E-V 17

Catedral Metropolitana, Archivo de Música, Valladolid, Spain

partbook: Last third of 16th century

Archive	Catedral Metropolitana, Archivo de Música, Valladolid, Spain (E-V)
Shelfmark	17
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	176 x 249 mm
Other Identifiers	CCM: VallaC 17 olim (Former shelfmark): MS 255
Notations	black void mensural
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database images Books of Hispanic Polyphony
Provenance	Valladolid? Spain
Contents	109 pieces from 38 composers

General Description

A Tenor/Altus partbook. Copied by one main scribe and two or three additional scribes. Probably copied in Valladolid.

DIAMM, 2017

Physical Description

some folios missing

DIAMM, 2017

Binding

Original parchment covers

DIAMM, 2017

Watermark

No watermarks visible

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 15

DIAMM, 2017

Foliation

Original ink foliation, 1-200 (ff. 1, 8, 30-39, 45-66, 131-153, 157-160, 179 now missing; '90' and '91' omitted)

DIAMM, 2017

Decoration

Inked calligraphic initials

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Lamentation, 19 motets, 31 Italian secular pieces, 25 Spanish secular pieces (3 without text; 3 incomplete), 23 French secular pieces, 1 Latin secular piece, 5 textless pieces = 105

G. Animuccia-1, Arcadelt-1, Bracquet-1, Buissons-1, R. Ceballos [Cevallos]-3, Clemens non Papa-2, (Conversi)-8, Crecquillon-2, Favello-1, Guerrero-8, Jaquet of Mantua [Jachet]/(Lupus)-1, Josquin-2, Lassus [Orlando]-12, Mel-1, Philippe de Monte-1, (Nanino)-1, Navarro of Seville-2, Nollet [Noletto]-1, Palestrina-3, (R. Parsons I/Wilder)-1, Pevernage-6, Pitigliano-1, B. Ribera-1, Robledo-3, Salmier-1, Severino-2, Striggio-2, Striggio/(Marenzio)-1, (Tartaglino)-1, G. Turnhout-1, Verdelot/(A. Ferrabosco I)-1, N. Vicentino-1, Willaert-2, anon-29

1 paper partbook (T/A-136 folios of an original 200), 176 x 249. Original ink foliation, 1-200 (ff. 1, 8, 30-39, 45-66, 131-153, 157-160, 179 now missing; "90" and "91" omitted). Original parchment covers. No index. Copied by one main scribe and two or three additional scribes. Staff height 15. Inked calligraphic initials. No watermarks visible.

