D-WRhk B (Weimar B)

Bibliothek der Evangelisch-Lutherischen Kirchengemeinde, Weimar, Germany

manuscript of polyphony: 1540-4

Archive Bibliothek der Evangelisch-Lutherischen Kirchengemeinde, Weimar, Germany (D-WRhk)
Shelfmark B (Weimar B)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 460 x 325 mm
Other Identifiers
  • CCM: WeimB B
  • olim (Former shelfmark): D-Ju Chorbuch Weimar B
Notations
  • black void mensural
Relationships
Provenance
Contents 102 pieces from 18 composers
General Description

Copied by one main scribe, who also wrote GothaF A98, most of BerlPS 40013, and portions of BerlPS 40043; Kyrie on ff. 97'-98 is later addition by a different hand. Manuscript related to BerlPS 40013, BerlPS 40043, GothaF A98, and NurGN 83795 (Tenor/Bassus) (see GerhW for discussion). Copied in Torgau, perhaps for use at Wittenberg Schlosskirche (GerhW). Taken from Wittenberg to Weimar by Johann Friedrich I, deposed Elector of Saxony, in 1548. Transferred to Jena c. 1923, but subsequently returned to Weimar.

DIAMM, 2017
Binding

Original covers of tooled leather over wooden boards; remnants of clasps and buckles.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 23 cm

DIAMM, 2017
Foliation

Modern foliation, 1-183, on upper right rectos (one folio between ff. 8/9 not numbered; '83' and '84' applied to single folio; ff. 152-156 now missing; '177' omitted).

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Index

Modern index lists pieces in order of appearance

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Kyrie-Gloria pair, 3 Kyries, 1 Gloria, 13 Mass Proper sections, 3 Magnificats, 1 Te Deum, 1 canticle, 4 office hymns, 1 processional hymn, 3 Passions (2 in German; 2 incomplete), 21 motets, 1 set of responses, 3 Latin/German sacred pieces, 17 German sacred pieces = 75

(Figulus/Walter)-1, (Finck)-1, (Isaac)-1, (Josquin)-1, Josquin/La Rue-1,* (Josquin/La Rue)-1, (Longaval/Obrecht/Venture)-1, (Mahu/Walter)-1, (Prioris)-1, (Rener)-2, Roselli-1, Senfl-3, Senfl/(Hellinck/Verdelot)-1, (Verdelot/Walter)-1, (Walter)-41 + 15?, anon-2

*Kyrie-Gloria-Credo of Josquin's Missa De beata Virgine copied on ff. 76'-87, with title "Missa Coronata" and incorrect attribution "Petri de Larue." Sanctus-Agnus copied on ff. 112'-118, with correct attribution "Iosquini."

177 paper folios, 460 x 325. Modern foliation, 1-183, on upper right rectos (one folio between ff. 8/9 not numbered; "83" and "84" applied to single folio; ff. 152-156 now missing; "177" omitted). Original covers of tooled leather over wooden boards; remnants of clasps and buckles. Modern index lists pieces in order of appearance. Copied by one main scribe, who also wrote GothaF A98, most of BerlPS 40013, and portions of BerlPS 40043; Kyrie on ff. 97'-98 is later addition by a different hand. Staff height 23. No initials or decoration. Manuscript related to BerlPS 40013, BerlPS 40043, GothaF A98, and NurGN 83795 (see GerhW for discussion).

