D-Dl MS Mus. 1/D/3 [Tenor]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550-60

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Mus. 1/D/3 [Tenor]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 200 x 157 mm
Other Identifiers
  • CCM: DresSL 1/D/3
  • olim (Former shelfmark): B. 1270
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Wittenberg, Bavaria, Germany
Contents 119 pieces from 34 composers
General Description

A Tenor partbook from a set of six volumes. Scribal concordance with DresSL 1/D/4, DresSL 1/D/506, BudOS 22, BudOS 23, ZwiR 81/2, ZwiR 100/4, and ZwiR 106/5 (SteudeU). Final piece copied by a second scribe.

Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

DIAMM, 2017
Extent

D 110ff, A 116ff, T 97ff, B 100ff, Q 99ff, S 50ff.

DIAMM, 2023
Binding

Modern green cardboard covers on DATBQ; S has fragments of original covers

DIAMM, 2017
Watermark

cf. Briquet #1076, 1078, 1193, 2332, 2335, 4996, 5030

DIAMM, 2023
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: pieces numbered I-XXXV, 36-63.

DIAMM, 2017
Foliation

New foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 18 psalms, 29 motets, 12 German sacred pieces = 60

Berchem-1, Bergkholtz-1, Braetel-1, Breitengraser-2, Burckstaller-2, (Canis)-1, Clemens non Papa-2, Crecquillon-3, Gombert-1, Heugel-1, Jhan of Ferrara [M. Jam]-2, Jonckers-2, Josquin-3, Josquin/Senfl-1, (D. Köler)-1, Kropstein-2, Mitnerus-1, Rabe-2, Ruffo-1, Scandello-3, Schöckler-1, Senfl-4, Sermisy [Claudin]-1, Stoltzer-7, Stoltzer/(Bauldeweyn)-1, Verdelot-1, Verdelot/(Lupus)-1, (Walter)-1, Willaert-2, (Wircker)-1, anon-8

6 paper partbooks (D-110 folios, A-125, T-97, B-100, Q-96, S-48), 200 x 157. New foliation; pieces numbered I-XXXV, 36-63. Modern green cardboard covers on DATBQ; S has fragments of original covers. Scribal concordance with DresSL 1/D/4, BudOS 22, BudOS 23, ZwiR 81/2, and ZwiR 106/5 (SteudeU).

Ca. 1550-60 (SteudeMS); dates ranging from 1547 to 1551 in manuscript. Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

Vol. 4

Composers: Change "Gombert-1" to "Gombert-2"; change "anon-8" to "anon-7."

Physical: Add DresSL l/D/506 and ZwiR 100/4 to list of scribal concordances.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 1–1v
Genres: Motet
1v–2 In convertendo Dominus - 2a pars (of 2): Qui seminant -
Appears on: 1v–2
Genres: Motet
2v–3 In te Domine speravi - 1a pars (of 2): In te Domine speravi Philip: Verdeloth
Appears on: 2v–3
Genres: Motet, Te Deum
Source Attribution: Philip: Verdeloth
3–4 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 3–4
Genres: Motet
4–4v Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum TS (=Stoltzer)
Appears on: 4–4v
Genres: Motet
Source Attribution: TS (=Stoltzer)
4v–5 Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis -
Appears on: 4v–5
Genres: Motet
5v–6v De profundis clamavi 15.13 (5vv) Josquin
Appears on: 5v–6v
Genres: Motet
Source Attribution: Josquin
General Note

in Q attributed to "H Josquin", and in D "[…]ricus Josquin" (page damaged)

