H-Bn MS Bártfa 20 (b)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: After 1603

Archive Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark MS Bártfa 20 (b)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements c. 153 x 190 mm
Other Identifiers
  • CCM: BudOS 20
Relationships
Provenance
Contents 128 pieces from 18 composers
General Description

A Tenor partbook. Copied by several scribes. From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915. Present 20b (T) was formerly 20c; the former 20b has been transferred to BudOS 15.

DIAMM, 2017
Physical Description

deteriorated and fragmentary at end

DIAMM, 2017
Binding

Modern pasteboard covers

DIAMM, 2017
Watermark

Gothic letter "P" (only portions visible)

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 13-14

DIAMM, 2017
Foliation

Modern stamped foliation

DIAMM, 2017
Decoration

Inked initials, in plain block and calligraphic styles

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 Masses, 2 Kyrie-Gloria pairs, 2 Kyries, 1 German Credo, 1 Sanctus, 24 Mass Proper cycles, 10 Mass Proper sections, 1 Passion, 3 motets, 1 set of responses, 1 German sacred piece, 1 Latin/Czech piece = 62

(Brück)-1, Brumel-2, Clemens non Papa-2, Crecquillon-2, Dragoni? [Sociorum Jo. Dra.]-1, Finck-3, Hähnel [Galliculus]-1, Hombono-1, Isaac-46, Josquin-1, (Lassus)-1, Wyerzbon-1, (Zallamella)-1, anon-23

2 paper partbooks (D-ii + 122 folios, T-126), ca. 153 x 190. D is deteriorated and fragmentary at end. Modern stamped foliation. Modern pasteboard covers. No index. Present 20b (T) was formerly 20c; the former 20b has been transferred to BudOS 15.

After 1603 (MurTVB). From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Vol 4

Contents: 14 Masses, 3 Kyrie-Gloria pairs, 2 Kyries, 1 Credo, 1 Sanctus, 74 Mass Proper sections (some arranged in cycles), 1 Passion, 3 motets, 1 Latin/ Czech sacred piece, 1 Latin/German sacred piece, 1 German sacred piece, 3 sets of responses = 105

Composers: (M. Agricola)-1, (Brück)-1, Brumel-2, Clemens non Papa-2, Crecquillon-2, Dragoni? [Jo. Dra.]-1, Finck-3, Hähnel [Galliculi]-1, (Hellinck) -1, Hombono-1, Isaac-45, Isaac/(Brumel)-1, Josquin/(La Rue)-1, (Lassus)-1, (Rein)-4, (Samson)-1, (Spongopeus)-1, (Stoltzer)-1, Wyerzbon-1, (Zallamella) -1, anon-33

Physical: Copied by several scribes. Staff height 13-14. Inked initials, in plain block and calligraphic styles. Watermark: Gothic letter "P" (only portions visible).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
3–3v Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti - Anonymous
Appears on: 3–3v
Genres: Introit
3v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 3v
Genres: Kyrie eleison, Mass Ordinary
4 Missa de Apostolis a4: Gloria [Isaac]
Appears on: 4
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [Isaac]
4–4v Kyrie Fons bonitatis - Anonymous
Appears on: 4–4v
Genres: Kyrie eleison, Mass Ordinary
General Note

