelot/(Lupus)-1, (Walter)-1, Willaert-2, (Wircker)-1, anon-8

6 paper partbooks (D-110 folios, A-125, T-97, B-100, Q-96, S-48), 200 x 157. New foliation; pieces numbered I-XXXV, 36-63. Modern green cardboard covers on DATBQ; S has fragments of original covers. Scribal concordance with DresSL 1/D/4, BudOS 22, BudOS 23, ZwiR 81/2, and ZwiR 106/5 (SteudeU).

Ca. 1550-60 (SteudeMS); dates ranging from 1547 to 1551 in manuscript. Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

Vol. 4

Composers: Change "Gombert-1" to "Gombert-2"; change "anon-8" to "anon-7."

Physical: Add DresSL l/D/506 and ZwiR 100/4 to list of scribal concordances.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 1–2
Genres: Motet
2–2v In convertendo Dominus - 2a pars (of 2): Qui seminant -
Appears on: 2–2v
Genres: Motet
2v–3v In te Domine speravi - 1a pars (of 2): In te Domine speravi Philippus Verdoleth (sic)
Appears on: 2v–3v
Genres: Motet, Te Deum
Source Attribution: Philippus Verdoleth (sic)
3v–4v In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 3v–4v
Genres: Motet
4v–5 Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum TS (=Stoltzer)
Appears on: 4v–5
Genres: Motet
Source Attribution: TS (=Stoltzer)
5–5v Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis -
Appears on: 5–5v
Genres: Motet
5v–6v De profundis clamavi 15.13 (5vv) Josquin
Appears on: 5v–6v
Genres: Motet
Source Attribution: Josquin
General Note

in Q attributed to "H Josquin", and in D "[…]ricus Josquin" (page damaged)

7–7v Laudate Dominum omnes gentes, laudate eum Claudin
Appears on: 7–7v
Genres: Motet
Source Attribution: Claudin
7v–8 Laudate Dominum omnes gentes, laudate eum -
Appears on: 7v–8
Genres: Motet
8v–9 Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen Tho: Stolzer
Appears on: 8v–9
Genres: Motet
Source Attribution: Tho: Stolzer
9–10 Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil -
Appears on: 9–10
Genres: Motet
10–11 Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet -
Appears on: 10–11
Genres: Motet
11 Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage -
Appears on: 11
Genres: Motet
General Note

tacet in this part

11–12 Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen -
Appears on: 11–12
Genres: Motet
12–13 Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht -
Appears on: 12–13
Genres: Motet
13–14 Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit -
Appears on: 13–14
Genres: Motet
14v–15 Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Tho: Stolzer
Appears on: 14v–15
Genres: Motet
Source Attribution: Tho: Stolzer
15v–16v Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden -
Appears on: 15v–16v
Genres: Motet
17–18 Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich Thomas Stoltzer
Appears on: 17–18
Genres: Motet
Source Attribution: Thomas Stoltzer
18–19 Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich -
Appears on: 18–19
Genres: Motet
19–20v Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott -
Appears on: 19–20v
Genres: Motet
20v–21 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen TS (=Stoltzer)
Appears on: 20v–21
Genres: Motet
Source Attribution: TS (=Stoltzer)
21–21v Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich -
Appears on: 21–21v
Genres: Motet
22–22v Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte -
Appears on: 22–22v
Genres: Motet
22v–23 Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet Joannes Burckstaller
Appears on: 22v–23
Genres: Motet
Source Attribution: Joannes Burckstaller
23–24 Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein -
Appears on: 23–24
Genres: Motet
24–25v Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate LS (=Senfl)
Appears on: 24–25v
Genres: Motet
Source Attribution: LS (=Senfl)
25v–27 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 25v–27
Genres: Motet
27–28v Qui confidunt in Domino sicut mons Sion Huldericus Bratel
Appears on: 27–28v
Genres: Motet
Source Attribution: Huldericus Bratel
28v–29 Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra LS (=Senfl)
Appears on: 28v–29
Source Attribution: LS (=Senfl)
29v–30 Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum -
Appears on: 29v–30
30–31 De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine Lu: Senfel/Josquin
Appears on: 30–31
Genres: Motet
Source Attribution: Lu: Senfel/Josquin
General Note

