Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Number of voices | Source attribution | Composers (? Uncertain) |
|---|---|---|---|---|
| 1–1v | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | 6 | - | |
|
Appears on:
1–1v
Genres:
Motet
Number of voices:
6
|
||||
| 1v–2 | In convertendo Dominus - 2a pars (of 2): Qui seminant | 6 | - | |
|
Appears on:
1v–2
Genres:
Motet
Number of voices:
6
|
||||
| 2v–3 | In te Domine speravi - 1a pars (of 2): In te Domine speravi | 5 | Philip: Verdeloth | |
|
Appears on:
2v–3
Genres:
Motet, Te Deum
Source Attribution:
Philip: Verdeloth
Number of voices:
5
|
||||
| 3–4 | In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen | 5 | - | |
|
Appears on:
3–4
Genres:
Motet
Number of voices:
5
|
||||
| 4–4v | Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum | 5 | TS (=Stoltzer) | |
|
Appears on:
4–4v
Genres:
Motet
Source Attribution:
TS (=Stoltzer)
Number of voices:
5
|
||||
| 4v–5 | Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis | 5 | - | |
|
Appears on:
4v–5
Genres:
Motet
Number of voices:
5
|
||||
| 5v–6v | De profundis clamavi 15.13 (5vv) | 5 | Josquin | |
|
Appears on:
5v–6v
Genres:
Motet
Source Attribution:
Josquin
Number of voices:
5
General Notein Q attributed to "H Josquin", and in D "[…]ricus Josquin" (page damaged) |
||||
| 6v–7 | Laudate Dominum omnes gentes, laudate eum | 6 | Claudin | |
|
Appears on:
6v–7
Genres:
Motet
Source Attribution:
Claudin
Number of voices:
6
|
||||
| 7–7v | Laudate Dominum omnes gentes, laudate eum | 5 | - | |
|
Appears on:
7–7v
Genres:
Motet
Number of voices:
5
|
||||
| 7v–8 | Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen | 6 | Thomas Stolzer | |
|
Appears on:
7v–8
Genres:
Motet
Source Attribution:
Thomas Stolzer
Number of voices:
6
|
||||
| 8v–9 | Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still | 6 | - | |
|
Appears on:
8v–9
Genres:
Motet
Number of voices:
6
|
||||
| 9 | Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten | 3 | - | |
|
Appears on:
9
Genres:
Motet
Number of voices:
3
General Notetacet in this part |
||||
| 9–10 | Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen | 3 | - | |
|
Appears on:
9–10
Genres:
Motet
Number of voices:
3
|
||||
| 10–11 | Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen | 6 | - | |
|
Appears on:
10–11
Genres:
Motet
Number of voices:
6
|
||||
| 11–12 | Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht | 6 | - | |
|
Appears on:
11–12
Genres:
Motet
Number of voices:
6
|
||||
| 12–13 | Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit | 6 | - | |
|
Appears on:
12–13
Genres:
Motet
Number of voices:
6
|
||||
| 13–14 | Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen | 6 | Thomas Stolzer | |
|
Appears on:
13–14
Genres:
Motet
Source Attribution:
Thomas Stolzer
Number of voices:
6
|
||||
| 14–15 | Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden | 6 | - | |
|
Appears on:
14–15
Genres:
Motet
Number of voices:
6
|
||||
| 15v–16 | Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich | 6 | Thomas: Stol: | |
|
Appears on:
15v–16
Genres:
Motet
Source Attribution:
Thomas: Stol:
Number of voices:
6
|
||||
| 16–17 | Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich | 6 | - | |
|
Appears on:
16–17
Genres:
Motet
Number of voices:
6
|
||||
| 17–18v | Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott | 6 | - | |
|
Appears on:
17–18v
Genres:
Motet
Number of voices:
6
|
||||
| 18v–19 | Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen | 5 | Thomas Stoltzer | |
|
Appears on:
18v–19
Genres:
Motet
Source Attribution:
Thomas Stoltzer
Number of voices:
5
|
||||
| 19–19v | Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich | 5 | - | |