In 20(b) there are 2 lines of the Discant on f.4

5v–9v Missa Sine pausis D'un petit mot: Kyrie [Crecquillon]
Appears on: 5v–9v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Crecquillon]
5v–9v Missa Sine pausis D'un petit mot: Gloria -
Appears on: 5v–9v
Genres: Gloria (et in terra pax), Mass Ordinary
5v–9v Missa Sine pausis D'un petit mot: Credo -
Appears on: 5v–9v
Genres: Credo (patrem omnipotentem), Mass Ordinary
5v–9v Missa Sine pausis D'un petit mot: Sanctus -
Appears on: 5v–9v
Genres: Mass Ordinary, Sanctus [& Benedictus]
5v–9v Missa Sine pausis D'un petit mot: Agnus Dei -
Appears on: 5v–9v
Genres: Agnus Dei, Mass Ordinary
10–10v Circumdederunt me gemitus Dolores inferni Vs: Diligam te domine Dominus firmamentum [Isaac]
Appears on: 10–10v
Genres: Introit, Proper
Source Attribution: [Isaac]
10v–11v De profundis clamavi ad te Domine [Isaac]
Appears on: 10v–11v
Genres: Psalm
Source Attribution: [Isaac]
11v Illumina Faciem tuam super servum tuum [Isaac]
Appears on: 11v
Genres: Motet
Source Attribution: [Isaac]
12–12v Exurge Quare obdormis domine exurge Vs: Deus auribus nostris Patres nostri [Isaac]
Appears on: 12–12v
Genres: Motet
Source Attribution: [Isaac]
12v–13 Commovisti Domine terram et conturbasti Vs. Sana contriciones eius [Isaac]
Appears on: 12v–13
Genres: Motet
Source Attribution: [Isaac]
13v Introibo ad altare Dei [Isaac]
Appears on: 13v
Genres: Motet
Source Attribution: [Isaac]
14–14v Esto mihi In Deum protectorem et in locum Vs: In te domine speravi In justitia tua [Isaac]
Appears on: 14–14v
Genres: Motet
Source Attribution: [Isaac]
14v Jubilate Domino omnis terra servite Domino [Isaac]
Appears on: 14v
Genres: Motet
Source Attribution: [Isaac]
15 Manducaverunt et saturati sunt nimis [Isaac]
Appears on: 15
Genres: Motet
Source Attribution: [Isaac]
15–15v Misereris Omnium domine et nihil odisti Vs: Miserere mei Deus Quoniam in te confidit in D book [Isaac]
Appears on: 15–15v
Genres: Hymn
Source Attribution: [Isaac]
16–17 Domine non secundum peccata nostra [Isaac]
Appears on: 16–17
Genres: Tract
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Domine non secundum peccata nostra
General Note

in 20(a) f. 14v is left empty, the music not copied

17v Qui meditabitur In lege Domini die [Isaac]
Appears on: 17v
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Qui meditabitur] In lege domini die
General Note

in 20(a) f. 14v is left empty, the music not copied

17v–18 Invocavit me Et ego exaudiam eum Vs: Qui habitat In protectione Dei [Isaac]
Appears on: 17v–18
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Invocabit me] Et ego exaudiam eum Vs: [Qui habitat] In protectione dei
19v–20 Suscipe precor laudes laetas puer optime - Anonymous
Appears on: 19v–20
Genres: Motet
General Note

text in Latin, German & Czech

24–24v Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua domine - Anonymous
Appears on: 24–24v
Genres: Hymn
24v–25 Alleluia. Vox exultationis et salutis - Anonymous
Appears on: 24v–25
Genres: Alleluia, Motet
25–25v Psallat ecclesia mater illibata et virgo Haec domus aulae caelestis probatur - Anonymous
Appears on: 25–25v
Genres: Motet
26 Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua domine - Anonymous
Appears on: 26
Genres: Hymn
26v–27 Locus iste a deo factus est - Anonymous
Appears on: 26v–27
Genres: Motet
27–27v Alleluia. Vox exultationis et salutis - Anonymous
Appears on: 27–27v
Genres: Alleluia, Motet
27v–28v Psallat ecclesia mater illibata et virgo Haec domus aulae caelestis probatur Fink (= Finck)
Appears on: 27v–28v
Genres: Hymn
Source Attribution: Fink (= Finck)
29–35 Missa Je prens en gré: Kyrie Crecquilonis
Appears on: 29–35
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Crecquilonis
General Note

Here mis-spelled as "Officium super Leprens Italicum"