Last third of 16th century. Probably copied in Valladolid.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2	... señora pues nos a de valer la compañia at beginning	Anon.	Anonymous
... señora pues nos a de valer la compañia at beginning Anonymous Appears on: 2 Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: Spanish Voice Text: ... señora pues nos a de valer la compañia [incomplete at beginning]
2v–3	Ay vida trabaxosa entre paredes ay questre = Ay Jesus que mal fraile	Anon.	Anonymous
Ay vida trabaxosa entre paredes ay questre = Ay Jesus que mal fraile Anonymous Appears on: 2v–3 Genres: Madrigal Source Attribution: Anon. Voice: [no designation] Languages: Spanish Voice Text: Ay vida trabaxosa entre paredes ay questre
3v–5	Sobre una peña do la mar batia al triste II: O mar si el de mis ojos no te amansa	Navarro [of Seville]	Navarro 'of Seville/Hispalensis', Juan
Sobre una peña do la mar batia al triste II: O mar si el de mis ojos no te amansa Navarro 'of Seville/Hispalensis', Juan Appears on: 3v–5 Genres: Canción Source Attribution: Navarro [of Seville] Voice: [no designation] Languages: French Voice Text: Sobruna peña do la mar batia al triste II: O mar si el de mis ojos no te amansa
5v–6	Quan bienaventurado aquel puede llamarse	Cevallos	Ceballos, Francisco de (1571–)
Quan bienaventurado aquel puede llamarse Ceballos, Francisco de (1571–) Appears on: 5v–6 Genres: Madrigal Source Attribution: Cevallos Voice: [no designation] Languages: Italian Voice Text: Quan bienaventurado aquel puede llamarse
6v–7v	Ribera el sacro Darro - 1a pars (of 2): Ribera el sacro Darro en el arena dorada	[Navarro of Seville]	Navarro 'of Seville/Hispalensis', Juan
Ribera el sacro Darro - 1a pars (of 2): Ribera el sacro Darro en el arena dorada Navarro 'of Seville/Hispalensis', Juan Appears on: 6v–7v Genres: Madrigal Source Attribution: [Navarro of Seville] Voice: [no designation] Languages: Spanish Voice Text: Riberal sacro darro en el arena dorada II: Y aunquel mucho llorar no le dexava
6v–7v	Ribera el sacro Darro - 2a pars (of 2): Y aunque el mucho llorar no le dexava	-	Navarro 'of Seville/Hispalensis', Juan
Ribera el sacro Darro - 2a pars (of 2): Y aunque el mucho llorar no le dexava Navarro 'of Seville/Hispalensis', Juan Appears on: 6v–7v Genres: Madrigal
9	... bien dolientes porque cruel pastora at beginning	Anon.	Anonymous
... bien dolientes porque cruel pastora at beginning Anonymous Appears on: 9 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: ... bien dolientes porque cruel pastora [incomplete at beginning]
9v–10	Pastora que mis ojos hazes fuentes	Anon.	Anonymous
Pastora que mis ojos hazes fuentes Anonymous Appears on: 9v–10 Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: Spanish Voice Text: Pastora que mis ojos hazes fuentes
10v–12	Dardanio con el cuento del cuyado II: Si pudiesse de l'alma tu retrato	Anon.	Anonymous
Dardanio con el cuento del cuyado II: Si pudiesse de l'alma tu retrato Anonymous Appears on: 10v–12 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Dardanio con el cuento del cuyado II: Si pudiesse de lalma tu retrato
12v–13	Ojos claros y serenos que de dulce	Guerrero	Guerrero, Francisco
Ojos claros y serenos que de dulce Guerrero, Francisco Appears on: 12v–13 Genres: Madrigal, Madrigal (English) Source Attribution: Guerrero Voice: [no designation] Languages: Spanish Voice Text: Ojos claros y serenos que de dulce
13v–14	Puix fortuna me a llevat lo millor	Anon.	Anonymous
Puix fortuna me a llevat lo millor Anonymous Appears on: 13v–14 Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: Spanish Voice Text: Puix fortuna me a llevat lo millor
14v–15	Rosales mirtos platanos y flores regalo	Robledo	Robledo, Melchor
Rosales mirtos platanos y flores regalo Robledo, Melchor Appears on: 14v–15 Genres: Secular Source Attribution: Robledo Voice: [no designation] Languages: Spanish Voice Text: Rosales mirtos platanos y flores regalo
15v–16	Or le tue forze adopra per ancidermi amore	[Tartaglino]	Tartaglino, Hippolito
Or le tue forze adopra per ancidermi amore Tartaglino, Hippolito Appears on: 15v–16 Genres: Italian secular Source Attribution: [Tartaglino] Voice: [no designation] Languages: Italian Voice Text: Or le tue [forze adopra] Per ancidermi
16v–17	Illustre silva fertil y abundante	Anon.	Anonymous
Illustre silva fertil y abundante Anonymous Appears on: 16v–17 Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: Spanish Voice Text: Illustre silva fertil y abundante
17–17v	Divina nimpha mia no es menor	[Guerrero]	Guerrero, Francisco
Divina nimpha mia no es menor Guerrero, Francisco Appears on: 17–17v Genres: Canción Source Attribution: [Guerrero] Voice: [no designation] Languages: Latin Voice Text: Divina nimpha mia no es menor
18	Prado verde y florido fuente clara	[Guerrero]	Guerrero, Francisco
Prado verde y florido fuente clara Guerrero, Francisco Appears on: 18 Genres: Secular Source Attribution: [Guerrero] Voice: [no designation] Languages: Italian Voice Text: Prado verde y florido fuente clara
18v–19	Dexo la venda larco y el aljava	[Guerrero]	Guerrero, Francisco
Dexo la venda larco y el aljava Guerrero, Francisco Appears on: 18v–19 Genres: Madrigal Source Attribution: [Guerrero] Voice: [no designation] Languages: Spanish Voice Text: Dexo la venda larco y el aljava
19v–20	untexted	Anon.	-
untexted Appears on: 19v–20 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
20v–21	Dime manso viento si viste a mi pastora	[R. Ceballos]	Ceballos, Rodrigo de (ca. 1525–1581)
Dime manso viento si viste a mi pastora Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 20v–21 Genres: Italian secular Source Attribution: [R. Ceballos] Voice: [no designation] Languages: Italian Voice Text: [Dime manso viento si viste a mi pastora]