|
Appears on:
19–19v
Genres:
Motet
Number of voices:
5
|
||||
| 19v | Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte | 5 | - | |
|
Appears on:
19v
Genres:
Motet
Number of voices:
5
|
||||
| 20–20v | Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet | 5 | Joannes Burckstaller | |
|
Appears on:
20–20v
Genres:
Motet
Source Attribution:
Joannes Burckstaller
Number of voices:
5
|
||||
| 20v–21 | Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein | 5 | - | |
|
Appears on:
20v–21
Genres:
Motet
Number of voices:
5
|
||||
| 21–22 | Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate | 5 | Ludovicus Senfel | |
|
Appears on:
21–22
Genres:
Motet
Source Attribution:
Ludovicus Senfel
Number of voices:
5
|
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| 22–23v | Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus | 5 | - | |
|
Appears on:
22–23v
Genres:
Motet
Number of voices:
5
|
||||
| 23v–24v | Qui confidunt in Domino sicut mons Sion | 5 | Hul: Brätel | |
|
Appears on:
23v–24v
Genres:
Motet
Source Attribution:
Hul: Brätel
Number of voices:
5
|
||||
| 25–25v | Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra | 5 | LS (=Senfl) | |
|
Appears on:
25–25v
Source Attribution:
LS (=Senfl)
Number of voices:
5
|
||||
| 25v–26 | Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum | 5 | - | |
|
Appears on:
25v–26
Number of voices:
5
|
||||
| 26–27 | De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine | 5 | Lu: Senffelii | |
|
Appears on:
26–27
Genres:
Motet
Source Attribution:
Lu: Senffelii
Number of voices:
5
General NoteIn D & Q, attributed to Josquin; in T & B attributed (correctly) to Senfl |
||||
| 27–28 | De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem | 5 | - | |
|
Appears on:
27–28
Genres:
Motet
Number of voices:
5
|
||||
| 28–28v | Omnes gentes plaudite - 1a pars (of 2): Omnes gentes plaudite manibus jubilate | 5 | TS (=Stoltzer) | |
|
Appears on:
28–28v
Genres:
Motet
Source Attribution:
TS (=Stoltzer)
Number of voices:
5
|
||||
| 28v–29v | Omnes gentes plaudite - 2a pars (of 2): Ascendit Deus in jubilo et Dominus | 5 | - | |
|
Appears on:
28v–29v
Genres:
Motet
Number of voices:
5
|
||||
| 29v–30v | Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam | 5 | Josquin | |
|
Appears on:
29v–30v
Genres:
Miserere mei Deus, Motet
Source Attribution:
Josquin
Number of voices:
5
|
||||
| 31–32 | Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium | 5 | - | |
|
Appears on:
31–32
Genres:
Miserere mei Deus, Motet
Number of voices:
5
|
||||
| 32–33 | Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os | 5 | - | |
|
Appears on:
32–33
Genres:
Miserere mei Deus, Motet
Number of voices:
5
|
||||
| 33–33v | Vater unser - 1a pars (of 2): Vater unser, der du bist im Himmel | 5 | Joan: Burgstaller | |
|
Appears on:
33–33v
Genres:
Motet
Source Attribution:
Joan: Burgstaller
Number of voices:
5
|
||||
| 33v | Vater unser - 2a pars (of 2): Unser täglich Brot gib uns heute | 5 | - | |
|
Appears on:
33v
Genres:
Motet
Number of voices:
5
|
||||
| 34–35 | Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden | 5 | Va: Rab | |
|
Appears on:
34–35
Genres:
Psalm
Source Attribution:
Va: Rab
Number of voices:
5
|
||||
| 35–36 | Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne | 5 | - | |
|
Appears on:
35–36
Genres:
Psalm
Number of voices:
5
|
||||
| 36–37 | Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke | 5 | - | |
|
Appears on:
36–37
Genres:
Psalm
Number of voices:
5
|
||||
| 37–38v | Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem | 6 | - | Anonymous |
|
Appears on:
37–38v
Genres:
Motet
Number of voices:
6
|
||||