In D & Q, attributed to Josquin; in T & B attributed (correctly) to Senfl

31–32 De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem -
Appears on: 31–32
Genres: Motet
32–32v Omnes gentes plaudite - 1a pars (of 2): Omnes gentes plaudite manibus jubilate TS (=Stoltzer)
Appears on: 32–32v
Genres: Motet
Source Attribution: TS (=Stoltzer)
33–33v Omnes gentes plaudite - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 33–33v
Genres: Motet
34–35 Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam Josquin
Appears on: 34–35
Genres: Miserere mei Deus, Motet
Source Attribution: Josquin
35–36 Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium -
Appears on: 35–36
Genres: Miserere mei Deus, Motet
36–37 Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os -
Appears on: 36–37
Genres: Miserere mei Deus, Motet
37v–38 Vater unser - 1a pars (of 2): Vater unser, der du bist im Himmel Joannes Burgkstaller
Appears on: 37v–38
Genres: Motet
Source Attribution: Joannes Burgkstaller
38–39 Vater unser - 2a pars (of 2): Unser täglich Brot gib uns heute -
Appears on: 38–39
Genres: Motet
39–40v Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden Va: Rab
Appears on: 39–40v
Genres: Psalm
Source Attribution: Va: Rab
41–41v Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne -
Appears on: 41–41v
Genres: Psalm
42–43 Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke -
Appears on: 42–43
Genres: Psalm
43–44 Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem - Anonymous
Appears on: 43–44
Genres: Motet
44–45 Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam - Anonymous
Appears on: 44–45
Genres: Motet
45v–46 Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn Valentinus Rab:
Appears on: 45v–46
Genres: Psalm
Source Attribution: Valentinus Rab:
46v–47v Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele -
Appears on: 46v–47v
Genres: Psalm
47v–48 Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter -
Appears on: 47v–48
Genres: Psalm
48v–49v Nun bitten wir den heilgen geist - Anonymous
Appears on: 48v–49v
Genres: Motet
General Note

Texted only in Tenor & Sextus

49v–50 Nun bitten wir den heiligen geist (5vv) -
Appears on: 49v–50
Genres: Motet, Veni sancte spiritus
50–51 So wahr als ich lebe - 1a pars (of 4): So wahr als ich lebe spricht der Herr Nicolaus Kropstein
Appears on: 50–51
Genres: Motet
Source Attribution: Nicolaus Kropstein
51–52 So wahr als ich lebe - 2a pars (of 4): Herr nimm von uns all unser Sünd' (Aufer a nobis) -
Appears on: 51–52
Genres: Motet
General Note

Marginal note: "Aufer a nobis"

52–53 So wahr als ich lebe - 3a pars (of 4): Erbarme dich deines Volkes (Miserere) -
Appears on: 52–53
Genres: Motet
General Note

Marginal note: "Miserere"

General Note

Marginal note: "Miserere"

53v–54 So wahr als ich lebe - 4a pars (of 4): Erhöre Herre unser bitte (Exaudi nos) -
Appears on: 53v–54
Genres: Motet
54v–56 Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam Georgius Schöckler
Appears on: 54v–56
Genres: Motet
Source Attribution: Georgius Schöckler
56–58 Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster -
Appears on: 56–58
Genres: Motet
58–59 Ecce Dominus veniet et omnes sancti eius Nicolaus Kropstein
Appears on: 58–59
Genres: Motet
Source Attribution: Nicolaus Kropstein
59v–60 Laudate pueri Dominum - 1a pars (of 2): Laudate pueri Dominum laudate nomen Jo: Heugel
Appears on: 59v–60
Genres: Motet
Source Attribution: Jo: Heugel
60v–61 Laudate pueri Dominum - 2a pars (of 2): Quis sicut Dominus Deus noster -
Appears on: 60v–61
Genres: Motet
61v–62v Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper TS (=Stoltzer)
Appears on: 61v–62v
Genres: Motet
Source Attribution: TS (=Stoltzer)
62v–63 Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini -
Appears on: 62v–63
Genres: Motet
63 Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures -
Appears on: 63
Genres: Motet
General Note

tacet ("obmurescit") in this voice

63–64 Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit -
Appears on: 63–64
Genres: Motet
64v–65v Qui regis Israel intende qui sedes 18.9 Josquin
Appears on: 64v–65v
Genres: Motet
Source Attribution: Josquin
65v–66 Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei "Capelnmeister"
Appears on: 65v–66
Genres: Motet
Source Attribution: "Capelnmeister"
General Note

Note: Maessens became Hofkapellmeister to Ferdinand in 1546; but the piece is by Clemens.