21v–22v	Vana esperança que mi pensamiento lo traes	[Guerrero]	Guerrero, Francisco
Vana esperança que mi pensamiento lo traes Guerrero, Francisco Appears on: 21v–22v Genres: Secular Source Attribution: [Guerrero] Voice: [no designation] Languages: Spanish Voice Text: [Vana esperança que mi pensamiento lo traes]
22v–23	untexted	Anon.	-
untexted Appears on: 22v–23 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
23v–24	Avecque vous mon amour finira Puisque mon coeur	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Avecque vous mon amour finira Puisque mon coeur Lassus, Orlande de (ca. 1532–1594) Appears on: 23v–24 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Avecque vous mon amour finera puisque mon cueur
24v–25	Dame d'honneur reluisante comme je voire	Egidius Bracquet	Bracquet, Gilles
Dame d'honneur reluisante comme je voire Bracquet, Gilles Appears on: 24v–25 Genres: Chanson Source Attribution: Egidius Bracquet Voice: [no designation] Languages: French Voice Text: Dame dhonneur reluisante comme je voire
25v–26	Vrai dieu disoit une fillette donnes confort	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Vrai dieu disoit une fillette donnes confort Lassus, Orlande de (ca. 1532–1594) Appears on: 25v–26 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Vray dieu disoit une fillette donnes confort
26v–27	Pour estre ayme par grande loyaulte	Andreas Pevernage	Pevernage, Andreas
Pour estre ayme par grande loyaulte Pevernage, Andreas Appears on: 26v–27 Genres: Chanson Source Attribution: Andreas Pevernage Voice: [no designation] Languages: French Voice Text: Pour estre ayme par grande loyaulte
27v–28	Comment amour ne veulx tu tourmenter	Arcadelt	Arcadelt, Jacques (ca. 1507–1568)
Comment amour ne veulx tu tourmenter Arcadelt, Jacques (ca. 1507–1568) Appears on: 27v–28 Genres: Chanson Source Attribution: Arcadelt Voice: [no designation] Languages: French Voice Text: Comment amour ne veulx tu tourmenter
28v–29	Rosales mirtos plátanos y flores regalo	[R. Ceballos]	Ceballos, Rodrigo de (ca. 1525–1581)
Rosales mirtos plátanos y flores regalo Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 28v–29 Genres: Secular Source Attribution: [R. Ceballos] Voice: [no designation] Languages: Spanish Voice Text: [Rosales mirtos plátanos y flores regalo]
40v–41	Las voules vous qu'une personne chante	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Las voules vous qu'une personne chante Lassus, Orlande de (ca. 1532–1594) Appears on: 40v–41 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Las voules vous qu'[u]ne personne chante
41v–42	Un gay berger prioit une bergère	Crecquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Un gay berger prioit une bergère Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 41v–42 Genres: Chanson Source Attribution: Crecquillon Voice: [no designation] Languages: French Voice Text: Un gay bergier prioit une bergiere
42v–43	Un doulx nenni avec un doulx soubrire	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Un doulx nenni avec un doulx soubrire Lassus, Orlande de (ca. 1532–1594) Appears on: 42v–43 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Un doulx nenni avec un doulx soubrire
43v–44	Nuptiae factae sunt in Cana Galilaeae (2p. Dixit mater eius ministris quodcumque; 3p. Et dicit eis Jesus haurite nunc; 4p. Omnis homo primum bonum vinum ponit)	[Lassus]	Lassus, Orlande de (ca. 1532–1594)
Nuptiae factae sunt in Cana Galilaeae (2p. Dixit mater eius ministris quodcumque; 3p. Et dicit eis Jesus haurite nunc; 4p. Omnis homo primum bonum vinum ponit) Lassus, Orlande de (ca. 1532–1594) Appears on: 43v–44 Genres: Motet Source Attribution: [Lassus] Voice: [no designation] Languages: French Voice Text: O comme heureulx jestimeroy mo[n] cueur (Incorrectly designated as Pars II of "Un doulx nenni" on ff. 42v-43)
67v–68	Contente vous d'avoir tel serviteur	Andreas Pevernage	Pevernage, Andreas
Contente vous d'avoir tel serviteur Pevernage, Andreas Appears on: 67v–68 Genres: Chanson Source Attribution: Andreas Pevernage Voice: [no designation] Languages: French Voice Text: Contente vous davoir tel serviteur
68v–69	Si ie vous ayme par amour ne le prenes	Gerardo a Turnhout	Gerarde (?) Gerarde, Derrick (fl. c1540–1580) (?)
Si ie vous ayme par amour ne le prenes Gerarde (?) Gerarde, Derrick (fl. c1540–1580) (?) Appears on: 68v–69 Genres: Chanson Source Attribution: Gerardo a Turnhout Voice: [no designation] Languages: French Voice Text: Si ie vous ayme par amour ne le prenes
69v–70	Secoures moi madame par amours	Andriu Pevernage	Pevernage, Andreas
Secoures moi madame par amours Pevernage, Andreas Appears on: 69v–70 Genres: Chanson Source Attribution: Andriu Pevernage Voice: [no designation] Languages: French Voice Text: Secoures moy madame par amours
70v–71	Je file quand Dieu me donne de quoi	[R. Parsons I/Wilder]	Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)
Je file quand Dieu me donne de quoi Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?) Appears on: 70v–71 Genres: Chanson Source Attribution: [R. Parsons I/Wilder] Voice: [no designation] Languages: French Voice Text: Je fille quant dieu me donne de quoy
71v–72	Le rossignol plaisant et gracieulx	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Le rossignol plaisant et gracieulx Lassus, Orlande de (ca. 1532–1594) Appears on: 71v–72 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Le rossignol plaisant et gratieux
72v–73	Ardant amour souvent me fait instance	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Ardant amour souvent me fait instance Lassus, Orlande de (ca. 1532–1594) Appears on: 72v–73 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Ardant amour souvent me faict instance
