A Tenor/Altus partbook. Copied by one main scribe and two or three additional scribes. Probably copied in Valladolid.
E-V 17
Catedral Metropolitana, Archivo de Música, Valladolid, Spain
partbook: Last third of 16th century
| Archive | Catedral Metropolitana, Archivo de Música, Valladolid, Spain (E-V) |
|---|---|
| Shelfmark | 17 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 176 x 249 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 107 compositions, 83 from 37 composers, 24 are anonymous. |
General Description
Physical Description
some folios missing
Binding
Original parchment covers
Watermark
No watermarks visible
Notation
black void mensural
Ruling
Staff height 15
Foliation
Original ink foliation, 1-200 (ff. 1, 8, 30-39, 45-66, 131-153, 157-160, 179 now missing; '90' and '91' omitted)
Decoration
Inked calligraphic initials
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Lamentation, 19 motets, 31 Italian secular pieces, 25 Spanish secular pieces (3 without text; 3 incomplete), 23 French secular pieces, 1 Latin secular piece, 5 textless pieces = 105
G. Animuccia-1, Arcadelt-1, Bracquet-1, Buissons-1, R. Ceballos [Cevallos]-3, Clemens non Papa-2, (Conversi)-8, Crecquillon-2, Favello-1, Guerrero-8, Jaquet of Mantua [Jachet]/(Lupus)-1, Josquin-2, Lassus [Orlando]-12, Mel-1, Philippe de Monte-1, (Nanino)-1, Navarro of Seville-2, Nollet [Noletto]-1, Palestrina-3, (R. Parsons I/Wilder)-1, Pevernage-6, Pitigliano-1, B. Ribera-1, Robledo-3, Salmier-1, Severino-2, Striggio-2, Striggio/(Marenzio)-1, (Tartaglino)-1, G. Turnhout-1, Verdelot/(A. Ferrabosco I)-1, N. Vicentino-1, Willaert-2, anon-29
1 paper partbook (T/A-136 folios of an original 200), 176 x 249. Original ink foliation, 1-200 (ff. 1, 8, 30-39, 45-66, 131-153, 157-160, 179 now missing; "90" and "91" omitted). Original parchment covers. No index. Copied by one main scribe and two or three additional scribes. Staff height 15. Inked calligraphic initials. No watermarks visible.
Last third of 16th century. Probably copied in Valladolid.
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‡ denotes primary source study
López Calo, S.J., José. 2007. La música en la Catedral de Valladolid (8 vols.). Valladolid: Ayuntamiento de Valladolid. Notes: description; contents.
Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 55: 267-332. Pages: 308. Notes: contents list (partial); concordances (partial).
Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography, vol. 44. Detroit. Pages: 31, 76-9. Notes: contents list (partial); concordances (partial); incipits (partial).
Calahorra Martínez, Pedro. 1976-77. El polifonista Melchor Robledo y su obra (T1586). Anuario Musical, 31-32: 1-35. Pages: 21, 24. Notes: contents list (partial); concordances (partial).
Stevenson, Robert. 1976. Josquin in the Music of Spain and Portugal. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 217-46. London, New York, and Toronto. Pages: 223-4. Notes: mention of MS; contents list (partial); concordances (partial).
Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 143. Notes: contents list (partial); concordances (partial).
Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 218, 325-6 [sometimes referred to as MS 255]. Notes: contents list (partial); concordances (partial).
Anglès, Higinio. 1948. El Archivo Musical de la Catedral de Valladolid. Anuário Musical, 3: 59ff. Pages: 83-6. Notes: physical description; contents list.
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: VIII, 17-21 IX, passim XVI, 20ff XIX, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XI, vii, x-xiii [referred to as MS 255]. Notes: physical description; contents list (partial); concordances (partial).
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Edward Tambling
Tuesday, 29 July, 2025
Untexted on 126v-128 is Pastores loquebantur by Clemens. Untexted on 128v-129 is Beatus Laurentius by Palestrina. Untexted on 129v-130 is Venit vox de caelo by Clemens. Piece on 195v-196v is Surgens Jesus Dominus noster (2p. Surrexit Dominus de sepulchro) by Michael Charles des Buissons, the author also of the following piece
Benjamin Ory
Wednesday, 17 March, 2021
Willaert's enixa est puerpera listed incorrectly: inventory amended.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description