6v–7 Laudate Dominum omnes gentes, laudate eum Claudin
Appears on: 6v–7
Genres: Motet
Source Attribution: Claudin
7–7v Laudate Dominum omnes gentes, laudate eum -
Appears on: 7–7v
Genres: Motet
7v–8 Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen Thomas Stolzer
Appears on: 7v–8
Genres: Motet
Source Attribution: Thomas Stolzer
8v–9 Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil -
Appears on: 8v–9
Genres: Motet
9 Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet -
Appears on: 9
Genres: Motet
General Note

tacet in this part

9–10 Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage -
Appears on: 9–10
Genres: Motet
10–11 Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen -
Appears on: 10–11
Genres: Motet
11–12 Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht -
Appears on: 11–12
Genres: Motet
12–13 Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit -
Appears on: 12–13
Genres: Motet
13–14 Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Thomas Stolzer
Appears on: 13–14
Genres: Motet
Source Attribution: Thomas Stolzer
14–15 Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden -
Appears on: 14–15
Genres: Motet
15v–16 Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich Thomas: Stol:
Appears on: 15v–16
Genres: Motet
Source Attribution: Thomas: Stol:
16–17 Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich -
Appears on: 16–17
Genres: Motet
17–18v Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott -
Appears on: 17–18v
Genres: Motet
18v–19 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Thomas Stoltzer
Appears on: 18v–19
Genres: Motet
Source Attribution: Thomas Stoltzer
19–19v Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich -
Appears on: 19–19v
Genres: Motet
19v Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte -
Appears on: 19v
Genres: Motet
20–20v Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet Joannes Burckstaller
Appears on: 20–20v
Genres: Motet
Source Attribution: Joannes Burckstaller
20v–21 Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein -
Appears on: 20v–21
Genres: Motet
21–22 Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate Ludovicus Senfel
Appears on: 21–22
Genres: Motet
Source Attribution: Ludovicus Senfel
22–23v Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 22–23v
Genres: Motet
23v–24v Qui confidunt in Domino sicut mons Sion Hul: Brätel
Appears on: 23v–24v
Genres: Motet
Source Attribution: Hul: Brätel
25–25v Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra LS (=Senfl)
Appears on: 25–25v
Source Attribution: LS (=Senfl)
25v–26 Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum -
Appears on: 25v–26
26–27 De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine Lu: Senffelii
Appears on: 26–27
Genres: Motet
Source Attribution: Lu: Senffelii
General Note

In D & Q, attributed to Josquin; in T & B attributed (correctly) to Senfl

27–28 De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem -
Appears on: 27–28
Genres: Motet
28–28v Omnes gentes plaudite - 1a pars (of 2): Omnes gentes plaudite manibus jubilate TS (=Stoltzer)
Appears on: 28–28v
Genres: Motet
Source Attribution: TS (=Stoltzer)
28v–29v Omnes gentes plaudite - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 28v–29v
Genres: Motet
29v–30v Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam Josquin
Appears on: 29v–30v
Genres: Miserere mei Deus, Motet
Source Attribution: Josquin
31–32 Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium -
Appears on: 31–32
Genres: Miserere mei Deus, Motet
32–33 Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os -
Appears on: 32–33
Genres: Miserere mei Deus, Motet
33–33v Vater unser - 1a pars (of 2): Vater unser, der du bist im Himmel Joan: Burgstaller
Appears on: 33–33v
Genres: Motet
Source Attribution: Joan: Burgstaller
33v Vater unser - 2a pars (of 2): Unser täglich Brot gib uns heute -
Appears on: 33v
Genres: Motet
34–35 Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden Va: Rab
Appears on: 34–35
Genres: Psalm
Source Attribution: Va: Rab
35–36 Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne -
Appears on: 35–36
Genres: Psalm
36–37 Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke -
Appears on: 36–37
Genres: Psalm
37–38v Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem - Anonymous
Appears on: 37–38v
Genres: Motet
38v–39v Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam - Anonymous
Appears on: 38v–39v
Genres: Motet
40–40v Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn Valentinus Rab:
Appears on: 40–40v
Genres: Psalm
Source Attribution: Valentinus Rab:
40v–41 Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele -
Appears on: 40v–41
Genres: Psalm
41v Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter -
Appears on: 41v
Genres: Psalm
42 Nun bitten wir den heilgen geist - Anonymous
Appears on: 42
Genres: Motet
42–42v Nun bitten wir den heiligen geist (5vv) -
Appears on: 42–42v
Genres: Motet, Veni sancte spiritus
43–44 So wahr als ich lebe - 1a pars (of 4): So wahr als ich lebe spricht der Herr NK (=Kropstein)
Appears on: 43–44
Genres: Motet
Source Attribution: NK (=Kropstein)
44–44v So wahr als ich lebe - 2a pars (of 4): Herr nimm von uns all unser Sünd' (Aufer a nobis) -
Appears on: 44–44v
Genres: Motet
General Note