29–35 Missa Je prens en gré: Gloria -
Appears on: 29–35
Genres: Gloria (et in terra pax), Mass Ordinary
29–35 Missa Je prens en gré: Credo -
Appears on: 29–35
Genres: Credo (patrem omnipotentem), Mass Ordinary
29–35 Missa Je prens en gré: Sanctus -
Appears on: 29–35
Genres: Mass Ordinary, Sanctus [& Benedictus]
29–35 Missa Je prens en gré: Agnus Dei -
Appears on: 29–35
Genres: Agnus Dei, Mass Ordinary
35v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit - Anonymous
Appears on: 35v
Genres: Hymn
36–36v Alleluia. Dies sanctificatus illuxit [Alternate text underlaid: "Alleluia. Vidimus stellam in oriente"] - Anonymous
Appears on: 36–36v
Genres: Alleluia, Motet
37–37v Grates nunc omnes reddamus Domino deo - Anonymous
Appears on: 37–37v
Genres: Hymn
37v–38 In medio ecclesiae Apparuit os eius Vs: Bonum est confiteri Et psallere nomini - Anonymous
Appears on: 37v–38
Genres: Motet
38–38v Alleluia. Hic est discipulus - Anonymous
Appears on: 38–38v
Genres: Alleluia, Motet
38v–39 Grates nunc omnes reddamus Domino Deo Jo. Dra. [=Giovanni Dragoni?]
Appears on: 38v–39
Genres: Hymn
Source Attribution: Jo. Dra. [=Giovanni Dragoni?]
39–39v Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum regi da H. F. (=Finck)
Appears on: 39–39v
Genres: Motet
Source Attribution: H. F. (=Finck)
39v Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo H. F. (=Finck)
Appears on: 39v
Genres: Motet
Source Attribution: H. F. (=Finck)
40 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 40
Genres: Motet
40–47 Missa Beata virgine = Nostra domina: Kyrie Brumel
Appears on: 40–47
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Brumel
40–47 Missa Beata virgine = Nostra domina: Et in terra [Gloria] -
Appears on: 40–47
Genres: Gloria (et in terra pax), Mass Ordinary
40–47 Missa Beata virgine = Nostra domina: Patrem omnipotentem [Credo] -
Appears on: 40–47
Genres: Credo (patrem omnipotentem), Mass Ordinary
40–47 Missa Beata virgine = Nostra domina: Sanctus -
Appears on: 40–47
Genres: Mass Ordinary, Sanctus [& Benedictus]
40–47 Missa Beata virgine = Nostra domina: Agnus Dei -
Appears on: 40–47
Genres: Agnus Dei, Mass Ordinary
47–50 Missa Sine nomine KGCS H. Isaac
Appears on: 47–50
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: H. Isaac
50–53 Missa 'Wierzbon': KGCSA Wierzbon / Wyerzbon
Appears on: 50–53
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Wierzbon / Wyerzbon
General Note

"Missa Wierzbon": MurTVB suggests this may be a link to the Czech Credo text "Wierzim v Boha", rather than a composer name

53–54 Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti [Rein]
Appears on: 53–54
Genres: Motet
Source Attribution: [Rein]
54–54v Missa: Kyrie - Anonymous

Missa: Kyrie

Anonymous
Appears on: 54–54v
Genres: Kyrie eleison, Mass Ordinary
General Note

MurTVB suggests the settings of Kyrie and Gloria are linked with the Credo which follows after some proper settings

54v–55 Missa: Et in terra [Gloria] - Anonymous
Appears on: 54v–55
Genres: Gloria (et in terra pax), Mass Ordinary
55v Haec dies quam fecit Dominus exultemus [Rein]
Appears on: 55v
Genres: Motet
Source Attribution: [Rein]
55v–56 Alleluia. Pascha nostrum immolatus est [Rein]
Appears on: 55v–56
Genres: Alleluia, Motet
Source Attribution: [Rein]
56–56v Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens - Anonymous
Appears on: 56–56v
Genres: Hymn
Concordances

concordance: Dresden 1/D/505 (no.40)