1540-4 (GerhW). Copied in Torgau, perhaps for use at Wittenberg Schlosskirche (GerhW). Taken from Wittenberg to Weimar by Johann Friedrich I, deposed Elector of Saxony, in 1548. Transferred to ccccc ca. 1923, but subsequently returned to Weimar.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 Set of responses Amen. Deo gratias. Et cum spiritu tuo [Walter?]
Appears on: 1v–2
Genres: Deo gratias, Response
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Amen. Deo gratias. Et cum spiritu tuo
2v–4 Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti sessionem [Walter]
Appears on: 2v–4
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: (Resurrexi) Et adhuc tecum sum halleluia Vs: ([D]omine probasti me) Tu cognovisti
4v–10 Missa Paschalis: Kyrie [Rener]
Appears on: 4v–10
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Paschal[is] [KG]
4v–10 Missa Paschalis: Gloria -
Appears on: 4v–10
Genres: Gloria (et in terra pax), Mass Ordinary
10v–13 Salve festa dies - 1a pars (of 3): Salve festa dies toto venerabilis aevo [Walter?]
Appears on: 10v–13
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: Salve festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia III: Namque triumphanti post tristia
10v–13 Salve festa dies - 2a pars (of 3): Ecce renascentis testatur gratia -
Appears on: 10v–13
Genres: Motet
10v–13 Salve festa dies - 3a pars (of 3): Namque triumphanti post tristia -
Appears on: 10v–13
Genres: Motet
13v–15 Victime paschali laudes immolent Christiani Agnus redemit oves Christus innocens [Rener]
Appears on: 13v–15
Genres: Motet
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: [Victime paschali laudes immolent Christiani] Agnus redemit oves Christus innocens
15v–16 Christ ist erstanden von der marter alle / Christus resurgens ex mortuis [Walter]
Appears on: 15v–16
Genres: Hymn, Motet, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden von der marter alle
16v–17 Verbum Domini manet in aeternam [Walter]
Appears on: 16v–17
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum domini manet in aeternum
17v–18 Ego sum resurrectio et vita dicit Dominus Jesus [Mahu/Walter]
Appears on: 17v–18
Genres: Motet
Source Attribution: [Mahu/Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita dicit Iesus
18v–20 Christ ist erstanden (5vv) [M16] [Senfl]
Appears on: 18v–20
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden von der marter alle
20v–21 Christ lag in Todesbanden für unser Sündt [Walter]
Appears on: 20v–21
Genres: Hymn, Motet, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Christ lag in todesbanden fur unser sund
21v–23 Non moriar sed vivam et narrabo opera [Walter]
Appears on: 21v–23
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Non moriar sed vivam et narrabo opera
23v–24 Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] [Josquin]
Appears on: 23v–24
Genres: Chanson, Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Haec dicit dominus/Circumdederunt me 30.6 [= Videte omnes populi, Nimphes nappés néridriades driades]
24v–26 Magnificat octavi toni: Et exultavit [K.407, K.1140] [Walter]
Appears on: 24v–26
Genres: BVM, Canticle, Magnificat
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Octavi thoni: Et exultavit spiritus meus
26v–28 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] [Isaac]
Appears on: 26v–28
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Viri Galilei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Iubilate deo
28v–31 Ascendo ad patrem meum (6vv) - 1a pars (of 2): Ascendo ad patrem meum et patrem vestrum [Walter]
Appears on: 28v–31
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et patrem vestrum II: Deum meum et deum vestrum halleluia
28v–31 Ascendo ad patrem meum (6vv) - 2a pars (of 2): Deum meum et Deum vestrum -
Appears on: 28v–31
Genres: Motet
31v–33 Ascendo ad patrem meum et patrem vestrum (5vv) [Walter]
Appears on: 31v–33
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et patrem vestrum
33v–39 Tanto tempore vobiscum (5vv, M112) - 1a pars (of 2): Tanto tempore vobiscum sum et non cognovistis - Philippe qui videt me Lud: Sen:
Appears on: 33v–39
Genres: Motet
Source Attribution: Lud: Sen:
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum et non cognovistis II: Non turbetur cor vestrum creditis
