IIIF manifest
Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 2 | Ave rosa sine spinis (extract: opening duo) | Tavener [Tallis] | |
|
Appears on:
2
Genres:
Motet
Source Attribution:
Tavener [Tallis]
General Noteattributed to Taverner, but apparently Tallis's setting |
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| 2 | Ave Dei patris filia: Ave plena gratia | Mr Tallis | |
|
Appears on:
2
Genres:
Motet
Source Attribution:
Mr Tallis
|
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| 2v | Missa Gloria tibi Trinitas: Credo (extract: Patrem omnipotentem) | Taverner | |
|
Appears on:
2v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Taverner
|
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| 2v | Missa Gloria tibi Trinitas: Agnus dei | Taverner | |
|
Appears on:
2v
Source Attribution:
Taverner
General NoteAgnus III only |
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| 2v–3 | Ave Dei patris filia | Fairfax | |
|
Appears on:
2v–3
Genres:
Motet
Source Attribution:
Fairfax
General Noteextract only |
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| 3 | Sospitati dedit aegros (extract: O quam probatum) | Taverner | |
|
Appears on:
3
Genres:
Motet
Source Attribution:
Taverner
|
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| 3 | Missa Corona spinea,: Gloria (extract: Et in terra pax) | Taverner | |
|
Appears on:
3
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Taverner
General Noteidentified here as 'Corona spinite' [sic] only; Sequera identifies this as the Crucifixus. There is another excerpt from the Crucifixus at 10v. Sequera provides a concordance to Tenbury 344 (103v) for both, though that setting is evidently from the Missa Gloria tibi. He also provides a concordance in Lcm 2035 (14-14v). |
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| 3v | Vox patris caelestis (extract: opening duo) | Mr Mundy | |
|
Appears on:
3v
Genres:
Motet
Source Attribution:
Mr Mundy
General Noteextract only |
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| 3v–4 | Igitur, O Jesu bone (fr. 3 from a lost antiphon) | Mr Sheparde | |
|
Appears on:
3v–4
Genres:
Antiphon
Source Attribution:
Mr Sheparde
General NoteSequera attributes this piece to Mundy (perhaps following GB-Lcm 2035?); though Williamson EECM 54 includes it as Sheppard. |
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| 4v | Vox Patris caelestis (extract: Favus distillans) | Mr Mundy | |
|
Appears on:
4v
Genres:
Motet
Source Attribution:
Mr Mundy
|
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| 4v–5 | Missa Gloria tibi Trinitas: Sanctus (extract: Pleni sunt caeli) | Taverner | |
|
Appears on:
4v–5
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Taverner
|
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| 5 | Gaude gloriosa Dei mater (extract: trio, Gaude Virgo Maria quae corpore et anima) | Mr Tallis | |
|
Appears on:
5
Genres:
Motet
Source Attribution:
Mr Tallis
|
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| 5v | Magnificat O bone Jesu (excerpt): Esurientes | Fairfax | |
|
Appears on:
5v
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Fairfax
|
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| 5v | Missa Gloria tibi Trinitas: Sanctus (extract: Gloria tua) | Taverner | |
|
Appears on:
5v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Taverner
General Noteextract: [Pleni sunt} Gloria tua only |
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| 5v–6 | Ave rosa sine spinis: (extract: Maria stella) | Mr Tallis | |
|
Appears on:
5v–6
Genres:
Motet
Source Attribution:
Mr Tallis
|
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| 6a–6b v | [blank staves] | - | - |
[blank staves]
Appears on:
6a–6b v
General Note2 folios, blank staves only, but numbered as part of the original foliation |
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| 6 | Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) | Taverner | |
|
Appears on:
6
Genres:
Motet
Source Attribution:
Taverner
|
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| 6 | Missa Corona spinea: Credo (extract: Crucifixus) | Tav | |
|
Appears on:
6
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Tav
|
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| 6v | Exsurge Domine (extract: Effunde quaeso) | Mr Wodde | |
|
Appears on:
6v
Genres:
Motet
Source Attribution:
Mr Wodde
|