| 38v–39v | Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam | 6 | - | Anonymous |
|
Appears on:
38v–39v
Genres:
Motet
Number of voices:
6
|
||||
| 40–40v | Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn | 5 | Valentinus Rab: | |
|
Appears on:
40–40v
Genres:
Psalm
Source Attribution:
Valentinus Rab:
Number of voices:
5
|
||||
| 40v–41 | Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele | 5 | - | |
|
Appears on:
40v–41
Genres:
Psalm
Number of voices:
5
|
||||
| 41v | Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter | 5 | - | |
|
Appears on:
41v
Genres:
Psalm
Number of voices:
5
|
||||
| 42 | Nun bitten wir den heilgen geist | 6 | - | Anonymous |
Nun bitten wir den heilgen geistAnonymous
Appears on:
42
Genres:
Motet
Number of voices:
6
|
||||
| 42–42v | Nun bitten wir den heiligen geist (5vv) | 5 | - |
Rupsch, Conrad
(?)
|
|
Appears on:
42–42v
Genres:
Motet, Veni sancte spiritus
Number of voices:
5
|
||||
| 43–44 | So wahr als ich lebe - 1a pars (of 4): So wahr als ich lebe spricht der Herr | 5 | NK (=Kropstein) | |
|
Appears on:
43–44
Genres:
Motet
Source Attribution:
NK (=Kropstein)
Number of voices:
5
|
||||
| 44–44v | So wahr als ich lebe - 2a pars (of 4): Herr nimm von uns all unser Sünd' (Aufer a nobis) | 5 | - | |
|
Appears on:
44–44v
Genres:
Motet
Number of voices:
5
General NoteMarginal note: "Aufer a nobis" |
||||
| 44v–45v | So wahr als ich lebe - 3a pars (of 4): Erbarme dich deines Volkes (Miserere) | 5 | - | |
|
Appears on:
44v–45v
Genres:
Motet
Number of voices:
5
General NoteMarginal note: "Miserere" |
||||
| 45v–46v | So wahr als ich lebe - 4a pars (of 4): Erhöre Herre unser bitte (Exaudi nos) | 5 | NK (=Kropstein) | |
|
Appears on:
45v–46v
Genres:
Motet
Source Attribution:
NK (=Kropstein)
Number of voices:
5
General NoteMarginal note: "Exaudi" General NoteMarginal note: "Exaudi" |
||||
| 46v–48 | Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam | 5 | Georgius Schöckler | |
|
Appears on:
46v–48
Genres:
Motet
Source Attribution:
Georgius Schöckler
Number of voices:
5
|
||||
| 48–50 | Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster | 5 | - | |
|
Appears on:
48–50
Genres:
Motet
Number of voices:
5
|
||||
| 50–51 | Ecce Dominus veniet et omnes sancti eius | 5 | NK (=Kropstein) | |
|
Appears on:
50–51
Genres:
Motet
Source Attribution:
NK (=Kropstein)
Number of voices:
5
|
||||
| 51–52 | Laudate pueri Dominum - 1a pars (of 2): Laudate pueri Dominum laudate nomen | 5 | Jo: Heugel | |
|
Appears on:
51–52
Genres:
Motet
Source Attribution:
Jo: Heugel
Number of voices:
5
|
||||
| 52–53 | Laudate pueri Dominum - 2a pars (of 2): Quis sicut Dominus Deus noster | 5 | - | |
|
Appears on:
52–53
Genres:
Motet
Number of voices:
5
|
||||
| 53–54 | Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper | 5 | TS (=Stoltzer) | |
|
Appears on:
53–54
Genres:
Motet
Source Attribution:
TS (=Stoltzer)
Number of voices:
5
|
||||
| 54–54v | Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini | 3 | - | |
|
Appears on:
54–54v
Genres:
Motet
Number of voices:
3
|
||||
| 54v | Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures | 2 | - | |
|
Appears on:
54v
Genres:
Motet
Number of voices:
2
General Notetacet ("obmutescit") in this part |
||||
| 54v–55v | Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit | 5 | - | |
|
Appears on:
54v–55v
Genres:
Motet
Number of voices:
5
|
||||
| 56–56v | Qui regis Israel intende qui sedes 18.9 | 5 | Josquin | |
|
Appears on:
56–56v
Genres:
Motet
Source Attribution:
Josquin
Number of voices:
5
|
||||
| 57–57v | Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei | 5 | "Capelnmeister" | |
|
Appears on:
57–57v
Genres:
Motet