73v–75	Despues que de mis ojos se alexaron II: Y abeis como sin fili humidos	Julio Severino	Severino, Giulio
Despues que de mis ojos se alexaron II: Y abeis como sin fili humidos Severino, Giulio Appears on: 73v–75 Genres: Motet Source Attribution: Julio Severino Voice: [no designation] Languages: Spanish Voice Text: Despues que de mis ojos se alexaron II: Y abeis como sin fili humidos
75v–76	Pis ne me peult venir que j'ai jusques ici	Crecquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Pis ne me peult venir que j'ai jusques ici Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 75v–76 Genres: Chanson Source Attribution: Crecquillon Voice: [no designation] Languages: French Voice Text: Pis ne me peult venir que iay iusques icy
76v–77	Susanne un jour d'amour solicitée par deux viellards	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Susanne un jour d'amour solicitée par deux viellards Lassus, Orlande de (ca. 1532–1594) Appears on: 76v–77 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Susanne un iour damour sollicitee (Later hand added Spanish version below original text)
77v–78	Jouissance vous donnerai, mon ami	Willart	Willaert, Adrian (ca. 1490–1562)
Jouissance vous donnerai, mon ami Willaert, Adrian (ca. 1490–1562) Appears on: 77v–78 Genres: Chanson Source Attribution: Willart Voice: [no designation] Languages: French Voice Text: Jouissance vous donneray mon amy
78v–79	Faicte le sans dire faicte le et vous	Claudius Salmier	Salmier, Claudius
Faicte le sans dire faicte le et vous Salmier, Claudius Appears on: 78v–79 Genres: Chanson Source Attribution: Claudius Salmier Voice: [no designation] Languages: French Voice Text: Faicte le sans dire faicte le et vous
79v–80	Mon coeur se recommande a vous	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Mon coeur se recommande a vous Lassus, Orlande de (ca. 1532–1594) Appears on: 79v–80 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Mon cueur se recommande a vous
80v–82	O mas dura que marmor a mis quexas II: Verguença e que mevea ninguno en tal	Julio Severino	Severino, Giulio
O mas dura que marmor a mis quexas II: Verguença e que mevea ninguno en tal Severino, Giulio Appears on: 80v–82 Genres: Chanson Source Attribution: Julio Severino Voice: [no designation] Languages: Latin Voice Text: O mas dura que marmor a mis quexas II: Verguença e que mevea ninguno en tal
82v–84	Cari scogli diletti e fid'arene chi miei II: O solitari coll' O verde riva stanchi	Girolamo Pitigliano	Pitigliano, Girolamo
Cari scogli diletti e fid'arene chi miei II: O solitari coll' O verde riva stanchi Pitigliano, Girolamo Appears on: 82v–84 Genres: Italian secular Source Attribution: Girolamo Pitigliano Voice: [no designation] Languages: Italian Voice Text: Cari scogli diletti e fid'arene chi miei II: O solitari coll' O verde riva stanchi
84v–85	Son questi quei begli occhi in cui mirando	Anon.	Anonymous
Son questi quei begli occhi in cui mirando Anonymous Appears on: 84v–85 Genres: Madrigal (Italian) Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Son questi quei begliocchi in cui mirando
85v–86	Daffanno e di dolore si notrisc'il mio core	Anon.	Anonymous
Daffanno e di dolore si notrisc'il mio core Anonymous Appears on: 85v–86 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Daffanno e di dolore si notrisc'il mio core
86v–88	Amor m'ha posto come segno astrale II: I pensier son saette el viso	[Nanino]	Nanino, Giovanni Maria
Amor m'ha posto come segno astrale II: I pensier son saette el viso Nanino, Giovanni Maria Appears on: 86v–88 Genres: Italian secular Source Attribution: [Nanino] Voice: [no designation] Languages: Italian Voice Text: Amor m'ha posto come segno astrale II: I pensier son saette el viso
88v–89	Arse quest'alma un tempo et a tal fiamma	Anon.	Anonymous
Arse quest'alma un tempo et a tal fiamma Anonymous Appears on: 88v–89 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Arse quest'alma un tempo et a tal fiamma
89v–92 ("90" and "91" omitted by foliator)	Di lagrime quel primo e di sospiri	Anon.	Anonymous
Di lagrime quel primo e di sospiri Anonymous Appears on: 89v–92 ("90" and "91" omitted by foliator) Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Di lagrime quel primo e di sospiri
92v–94	Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta)	[Conversi]	Conversi, Girolamo
Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta) Conversi, Girolamo Appears on: 92v–94 Genres: Motet Source Attribution: [Conversi] Voice: [no designation] Languages: Italian Voice Text: Alma guidott'amar colei ch'ogn'hora lieta II: Ma se tempo giamai vera che sciolta
94v–95	Poi che m'hai tolto la tua dolce vista	[Conversi]	Conversi, Girolamo
Poi che m'hai tolto la tua dolce vista Conversi, Girolamo Appears on: 94v–95 Genres: Italian secular Source Attribution: [Conversi] Voice: [no designation] Languages: Italian Voice Text: Poi che mvhai tolto la tua dolce vista
95v–96	Nasce la doglia mia dal vedermi levar	[Conversi]	Conversi, Girolamo
Nasce la doglia mia dal vedermi levar Conversi, Girolamo Appears on: 95v–96 Genres: Italian secular Source Attribution: [Conversi] Voice: [no designation] Languages: Italian Voice Text: Nasce la doglia mia dal vedermi levar
96v–97	Perche giovane sei disprezz'amore e sempre	[Conversi]	Conversi, Girolamo
Perche giovane sei disprezz'amore e sempre Conversi, Girolamo Appears on: 96v–97 Genres: Italian secular Source Attribution: [Conversi] Voice: [no designation] Languages: Italian Voice Text: Perche giovane sei disprezz'amore e sempre
97v–98	Tutti correte ad uno a quella che con leggiadro	[Conversi]	Conversi, Girolamo