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| 7 | Ave Dei patris filia (extract: opening trio) | Mr Taverner | |
|
Appears on:
7
Genres:
Motet
Source Attribution:
Mr Taverner
General Noteextract only |
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| 7 | Ave dei patris filia - 1a pars (of 7): Ave dei patris filia | Mr Johnson | |
|
Appears on:
7
Genres:
Motet
Source Attribution:
Mr Johnson
|
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| 7v | Illustrissima omnium (fr. 1 from a lost antiphon) | Mr Shepard | |
|
Appears on:
7v
Genres:
Antiphon
Source Attribution:
Mr Shepard
General NoteIllustrissima omnium is one of three fragments from a much larger, lost pre-reformation 'votive antiphon'; a genre of large-scale catholic music. The longest might last 20’ or more, and the stamina of both singers and listeners was sustained by periodic changes of scoring, from a few soloists to large-scale tutti sections. Votive antiphons continued to circulate among under Elizabeth I, but very few private individuals had the means to pay a choir to sing them complete. So, old Latin anthems were often dismembered: their five- or six-part tutti were discarded, and the modest counter-verses copied into small partbook sets for three-or-four voices or instruments, or arranged for one singer plus lute. This fate befell one of Sheppard’s antiphons from the mid-1550s. Its grand choruses are all lost: all we have are three counter-verses. We can deduce their original order. Illustrissima omnium must have come first: it is in triple time (the standard mensuration for the first half of an antiphon). After 1558 Sheppard’s antiphon was scattered in fragments. All three sections found their way to the household of the Norfolk Catholic, Edward Paston (1550-1630). A tireless collector of old Latin polyphony, Paston was responsible for preserving most of the disjecta membra that survive today. The Sheppard fragments were in the hoard of Henrician antiphon extracts intabulated in the Paston lutebook, British Library Additional MS 29246; they are also in a Paston three partbook set (Royal College of Music, MS 2035); and Singularis privilegii is copied in old-style choirbook layout in another Paston book (Bodleian Library, MS Tenbury 342). Another recipient was the singer-copyist, John Baldwin of Windsor, who copied Illustrissima omnium into his commonplace book (BL, RM 24 d 2). -- Professor Magnus Williamson. 2021. Tudor Music Afterlives Exhibition Catalogue (Ensemble Pro Victoria). |
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| 7v–8 | Dulcior melle | Mr Mundy | |
|
Appears on:
7v–8
Source Attribution:
Mr Mundy
Concordancesalso appears in BL MS 18936-9 |
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| 8 | Singularis privilegii | Mr Shepard | |
|
Appears on:
8
Genres:
Antiphon
Source Attribution:
Mr Shepard
|
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| 8v | Conserva me Domine (extract: opening duo) | Mr Parsly | |
|
Appears on:
8v
Genres:
Motet
Source Attribution:
Mr Parsly
|
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| 8v | Exsurge Domine (extract: opening duo) | Mr Wodds | |
|
Appears on:
8v
Genres:
Motet
Source Attribution:
Mr Wodds
|
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| 9 | Lamentations (I) a5 - (extract: Peccatum peccavit) | Mr Whyte | |
|
Appears on:
9
Genres:
Lamentations
Source Attribution:
Mr Whyte
General Notetrio only, from 'Peccatum peccavit' (i.e omits the 'Heth' introduction). |
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| 9 | Gaude plurimum - 1a pars (of 3): Gaude plurimum | Mr Taverner | |
|
Appears on:
9
Genres:
Motet
Source Attribution:
Mr Taverner
|
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| 9v | Salve intemerata virgo - 4a pars (of 5): Per haec nos | Mr Tallis | |
|
Appears on:
9v
Genres:
Motet
Source Attribution:
Mr Tallis
|
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| 9v | Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria | Mr Tallis | |
|
Appears on:
9v
Genres:
Motet
Source Attribution:
Mr Tallis
General Noteextract only: trio "Annae mulieris" - here re-titled as 'Ave mulieris' |
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| 10 | Ave Dei patris filia - 6a pars (of 7): Ave plena gratia | Mr Johnson | |
|
Appears on:
10
Genres:
Motet
Source Attribution:
Mr Johnson
|