56v–57 Missa: Patrem omnipotentem [Credo] - Anonymous
Appears on: 56v–57
Genres: Credo (patrem omnipotentem), Mass Ordinary
General Note

MurTVB suggests the setting of the Credo is linked with the Kyrie-Gloria copied a few pages before

57v–58 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me Galliculi
Appears on: 57v–58
Genres: Introit
Source Attribution: Galliculi
58v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 58v
Genres: Kyrie eleison, Mass Ordinary
58v–59v Et in terra [Gloria] - Anonymous
Appears on: 58v–59v
Genres: Gloria (et in terra pax), Mass Ordinary
60 Alleluia. Pascha nostrum immolatus est - Anonymous
Appears on: 60
Genres: Alleluia, Motet
60–60v Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens - Anonymous
Appears on: 60–60v
Genres: Hymn
60v–62 Missa 'ad aequales' KGCS Hombono (=Bonhomme?)
Appears on: 60v–62
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Hombono (=Bonhomme?)
62–66 Missa Deus in adjutorium meum (KGCSA) Clementis non papa
Appears on: 62–66
Genres: Mass Ordinary
Source Attribution: Clementis non papa
66–69 Missa Nigra sum KGCS C. Non P.
Appears on: 66–69
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: C. Non P.
69–73v Missa Sine nomine (4vv): Kyrie Brumel
Appears on: 69–73v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Brumel
Concordances

concordance: Jena 32

69–73v Missa Sine nomine (4vv): Gloria -
Appears on: 69–73v
Genres: Gloria (et in terra pax), Mass Ordinary
69–73v Missa Sine nomine (4vv): Credo -
Appears on: 69–73v
Genres: Credo (patrem omnipotentem), Mass Ordinary
69–73v Missa Sine nomine (4vv): Sanctus -
Appears on: 69–73v
Genres: Mass Ordinary, Sanctus [& Benedictus]
69–73v Missa Sine nomine (4vv): Agnus Dei -
Appears on: 69–73v
Genres: Agnus Dei, Mass Ordinary
74–78v Missa Carminum [Isaac]
Appears on: 74–78v
Genres: Mass Ordinary
Source Attribution: [Isaac]
79–83 Missa Descendi in ortum meum: Kyrie H. I. (=Isaac) / [Brumel]
Appears on: 79–83
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: H. I. (=Isaac) / [Brumel]
Concordances

concordance: Stuttgart 45 (f. 69v)

79–83 Missa Descendi in ortum meum: Gloria -
Appears on: 79–83
Genres: Gloria (et in terra pax), Mass Ordinary
79–83 Missa Descendi in ortum meum: Credo -
Appears on: 79–83
Genres: Credo (patrem omnipotentem), Mass Ordinary
79–83 Missa Descendi in ortum meum: Sanctus -
Appears on: 79–83
Genres: Mass Ordinary, Sanctus [& Benedictus]
83–87v Missa Es solt ein Mägdlein [Sampson]
Appears on: 83–87v
Genres: Mass Ordinary
Source Attribution: [Sampson]
87v–91 Missa In te Domine speravi: Kyrie [Hellinck]
Appears on: 87v–91
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Hellinck]
87v–91 Missa In te Domine speravi: Gloria -
Appears on: 87v–91
Genres: Gloria (et in terra pax), Mass Ordinary
87v–91 Missa In te Domine speravi: Credo -
Appears on: 87v–91
Genres: Credo (patrem omnipotentem), Mass Ordinary
87v–91 Missa In te Domine speravi: Sanctus -
Appears on: 87v–91
Genres: Mass Ordinary, Sanctus [& Benedictus]
87v–91 Missa In te Domine speravi: Agnus Dei -
Appears on: 87v–91
Genres: Agnus Dei, Mass Ordinary
91v–92v Missa Beata Virgine = Missa Coronata 3.3: Kyrie Josquin
Appears on: 91v–92v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Josquin
General Note

KG copied here; CSA follow towards end of ms, but pages preserved only in the Tenor book, 20(b) f. 116