Marginal note: "Aufer a nobis"

44v–45v So wahr als ich lebe - 3a pars (of 4): Erbarme dich deines Volkes (Miserere) -
Appears on: 44v–45v
Genres: Motet
General Note

Marginal note: "Miserere"

45v–46v So wahr als ich lebe - 4a pars (of 4): Erhöre Herre unser bitte (Exaudi nos) NK (=Kropstein)
Appears on: 45v–46v
Genres: Motet
Source Attribution: NK (=Kropstein)
General Note

Marginal note: "Exaudi"

General Note

Marginal note: "Exaudi"

46v–48 Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam Georgius Schöckler
Appears on: 46v–48
Genres: Motet
Source Attribution: Georgius Schöckler
48–50 Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster -
Appears on: 48–50
Genres: Motet
50–51 Ecce Dominus veniet et omnes sancti eius NK (=Kropstein)
Appears on: 50–51
Genres: Motet
Source Attribution: NK (=Kropstein)
51–52 Laudate pueri Dominum - 1a pars (of 2): Laudate pueri Dominum laudate nomen Jo: Heugel
Appears on: 51–52
Genres: Motet
Source Attribution: Jo: Heugel
52–53 Laudate pueri Dominum - 2a pars (of 2): Quis sicut Dominus Deus noster -
Appears on: 52–53
Genres: Motet
53–54 Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper TS (=Stoltzer)
Appears on: 53–54
Genres: Motet
Source Attribution: TS (=Stoltzer)
54–54v Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini -
Appears on: 54–54v
Genres: Motet
54v Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures -
Appears on: 54v
Genres: Motet
General Note

tacet ("obmutescit") in this part

54v–55v Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit -
Appears on: 54v–55v
Genres: Motet
56–56v Qui regis Israel intende qui sedes 18.9 Josquin
Appears on: 56–56v
Genres: Motet
Source Attribution: Josquin
57–57v Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei "Capelnmeister"
Appears on: 57–57v
Genres: Motet
Source Attribution: "Capelnmeister"
General Note

Note: Maessens became Hofkapellmeister to Ferdinand in 1546; but the piece is by Clemens.

57v–58 Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit -
Appears on: 57v–58
Genres: Motet
58–59 Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet -
Appears on: 58–59
Genres: Motet
59–59v Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine -
Appears on: 59–59v
Genres: Motet
59v–60 Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt -
Appears on: 59v–60
Genres: Motet
60 Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei Guil. Breittengraser
Appears on: 60
Genres: Motet
Source Attribution: Guil. Breittengraser
General Note

tenor c.f. in long notes

60 Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus -
Appears on: 60
Genres: Motet
General Note

tenor c.f. in long notes

60v–61 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti Crequilon
Appears on: 60v–61
Genres: Motet
Source Attribution: Crequilon
General Note

for discussion of attribution to Lassus/Crequillon see CMM 63 vol.5, p.LIX-LXI, 66-79 , Grove 7 vol.6, p.655

61–61v Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 61–61v
Genres: Motet
62 Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam Guil. Breittengraser
Appears on: 62
Genres: Motet
Source Attribution: Guil. Breittengraser
62v Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum -
Appears on: 62v
Genres: Motet
62v–63v Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Tho: Krequilon
Appears on: 62v–63v
Genres: Motet
Source Attribution: Tho: Krequilon
63v–64 Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 63v–64
Genres: Motet
64v Salve crux sancta super omnia ligna Clemens non papa
Appears on: 64v
Genres: Motet
Source Attribution: Clemens non papa
64v–65v Si bona suscepimus de manu Domini - Anonymous
Appears on: 64v–65v
Genres: Motet
65v–66v Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis N. Gombert
Appears on: 65v–66v
Genres: Motet
Source Attribution: N. Gombert
67–67v Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait -
Appears on: 67–67v
Genres: Motet
67v–68 O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum M. Jam [= Maistre Jhan of Ferrara]
Appears on: 67v–68
Genres: Motet
Source Attribution: M. Jam [= Maistre Jhan of Ferrara]
General Note