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| 10 | Missa Corona spinea,: Gloria (extract: Et in terra pax) | Mr Taverner | |
|
Appears on:
10
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Mr Taverner
|
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| 10v | Missa Corona spinea: Gloria (extract: Quoniam tu solus sanctus) | - | |
|
Appears on:
10v
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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| 10v | Missa Corona spinea: Credo (extract: Crucifixus) | Mr Taverner | |
|
Appears on:
10v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Mr Taverner
ConcordancesSequera identifies this as the Crucifixus from the Corona spinea mass. There is another excerpt from the Crucifixus at f. 3. Sequera provides a concordance to Tenbury 344 (103v) for both, though that setting is evidently from the Missa Gloria tibi. He also provides a concordance in Lcm 2035 (14-14v). General Notea different extract from that at f.3? |
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| 10v–11 | The Mean Mass: Credo (extract: Et incarnatus) | Mr Taverner | |
|
Appears on:
10v–11
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Mr Taverner
|
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| 11 | Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I) | Taverner | |
|
Appears on:
11
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Taverner
|
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| 11v | Sospitati dedit aegros (extract: Nam qui corde) | Mr Taverner | |
|
Appears on:
11v
Genres:
Motet
Source Attribution:
Mr Taverner
|
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| 11v–12 | Missa Gloria tibi Trinitas: Agnus dei | Mr Taverner | |
|
Appears on:
11v–12
Source Attribution:
Mr Taverner
General NoteAgnus II only |
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| 12 | Magnificat O bone Jesu (excerpt): [Et exultavit] In Deo | Doct. Fairfax | |
|
Appears on:
12
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Doct. Fairfax
|
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| 12 | Magnificat O bone Jesu (excerpt): [Fecit potentiam Dispersit] Superbos | - | |
|
Appears on:
12
Genres:
BVM, Canticle, Magnificat
|
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| 12 | Anima Christi (extract: Gloria tua) | Taverner [Parsons] | |
|
Appears on:
12
Genres:
Motet
Source Attribution:
Taverner [Parsons]
|
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| 12v | Conserva me Domine (extract: Benedicam Domino) | Mr Parsly | |
|
Appears on:
12v
Genres:
Motet
Source Attribution:
Mr Parsly
|
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| 12v | Conserva me Domine (extract: Multiplicatae sunt infirmitates) | Mr Parsly | |
|
Appears on:
12v
Genres:
Motet
Source Attribution:
Mr Parsly
|
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| 13 | Salve intemerata virgo - 3a pars (of 5): Tu nimirum | Mr Tallis | |
|
Appears on:
13
Genres:
Motet
Source Attribution:
Mr Tallis
|
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| 13 | Infelix ego omnium - 1a pars (of 3): Infelix ego omnium | Mr Birde | |
|
Appears on:
13
Genres:
Motet
Source Attribution:
Mr Birde
|
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| 13v | Exsurge Domine (extract: v3, Perfice illud quod in nobis) | Mr Wodds | |
|
Appears on:
13v
Genres:
Motet
Source Attribution:
Mr Wodds
|
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| 13v | Exsurge Domine (extract: v4, Verbi tui fulminibus) | Mr Wodds | |
|
Appears on:
13v
Genres:
Motet
Source Attribution:
Mr Wodds
|
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| 14 | Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater | Mr Taverner | |
|
Appears on:
14
Genres:
Motet
Source Attribution:
Mr Taverner
|
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| 14 | Gaude plurimum - 3a pars (of 3): Eundem igitur Jesum | Mr Taverner | |
|
Appears on:
14
Source Attribution:
Mr Taverner
|
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| 14v | Sermone blando (I) | Mr Birde | |
|
Appears on:
14v
Genres:
Motet
Source Attribution:
Mr Birde
|
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| 15 | Sermone blando (II) | Mr Bird | |
|
Appears on:
15
Genres:
Motet
Source Attribution:
Mr Bird
|
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| 15v | Sermone blando (III) | Mr Byrde | |
|
Appears on:
15v
Genres:
Motet
Source Attribution:
Mr Byrde
|
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| 16–16v | [blank staves] | - | - |
[blank staves]
Appears on:
16–16v
|
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| 16v | Ego dixi Domine - 1a pars (of 2): Ego dixi, Domine miserere mei | Orlando | |
|
Appears on:
16v
Genres:
Motet
Source Attribution:
Orlando
|
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| 17 | Ego dixi Domine - 2a pars (of 2): Convertere Domine usquequo | - | |
|
Appears on:
17
Genres:
Motet
|
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| 17v | [blank staves] | - | - |
[blank staves]
Appears on:
17v
|
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| 17v | Salve regina (8vv) - 6a pars (of 7): Et Jesum benedictum | Lud: Victoria | |
|
Appears on:
17v
Genres:
Motet, Salve Regina
Source Attribution:
Lud: Victoria
|
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| 18 | Ave rosa sine spinis (extract: Et benedictus) | Mr Tallis | |
|
Appears on:
18
Genres:
Motet
Source Attribution:
Mr Tallis
|
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| 18 | Ave Dei patris filia: (opening trio) | Mr Tallis | |
|
Appears on:
18
Genres:
Motet
Source Attribution:
Mr Tallis
|
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| 18v | Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater) | Mr Tallis | |
|
Appears on:
18v
Genres:
Motet
Source Attribution:
Mr Tallis
|
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| 18v–19 | Manus tuae - 1a pars (of 2): Manus tuae fecerunt me | Mr White | |
|
Appears on:
18v–19
Genres:
Motet
Source Attribution:
Mr White
|
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| 19 | [unidentified mass]: Domine Deus rex caelestis | Docter Tye | |
|
Appears on:
19
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Docter Tye
Concordanceswrongly identified as the 'Crucifixus'; note that the setting in GB-Lcm 2035 is a different section of the piece |
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| 19 | Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata II) | Mr Taverner | |
|
Appears on:
19
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Mr Taverner
|
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| 19v | Missa Gloria tibi Trinitas: Credo (extract: Et incarnatus est) | Mr Taverner | |
|
Appears on:
19v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Mr Taverner
|
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| 19v | Missa Corona spinea: Gloria (extract: Quoniam tu solus sanctus) | Taverner | |
|
Appears on:
19v
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Taverner
|
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| 20 | Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I) | Mr Taverner | |
|
Appears on:
20
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Mr Taverner
|
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| 20 | Infelix ego omnium - 1a pars (of 3): Infelix ego omnium | Mr Byrde | |
|
Appears on:
20
Genres:
Motet
Source Attribution:
Mr Byrde
General NoteBL catalogue states this is a diffeernt setting from the one at f. 13; Sequera says it is simply a transposition of the same piece. |
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| 20v | Agnus Dei | Mr Taverner | |
|
Appears on:
20v
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Mr Taverner
|
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| 20v–21 | Ave regina caelorum (3vv) | Orlando | |
|
Appears on:
20v–21
Genres:
Ave regina caelorum, Motet
Source Attribution:
Orlando
|
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| 21v | Deus tu scis insipientiam meam | Orlando | |
|
Appears on:
21v
Genres:
Motet
Source Attribution:
Orlando
|
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| 21v–22 | Cum invocarem - 2a pars (of 3): Sacrificate sacrificium justitiae | Orlando | |
|
Appears on:
21v–22
Genres:
Motet
Source Attribution:
Orlando
|
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| 22 | Fantasia a3 (I) | Mr Byrde | |
|
Appears on:
22
Genres:
Fantasia
Source Attribution:
Mr Byrde
|
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| 22v | Fantasia a3 (II) | Mr Birde | |
|
Appears on:
22v
Genres:
Fantasia
Source Attribution:
Mr Birde
|
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| 22v–24 | Ave maris stella (2p. Sumens illud ave, 3p. Solve vincla, 4p. Monstra te esse, 5p. Virgo singularis, 6p. Vitam praesta puram, 7p. Sit laus Deo) | Mr Will: Birde | |