33v–39 Tanto tempore vobiscum (5vv, M112) - 2a pars (of 2): Non turbetur cor vestrum creditis - Philippe qui videt me -
Appears on: 33v–39
Genres: Motet
39v–42 Ite in orbem universum - 1a pars (of 3): Ite in orbem universum et praedicate dicentes [Walter]
Appears on: 39v–42
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et praedicate II: Qui crediderit et baptisatus fuerit III: In nomine patris et filii et spiritus
39v–42 Ite in orbem universum - 2a pars (of 3): Qui crediderit et baptisatus fuerit -
Appears on: 39v–42
Genres: Motet
39v–42 Ite in orbem universum - 3a pars (of 3): In nomine patris et filii et spiritus -
Appears on: 39v–42
Genres: Motet
42v–44 Festum nunc celebre magnaque gaudia (5vv) [Walter]
Appears on: 42v–44
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Festum nunc celebre magnaque gaudia
44v–46 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo [Walter]
Appears on: 44v–46
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
46v–49 Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum [Walter]
Appears on: 46v–49
Genres: Motet, Veni sancte spiritus
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus et emitte celitus] Veni pater pauperum veni dator
49v–50 Nun bitten wir den heiligen geist (5vv) [Walter]
Appears on: 49v–50
Genres: Motet, Veni sancte spiritus
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Nu bitten wir den heyligen geist
50v–53 Apparuerunt apostoli dispertitae linguae - 1a pars (of 3): Apparuerunt apostoli dispertitae linguae [Walter]
Appears on: 50v–53
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostolis dispartite linguae II: Seditque supra singulos eorum spiritus III: Loquebantur variis linguis apostoli
50v–53 Apparuerunt apostoli dispertitae linguae - 2a pars (of 3): Seditque supra singulos eorum -
Appears on: 50v–53
Genres: Motet
50v–53 Apparuerunt apostoli dispertitae linguae - 3a pars (of 3): Loquebantur variis linguis apostoli -
Appears on: 50v–53
Genres: Motet
53v–54 Komm Gott Schöpfer Heiliger Geist [Walter]
Appears on: 53v–54
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Kom Got schepfer heyliger geist
54v–56 Veni sancte spiritus reple tuorum corda [Walter]
Appears on: 54v–56
Genres: Motet, Veni sancte spiritus
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: (Veni sancte spiritus) Reple tuorum corda
56v–58 Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem et filium Cum sancto spiritu [Walter?]
Appears on: 56v–58
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque indivisa Vs: (Benedicamus patrem) Cum sancto spiritu
58v–59 Benedicta semper sancta sit trinitas O adoranda trinitas. Per te sumus redempti [Walter?]
Appears on: 58v–59
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] O adoranda trinitas per te sumus
59v–62 Ne timeas Zacharia Exaudita est oratio tua Vs: Domine in virtute Et super salutare tuum [Walter?]
Appears on: 59v–62
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: (Ne timeas Zacharia) Exaudita est oratio tua Vs: (Domine in virtute) Et super salutare
62v–63 Aeterno gratias patri 2 Hic mores exui malos iussit me [Walter]
Appears on: 62v–63
Genres: Hymn
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Aeterno gratias patri omnes canant ecclesiae
63v–65 Salus populi ego sum Dicit Dominus Vs: Attendite popule meus Inclinate aurem vestram [Walter?]
Appears on: 63v–65
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: (Salus populi ego sum) Dicit dominus Vs: (Attendite popule meus) Inclinate aurem
65v–77 Missa Baisez-moi: Kyrie Petri Roselli
Appears on: 65v–77
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Petri Roselli
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Baisez moy]
65v–77 Missa Baisez-moi: Gloria -
Appears on: 65v–77
Genres: Gloria (et in terra pax), Mass Ordinary
65v–77 Missa Baisez-moi: Credo -
Appears on: 65v–77
Genres: Credo (patrem omnipotentem), Mass Ordinary
65v–77 Missa Baisez-moi: Sanctus -
Appears on: 65v–77
Genres: Mass Ordinary, Sanctus [& Benedictus]
65v–77 Missa Baisez-moi: Agnus Dei -
Appears on: 65v–77
Genres: Agnus Dei, Mass Ordinary
77v–88 Missa Beata Virgine = Missa Coronata 3.3: Kyrie Petri de Larue [Josquin]
Appears on: 77v–88
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Petri de Larue [Josquin]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Coronata [= Missa De beata Virgine] 3.3
General Note