66–66v Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit -
Appears on: 66–66v
Genres: Motet
66v–67v Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet -
Appears on: 66v–67v
Genres: Motet
67v–68v Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine -
Appears on: 67v–68v
Genres: Motet
68v–69 Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt -
Appears on: 68v–69
Genres: Motet
69–69v Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei GB (=Brettengrasser)
Appears on: 69–69v
Genres: Motet
Source Attribution: GB (=Brettengrasser)
69v–70v Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus -
Appears on: 69v–70v
Genres: Motet
70v–71 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti Thomas Crequilon
Appears on: 70v–71
Genres: Motet
Source Attribution: Thomas Crequilon
General Note

for discussion of attribution to Lassus/Crequillon see CMM 63 vol.5, p.LIX-LXI, 66-79 , Grove 7 vol.6, p.655

71v–72 Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 71v–72
Genres: Motet
72–73 Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam Guil. Breitteng:
Appears on: 72–73
Genres: Motet
Source Attribution: Guil. Breitteng:
73v–74 Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum -
Appears on: 73v–74
Genres: Motet
74v–75 Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Tho: Krequilon
Appears on: 74v–75
Genres: Motet
Source Attribution: Tho: Krequilon
75–76 Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 75–76
Genres: Motet
76–77 Salve crux sancta super omnia ligna Clemens non papa
Appears on: 76–77
Genres: Motet
Source Attribution: Clemens non papa
77–78 Si bona suscepimus de manu Domini - Anonymous
Appears on: 77–78
Genres: Motet
78–79 Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis Gombert
Appears on: 78–79
Genres: Motet
Source Attribution: Gombert
79–80 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait -
Appears on: 79–80
Genres: Motet
80–80v O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum M. Jam
Appears on: 80–80v
Genres: Motet
Source Attribution: M. Jam
80v–81 O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium -
Appears on: 80v–81
Genres: Motet
81–81v O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Jachetin de barche [= Berchem]
Appears on: 81–81v
Genres: Motet
Source Attribution: Jachetin de barche [= Berchem]
81v–82v O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem -
Appears on: 81v–82v
Genres: Motet
82v–83 Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis M. Jan
Appears on: 82v–83
Genres: Motet, Pater noster
Source Attribution: M. Jan
83v–84 Ave Maria gratia plena Dominus tecum Verdeloth
Appears on: 83v–84
Genres: Ave Maria, Motet
Source Attribution: Verdeloth
84–85 O beatum pontificem qui totis visceribus diligebat [De sancto Martino] Adrianus Wilhart
Appears on: 84–85
Genres: Motet
Source Attribution: Adrianus Wilhart
84v–86v Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum Gosse Jungkers
Appears on: 84v–86v
Genres: Motet
Source Attribution: Gosse Jungkers
86v–88 Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum -
Appears on: 86v–88
Genres: Motet
88–88v Unicus O digito monstras sotera Johannes (= Si me tenes tant) Thomas Crequilon
Appears on: 88–88v
Genres: Motet
Source Attribution: Thomas Crequilon
89 Ecce Dominus veniet et omnes sancti eius Lucas Bergkholtz
Appears on: 89
Genres: Motet
Source Attribution: Lucas Bergkholtz
General Note

Note in T - composed for his friend Michael Tauber (professor at Wittenberg U) 22 Oct 1551

89v–90v Hodie Christus natus est hodie salvator Anthonius Scandellus
Appears on: 89v–90v
Genres: Motet
Source Attribution: Anthonius Scandellus
90v–91v Puer natus est nobis et filius datus est Vincentius Ruffo da Verona
Appears on: 90v–91v
Genres: Motet
Source Attribution: Vincentius Ruffo da Verona
91v–92v Qui confidunt in Domino - 1a pars (of 2): Qui confidunt in Domino sicut mons Sion -
Appears on: 91v–92v
Genres: Motet
92v–94 Qui confidunt in Domino - 2a pars (of 2): Quia non relinquet Dominus virgam -
Appears on: 92v–94
Genres: Motet
94–95 Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera -
Appears on: 94–95
Genres: Motet
95–96 Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel -
Appears on: 95–96
Genres: Motet
96–96v O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam Gossen Jongkers
Appears on: 96–96v
Genres: Motet
Source Attribution: Gossen Jongkers
General Note

