Copied in England.
| Archive | Pembroke College, Cambridge, England (GB-Cpc) |
|---|---|
| Shelfmark | MS 314 |
| Surface | Parchment |
| Numbering System | Pagination |
| Format | portrait |
| Measurements | 405 x 270 except f. 3 (c. 214 x 283) mm |
| Other Identifiers |
|
| Notations |
|
| Provenance |
|
| Contents | Contains 8 compositions, 2 from 3 composers, 6 are anonymous. |
General Description
Physical Description
half of f. 3 is missing
Binding
New blue cardboard covers.
Notation
15th-century black and black-red notation
Date
Ca. 1420-30 (RISM); first half of the 15th century (HugESM).
Ruling
red staves; 15 mm
Foliation
pp.1-8 [ff 1-4v]
Foliation
New pencil pagination, 1-8.
Decoration
Red and blue initials; some lines of text in red.
Surface
Parchment
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Glorias, 3 Credos, 3 motets, 3 English sacred pieces = 11 (some are fragments)
Dunstable-3, Wyvell-1, anon-7
4 parchment folios; ff. 1, 2, and 4 are ca. 405 x 270, f. 3 is ca. 214 x 283 (half of the leaf is missing). New pencil pagination, 1-8. New blue cardboard covers. Black notation on red staves, with red coloration. Red and blue initials; some lines of text in red. Fragments in supplementary envelopes (designated " A", "B", and "C") are also included with this manuscript. Envelopes A and B contain only monophonic chant. Envelope C contains three fragmentary folios, originally ca. 170 x 110, in very poor condition. These are apparently portions of a partbook in white mensural notation.
Ca. 1420-30 (RISM); first half of the 15th century (HugESM). Copied in England
page4
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‡ denotes primary source study
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
Fenlon, Iain (editor). 1982. Cambridge Music Manuscripts, 900-1700. Cambridge.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.
Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica, vol. VIII. London. Pages: VIII,xxvii,2-4, 21-3,112-3.
Russell, Theodore C. 1967. Cantus Firmus Technique in the Music of Fifteenth Century Manuscripts of English Provenance. Student Musicologists at Minnesota, 2: 52-77. Pages: 64.
Hughes, Andrew. 1963. English Sacred Music (Excluding Carols) in Insular Sources, 1400-C.1450. Oxford University, Unpublished Ph.D. dissertation.
Bukofzer, Manfred F. 1950. Studies in Medieval and Renaissance Music. Pages: 97, passim.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description