Sanctus/Agnus at ff.113v-119, correctly attributed to Josquin. Kyrie-Gloria-Credo attributed to de la Rue, probably due to confusion with La Rue's Missa Coronata. (Folio number "83" and "84" applied to same folio.)

77v–88 Missa Beata Virgine = Missa Coronata 3.3: Gloria -
Appears on: 77v–88
Genres: Gloria (et in terra pax), Mass Ordinary
77v–88 Missa Beata Virgine = Missa Coronata 3.3: Credo -
Appears on: 77v–88
Genres: Credo (patrem omnipotentem), Mass Ordinary
88v–95 Te Deum laudamus Te aeternum patrem [K.1149] [Walter]
Appears on: 88v–95
Genres: Liturgical work, Te Deum
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: [Te deum laudamus] Te ethernum patrem
95v–96 Missa Feriale: Kyrie eleison [Walter?]
Appears on: 95v–96
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie Feriale
96v–97 Missa Commune: Kyrie eleison [Walter?]
Appears on: 96v–97
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie Commune
97v–98 Sic Deus dilexit mundum ut filium suum = Incessament mon povre coeur lamente 29.9 [Josquin/La Rue]
Appears on: 97v–98
Genres: Motet
Source Attribution: [Josquin/La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: Sic deus dilexit mundum ut filium suum 29.9 [= Incessament mon povre cueur lamente]
98v–99 Kyrie eleison Anon. Anonymous

Kyrie eleison

Anonymous
Appears on: 98v–99
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Greek
Voice Text: Kyrie eleison
99v–101 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Walter?]
Appears on: 99v–101
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
101v–102 Gelobet seist Du, Jesu Christ, dass Du Mensch [Walter]
Appears on: 101v–102
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Gelobet seistu Jesu Christ das du mensch
102v–104 Gloria. Gratias agimus tibi propter Anon. Anonymous
Appears on: 102v–104
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Gratias agimus tibi propter magnam
104v–105 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo [Walter]
Appears on: 104v–105
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo
104v–105 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 104v–105
Genres: Motet
105v–106 Ein kindelein so löbelich ist uns geboren [Walter]
Appears on: 105v–106
Genres: Motet, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Ein kindelein so löbelich ist uns geboren
106v–107 Dies est laetitiae in ortu regali [Walter?]
Appears on: 106v–107
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: Dies est loeticiae in ortu regali
107v–109 Wir glauben all an einen Gott [Credo] (6vv) [Walter]
Appears on: 107v–109
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Wir gleuben al an einen Got schepfer
109v–111 Wir glauben all an einen Gott [Credo] (I) (4vv) [Walter]
Appears on: 109v–111
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Wir gleuben al an einen Got schepfer
111v–113 In principio erat verbum - 1a pars (of 2): In principio erat verbum et verbum erat [Walter]
Appears on: 111v–113
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum et verbum erat II: Hoc verbum hodie in altari conflicitur
111v–113 In principio erat verbum - 2a pars (of 2): Hoc verbum hodie in altari conflicitur -
Appears on: 111v–113
Genres: Motet
113v–119 Missa Beata Virgine = Missa Coronata 3.3: Sanctus Josquini
Appears on: 113v–119
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Josquini
General Note

Kyrie-Gloria-Credo at ff. 77v-88, attributed to de la Rue -- perhaps due to confusion with his Missa Coronata