|
Appears on:
22v–24
Genres:
Ave maris stella, Gradual, Marian antiphon, Motet
Source Attribution:
Mr Will: Birde
Layoutlayout as follows: pars I ff. 22v-23; II f. 23; III f.23; IV f. 23v; V f. 23v; VI f. 23v-24; VII f.24 |
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| 24v–25 | Quem terra pontus (2p. Cui luna, 3p. Beata mater, 4p. Beata caeli nuntio, 5p. Jesu tibi sit gloria) | Mr Birde | |
|
Appears on:
24v–25
Genres:
Gradual, Motet
Source Attribution:
Mr Birde
Layoutlayout as follows: pars I f. 24v; II f. 24v; III f. 24v; IV f. 24v-25; V f.25. Parts only separated by double-barline, no titles etc |
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| 25v–26 | O gloriosa Domina | Mr BIrde | |
|
Appears on:
25v–26
Genres:
Gradual, Motet
Source Attribution:
Mr BIrde
|
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| 26 | Memento salutis auctor | Mr BIrde | |
|
Appears on:
26
Genres:
Gradual, Motet
Source Attribution:
Mr BIrde
|
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| 26v–27 | Regina caeli (2p. Quia quem, 3p. Resurrexit, 4p. Ora pro nobis) | Mr Byrde | |
|
Appears on:
26v–27
Genres:
Gradual, Motet
Source Attribution:
Mr Byrde
Layoutlayout as follows: pars I f. 26v; II f. 26v; III f. 26v-27; IV f. 27. Parts separately titled except for IV which is only indicated by double-barline. |
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| 27v | Fantasia a3 (III) | Mr BIrde | |
|
Appears on:
27v
Genres:
Fantasia
Source Attribution:
Mr BIrde
|
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| 27v | Susanna fair - 1a pars (of 2): Susanna fair sometime assaulted was | Mr BIrde | |
|
Appears on:
27v
Genres:
Song
Source Attribution:
Mr BIrde
|
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| 27v–28 | Susanna fair - 2a pars (of 2): And if I grant to that which you request | - | |
|
Appears on:
27v–28
Genres:
Song
|
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| 28 | When younglings first - 1a pars (of 3): When younglings first on Cupid fix their sight | Mr Byrde | |
|
Appears on:
28
Genres:
Madrigal (English)
Source Attribution:
Mr Byrde
|
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| 28v | When younglings first - 2a pars (of 3): And therefore with his purple wings | - | |
|
Appears on:
28v
Genres:
Madrigal (English)
|
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| 28v | When younglings first - 3a pars (of 3): But when by proof | - | |
|
Appears on:
28v
Genres:
Madrigal (English)
|
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| 29 | Upon a summer's day - 1a pars (of 2): Upon a summer's day | Mr Birde | |
|
Appears on:
29
Genres:
Madrigal (English)
Source Attribution:
Mr Birde
|
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| 29v | Upon a summer's day - 2a pars (of 2): Then for a boat | - | |
|
Appears on:
29v
Genres:
Madrigal (English)
|
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| 29v–30 | The greedy hawk | Mr Byrde | |
|
Appears on:
29v–30
Genres:
Madrigal (English)
Source Attribution:
Mr Byrde
|
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| 30v–31 | The nightingale | Mr Birde | |
|
Appears on:
30v–31
Genres:
Madrigal (English)
Source Attribution:
Mr Birde
|
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| 31 | Ut re mi fa sol la | Mr Damon | |
|
Appears on:
31
Genres:
textless
Source Attribution:
Mr Damon
|
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| 31v | Senex puerum portabat | Lud: Victoria | |
|
Appears on:
31v
Genres:
Motet
Source Attribution:
Lud: Victoria
|
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| 32 | Quem dicunt homines | Luca: Marenzo [sic] | |
|
Appears on:
32
Genres:
Motet
Source Attribution:
Luca: Marenzo [sic]
|
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| 32v | Ne timeas Maria | Lud: Victoria | |
|
Appears on:
32v
Genres:
Motet
Source Attribution:
Lud: Victoria
|
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| 33 | Ne impedias | G. Prestinus [=Prenestinus i.e. Palestrina] | |
|
Appears on:
33
Genres:
Motet
Source Attribution:
G. Prestinus [=Prenestinus i.e. Palestrina]
|
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| 33v | Sint lumbi vestri - 1a pars (of 2): Sint lumbi vestri praecincti | Mich: des Buisons |
Deiss, Michael
(?)