Tutti correte ad uno a quella che con leggiadro Conversi, Girolamo Appears on: 97v–98 Genres: Italian secular Source Attribution: [Conversi] Voice: [no designation] Languages: Italian Voice Text: Tutti correte ad uno a quella che con leggiadro
98v–99	Corri corri mamma doro se non corre	[Conversi]	Conversi, Girolamo
Corri corri mamma doro se non corre Conversi, Girolamo Appears on: 98v–99 Genres: Italian secular Source Attribution: [Conversi] Voice: [no designation] Languages: Spanish Voice Text: Corri corri mamma doro se non corre
99v–100	Sola soletta io me ne vo cantando	[Conversi]	Conversi, Girolamo
Sola soletta io me ne vo cantando Conversi, Girolamo Appears on: 99v–100 Genres: Italian secular Source Attribution: [Conversi] Voice: [no designation] Languages: Italian Voice Text: Sola [soletta] io me ne vo cantando
100v–101	Io vo gridando come spiritato la nott'el giorno	[Conversi]	Conversi, Girolamo
Io vo gridando come spiritato la nott'el giorno Conversi, Girolamo Appears on: 100v–101 Genres: Italian secular Source Attribution: [Conversi] Voice: [no designation] Languages: Italian Voice Text: Io vo gridando come spiritato la nott'el giorno
101v–102	Se tant'el tuo valor'com'ogn'un dice	Anon.	Anonymous
Se tant'el tuo valor'com'ogn'un dice Anonymous Appears on: 101v–102 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Se tant'el tuo valor'com'ogn'un dice
102v–103	Deh segl'e ver che tua potenza sia	Anon.	Anonymous
Deh segl'e ver che tua potenza sia Anonymous Appears on: 102v–103 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Deh segl'e ver che tua potenza sia
103v–104	Deh mostra qui cio che tu vagli amore	Anon.	Anonymous
Deh mostra qui cio che tu vagli amore Anonymous Appears on: 103v–104 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Deh mostra qui cio che tu vagli amore
104v–105	Si dira poiche giov'el grand'Achille	Anon.	Anonymous
Si dira poiche giov'el grand'Achille Anonymous Appears on: 104v–105 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Si dira poiche giov'el grand'Achille
105v–106	Prend'amor dunque l'arc ei strali doro	Anon.	Anonymous
Prend'amor dunque l'arc ei strali doro Anonymous Appears on: 105v–106 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Prend'amor dunque l'arc ei strali doro
106v–107	Claros y hermosos ojos de donde amor	Guerero	Guerrero, Francisco
Claros y hermosos ojos de donde amor Guerrero, Francisco Appears on: 106v–107 Genres: Secular, Song Source Attribution: Guerero Voice: [no designation] Languages: Spanish Voice Text: Claros y hermosos ojos de donde amor
107v–108	Baxaste me señora a tal estado	Guerero	Guerrero, Francisco
Baxaste me señora a tal estado Guerrero, Francisco Appears on: 107v–108 Genres: Song Source Attribution: Guerero Voice: [no designation] Languages: Spanish Voice Text: Baxaste me señora a tal estado
108v–109v	Mi offensa es grande sea lo el tormento	Guerero	Guerrero, Francisco
Mi offensa es grande sea lo el tormento Guerrero, Francisco Appears on: 108v–109v Genres: Italian secular Source Attribution: Guerero Voice: [no designation] Languages: Spanish Voice Text: Mi offensa es grande sea lo el tormento
110–110v	Mon coeur ravi d'amour fort variable	[Lassus]	Lassus, Orlande de (ca. 1532–1594)
Mon coeur ravi d'amour fort variable Lassus, Orlande de (ca. 1532–1594) Appears on: 110–110v Genres: Chanson Source Attribution: [Lassus] Voice: [no designation] Languages: French Voice Text: Mon cuer ravit damour [fort variable]
111v–112	Aspice Domine quia facta est desolata	Jachet [of Mantua]/[Lupus]	Hellinck, Lupus (ca. 1494–1541) (?) Mantua, Jacquet de (1483–1559) (?)
Aspice Domine quia facta est desolata Hellinck, Lupus (ca. 1494–1541) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: 111v–112 Genres: Motet Source Attribution: Jachet [of Mantua]/[Lupus] Voice: [no designation] Languages: Latin Voice Text: Aspice domine quia facta est desolata
112v–114	Domine Deus qui conteris bella ab initio II: Tu Domine cui humilium semper	Joanne Petro [= Palestrina]	Palestrina, Giovanni Pierluigi da (1525–1594)
Domine Deus qui conteris bella ab initio II: Tu Domine cui humilium semper Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 112v–114 Genres: Motet Source Attribution: Joanne Petro [= Palestrina] Voice: [no designation] Languages: Latin Voice Text: Domine deus qui conteris bella ab initio II: Tu domine cui humilium semper
114v–115	O salutaris hostia que caeli pandis	Anon.	Anonymous
O salutaris hostia que caeli pandis Anonymous Appears on: 114v–115 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O salutaris hostia que caeli pandis
115v–116	Ave virginum gemma Catherina, ave sponsa	Nicolas Vincentinus	Vicentino, Nicola
Ave virginum gemma Catherina, ave sponsa Vicentino, Nicola Appears on: 115v–116 Genres: Motet Source Attribution: Nicolas Vincentinus Voice: [no designation] Languages: Latin Voice Text: Ave virginum gemma Catherina ave sponsa
116v–117	Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire)	Josquin des Pres	Despres, Josquin (ca. 1450–1521)
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) Despres, Josquin (ca. 1450–1521) Appears on: 116v–117 Genres: Motet, Stabat Mater Source Attribution: Josquin des Pres Voice: [no designation] Languages: Latin Voice Text: Stabat mater [dolorosa iuxta crucem] 25.9 II: Eya mater fons amoris [me sentire]
118v–120	Alma venus vultu languentem despice laeto II: Nunc elegos divae querulos dimittere	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Alma venus vultu languentem despice laeto II: Nunc elegos divae querulos dimittere Lassus, Orlande de (ca. 1532–1594) Appears on: 118v–120 Genres: Motet Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: Latin Voice Text: Alma venus vultu languentem despice laeto II: Nunc elegos divae querulos dimittere
120v–121	Concessum est mare et contremuit terra	Robledo	Robledo, Melchor