113v–119 Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei -
Appears on: 113v–119
Genres: Agnus Dei, Mass Ordinary
119v–120 Domine ad adjuvandum me festina gloria [Walter?]
Appears on: 119v–120
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: Domine ad adiuvandum me festina gloria
120v–123 Verbum caro factum - 1a pars (of 3): Verbum caro factum est et habitavit [Walter]
Appears on: 120v–123
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitavit II: Ploenum gratia et veritate III: In principio erat verbum et verbum
120v–123 Verbum caro factum - 2a pars (of 3): Plenum gratia et veritate -
Appears on: 120v–123
Genres: Motet
120v–123 Verbum caro factum - 3a pars (of 3): In principio erat verbum et verbum -
Appears on: 120v–123
Genres: Motet
123v–124 Christum wir sollen loben schon [Walter?]
Appears on: 123v–124
Genres: Hymn, Motet, Sacred Song
Source Attribution: [Walter?]
Voice: [no designation]
Languages: German
Voice Text: Christum wir sollen loben schon
124v–125 In dulci jubilo nun singet und seid froh [Figulus/Walter]
Appears on: 124v–125
Genres: Chorale, Sacred Song
Source Attribution: [Figulus/Walter]
Voice: [no designation]
Languages: Latin, German
Voice Text: In dulci iubilo nu singet undt seit fro
125v–127 Magnificat Quinti Toni: Et exultavit [K.1137] [Walter]
Appears on: 125v–127
Genres: BVM, Canticle, Magnificat
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Quinti thoni: Et exultavit spiritus meus
127v–129 Nesciens mater virgo virum peperit Ludo: Senfel [= Senfl]
Appears on: 127v–129
Genres: Motet
Source Attribution: Ludo: Senfel [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo virum peperit
129v–131 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus et laudabilis In civitate Dei nostri [Walter]
Appears on: 129v–131
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: (Suscepimus) Deus misericordiam tuam in medio Vs: (Magnus dominus) In civitate dei nostri
131v–132 Et cum inducerent puerum Jesum parentes [Walter]
Appears on: 131v–132
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Et cum inducerent puerum Iesum parentes
132v–134 Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum Domine secundum [Walter?]
Appears on: 132v–134
Genres: Motet
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum domine secundum II: Lumen ad revelationem gentium et gloriam
132v–134 Nunc dimittis - 2a pars (of 2): Lumen ad revelationem gentium et gloriam -
Appears on: 132v–134
Genres: Motet
134v–135 Lumen ad revelationem gentium et gloriam [Walter]
Appears on: 134v–135
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem gentium et gloriam
135v–136 Mit fried und freud ich fahr dahin [Walter]
Appears on: 135v–136
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Mit frid und freud ich far dahin
136v–138 Christe qui lux es et dies noctis (6vv) 2 Precamur sancte Domine defende nos 3 Ne gravis somnus irruat ne hostis 4 Oculi somnum capiant cor ad te 5 Defensor noster aspice insidiantes 6 Memento nostri Domine in gravi 7 Deo patri sit gloria eiusque soli [Walter]
Appears on: 136v–138
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis
138v–139 Dies sind die Heilgen Zehn Gebot [ii] [Walter]
Appears on: 138v–139
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Dis sind die heylgen zehn gebot
139v–141 Mitten wir im Leben sind mit dem Tod umfangen [Walter]
Appears on: 139v–141
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Mitten wir im leben sindt mit dem tod
141v–142 Jesus Christus nostra salus quod reclamat [Finck]
Appears on: 141v–142
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Iesus Christus nostra salus quod reclamat
142v–144 Deus qui sedes super thronum (4vv) [Verdelot/Walter]
Appears on: 142v–144
Genres: Motet
Source Attribution: [Verdelot/Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Deus qui sedes super thronum et iudicas
144v–145 Rex Christe factor omnium redemptor 3 Qui es creator syderum tegmen subisti 5 Cruci redemptor figeris terram sed omnem 6 Mox in paternae gloriae victor [Walter]
Appears on: 144v–145
Genres: Hymn
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Rex Christe factor omnium redemptor
145v–152v Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum [Longaval/Obrecht/Venture]
Appears on: 145v–152v
Genres: Liturgical work, Motet, Passion
Source Attribution: [Longaval/Obrecht/Venture]
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Iesu Christi secundum Matthaeum II: Apprehendit ergo eum Pilatus III: Orabat autem Iesus pro crucifigentibus
145v–152v Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 145v–152v
Genres: Passion
145v–152v Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 145v–152v
Genres: Motet
158–159 Passio secundum Matthaeum: Ja nicht auf das fest [Walter?]
Appears on: 158–159
Genres: Liturgical work, Passion
Source Attribution: [Walter?]
Voice: [no designation]
Languages: German