Source Attribution:
"Capelnmeister"
Number of voices:
5
General NoteNote: Maessens became Hofkapellmeister to Ferdinand in 1546; but the piece is by Clemens. |
||||
| 57v–58 | Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit | 3 | - | |
|
Appears on:
57v–58
Genres:
Motet
Number of voices:
3
|
||||
| 58–59 | Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet | 5 | - | |
|
Appears on:
58–59
Genres:
Motet
Number of voices:
5
|
||||
| 59–59v | Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine | 6 | - | |
|
Appears on:
59–59v
Genres:
Motet
Number of voices:
6
|
||||
| 59v–60 | Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt | 6 | - | |
|
Appears on:
59v–60
Genres:
Motet
Number of voices:
6
|
||||
| 60 | Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei | 5 | Guil. Breittengraser | |
|
Appears on:
60
Genres:
Motet
Source Attribution:
Guil. Breittengraser
Number of voices:
5
General Notetenor c.f. in long notes |
||||
| 60 | Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus | 5 | - | |
|
Appears on:
60
Genres:
Motet
Number of voices:
5
General Notetenor c.f. in long notes |
||||
| 60v–61 | Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti | 6 | Crequilon | |
|
Appears on:
60v–61
Genres:
Motet
Source Attribution:
Crequilon
Number of voices:
6
General Notefor discussion of attribution to Lassus/Crequillon see CMM 63 vol.5, p.LIX-LXI, 66-79 , Grove 7 vol.6, p.655 |
||||
| 61–61v | Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse | 6 | - | |
|
Appears on:
61–61v
Genres:
Motet
Number of voices:
6
|
||||
| 62 | Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam | 5 | Guil. Breittengraser | |
|
Appears on:
62
Genres:
Motet
Source Attribution:
Guil. Breittengraser
Number of voices:
5
|
||||
| 62v | Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum | 5 | - | |
|
Appears on:
62v
Genres:
Motet
Number of voices:
5
|
||||
| 62v–63v | Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione | 6 | Tho: Krequilon | |
|
Appears on:
62v–63v
Genres:
Motet
Source Attribution:
Tho: Krequilon
Number of voices:
6
|
||||
| 63v–64 | Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea | 6 | - | |
|
Appears on:
63v–64
Genres:
Motet
Number of voices:
6
|
||||
| 64v | Salve crux sancta super omnia ligna | 6 | Clemens non papa | |
|
Appears on:
64v
Genres:
Motet
Source Attribution:
Clemens non papa
Number of voices:
6
|
||||
| 64v–65v | Si bona suscepimus de manu Domini | 6 | - | Anonymous |
Si bona suscepimus de manu DominiAnonymous
Appears on:
64v–65v
Genres:
Motet
Number of voices:
6
|
||||
| 65v–66v | Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis | 6 | N. Gombert | |
|
Appears on:
65v–66v
Genres:
Motet
Source Attribution:
N. Gombert
Number of voices:
6
|
||||
| 67–67v | Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait | 6 | - | |
|
Appears on:
67–67v
Genres:
Motet
Number of voices:
6
|
||||
| 67v–68 | O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum | 6 | M. Jam [= Maistre Jhan of Ferrara] | |
|
Appears on:
67v–68
Genres:
Motet
Source Attribution:
M. Jam [= Maistre Jhan of Ferrara]
Number of voices:
6
General Notetenor c.f. in long notes |
||||
| 68 | O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium | 6 | - | |
|
Appears on:
68
Genres:
Motet
Number of voices:
6
General Notetenor c.f. in long notes |
||||
| 68–68v | O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur | 6 | Jachetin de barche [= Berchem] | |
|
Appears on:
68–68v
Genres:
Motet
Source Attribution:
Jachetin de barche [= Berchem]
Number of voices:
6
|
||||
| 68v–69 | O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem | 6 | - | |
|
Appears on:
68v–69
Genres:
Motet