Concessum est mare et contremuit terra Robledo, Melchor Appears on: 120v–121 Genres: Motet Source Attribution: Robledo Voice: [no designation] Languages: Latin Voice Text: Concessum est mare et contremuit terra
121v–124	Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius)	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 121v–124 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis eius
124v–126	Gustate et videte (2p. Divites eguerunt)	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Gustate et videte (2p. Divites eguerunt) Lassus, Orlande de (ca. 1532–1594) Appears on: 124v–126 Genres: Motet Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: Latin Voice Text: Gustate et videte quoniam suavis est II: Divites eguerunt et esurierunt
126v–128	untexted	Anon.	-
untexted Appears on: 126v–128 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
128v–129	untexted	Anon.	-
untexted Appears on: 128v–129 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
129v–130	untexted	Anon.	-
untexted Appears on: 129v–130 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
154v–155	Vous perdez temps de me dire mal delle	Andreas Pevernage	Pevernage, Andreas
Vous perdez temps de me dire mal delle Pevernage, Andreas Appears on: 154v–155 Genres: Chanson Source Attribution: Andreas Pevernage Voice: [no designation] Languages: French Voice Text: Vous perdez temps de me dire mal delle
155v–156	Si je vis en paine et en langueur	Andreas Pevernage	Pevernage, Andreas
Si je vis en paine et en langueur Pevernage, Andreas Appears on: 155v–156 Genres: Chanson Source Attribution: Andreas Pevernage Voice: [no designation] Languages: French Voice Text: Si ie vis en paine et en langueur
161v–162	Prado verdo y florido - 1a pars (of 2): Prado verdo y florido fuente clara alegres	Anon.	Anonymous
Prado verdo y florido - 1a pars (of 2): Prado verdo y florido fuente clara alegres Anonymous Appears on: 161v–162 Genres: Madrigal Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Prado verdvy florido fuente clara alegres II: El fresco y manso viento que os alegra
162v–163	Prado verdo y florido - 2a pars (of 2): El fresco y manso viento que os alegra	-	Anonymous
Prado verdo y florido - 2a pars (of 2): El fresco y manso viento que os alegra Anonymous Appears on: 162v–163 Genres: Madrigal
163v–164	Chi vuol veder quandunque puo natura	Anon.	Anonymous
Chi vuol veder quandunque puo natura Anonymous Appears on: 163v–164 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Chi vuol veder quantunque puo natura
164v–166	Vorei ne so di cui piu lamentarme II: Debbo dunque biasmar me lui et lei	Renir de Mel	Mel, Rinaldo del
Vorei ne so di cui piu lamentarme II: Debbo dunque biasmar me lui et lei Mel, Rinaldo del Appears on: 164v–166 Genres: Italian secular Source Attribution: Renir de Mel Voice: [no designation] Languages: Italian Voice Text: Vorei ne so di cui piu lamentarme II: Deb[b]o dunque [biasmar me lui et] lei
166v–167	Si dol preggiat a cui dell'aspra vita	Anon.	Anonymous
Si dol preggiat a cui dell'aspra vita Anonymous Appears on: 166v–167 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Si dol preggiat a cui dell'aspra vita
167v–168	Sive dogliosovil core vine sol per servir	Nicolo Favello	Favello, Nicolo
Sive dogliosovil core vine sol per servir Favello, Nicolo Appears on: 167v–168 Genres: Italian secular Source Attribution: Nicolo Favello Voice: [no designation] Languages: Latin Voice Text: Sive dogliosovil core vine sol per servir
168v–170	Recuerde el alma dormida abive el seso II: Quan presto se va el plazer como	Robledo	Robledo, Melchor
Recuerde el alma dormida abive el seso II: Quan presto se va el plazer como Robledo, Melchor Appears on: 168v–170 Genres: Italian secular Source Attribution: Robledo Voice: [no designation] Languages: Latin Voice Text: Recuerde el alma dormida abive el seso II: Quan presto se va el plazer como
170v–171	Quant' in mill' anni il ciel dovea mostrarne	Noletto [= Nollet]	Nollet
Quant' in mill' anni il ciel dovea mostrarne Nollet Appears on: 170v–171 Genres: Madrigal (Italian) Source Attribution: Noletto [= Nollet] Voice: [no designation] Languages: Italian Voice Text: Quant'in mill'anni il ciel dovea mostrarne
171v–172	Ahi dispietato amor come consenti ch'io	Alessandro Striggio	Striggio, Alessandro (ca. 1536–1592)
Ahi dispietato amor come consenti ch'io Striggio, Alessandro (ca. 1536–1592) Appears on: 171v–172 Genres: Italian secular Source Attribution: Alessandro Striggio Voice: [no designation] Languages: Italian Voice Text: Ahi dispietato amor come consenti ch'io
172v–174	Io son si stanco sott'il grave peso II: Hora per far le mie dolcezze	Philippo de Monte	Monte, Philippe de
Io son si stanco sott'il grave peso II: Hora per far le mie dolcezze Monte, Philippe de Appears on: 172v–174 Genres: Italian secular Source Attribution: Philippo de Monte Voice: [no designation] Languages: Italian Voice Text: Io son si stanco sott'il grave peso II: Hora per far [le mie dolcezze]
174v–175	Ultimi miei sospiri che mi lasciate	Verdelot/[A. Ferrabosco I]	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532)
Ultimi miei sospiri che mi lasciate Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 174v–175 Genres: Madrigal (Italian) Source Attribution: Verdelot/[A. Ferrabosco I] Voice: [no designation] Languages: Italian Voice Text: Ultimi miei sospiri che mi lasciate
175v–176	Nasce la pena mia non potendo mirar	Alessandro Striggio/[Marenzio]	Striggio, Alessandro (ca. 1536–1592)
Nasce la pena mia non potendo mirar Striggio, Alessandro (ca. 1536–1592) Appears on: 175v–176 Genres: Italian secular Source Attribution: Alessandro Striggio/[Marenzio] Voice: [no designation] Languages: Italian Voice Text: Nasce la pena mia non potendo mira[r]