Voice Text: [St. Matthew Passion] ... So wollen wir ihm glewben [ending only]
159v–162 Passio secundum Johannem: Jesum von Nazareth [Walter?]
Appears on: 159v–162
Genres: Liturgical work, Passion
Source Attribution: [Walter?]
Voice: [no designation]
Languages: German
Voice Text: Passio secundum Iohannem: Iesum von Nazareth
162v–163 Es wolt uns Gott genedig sein und seinen segen [Walter]
Appears on: 162v–163
Genres: Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Es wolt uns Got genedig sein
163v–164 Ein feste Burg ist unser Gott ein gute Wehr [Walter]
Appears on: 163v–164
Genres: Chorale, Motet, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Ein feste burg ist unser Got
164v–165 Laudate Dominum omnes gentes, laudate eum [Walter]
Appears on: 164v–165
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
165v–167 Da pacem Domine (4vv) - 1a pars (of 2): Da pacem Domine in diebus nostris [Walter]
Appears on: 165v–167
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin, German
Voice Text: Da pacem domine in diebus nostris II: Vorlei uns friden gnediglich Her Got
165v–167 Da pacem Domine (4vv) - 2a pars (of 2): Verleih uns Frieden gnädiglich, Herr Gott -
Appears on: 165v–167
Genres: Motet
167v–169 Da pacem Domine (5vv) - 1a pars (of 2): Da pacem Domine in diebus nostris [Walter]
Appears on: 167v–169
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin, German
Voice Text: Da pacem domine in diebus nostris II: Vorley uns friden gnediglich Her Got
167v–169 Da pacem Domine (5vv) - 2a pars (of 2): Verleih uns Frieden gnädiglich, Herr Gott -
Appears on: 167v–169
Genres: Motet
169v–172 Jesaja dem Propheten das geschah [Walter]
Appears on: 169v–172
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Jesaia dem propheten das geschach
172v–173 Gott sei gelobet und gebenedeyet der uns [Walter]
Appears on: 172v–173
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Got sei gelobet und gebenedeyet der uns
173v–177 In te Domine speravi - 1a pars (of 2): In te Domine speravi Ludo: Senfl/[Hellinck/Verdelot]
Appears on: 173v–177
Genres: Motet, Te Deum
Source Attribution: Ludo: Senfl/[Hellinck/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
173v–177 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 173v–177
Genres: Motet
177v–183 Magnificat octavi toni: Et exultavit [K.987] [Prioris]
Appears on: 177v–183
Genres: BVM, Canticle, Magnificat
Source Attribution: [Prioris]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Octavi thoni: Et exultavit spiritus meus
Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Figulus, Wolfgang (ca. 1525–1589)
Finck, Heinrich
Hellinck, Lupus (ca. 1494–1541)
Isaac, Heinrich (ca. 1450–1517)
Longueval, Antoine de (fl. 1498-1525)
Mahu, Stephan
Obrecht, Jacobus (ca. 1457–1505)
Prioris, Johannes (Denis, Dionisius) (–1515)
Rener, Adam (ca. 1485–ca. 1520)
Rouseli, Petri
Rue, Pierre de la (ca. 1452–1518)
Rupsch, Conrad
Senfl, Ludwig (ca. 1486–ca. 1543)
Venture, Johannes a la (fl. c1500)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
Aeterno gratias patri 2 Hic mores exui malos iussit me 62v–63
Apparuerunt apostoli dispertitae linguae - 1a pars (of 3): Apparuerunt apostoli dispertitae linguae 50v–53
Apparuerunt apostoli dispertitae linguae - 2a pars (of 3): Seditque supra singulos eorum 50v–53
Apparuerunt apostoli dispertitae linguae - 3a pars (of 3): Loquebantur variis linguis apostoli 50v–53
Ascendo ad patrem meum (6vv) - 1a pars (of 2): Ascendo ad patrem meum et patrem vestrum 28v–31
Ascendo ad patrem meum (6vv) - 2a pars (of 2): Deum meum et Deum vestrum 28v–31
Ascendo ad patrem meum et patrem vestrum (5vv) 31v–33
Benedicta semper sancta sit trinitas O adoranda trinitas. Per te sumus redempti 58v–59
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem et filium Cum sancto spiritu 56v–58
Christ ist erstanden (5vv) [M16] 18v–20
Christ ist erstanden von der marter alle / Christus resurgens ex mortuis 15v–16
Christ lag in Todesbanden für unser Sündt 20v–21
Christe qui lux es et dies noctis (6vv) 2 Precamur sancte Domine defende nos 3 Ne gravis somnus irruat ne hostis 4 Oculi somnum capiant cor ad te 5 Defensor noster aspice insidiantes 6 Memento nostri Domine in gravi 7 Deo patri sit gloria eiusque soli 136v–138
Christum wir sollen loben schon 123v–124
Da pacem Domine (4vv) - 1a pars (of 2): Da pacem Domine in diebus nostris 165v–167
Da pacem Domine (4vv) - 2a pars (of 2): Verleih uns Frieden gnädiglich, Herr Gott 165v–167
Da pacem Domine (5vv) - 1a pars (of 2): Da pacem Domine in diebus nostris 167v–169
Da pacem Domine (5vv) - 2a pars (of 2): Verleih uns Frieden gnädiglich, Herr Gott 167v–169
Deus qui sedes super thronum (4vv) 142v–144
Dies est laetitiae in ortu regali 106v–107
Dies sind die Heilgen Zehn Gebot [ii] 138v–139
Domine ad adjuvandum me festina gloria 119v–120
Ego sum resurrectio et vita dicit Dominus Jesus 17v–18
Ein feste Burg ist unser Gott ein gute Wehr 163v–164