92v–94 Missa Beata Virgine = Missa Coronata 3.3: Gloria -
Appears on: 92v–94
Genres: Gloria (et in terra pax), Mass Ordinary
94 Dixit Dominus Ego cogito cogitaciones Vs: Benedixisti domine Avertisti captivitatem Jacob [Isaac]
Appears on: 94
Genres: Hymn
Source Attribution: [Isaac]
94v Alleluia. Qui posuit fines tuos pacem [Isaac]
Appears on: 94v
Genres: Alleluia, Motet
Source Attribution: [Isaac]
94v Amen dico vobis Quicquid orantes petitis [Proprium de S. Benedicto Abbate] [Isaac]
Appears on: 94v
Genres: Sequence
Source Attribution: [Isaac]
95 Ad te levavi Animam meam Deus meus Vs: Vias tuas domine Et semitas tuas [Isaac]
Appears on: 95
Genres: Motet
Source Attribution: [Isaac]
95 Alleluia. Ostende nobis Domine misericordiam [Isaac]
Appears on: 95
Genres: Alleluia, Motet
Source Attribution: [Isaac]
95v Dominus dabit benignitatem et terra [Isaac]
Appears on: 95v
Genres: Motet
Source Attribution: [Isaac]
95v–96 Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti - Anonymous
Appears on: 95v–96
Genres: Motet
96 Alleluia. Non vos me elegistis - Anonymous
Appears on: 96
Genres: Alleluia, Motet
96v Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium [Rein]
Appears on: 96v
Genres: Motet
Source Attribution: [Rein]
97–97v Missa de Apostolis a4: Kyrie Magne Deus [Isaac]
Appears on: 97–97v
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: [Isaac]
98 Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] [Isaac]
Appears on: 98
Genres: Alleluia, Hymn
Source Attribution: [Isaac]
98–98v Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] [Isaac]
Appears on: 98–98v
Genres: Sequence
Source Attribution: [Isaac]
99–99v Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] [Isaac]
Appears on: 99–99v
Genres: Introit
Source Attribution: [Isaac]
99v–100 Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] [Isaac]
Appears on: 99v–100
Genres: Alleluia, Motet
Source Attribution: [Isaac]
100–101v Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) [Isaac]
Appears on: 100–101v
Genres: Hymn
Source Attribution: [Isaac]
101v–102 Spiritus veniens Docebit vos omnem Vs: Quam pulchri sunt Et cum dicant (= Spiritus Domini replevit orbem) [Isaac]
Appears on: 101v–102
Genres: Contrafactum, Motet
Source Attribution: [Isaac]
102–102v Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] [Isaac]
Appears on: 102–102v
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: [Isaac]
102v–103 De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] [Isaac]
Appears on: 102v–103
Genres: Introit
Source Attribution: [Isaac]
103v Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] [Isaac]
Appears on: 103v
Genres: Alleluia, Motet
Source Attribution: [Isaac]
104–105v Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) [Isaac]
Appears on: 104–105v
Genres: Motet
Source Attribution: [Isaac]
105v–106 Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] [Isaac]
Appears on: 105v–106
Genres: Sequence
Source Attribution: [Isaac]
106–106v Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena] [Isaac]
Appears on: 106–106v
Genres: Alleluia
Source Attribution: [Isaac]
106v–107 Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] [Isaac]
Appears on: 106v–107
Genres: Introit
Source Attribution: [Isaac]
107–107v Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] [Isaac]
Appears on: 107–107v
Genres: Introit
Source Attribution: [Isaac]
107v–108v Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus [Isaac]
Appears on: 107v–108v
Genres: Sequence
Source Attribution: [Isaac]
109 Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi - Anonymous
Appears on: 109
Genres: Motet
109v–110 Alleluia. Candor est lucis aeternae - Anonymous
Appears on: 109v–110
Genres: Alleluia, Motet
110–110v Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas - Anonymous
Appears on: 110–110v
Genres: Motet
110v–111 Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra - Anonymous
Appears on: 110v–111
Genres: Motet
111–111v Alleluia. Concussum est mare et contremuit - Anonymous
Appears on: 111–111v
Genres: Alleluia, Motet
111v–112 Summi regis archangele Michael intende Te namque profitemur esse supernorum [Stoltzer]
Appears on: 111v–112
Genres: Motet
Source Attribution: [Stoltzer]
112v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] [Isaac]
Appears on: 112v
Genres: Introit
Source Attribution: [Isaac]
113 Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] [Isaac]
Appears on: 113
Genres: Alleluia, Motet
Source Attribution: [Isaac]
113v–114 Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) [Bruck]
Appears on: 113v–114
Genres: Chorale, Credo (patrem omnipotentem), Motet
Source Attribution: [Bruck]
114–114v Sanctus / Agnus - Anonymous