tenor c.f. in long notes

68 O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium -
Appears on: 68
Genres: Motet
General Note

tenor c.f. in long notes

68–68v O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Jachetin de barche [= Berchem]
Appears on: 68–68v
Genres: Motet
Source Attribution: Jachetin de barche [= Berchem]
68v–69 O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem -
Appears on: 68v–69
Genres: Motet
69v–70 Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis Verdeloth / M. Jan
Appears on: 69v–70
Genres: Motet, Pater noster
Source Attribution: Verdeloth / M. Jan
General Note

attribution to Verdeloth (wrongly - from next piece?) with M.Jan added

General Note

attribution to Verdeloth (wrongly - from next piece?) with M.Jan added

70–71 Ave Maria gratia plena Dominus tecum Verdeloth
Appears on: 70–71
Genres: Ave Maria, Motet
Source Attribution: Verdeloth
71–71v O beatum pontificem qui totis visceribus diligebat [De sancto Martino] Adria: Wilhart
Appears on: 71–71v
Genres: Motet
Source Attribution: Adria: Wilhart
71v–73 Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum Gosse Jungkers
Appears on: 71v–73
Genres: Motet
Source Attribution: Gosse Jungkers
73–74v Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum -
Appears on: 73–74v
Genres: Motet
74v–75v Unicus O digito monstras sotera Johannes (= Si me tenes tant) TC (=Crecquillon)
Appears on: 74v–75v
Genres: Motet
Source Attribution: TC (=Crecquillon)
75v–76 Ecce Dominus veniet et omnes sancti eius Lucas Perckholtzius
Appears on: 75v–76
Genres: Motet
Source Attribution: Lucas Perckholtzius
General Note

Note in T - composed for his friend Michael Tauber (professor at Wittenberg U) 22 Oct 1551

76–77 Hodie Christus natus est hodie salvator Anthonius Scandellus
Appears on: 76–77
Genres: Motet
Source Attribution: Anthonius Scandellus
77–78 Puer natus est nobis et filius datus est Vincentius Ruffo da Verona
Appears on: 77–78
Genres: Motet
Source Attribution: Vincentius Ruffo da Verona
78–79 Qui confidunt in Domino - 1a pars (of 2): Qui confidunt in Domino sicut mons Sion -
Appears on: 78–79
Genres: Motet
79–80 Qui confidunt in Domino - 2a pars (of 2): Quia non relinquet Dominus virgam -
Appears on: 79–80
Genres: Motet
80–81 Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera -
Appears on: 80–81
Genres: Motet
81–82 Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel -
Appears on: 81–82
Genres: Motet
82–82v O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam Jos: Jungk:
Appears on: 82–82v
Genres: Motet
Source Attribution: Jos: Jungk:
General Note

untexted

82v–83 O vos omnes - 2a pars (of 2): Attendite universi populi et videte -
Appears on: 82v–83
Genres: Motet
General Note

untexted

83v–84 Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime Adrianus Wilhart
Appears on: 83v–84
Genres: Motet
Source Attribution: Adrianus Wilhart
84–84v Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes -
Appears on: 84–84v
Genres: Motet
84v–85 Querite Dominum dum inveniri potest Joannes Mitner
Appears on: 84v–85
Genres: Motet
Source Attribution: Joannes Mitner
85v–88v Te Deum laudamus -
Appears on: 85v–88v
Genres: Liturgical work, Te Deum
88v–89 Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 88v–89
Genres: Motet, Veni sancte spiritus
General Note

tenor c.f. in long notes

89–89v Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum - Anonymous
Appears on: 89–89v
Genres: Motet
General Note