untexted

96v–97v O vos omnes - 2a pars (of 2): Attendite universi populi et videte -
Appears on: 96v–97v
Genres: Motet
General Note

untexted

97v–98v Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime Adrianus Wilhart
Appears on: 97v–98v
Genres: Motet
Source Attribution: Adrianus Wilhart
98v–99v Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes -
Appears on: 98v–99v
Genres: Motet
99v–100v Querite Dominum dum inveniri potest Joannes Mitner
Appears on: 99v–100v
Genres: Motet
Source Attribution: Joannes Mitner
100v–105 Te Deum laudamus -
Appears on: 100v–105
Genres: Liturgical work, Te Deum
105–106 Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 105–106
Genres: Motet, Veni sancte spiritus
106–107 Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum - Anonymous
Appears on: 106–107
Genres: Motet
107v–108 Danket dem Herren - 1a pars (of 3): Danket dem Herren, denn er ist freundlich -
Appears on: 107v–108
Genres: Motet
108–108v Danket dem Herren - 2a pars (of 3): Der herre hat nit lust -
Appears on: 108–108v
Genres: Motet
108v–109 Danket dem Herren - 3a pars (of 3): Der herre hat gefallenn -
Appears on: 108v–109
Genres: Motet
109–109v Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse Anth: Scandellus
Appears on: 109–109v
Genres: Motet
Source Attribution: Anth: Scandellus
109v–110v Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me -
Appears on: 109v–110v
Genres: Motet
110v–111v Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum -
Appears on: 110v–111v
Genres: Motet
111v–112v Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient -
Appears on: 111v–112v
Genres: Motet
112v–113v Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus LS (=Senfl)
Appears on: 112v–113v
Genres: Motet
Source Attribution: LS (=Senfl)
113v–114 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis -
Appears on: 113v–114
Genres: Motet
114–114v Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto -
Appears on: 114–114v
Genres: Motet
114v–115v Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam C. non Papa
Appears on: 114v–115v
Genres: Motet
Source Attribution: C. non Papa
115v–116v Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam -
Appears on: 115v–116v
Genres: Motet
Composer Compositions
Anonymous
Bauldeweyn, Noel (ca. 1480–1529)
Berchem, Jacques (ca. 1505–1567)
Bergholtz, Lucas
Bratel, Ulrich
Breittengrasser, Gulielmus (Wilhelm)
Burckstaller, Joannes
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Heugel, Johannes
Jonckers, Maistre Gosse
Kropstein, Nikolaus
Köler, David (ca. 1532–1565)
Lassus, Orlande de (ca. 1532–1594)
Manchicourt, Pierre de
Mitnerus, Joannes
Rab, Valentin
Reitveltus, Bartholomaeus
Ruffo, Vincenzo (ca. 1508–1587)
Rupsch, Conrad
Scandello, Antonio
Schöckler, Georgius
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Wircker, Johann (ca. 1548–ca. 1572)
Composition Composers (? Uncertain) Folios / Pages
Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam 114v–115v
Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam 115v–116v
Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei 65v–66
Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit 66–66v
Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet 66v–67v
Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn 45v–46
Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele 46v–47v
Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter 47v–48
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus 112v–113v
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis 113v–114
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto 114–114v
Ave Maria gratia plena Dominus tecum 83v–84
Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum 84v–86v
Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum 86v–88
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper 61v–62v
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini 62v–63
Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures 63
Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit 63–64
Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera 94–95
Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel 95–96
Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse 109–109v
Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me 109v–110v
Danket dem Herren - 1a pars (of 3): Danket dem Herren, denn er ist freundlich 107v–108
Danket dem Herren - 2a pars (of 3): Der herre hat nit lust 108–108v
Danket dem Herren - 3a pars (of 3): Der herre hat gefallenn 108v–109
De profundis clamavi 15.13 (5vv) 5v–6v
De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine 30–31
De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem 31–32
Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam 54v–56
Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster 56–58
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem Anonymous 43–44
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Anonymous 44–45
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 74v–75
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 75–76
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 70v–71
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 71v–72
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime 97v–98v
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes 98v–99v
Ecce Dominus veniet et omnes sancti eius 58–59
Ecce Dominus veniet et omnes sancti eius 89
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 8v–9
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil 9–10
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet 10–11
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage 11
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 11–12
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht 12–13
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit 13–14
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich 17–18
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich 18–19
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott 19–20v
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 20v–21
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 21–21v
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 22–22v