Number of voices:
6
|
||||
| 69v–70 | Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis | 6 | Verdeloth / M. Jan | |
|
Appears on:
69v–70
Genres:
Motet, Pater noster
Source Attribution:
Verdeloth / M. Jan
Number of voices:
6
General Noteattribution to Verdeloth (wrongly - from next piece?) with M.Jan added General Noteattribution to Verdeloth (wrongly - from next piece?) with M.Jan added |
||||
| 70–71 | Ave Maria gratia plena Dominus tecum | 6 | Verdeloth | |
|
Appears on:
70–71
Genres:
Ave Maria, Motet
Source Attribution:
Verdeloth
Number of voices:
6
|
||||
| 71–71v | O beatum pontificem qui totis visceribus diligebat [De sancto Martino] | 6 | Adria: Wilhart | |
|
Appears on:
71–71v
Genres:
Motet
Source Attribution:
Adria: Wilhart
Number of voices:
6
|
||||
| 71v–73 | Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum | 5 | Gosse Jungkers | |
|
Appears on:
71v–73
Genres:
Motet
Source Attribution:
Gosse Jungkers
Number of voices:
5
|
||||
| 73–74v | Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum | 5 | - | |
|
Appears on:
73–74v
Genres:
Motet
Number of voices:
5
|
||||
| 74v–75v | Unicus O digito monstras sotera Johannes (= Si me tenes tant) | 6 | TC (=Crecquillon) | |
|
Appears on:
74v–75v
Genres:
Motet
Source Attribution:
TC (=Crecquillon)
Number of voices:
6
|
||||
| 75v–76 | Ecce Dominus veniet et omnes sancti eius | 6 | Lucas Perckholtzius | |
|
Appears on:
75v–76
Genres:
Motet
Source Attribution:
Lucas Perckholtzius
Number of voices:
6
General NoteNote in T - composed for his friend Michael Tauber (professor at Wittenberg U) 22 Oct 1551 |
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| 76–77 | Hodie Christus natus est hodie salvator | 6 | Anthonius Scandellus | |
|
Appears on:
76–77
Genres:
Motet
Source Attribution:
Anthonius Scandellus
Number of voices:
6
|
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| 77–78 | Puer natus est nobis et filius datus est | 6 | Vincentius Ruffo da Verona | |
|
Appears on:
77–78
Genres:
Motet
Source Attribution:
Vincentius Ruffo da Verona
Number of voices:
6
|
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| 78–79 | Qui confidunt in Domino - 1a pars (of 2): Qui confidunt in Domino sicut mons Sion | 5 | - | |
|
Appears on:
78–79
Genres:
Motet
Number of voices:
5
|
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| 79–80 | Qui confidunt in Domino - 2a pars (of 2): Quia non relinquet Dominus virgam | 5 | - | |
|
Appears on:
79–80
Genres:
Motet
Number of voices:
5
|
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| 80–81 | Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera | 6 | - | |
|
Appears on:
80–81
Genres:
Motet
Number of voices:
6
|
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| 81–82 | Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel | 6 | - | |
|
Appears on:
81–82
Genres:
Motet
Number of voices:
6
|
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| 82–82v | O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam | 6 | Jos: Jungk: | |
|
Appears on:
82–82v
Genres:
Motet
Source Attribution:
Jos: Jungk:
Number of voices:
6
General Noteuntexted |
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| 82v–83 | O vos omnes - 2a pars (of 2): Attendite universi populi et videte | 6 | - | |
|
Appears on:
82v–83
Genres:
Motet
Number of voices:
6
General Noteuntexted |
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| 83v–84 | Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime | 6 | Adrianus Wilhart | |
|
Appears on:
83v–84
Genres:
Motet
Source Attribution:
Adrianus Wilhart
Number of voices:
6
|
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| 84–84v | Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes | 6 | - | |