1st half of this pars is c.f. in long notes, before Tenor joins the triple-time Alleluia as a free voice

89v–90 Danket dem Herren - 1a pars (of 3): Danket dem Herren, denn er ist freundlich -
Appears on: 89v–90
Genres: Motet
90–90v Danket dem Herren - 2a pars (of 3): Der herre hat nit lust -
Appears on: 90–90v
Genres: Motet
90v Danket dem Herren - 3a pars (of 3): Der herre hat gefallenn -
Appears on: 90v
Genres: Motet
91–91v Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse Anthonius Scandellus
Appears on: 91–91v
Genres: Motet
Source Attribution: Anthonius Scandellus
91v–92v Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me -
Appears on: 91v–92v
Genres: Motet
92v–93v Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum -
Appears on: 92v–93v
Genres: Motet
93v–94 Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient -
Appears on: 93v–94
Genres: Motet
94v Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus LS (=Senfl)
Appears on: 94v
Genres: Motet
Source Attribution: LS (=Senfl)
94v–95 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis -
Appears on: 94v–95
Genres: Motet
95 Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto -
Appears on: 95
Genres: Motet
95v–96 Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam Clemens non Papa
Appears on: 95v–96
Genres: Motet
Source Attribution: Clemens non Papa
96v–97 Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam -
Appears on: 96v–97
Genres: Motet
97v [blank staves] - -

[blank staves]