Sanctus / Agnus

Anonymous
Appears on: 114–114v
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
General Note

20(a) defective, loss at end; Agnus text copied below Benedictus qui venit

114v–116 Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis [Isaac]
Appears on: 114v–116
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Summi triumphum regis prosequamur laude] Qui coeli qui terrae sceptra regis
116–119v Missa Beata Virgine = Missa Coronata 3.3: Credo Josquin
Appears on: 116–119v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Josquin
General Note

KG are copied above at ff. 91v-94

General Note

KG are copied above at ff. 91v-94

116–119v Missa Beata Virgine = Missa Coronata 3.3: Sanctus -
Appears on: 116–119v
Genres: Mass Ordinary, Sanctus [& Benedictus]
116–119v Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei -
Appears on: 116–119v
Genres: Agnus Dei, Mass Ordinary
120–123v Passio Domini nostri Jesu Christi secundum Matheum Anon. Anonymous
Appears on: 120–123v
Genres: Passion
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [P]assio domini nostri Jesu Christi secundum Matheum
123v–124v Herr, Herr, ich verkündige euch [M. Agricola]
Appears on: 123v–124v
Genres: Sacred Song
Source Attribution: [M. Agricola]
Voice: [no designation]
Languages: Latin, German
Voice Text: Her ich verkund euch ... Verbum quod dominus fecit
125v Set of responses Et cum spiritu tuo. Amen. Gloria tibi domine etc. Anon. Anonymous
Appears on: 125v
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Et cum spiritu tuo. Amen. Gloria tibi domine ... etc.
General Note

MurTVB mentions 2 sets not 3?