|
|
Appears on:
33v
Genres:
Motet
Source Attribution:
Mich: des Buisons
|
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| 34 | Sint lumbi vestri - 2a pars (of 2): Vigilate ergo quia nescitis | - |
Deiss, Michael
(?)
|
|
Appears on:
34
Genres:
Motet
|
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| 34v–35 | Domine ne memineris | Criquillon [C. Hollander?] | |
|
Appears on:
34v–35
Genres:
Motet
Source Attribution:
Criquillon [C. Hollander?]
ConcordancesEECM note that a similar piece was printed by Montanus (i.e. Johann Berg) attributed to Christian Hollander - so this is perhaps a misattribution (replicated(?) in Add ms. 31992) |
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| 35 | Nigra sum - 1a pars (of 2): Nigra sum sed formosa | Criquillon | |
|
Appears on:
35
Genres:
Motet
Source Attribution:
Criquillon
|
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| 35v–36 | Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis | - | |
|
Appears on:
35v–36
Genres:
Motet
|
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| 36v–37 | Saepe expuganverunt - 1a pars (of 2): Saepe expugnaverunt | Don: b: [sic] de las infantas | |
|
Appears on:
36v–37
Genres:
Motet
Source Attribution:
Don: b: [sic] de las infantas
|
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| 37 | Saepe expuganverunt - 2a pars (of 2): | - | |
|
Appears on:
37
Genres:
Motet
|
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| 37v | Salve regina (5vv, 1583) - 1a pars (of 2): Salve regina | Lud: Victoria | |
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Appears on:
37v
Genres:
Motet
Source Attribution:
Lud: Victoria
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| 37v | Salve regina (5vv, 1583) - 2a pars (of 2): Et Jesum benedictum | - | |
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Appears on:
37v
Genres:
Motet
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| 38 | Jacta in Dominum | G. Langeus | |
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Appears on:
38
Genres:
Motet
Source Attribution:
G. Langeus
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| 38v–39 | Fantasia (I) (a4) | Mr Whight | |
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Appears on:
38v–39
Genres:
Fantasia
Source Attribution:
Mr Whight
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| 39 | Fantasia a4 (I) | Mr Birde | |
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Appears on:
39
Genres:
Fantasia
Source Attribution:
Mr Birde
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| 39v–40 | Fantasia (II) | Mr Whight | |
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Appears on:
39v–40
Genres:
Fantasia
Source Attribution:
Mr Whight
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| 40v–41 | Fantasia (III) | Mr Whight | |
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Appears on:
40v–41
Genres:
Fantasia
Source Attribution:
Mr Whight
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| 41v–42 | Fantasia a4 (II) | Mr BIrde | |
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Appears on:
41v–42
Genres:
Fantasia
Source Attribution:
Mr BIrde
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| 42v | Fantasia (IV) | Mr Whight | |
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Appears on:
42v
Genres:
Fantasia
Source Attribution:
Mr Whight
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| 42v–43 | Fantasia (V) | Mr Whight | |
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Appears on:
42v–43
Genres:
Fantasia
Source Attribution:
Mr Whight
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| 43v–44 | Fantasia (VI) | Mr Whight | |
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Appears on:
43v–44
Genres:
Fantasia
Source Attribution:
Mr Whight
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| 44 | Christe qui lux [unidentified setting] | Mr Whight | |
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Appears on:
44
Genres:
Motet
Source Attribution:
Mr Whight
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| 44v | Christe qui lux [unidentified setting] | Mr Whight | |
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Appears on:
44v
Genres:
Motet
Source Attribution:
Mr Whight
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| 44v–46 | Te lucis ante terminum (I) | Mr Birde | |
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Appears on:
44v–46
Genres:
Anthem
Source Attribution:
Mr Birde
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| 46–46v | [Christe qui lux es (I)] Precamur, sancte Domine | Mr Birde | |
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Appears on:
46–46v
Genres:
Motet
Source Attribution:
Mr Birde