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen 14v–15
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden 15v–16v
Hodie Christus natus est hodie salvator 89v–90v
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum 110v–111v
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient 111v–112v
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 1–2
In convertendo Dominus - 2a pars (of 2): Qui seminant 2–2v
In te Domine speravi - 1a pars (of 2): In te Domine speravi 2v–3v
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 3v–4v
Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet 22v–23
Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein 23–24
Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam 72–73
Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum 73v–74
Laudate Dominum omnes gentes, laudate eum 7–7v
Laudate Dominum omnes gentes, laudate eum 7v–8
Laudate pueri Dominum - 1a pars (of 2): Laudate pueri Dominum laudate nomen 59v–60
Laudate pueri Dominum - 2a pars (of 2): Quis sicut Dominus Deus noster 60v–61
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam 34–35
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium 35–36
Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os 36–37
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra 28v–29
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum 4v–5
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis 5–5v
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum 29v–30
Nun bitten wir den heilgen geist Anonymous 48v–49v
Nun bitten wir den heiligen geist (5vv) 49v–50
O beatum pontificem qui totis visceribus diligebat [De sancto Martino] 84–85
O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum 80–80v
O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium 80v–81
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur 81–81v
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem 81v–82v
O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam 96–96v
O vos omnes - 2a pars (of 2): Attendite universi populi et videte 96v–97v
Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine 67v–68v
Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt 68v–69
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 24–25v
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 25v–27
Omnes gentes plaudite - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 32–32v
Omnes gentes plaudite - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 33–33v
Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis 82v–83
Puer natus est nobis et filius datus est 90v–91v
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis 78–79
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait 79–80
Querite Dominum dum inveniri potest 99v–100v
Qui confidunt in Domino - 1a pars (of 2): Qui confidunt in Domino sicut mons Sion 91v–92v
Qui confidunt in Domino - 2a pars (of 2): Quia non relinquet Dominus virgam 92v–94
Qui confidunt in Domino sicut mons Sion 27–28v
Qui regis Israel intende qui sedes 18.9 64v–65v
Salve crux sancta super omnia ligna 76–77
Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden 39–40v
Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne 41–41v
Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke 42–43
Si bona suscepimus de manu Domini Anonymous 77–78
So wahr als ich lebe - 1a pars (of 4): So wahr als ich lebe spricht der Herr 50–51
So wahr als ich lebe - 2a pars (of 4): Herr nimm von uns all unser Sünd' (Aufer a nobis) 51–52
So wahr als ich lebe - 3a pars (of 4): Erbarme dich deines Volkes (Miserere) 52–53
So wahr als ich lebe - 4a pars (of 4): Erhöre Herre unser bitte (Exaudi nos) 53v–54
Te Deum laudamus 100v–105
Unicus O digito monstras sotera Johannes (= Si me tenes tant) 88–88v
Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei 69–69v
Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus 69v–70v
Vater unser - 1a pars (of 2): Vater unser, der du bist im Himmel 37v–38
Vater unser - 2a pars (of 2): Unser täglich Brot gib uns heute 38–39
Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda Anonymous 105–106
Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum Anonymous 106–107

Set: MS Mus. 1/D/3

Type: Partbooks

No images available

D-Dl MS Mus. 1/D/3 [Altus]

No images available

D-Dl MS Mus. 1/D/3 [Bassus]

No images available

D-Dl MS Mus. 1/D/3 [Discantus]

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D-Dl MS Mus. 1/D/3 [Quintus]

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D-Dl MS Mus. 1/D/3 [Sextus]

No images available

D-Dl MS Mus. 1/D/3 [Tenor]

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 343,349-50,388-90,797. Notes: contents list (partial); concordances (partial).

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: 9-11, passim; Abb. 1-3. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93.  London, New York, and Toronto. Pages: 288-9. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 18-36. Pages: 27-8. Notes: mention of MS.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 20-3. Notes: physical description (partial); contents list; concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 140. Notes: concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 107-8, passim. Notes: physical description; mention of MS; discussion; facsimile (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 148-56, 303. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 106ff. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 194. Notes: concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 270, 296. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 132. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 51. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XII, 1399-1400. Notes: facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 115; LXVI, 173, x. Notes: physical description; facsimile (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII, v. Notes: physical description.

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, . Pages: 57-62. Notes: physical description; contents list.

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Monday, 23 January, 2017

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