125v–126 Set of responses Et cum spiritu tuo. Amen. Gloria tibi domine etc. Anon. Anonymous
Appears on: 125v–126
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Et cum spiritu tuo. Amen. Gloria tibi domine ... etc.
126 Set of responses Amen. Et cum spiritu tuo. Habemus ad Dominum etc. Anon. Anonymous
Appears on: 126
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Amen. Et cum spiritu tuo. Habemus ad dominum ... etc.
Composer Compositions
Agricola, Martin (ca. 1486–1556)
Anonymous
Bruck, Arnold von (ca. 1500–1554)
Brumel, Antoine (ca. 1460–ca. 1513)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Dragoni, Giovanni Andrea
Finck, Heinrich
Galliculus, Johannes
Hellinck, Lupus (ca. 1494–1541)
Hombono
Isaac, Heinrich (ca. 1450–1517)
Rein, Conrad (ca. 1475–1522)
Rue, Pierre de la (ca. 1452–1518)
Sampson
Stoltzer, Thomas (ca. 1480–1526)
Wierzbon
Composition Composers (? Uncertain) Folios / Pages
Ad te levavi Animam meam Deus meus Vs: Vias tuas domine Et semitas tuas 95
Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas Anonymous 110–110v
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] 98
Alleluia. Candor est lucis aeternae Anonymous 109v–110
Alleluia. Concussum est mare et contremuit Anonymous 111–111v
Alleluia. Dies sanctificatus illuxit [Alternate text underlaid: "Alleluia. Vidimus stellam in oriente"] Anonymous 36–36v
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] 113
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] 99v–100
Alleluia. Hic est discipulus Anonymous 38–38v
Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] 103v
Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena] 106–106v
Alleluia. Non vos me elegistis Anonymous 96
Alleluia. Ostende nobis Domine misericordiam 95
Alleluia. Pascha nostrum immolatus est 55v–56
Alleluia. Pascha nostrum immolatus est Anonymous 60
Alleluia. Qui posuit fines tuos pacem 94v
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] 102–102v
Alleluia. Vox exultationis et salutis Anonymous 24v–25
Alleluia. Vox exultationis et salutis Anonymous 27–27v
Amen dico vobis Quicquid orantes petitis [Proprium de S. Benedicto Abbate] 94v
Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra Anonymous 110v–111
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] 98–98v
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium 96v
Circumdederunt me gemitus Dolores inferni Vs: Diligam te domine Dominus firmamentum 10–10v
Commovisti Domine terram et conturbasti Vs. Sana contriciones eius 12v–13
De profundis clamavi ad te Domine 10v–11v
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] 102v–103
Dixit Dominus Ego cogito cogitaciones Vs: Benedixisti domine Avertisti captivitatem Jacob 94
Domine non secundum peccata nostra 16–17
Dominus dabit benignitatem et terra 95v
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] 106v–107
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum regi da 39–39v
Esto mihi In Deum protectorem et in locum Vs: In te domine speravi In justitia tua 14–14v
Et in terra [Gloria] Anonymous 58v–59v
Exurge Quare obdormis domine exurge Vs: Deus auribus nostris Patres nostri 12–12v
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 39v
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis 40
Grates nunc omnes reddamus Domino deo Anonymous 37–37v
Grates nunc omnes reddamus Domino Deo 38v–39
Haec dies quam fecit Dominus exultemus 55v
Herr, Herr, ich verkündige euch 123v–124v
Illumina Faciem tuam super servum tuum 11v
In medio ecclesiae Apparuit os eius Vs: Bonum est confiteri Et psallere nomini Anonymous 37v–38
Introibo ad altare Dei 13v
Invocavit me Et ego exaudiam eum Vs: Qui habitat In protectione Dei 17v–18
Jubilate Domino omnis terra servite Domino 14v
Kyrie eleison Anonymous 3v
Kyrie eleison Anonymous 58v
Kyrie Fons bonitatis Anonymous 4–4v
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus 107v–108v
Locus iste a deo factus est Anonymous 26v–27
Manducaverunt et saturati sunt nimis 15
Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti Anonymous 95v–96
Misereris Omnium domine et nihil odisti Vs: Miserere mei Deus Quoniam in te confidit in D book 15–15v
Missa 'ad aequales' KGCS 60v–62
Missa 'Wierzbon': KGCSA 50–53
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei 116–119v
Missa Beata Virgine = Missa Coronata 3.3: Credo 116–119v
Missa Beata Virgine = Missa Coronata 3.3: Gloria 92v–94
Missa Beata Virgine = Missa Coronata 3.3: Kyrie 91v–92v
Missa Beata Virgine = Missa Coronata 3.3: Sanctus 116–119v
Missa Beata virgine = Nostra domina: Agnus Dei 40–47
Missa Beata virgine = Nostra domina: Et in terra [Gloria] 40–47