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| 46v–47v | Te lucis ante terminum (II) | Mr Birde | |
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Appears on:
46v–47v
Genres:
Anthem
Source Attribution:
Mr Birde
General Notea different, shorter version than at f. 44v |
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| 47v | Salvator mundi (I) | Mr Byrde | |
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Appears on:
47v
Genres:
Anthem
Source Attribution:
Mr Byrde
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| 48 | Salvator mundi (II) | - | |
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Appears on:
48
Genres:
Motet
General Notethe previous 2 Byrd pieces have the titles re-stated on each new page - so this may similarly be a continuation of the previous setting rather than a separate setting? |
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| 48v | Christe redemptor (II) | - | |
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Appears on:
48v
Genres:
Motet
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| 48v | Miserere mei Deus | Mr BIrde | |
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Appears on:
48v
Genres:
Miserere mei Deus, Motet
Source Attribution:
Mr BIrde
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| 49 | [Christe qui lux es (III)] Precamur sancte Domine | Mr Whight | |
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Appears on:
49
Genres:
Motet
Source Attribution:
Mr Whight
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| 49v–50 | Missa Sponsus amat sponsam: Gloria | Mr. Doctor Fairfax | |
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Appears on:
49v–50
Source Attribution:
Mr. Doctor Fairfax
General Notethroughout the mass, the titles of the subsections of each 'movement' are included |
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| 50–51 | Missa Sponsus amat sponsam: Credo | - | |
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Appears on:
50–51
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| 51–51v | Missa Sponsus amat sponsam: Sanctus | - | |
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Appears on:
51–51v
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| 51v–52 | Missa Sponsus amat sponsam: Benedictus | - | |
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Appears on:
51v–52
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| 52–52v | Missa Sponsus amat sponsam: Agnus | - | |
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Appears on:
52–52v
Genres:
Agnus Dei, Mass Ordinary
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| 53 | In nomine (I) | Mr White | |
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Appears on:
53
Genres:
In nomine
Source Attribution:
Mr White
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| 53v | In nomine (I) | Mr Tallis | |
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Appears on:
53v
Source Attribution:
Mr Tallis
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| 54 | In nomine (IV) | Mr White | |
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Appears on:
54
Genres:
In nomine
Source Attribution:
Mr White
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| 54v | In nomine | Mr Taverner | |
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Appears on:
54v
Source Attribution:
Mr Taverner
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| 55 | In nomine (III) | Mr Parsons | |
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Appears on:
55
Genres:
In nomine
Source Attribution:
Mr Parsons
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| 55v | In nomine (I) | Mr Strogers | |
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Appears on:
55v
Genres:
Motet
Source Attribution:
Mr Strogers
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| 56 | In nomine (V) | Mr Whyte | |
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Appears on:
56
Genres:
In nomine
Source Attribution:
Mr Whyte
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| 56v–57v | Missa Gloria tibi Trinitas: Gloria | Mr Taverner | |
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Appears on:
56v–57v
Genres:
Anglican Service Music, Gloria (et in terra pax)
Source Attribution:
Mr Taverner
General Notethe subsections of the mass 'moveemnts' are each labelled |
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| 57v | Missa Gloria tibi Trinitas: Credo | - | |
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Appears on:
57v
General Noteincomplete: subsections 'Patrem omnipotentem', 'Et in unum' & 'Gloria tua' (incomplete) - lost pages at end presumably contained the remainder of the mass |
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