176v–177	Ancor ch'io possa dire che d'haver (6vv)	A. Striggio	Striggio, Alessandro (ca. 1536–1592)
Ancor ch'io possa dire che d'haver (6vv) Striggio, Alessandro (ca. 1536–1592) Appears on: 176v–177 Genres: Madrigal (Italian) Source Attribution: A. Striggio Voice: [no designation] Languages: Italian Voice Text: Anchor ch'io possa dire che d'haver
177v–178	Nasce la gioia mia ogni volta	Gio: Animucio [= G. Animuccia]	Animuccia, Giovanni (ca. 1520–1571)
Nasce la gioia mia ogni volta Animuccia, Giovanni (ca. 1520–1571) Appears on: 177v–178 Genres: Italian secular Source Attribution: Gio: Animucio [= G. Animuccia] Voice: [no designation] Languages: Italian Voice Text: Na[s]ce la gioia mia ogni volta
181v–182	O bone Jesu exaudi me separari a te	Palestrina	Palestrina, Giovanni Pierluigi da (1525–1594)
O bone Jesu exaudi me separari a te Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 181v–182 Genres: Motet Source Attribution: Palestrina Voice: [no designation] Languages: Latin Voice Text: O bone Jesu exaudi me separari a te
182v–184	Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum)	Josquin des Pres	Despres, Josquin (ca. 1450–1521)
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) Despres, Josquin (ca. 1450–1521) Appears on: 182v–184 Genres: Motet Source Attribution: Josquin des Pres Voice: [no designation] Languages: Latin Voice Text: Benedicta es celorum regina et mundi 23.13 II: Per illud ave [prolatum] III: Nunc mater exora natum
184v–185	Dimitte me ergo ut plangam paululum	Bernardino R[iber]a	Ribera, Antonio de
Dimitte me ergo ut plangam paululum Ribera, Antonio de Appears on: 184v–185 Genres: Motet Source Attribution: Bernardino R[iber]a Voice: [no designation] Languages: Latin Voice Text: Dimitte me ergo ut plangam paululum
185v–186	Tityre tu patulae recubans sub tegmine (2p. O Meliboee deus nobis haec otia fecit)	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Tityre tu patulae recubans sub tegmine (2p. O Meliboee deus nobis haec otia fecit) Lassus, Orlande de (ca. 1532–1594) Appears on: 185v–186 Genres: Motet Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: Latin Voice Text: Tytire tu patule recubans sub tegmine
186v–187	O Domine Jesu Christe adoro te in cruce	[Palestrina]	Palestrina, Giovanni Pierluigi da (1525–1594)
O Domine Jesu Christe adoro te in cruce Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 186v–187 Genres: Motet Source Attribution: [Palestrina] Voice: [no designation] Languages: Latin Voice Text: O domine Jesu Christe adoro te in cruce
187v–189	Si bona suscepimus de manu Domini	Anon.	Anonymous
Si bona suscepimus de manu Domini Anonymous Appears on: 187v–189 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Si bona suscepimus de manu domini
189v–190v	Ego flos campi et lilium convalium	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ego flos campi et lilium convalium Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 189v–190v Genres: Motet Source Attribution: Clemens [non Papa] Voice: [no designation] Languages: Latin Voice Text: Ego flos campi et lilium convallium
191–192	Je porte tes couleurs madame et ma maistresse	Andreas Pevernage	Pevernage, Andreas
Je porte tes couleurs madame et ma maistresse Pevernage, Andreas Appears on: 191–192 Genres: Chanson Source Attribution: Andreas Pevernage Voice: [no designation] Languages: French Voice Text: Je porte tes couleurs madame et ma maistresse
192v–193	Enixa est puerpera - 1a pars (of 2): Enixa est puerpera fulget dies quem predixerat	Adrianus Willart	Willaert, Adrian (ca. 1490–1562)
Enixa est puerpera - 1a pars (of 2): Enixa est puerpera fulget dies quem predixerat Willaert, Adrian (ca. 1490–1562) Appears on: 192v–193 Genres: Motet Source Attribution: Adrianus Willart Voice: [no designation] Languages: Latin Voice Text: Enixa est puerpera fulget dies quem Gabriel II: Parvoque lacte pastus est fulget dies
193v–194	Enixa est puerpera - 2a pars (of 2): Parvoque lacte pastus est fulget dies	-	Willaert, Adrian (ca. 1490–1562)
Enixa est puerpera - 2a pars (of 2): Parvoque lacte pastus est fulget dies Willaert, Adrian (ca. 1490–1562) Appears on: 193v–194 Genres: Motet
194v–195	Dixerunt discipuli ad beatum Martinum	Anon.	Anonymous
Dixerunt discipuli ad beatum Martinum Anonymous Appears on: 194v–195 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dixerunt discipuli ad beatum Martinum
195v–196v	Surrexit Christus spes nostra precedet suos II: Surrexit Dominus Scimus Christum	Anon.	Anonymous
Surrexit Christus spes nostra precedet suos II: Surrexit Dominus Scimus Christum Anonymous Appears on: 195v–196v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Surrexit Christus spes nostra precedet suos II: [Surrexit dominus] Scimus Christum
197v–199	Ascendens Christus in altum alleluia (2p. Ascendit Deus in jubilatione)	Michael des Buissons	Buissons, Michael Charles des (fl. 1560–70)
Ascendens Christus in altum alleluia (2p. Ascendit Deus in jubilatione) Buissons, Michael Charles des (fl. 1560–70) Appears on: 197v–199 Genres: Motet Source Attribution: Michael des Buissons Voice: [no designation] Languages: Latin Voice Text: Ascendens Christus in altum alleluia II: Ascendit deus in iubilatione alleluia
199v–200	Incipit lamentatio Jeremiae prophetae Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Jerusalem convertere ad Dominum Deum	Anon.	Anonymous
Incipit lamentatio Jeremiae prophetae Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Jerusalem convertere ad Dominum Deum Anonymous Appears on: 199v–200 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit lamentatio Ieremie prophetae Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Ierusalem convertere ad dominum deum