Ein kindelein so löbelich ist uns geboren 105v–106
Es wolt uns Gott genedig sein und seinen segen 162v–163
Et cum inducerent puerum Jesum parentes 131v–132
Festum nunc celebre magnaque gaudia (5vv) 42v–44
Gelobet seist Du, Jesu Christ, dass Du Mensch 101v–102
Gloria. Gratias agimus tibi propter Anonymous 102v–104
Gott sei gelobet und gebenedeyet der uns 172v–173
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo 104v–105
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis 104v–105
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 23v–24
In dulci jubilo nun singet und seid froh 124v–125
In principio erat verbum - 1a pars (of 2): In principio erat verbum et verbum erat 111v–113
In principio erat verbum - 2a pars (of 2): Hoc verbum hodie in altari conflicitur 111v–113
In te Domine speravi - 1a pars (of 2): In te Domine speravi 173v–177
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 173v–177
Ite in orbem universum - 1a pars (of 3): Ite in orbem universum et praedicate dicentes 39v–42
Ite in orbem universum - 2a pars (of 3): Qui crediderit et baptisatus fuerit 39v–42
Ite in orbem universum - 3a pars (of 3): In nomine patris et filii et spiritus 39v–42
Jesaja dem Propheten das geschah 169v–172
Jesus Christus nostra salus quod reclamat 141v–142
Komm Gott Schöpfer Heiliger Geist 53v–54
Kyrie eleison Anonymous 98v–99
Laudate Dominum omnes gentes, laudate eum 164v–165
Lumen ad revelationem gentium et gloriam 134v–135
Magnificat octavi toni: Et exultavit [K.407, K.1140] 24v–26
Magnificat octavi toni: Et exultavit [K.987] 177v–183
Magnificat Quinti Toni: Et exultavit [K.1137] 125v–127
Missa Baisez-moi: Agnus Dei 65v–77
Missa Baisez-moi: Credo 65v–77
Missa Baisez-moi: Gloria 65v–77
Missa Baisez-moi: Kyrie 65v–77
Missa Baisez-moi: Sanctus 65v–77
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei 113v–119
Missa Beata Virgine = Missa Coronata 3.3: Credo 77v–88
Missa Beata Virgine = Missa Coronata 3.3: Gloria 77v–88
Missa Beata Virgine = Missa Coronata 3.3: Kyrie 77v–88
Missa Beata Virgine = Missa Coronata 3.3: Sanctus 113v–119
Missa Commune: Kyrie eleison 96v–97
Missa Feriale: Kyrie eleison 95v–96
Missa Paschalis: Gloria 4v–10
Missa Paschalis: Kyrie 4v–10
Mit fried und freud ich fahr dahin 135v–136
Mitten wir im Leben sind mit dem Tod umfangen 139v–141
Ne timeas Zacharia Exaudita est oratio tua Vs: Domine in virtute Et super salutare tuum 59v–62
Nesciens mater virgo virum peperit 127v–129
Non moriar sed vivam et narrabo opera 21v–23
Nun bitten wir den heiligen geist (5vv) 49v–50
Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum Domine secundum 132v–134
Nunc dimittis - 2a pars (of 2): Lumen ad revelationem gentium et gloriam 132v–134
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 145v–152v
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 145v–152v
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 145v–152v
Passio secundum Johannem: Jesum von Nazareth 159v–162
Passio secundum Matthaeum: Ja nicht auf das fest 158–159
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit 99v–101
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti sessionem 2v–4
Rex Christe factor omnium redemptor 3 Qui es creator syderum tegmen subisti 5 Cruci redemptor figeris terram sed omnem 6 Mox in paternae gloriae victor 144v–145
Salus populi ego sum Dicit Dominus Vs: Attendite popule meus Inclinate aurem vestram 63v–65
Salve festa dies - 1a pars (of 3): Salve festa dies toto venerabilis aevo 10v–13
Salve festa dies - 2a pars (of 3): Ecce renascentis testatur gratia 10v–13
Salve festa dies - 3a pars (of 3): Namque triumphanti post tristia 10v–13
Set of responses Amen. Deo gratias. Et cum spiritu tuo 1v–2
Sic Deus dilexit mundum ut filium suum = Incessament mon povre coeur lamente 29.9 97v–98
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo 44v–46
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus et laudabilis In civitate Dei nostri 129v–131
Tanto tempore vobiscum (5vv, M112) - 1a pars (of 2): Tanto tempore vobiscum sum et non cognovistis - Philippe qui videt me 33v–39
Tanto tempore vobiscum (5vv, M112) - 2a pars (of 2): Non turbetur cor vestrum creditis - Philippe qui videt me 33v–39
Te Deum laudamus Te aeternum patrem [K.1149] 88v–95
Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum 46v–49
Veni sancte spiritus reple tuorum corda 54v–56
Verbum caro factum - 1a pars (of 3): Verbum caro factum est et habitavit 120v–123
Verbum caro factum - 2a pars (of 3): Plenum gratia et veritate 120v–123
Verbum caro factum - 3a pars (of 3): In principio erat verbum et verbum 120v–123
Verbum Domini manet in aeternam 16v–17
Victime paschali laudes immolent Christiani Agnus redemit oves Christus innocens 13v–15
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] 26v–28
Wir glauben all an einen Gott [Credo] (6vv) 107v–109
Wir glauben all an einen Gott [Credo] (I) (4vv) 109v–111

