The contents, mainly edificatory, are by J. Rudham, the 14th century owner of the MS, John Falmyngham, William Dalling, etc. Fol. 249v contains a text by Rudham on the see of East Anglia, ending with a list of the bishops of Norwich; fol. 248 contains 8 Gloria patri tones. Most of the codex is written in a highly abbreviated script. The music appears in Petronian notation on f. 246v-262. Fol. 246v-247 are upside down, but this must have been an error of the scribe since f. 247v is the right side up. The musical contents are mainly motets, but there are also sequences. Item 14 is in score with the text under both parts.
GB-Cgc MS 512/543
Gonville and Caius College, Cambridge, England
Codex (complete), miscellany, with added polyphony: early 14th century
| Archive | Gonville and Caius College, Cambridge, England (GB-Cgc) |
|---|---|
| Shelfmark | MS 512/543 |
| Surface | Parchment |
| Numbering System | Foliation |
| Format | portrait |
| Measurements | 255 x 183 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 15 compositions, 15 are anonymous. |
General Description
Physical Description
very much worn away at the bottom right-hand corner, especially at the beginning.
Binding
red three-quarter leather and cloth over boards, possibly the original wooden ones. The modern paper flyleaves at each end belong to this binding,
Notation
petronian, but including some plainchant
Ruling
staves in the music are brown and range from 8-10 four- or five-line staves per page. Item 14, which is in score has 4 lines to the stave of the top part, the 3 to the lower. These lines were first scratched in with a dry point, then roughly inked in.
Foliation
old ink foliation at t.m.r. is incomplete and supplemented by modern pencil at t.r.r. or t.m.r.
Foliation
246v-262
Surface
Parchment
RISM Description
RISM B/IV 1: An early 14th century vellum manuscript meas. 255 x 183 mm. and containing 262 folios + 4 blank unnumbered modern paper flyleaves each end belonging to the 20th century binding of red three-quarter leather and cloth over boards, possibly the original wooden ones. The codex is very much worn away at the bottom right-hand corner, especially at the beginning. An old ink foliation at t.m.r. is incomplete and supplemented by modern pencil at t.r.r. or t.m.r. The contents, mainly edificatory, are by J. Rudham, the 14th century owner of the ms, John Falmyngham, William Dalling, etc. Most of the codex is written in a highly abbreviated script. The music appears in Petronian notation on f. 246v-262. Fol. 246v-247 are upside down, but this must have been an error of the scribe since f. 247v is the right side up. Fol. 248 contains 8 Gloria patri tones in plainsong notation on four-line staves, followed by Fuit homo in another hand + some 15th century white notes in mensural notation. Fol.249v contains a text by Rudham on the see of East Anglia, ending with a list of the bishops of Norwich. All the staves in the music are brown and range from 8-10 four- or five-line staves per page. The musical contents are mainly motets, but there are also sequences on 3 accolades of 3 four-line staves (nos. 10-11 are on five-line staves). Item 14 is in score with the text under both parts, of which the top part has 4 lines to the stave, the lower one 3. These lines were first scratched in with a dry point, then roughly inked in.
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249v-250
The inventory could not be loaded.
‡ denotes primary source study
Bent, Margaret, Peter M Lefferts, and Jared C. Hartt. 2021. The Dorset Rotulus: Contextualizing and Reconstructing the Early English Motet. Studies in Medieval and Renaissance Music. Boydell Press. 978-1-78327-618-9.
Lefferts, Peter M, and Margaret Bent (compilers). 1982. New Sources of English Thirteenth- and Fourteenth-Century Polyphony. Early Music History, 2: 273-362.
Harrison, Frank Llewellyn. 1978. Polyphonic Music for a Chapel of Edward . Music & Letters, 59, no. 4: 420-428.
Bukofzer, Manfred F. 1960. Popular and Secular Music in England (to c. 1470). New Oxford History of Music, edited by Manfred F Bukofzer, London: Oxford University Press. Pages: III, 114.
Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: II, 66f (transcription of CGC 1, 3-5, 9 and 12), 89f (transcription of CGC 11); I, 51f, 72f, 75.
Dittmer, Luther A (editor). 1957. The Worcester Fragments: A Catalogue Raisonné and Transcription, s.l. Musicological Studies and Documents, vol. 2. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: no. 67 (transcription of CGC 6); 46f.
Dittmer, Luther A. 1957. The Dating and the Notation of the Worcester Fragments. Musica Disciplina, 11: 5-11. Pages: 6.
Levy, K J. 1951. New material on the early motet in England. A Report on the Princeton MS. Garrett 119. Journal of the American Musicological Society, 4: 220-239. Pages: 234ff (partial transcription of CGC 6); 224, 228, 230f.
Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 3: 55-94, volume 5 (1951), 65-113. Pages: II, 89f (transcription of CGC 7); II, 88ff.
Handschin, Jacques. 1948. Der Toncharakter. Pages: 257f (partial transcription of CGC 14).
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Margaret Bent
Thursday, 17 August, 2023
Margaret Bent
Sunday, 23 July, 2023
bibliography updated; title of 'Patrie pacis lucide' corrected
Joseph Mason
Friday, 24 April, 2020
Virgo Maria ... : concordant with Pembroke College (Cambs) MS 228, ms updated accordingly
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description