GB-Cpc MS 314

Pembroke College, Cambridge, England

fragment: 1st half of 15th century: c.1420-30

Archive Pembroke College, Cambridge, England (GB-Cpc)
Shelfmark MS 314
Surface Parchment
Numbering System Pagination
Format portrait
Measurements 405 x 270 except f. 3 (c. 214 x 283) mm
Other Identifiers
  • CCM: CambriU Pembr. 314
  • olim (Former shelfmark): Incun.C47
Notations
  • coloration in red
  • mensural
Provenance
  • England
Contents Contains 8 compositions, 2 from 3 composers, 6 are anonymous.
General Description

Copied in England.

DIAMM, 2017
Physical Description

half of f. 3 is missing

DIAMM, 2017
Binding

New blue cardboard covers.

DIAMM, 2017
Notation

15th-century black and black-red notation

DIAMM, 2017
Date

Ca. 1420-30 (RISM); first half of the 15th century (HugESM).

DIAMM, 2017
Ruling

red staves; 15 mm

DIAMM, 2017
Foliation

pp.1-8 [ff 1-4v]

DIAMM, 2017
Foliation

New pencil pagination, 1-8.

DIAMM, 2017
Decoration

Red and blue initials; some lines of text in red.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Glorias, 3 Credos, 3 motets, 3 English sacred pieces = 11 (some are fragments)

Dunstable-3, Wyvell-1, anon-7

4 parchment folios; ff. 1, 2, and 4 are ca. 405 x 270, f. 3 is ca. 214 x 283 (half of the leaf is missing). New pencil pagination, 1-8. New blue cardboard covers. Black notation on red staves, with red coloration. Red and blue initials; some lines of text in red. Fragments in supplementary envelopes (designated " A", "B", and "C") are also included with this manuscript. Envelopes A and B contain only monophonic chant. Envelope C contains three fragmentary folios, originally ca. 170 x 110, in very poor condition. These are apparently portions of a partbook in white mensural notation.

Ca. 1420-30 (RISM); first half of the 15th century (HugESM). Copied in England

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

page2

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
p. 1 Et in terra pax [Gloria] [Tro] Virgo flagellatus - - Anonymous

Et in terra pax [Gloria] [Tro] Virgo flagellatus

Anonymous
Appears on: p. 1
Genres: Gloria (et in terra pax), Mass Ordinary
p. 2–p. 3 Et in terra pax [Gloria] - -
Dunstaple, John (ca. 1390–1453)

Et in terra pax [Gloria]

Dunstaple, John (ca. 1390–1453)
Appears on: p. 2–p. 3
Genres: Gloria (et in terra pax), Mass Ordinary
p. 3 Sancta Maria virgo intercede pro toto - -
Wyvell

Sancta Maria virgo intercede pro toto

Wyvell
Appears on: p. 3
Genres: Marian antiphon
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede pro toto
p. 4 Patrem omnipotentem [Credo] - - Anonymous

Patrem omnipotentem [Credo]

Anonymous
Appears on: p. 4
Genres: Credo (patrem omnipotentem), Mass Ordinary
p. 5 Patrem omnipotentem [Credo] - - Anonymous

Patrem omnipotentem [Credo]

Anonymous
Appears on: p. 5
Genres: Credo (patrem omnipotentem), Mass Ordinary
p. 6–p. 7 Patrem omnipotentem [Credo] - - Anonymous

Patrem omnipotentem [Credo]

Anonymous
Appears on: p. 6–p. 7
Genres: Credo (patrem omnipotentem), Mass Ordinary
p. 7 Quam pulchra es et quam decora - -
Dunstaple, John (ca. 1390–1453) (?)
Egidius (?)

Quam pulchra es et quam decora

Dunstaple, John (ca. 1390–1453) (?)
Egidius (?)
Appears on: p. 7
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es et quam decora
p. 8 Ave regina caelorum - - Anonymous

Ave regina caelorum

Anonymous
Appears on: p. 8
Genres: Motet
Composer Compositions
Anonymous
Dunstaple, John (ca. 1390-1453)
Egidius
Wyvell
Composition Composers (? Uncertain) Folios / Pages
Ave regina caelorum Anonymous p. 8
Et in terra pax [Gloria]
Dunstaple, John (ca. 1390–1453)
p. 2–p. 3
Et in terra pax [Gloria] [Tro] Virgo flagellatus Anonymous p. 1
Patrem omnipotentem [Credo] Anonymous p. 4
Patrem omnipotentem [Credo] Anonymous p. 5
Patrem omnipotentem [Credo] Anonymous p. 6–p. 7
Quam pulchra es et quam decora
Dunstaple, John (ca. 1390–1453) (?)
Egidius (?)
p. 7
Sancta Maria virgo intercede pro toto
Wyvell
p. 3

Images © Pembroke College, Cambridge

‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Fenlon, Iain (editor). 1982. Cambridge Music Manuscripts, 900-1700.  Cambridge.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica, vol. VIII.  London. Pages: VIII,xxvii,2-4, 21-3,112-3.

Russell, Theodore C. 1967. Cantus Firmus Technique in the Music of Fifteenth Century Manuscripts of English Provenance. Student Musicologists at Minnesota, 2: 52-77. Pages: 64.

Hughes, Andrew. 1963. English Sacred Music (Excluding Carols) in Insular Sources, 1400-C.1450. Oxford University, Unpublished Ph.D. dissertation.

Bukofzer, Manfred F. 1950. Studies in Medieval and Renaissance Music. Pages: 97, passim.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description