|
Appears on:
84–84v
Genres:
Motet
Number of voices:
6
|
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| 84v–85 | Querite Dominum dum inveniri potest | 6 | Joannes Mitner | |
|
Appears on:
84v–85
Genres:
Motet
Source Attribution:
Joannes Mitner
Number of voices:
6
|
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| 85v–88v | Te Deum laudamus | 6 | - | |
|
Appears on:
85v–88v
Genres:
Liturgical work, Te Deum
Number of voices:
6
|
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| 88v–89 | Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda | 6 | - | Anonymous |
|
Appears on:
88v–89
Genres:
Motet, Veni sancte spiritus
Number of voices:
6
General Notetenor c.f. in long notes |
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| 89–89v | Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum | 6 | - | Anonymous |
|
Appears on:
89–89v
Genres:
Motet
Number of voices:
6
General Note1st half of this pars is c.f. in long notes, before Tenor joins the triple-time Alleluia as a free voice |
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| 89v–90 | Danket dem Herren - 1a pars (of 3): Danket dem Herren, denn er ist freundlich | 5 | - | |
|
Appears on:
89v–90
Genres:
Motet
Number of voices:
5
|
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| 90–90v | Danket dem Herren - 2a pars (of 3): Der herre hat nit lust | 5 | - | |
|
Appears on:
90–90v
Genres:
Motet
Number of voices:
5
|
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| 90v | Danket dem Herren - 3a pars (of 3): Der herre hat gefallenn | 5 | - | |
|
Appears on:
90v
Genres:
Motet
Number of voices:
5
|
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| 91–91v | Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse | 6 | Anthonius Scandellus | |
|
Appears on:
91–91v
Genres:
Motet
Source Attribution:
Anthonius Scandellus
Number of voices:
6
|
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| 91v–92v | Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me | 6 | - | |
|
Appears on:
91v–92v
Genres:
Motet
Number of voices:
6
|
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| 92v–93v | Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum | 6 | - | |
|
Appears on:
92v–93v
Genres:
Motet
Number of voices:
6
|
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| 93v–94 | Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient | 6 | - | |
|
Appears on:
93v–94
Genres:
Motet
Number of voices:
6
|
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| 94v | Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus | 6 | LS (=Senfl) | |
|
Appears on:
94v
Genres:
Motet
Source Attribution:
LS (=Senfl)
Number of voices:
6
|
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| 94v–95 | Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis | 6 | - | |
|
Appears on:
94v–95
Genres:
Motet
Number of voices:
6
|
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| 95 | Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto | 6 | - | |
|
Appears on:
95
Genres:
Motet
Number of voices:
6
|
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| 95v–96 | Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam | 5 | Clemens non Papa | |
|
Appears on:
95v–96
Genres:
Motet
Source Attribution:
Clemens non Papa
Number of voices:
5
|
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| 96v–97 | Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam | 5 | - | |
|
Appears on:
96v–97
Genres:
Motet
Number of voices:
5
|
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| 97v | [blank staves] | - | - | - |
[blank staves]
Appears on:
97v
|
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