denotes primary source study

Schlüter, Marie. 2010. Musikgeschichte Wittenbergs im 16. Jahrhundert: quellenkundliche und sozialgeschichtliche Untersuchungen.  Göttingen. Pages: 133-136.

Heidrich, Jürgen. 1993. Die deutschen Chorbücher aus der Hofkapelle Friedrich des Weisen. Sammlung Musikwissenschaftlicher Abhandlungen.  Baden-Baden.

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus.  Kassel, Basel, and London. Pages: 323-5. Notes: contents list (partial); incipits (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 71-3, 80, 88. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 172. Notes: contents list (partial); concordances (partial); incipits (partial).

Parker, Robert LeRoy (editor). 1964-. Collected Works of Adam Rener.  Brooklyn. Pages: I, xiv, xxiv. Notes: mention of MS; contents list (partial); concordances (partial).

Schröder, Otto (editor). 1953-70. Johann Walter: Sämtliche Werke.  Kassel and Basel. Pages: I, xvii III, 83-4, 97 IV ,122, passim VI, passim. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Gerhardt, Carl. 1949. Die Torgauer Walter-Handschriften: Eine Studie zur Quellenkunde der Musikgeschichte der deutschen Reformationszeit.  Kassel and Basel. Pages: 25-9, passim. Notes: physical description; contents list; concordances; mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, xi, 78, 83, 90. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial).

Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: i, 31, 54.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: XVI, xlv-lix. Notes: physical description; contents list (partial); concordances (partial).

Aber, Adolf. 1921. : Die Pflege der Musik unter den Wettinern und wettinischen Ernestinern.  Bückeburg and Leipzig. Pages: 93-4, 97-9. Notes: physical description; contents list; concordances (partial); discussion.

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XXVIII, [v-viii]. Notes: physical description; contents list (partial); concordances (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description