Missa Beata virgine = Nostra domina: Kyrie 40–47
Missa Beata virgine = Nostra domina: Patrem omnipotentem [Credo] 40–47
Missa Beata virgine = Nostra domina: Sanctus 40–47
Missa Carminum 74–78v
Missa de Apostolis a4: Gloria 4
Missa de Apostolis a4: Kyrie Magne Deus 97–97v
Missa Descendi in ortum meum: Credo 79–83
Missa Descendi in ortum meum: Gloria 79–83
Missa Descendi in ortum meum: Kyrie 79–83
Missa Descendi in ortum meum: Sanctus 79–83
Missa Deus in adjutorium meum (KGCSA) 62–66
Missa Es solt ein Mägdlein 83–87v
Missa In te Domine speravi: Agnus Dei 87v–91
Missa In te Domine speravi: Credo 87v–91
Missa In te Domine speravi: Gloria 87v–91
Missa In te Domine speravi: Kyrie 87v–91
Missa In te Domine speravi: Sanctus 87v–91
Missa Je prens en gré: Agnus Dei 29–35
Missa Je prens en gré: Credo 29–35
Missa Je prens en gré: Gloria 29–35
Missa Je prens en gré: Kyrie 29–35
Missa Je prens en gré: Sanctus 29–35
Missa Nigra sum KGCS 66–69
Missa Sine nomine (4vv): Agnus Dei 69–73v
Missa Sine nomine (4vv): Credo 69–73v
Missa Sine nomine (4vv): Gloria 69–73v
Missa Sine nomine (4vv): Kyrie 69–73v
Missa Sine nomine (4vv): Sanctus 69–73v
Missa Sine nomine KGCS 47–50
Missa Sine pausis D'un petit mot: Agnus Dei 5v–9v
Missa Sine pausis D'un petit mot: Credo 5v–9v
Missa Sine pausis D'un petit mot: Gloria 5v–9v
Missa Sine pausis D'un petit mot: Kyrie 5v–9v
Missa Sine pausis D'un petit mot: Sanctus 5v–9v
Missa: Et in terra [Gloria] Anonymous 54v–55
Missa: Kyrie Anonymous 54–54v
Missa: Patrem omnipotentem [Credo] Anonymous 56v–57
Passio Domini nostri Jesu Christi secundum Matheum Anonymous 120–123v
Psallat ecclesia mater illibata et virgo Haec domus aulae caelestis probatur Anonymous 25–25v
Psallat ecclesia mater illibata et virgo Haec domus aulae caelestis probatur 27v–28v
Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) 104–105v
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Anonymous 35v
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] 112v
Qui meditabitur In lege Domini die 17v
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me 57v–58
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti Anonymous 3–3v
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti 53–54
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) 100–101v
Sanctus / Agnus Anonymous 114–114v
Set of responses Amen. Et cum spiritu tuo. Habemus ad Dominum etc. Anonymous 126
Set of responses Et cum spiritu tuo. Amen. Gloria tibi domine etc. Anonymous 125v
Set of responses Et cum spiritu tuo. Amen. Gloria tibi domine etc. Anonymous 125v–126
Spiritus veniens Docebit vos omnem Vs: Quam pulchri sunt Et cum dicant (= Spiritus Domini replevit orbem) 101v–102
Summi regis archangele Michael intende Te namque profitemur esse supernorum 111v–112
Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis 114v–116
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] 107–107v
Suscipe precor laudes laetas puer optime Anonymous 19v–20
Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua domine Anonymous 24–24v
Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua domine Anonymous 26
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous 56–56v
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous 60–60v
Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi Anonymous 109
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] 99–99v
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] 105v–106
Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) 113v–114

Set: MS Bártfa 20 (a-b)

Type: Partbooks

No images available

H-Bn MS Bártfa 20 (a)

No images available

H-Bn MS Bártfa 20 (b)

denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM.  American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa).  Bonn: Gudrun Schröder.

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 2-12,348-50. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xiv, 27, 37-8, 50, 52, 71-2; III, 56-7, 99, 181-2. Notes: physical description; contents list (partial); concordances (partial).

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 316ff. Notes: incipits (partial); mention of MS; discussion.

Murányi, Robert Arpad. 1971. Neuere Angaben über die Bartfelder Sammlung. Studia Musicologica, 363-70. Pages: 370. Notes: mention of MS.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 192-3. Notes: mention of MS.

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334, 336. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage,  Berlin. Pages: 41-2. Notes: physical description; contents list; incipitsst of contents (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description