Appears on: 97v
Composer Compositions
Anonymous
Bauldeweyn, Noel (ca. 1480–1529)
Berchem, Jacques (ca. 1505–1567)
Bergholtz, Lucas
Bratel, Ulrich
Breittengrasser, Gulielmus (Wilhelm)
Burckstaller, Joannes
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Heugel, Johannes
Jonckers, Maistre Gosse
Kropstein, Nikolaus
Köler, David (ca. 1532–1565)
Lassus, Orlande de (ca. 1532–1594)
Manchicourt, Pierre de
Mitnerus, Joannes
Rab, Valentin
Reitveltus, Bartholomaeus
Ruffo, Vincenzo (ca. 1508–1587)
Rupsch, Conrad
Scandello, Antonio
Schöckler, Georgius
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Wircker, Johann (ca. 1548–ca. 1572)
Composition Composers (? Uncertain) Folios / Pages
Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam 95v–96
Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam 96v–97
Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei 57–57v
Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit 57v–58
Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet 58–59
Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn 40–40v
Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele 40v–41
Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter 41v
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus 94v
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis 94v–95
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto 95
Ave Maria gratia plena Dominus tecum 70–71
Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum 71v–73
Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum 73–74v
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper 53–54
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini 54–54v
Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures 54v
Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit 54v–55v
Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera 80–81
Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel 81–82
Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse 91–91v
Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me 91v–92v
Danket dem Herren - 1a pars (of 3): Danket dem Herren, denn er ist freundlich 89v–90
Danket dem Herren - 2a pars (of 3): Der herre hat nit lust 90–90v
Danket dem Herren - 3a pars (of 3): Der herre hat gefallenn 90v
De profundis clamavi 15.13 (5vv) 5v–6v
De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine 26–27
De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem 27–28
Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam 46v–48
Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster 48–50
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem Anonymous 37–38v
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Anonymous 38v–39v
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 62v–63v
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 63v–64
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 60v–61
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 61–61v
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime 83v–84
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes 84–84v
Ecce Dominus veniet et omnes sancti eius 50–51
Ecce Dominus veniet et omnes sancti eius 75v–76
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 7v–8
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil 8v–9
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet 9
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage 9–10
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 10–11
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht 11–12
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit 12–13
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich 15v–16
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich 16–17
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott 17–18v
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 18v–19
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 19–19v
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 19v
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen 13–14
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden 14–15
Hodie Christus natus est hodie salvator 76–77
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum 92v–93v
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient 93v–94
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 1–1v
In convertendo Dominus - 2a pars (of 2): Qui seminant 1v–2
In te Domine speravi - 1a pars (of 2): In te Domine speravi 2v–3
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 3–4
Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet 20–20v
Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein 20v–21
Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam 62
Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum 62v
Laudate Dominum omnes gentes, laudate eum 6v–7
Laudate Dominum omnes gentes, laudate eum 7–7v
Laudate pueri Dominum - 1a pars (of 2): Laudate pueri Dominum laudate nomen 51–52
Laudate pueri Dominum - 2a pars (of 2): Quis sicut Dominus Deus noster 52–53
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam 29v–30v
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium 31–32
Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os 32–33
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra 25–25v
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum 4–4v
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis 4v–5
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum 25v–26
Nun bitten wir den heilgen geist Anonymous 42
Nun bitten wir den heiligen geist (5vv) 42–42v
O beatum pontificem qui totis visceribus diligebat [De sancto Martino] 71–71v
O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum 67v–68
O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium 68
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur 68–68v
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem 68v–69
O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam 82–82v
O vos omnes - 2a pars (of 2): Attendite universi populi et videte 82v–83
Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine 59–59v
Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt 59v–60
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 21–22
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 22–23v
Omnes gentes plaudite - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 28–28v
Omnes gentes plaudite - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 28v–29v
Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis 69v–70
Puer natus est nobis et filius datus est 77–78
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis 65v–66v
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait 67–67v
Querite Dominum dum inveniri potest 84v–85
Qui confidunt in Domino - 1a pars (of 2): Qui confidunt in Domino sicut mons Sion 78–79
Qui confidunt in Domino - 2a pars (of 2): Quia non relinquet Dominus virgam 79–80
Qui confidunt in Domino sicut mons Sion 23v–24v
Qui regis Israel intende qui sedes 18.9 56–56v
Salve crux sancta super omnia ligna 64v
Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden 34–35
Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne 35–36
Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke 36–37
Si bona suscepimus de manu Domini Anonymous 64v–65v
So wahr als ich lebe - 1a pars (of 4): So wahr als ich lebe spricht der Herr 43–44
So wahr als ich lebe - 2a pars (of 4): Herr nimm von uns all unser Sünd' (Aufer a nobis) 44–44v
So wahr als ich lebe - 3a pars (of 4): Erbarme dich deines Volkes (Miserere) 44v–45v
So wahr als ich lebe - 4a pars (of 4): Erhöre Herre unser bitte (Exaudi nos) 45v–46v
Te Deum laudamus 85v–88v
Unicus O digito monstras sotera Johannes (= Si me tenes tant) 74v–75v
Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei 60
Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus 60
Vater unser - 1a pars (of 2): Vater unser, der du bist im Himmel 33–33v
Vater unser - 2a pars (of 2): Unser täglich Brot gib uns heute 33v
Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda Anonymous 88v–89
Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum Anonymous 89–89v

Set: MS Mus. 1/D/3

Type: Partbooks

No images available

D-Dl MS Mus. 1/D/3 [Altus]

No images available

D-Dl MS Mus. 1/D/3 [Bassus]

No images available

D-Dl MS Mus. 1/D/3 [Discantus]

No images available

D-Dl MS Mus. 1/D/3 [Quintus]

No images available

D-Dl MS Mus. 1/D/3 [Sextus]

No images available

D-Dl MS Mus. 1/D/3 [Tenor]

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 343,349-50,388-90,797. Notes: contents list (partial); concordances (partial).

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: 9-11, passim; Abb. 1-3. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93.  London, New York, and Toronto. Pages: 288-9. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 18-36. Pages: 27-8. Notes: mention of MS.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 20-3. Notes: physical description (partial); contents list; concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 140. Notes: concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 107-8, passim. Notes: physical description; mention of MS; discussion; facsimile (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 148-56, 303. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 106ff. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 194. Notes: concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 270, 296. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 132. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 51. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XII, 1399-1400. Notes: facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 115; LXVI, 173, x. Notes: physical description; facsimile (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII, v. Notes: physical description.

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, . Pages: 57-62. Notes: physical description; contents list.

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Monday, 23 January, 2017

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