Composer	Compositions
Animuccia, Giovanni (ca. 1520–1571)	Nasce la gioia mia ogni volta – 177v–178
Anonymous	... bien dolientes porque cruel pastora at beginning – 9 ... señora pues nos a de valer la compañia at beginning – 2 Arse quest'alma un tempo et a tal fiamma – 88v–89 Ay vida trabaxosa entre paredes ay questre = Ay Jesus que mal fraile – 2v–3 Chi vuol veder quandunque puo natura – 163v–164 Daffanno e di dolore si notrisc'il mio core – 85v–86 Dardanio con el cuento del cuyado II: Si pudiesse de l'alma tu retrato – 10v–12 Deh mostra qui cio che tu vagli amore – 103v–104 Deh segl'e ver che tua potenza sia – 102v–103 Di lagrime quel primo e di sospiri – 89v–92 ("90" and "91" omitted by foliator) Dixerunt discipuli ad beatum Martinum – 194v–195 Illustre silva fertil y abundante – 16v–17 Incipit lamentatio Jeremiae prophetae Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Jerusalem convertere ad Dominum Deum – 199v–200 O salutaris hostia que caeli pandis – 114v–115 Pastora que mis ojos hazes fuentes – 9v–10 Prado verdo y florido - 1a pars (of 2): Prado verdo y florido fuente clara alegres – 161v–162 Prado verdo y florido - 2a pars (of 2): El fresco y manso viento que os alegra – 162v–163 Prend'amor dunque l'arc ei strali doro – 105v–106 Puix fortuna me a llevat lo millor – 13v–14 Se tant'el tuo valor'com'ogn'un dice – 101v–102 Si bona suscepimus de manu Domini – 187v–189 Si dira poiche giov'el grand'Achille – 104v–105 Si dol preggiat a cui dell'aspra vita – 166v–167 Son questi quei begli occhi in cui mirando – 84v–85 Surrexit Christus spes nostra precedet suos II: Surrexit Dominus Scimus Christum – 195v–196v [No description] – 129v–130 [No description] – 22v–23 [No description] – 19v–20 [No description] – 126v–128 [No description] – 128v–129
Arcadelt, Jacques (ca. 1507–1568)	Comment amour ne veulx tu tourmenter – 27v–28
Bracquet, Gilles	Dame d'honneur reluisante comme je voire – 24v–25
Buissons, Michael Charles des (fl. 1560–70)	Ascendens Christus in altum alleluia (2p. Ascendit Deus in jubilatione) – 197v–199
Ceballos, Francisco de (1571–)	Quan bienaventurado aquel puede llamarse – 5v–6
Ceballos, Rodrigo de (ca. 1525–1581)	Dime manso viento si viste a mi pastora – 20v–21 Rosales mirtos plátanos y flores regalo – 28v–29
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Ego flos campi et lilium convalium – 189v–190v Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) – 121v–124
Conversi, Girolamo	Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta) – 92v–94 Corri corri mamma doro se non corre – 98v–99 Io vo gridando come spiritato la nott'el giorno – 100v–101 Nasce la doglia mia dal vedermi levar – 95v–96 Perche giovane sei disprezz'amore e sempre – 96v–97 Poi che m'hai tolto la tua dolce vista – 94v–95 Sola soletta io me ne vo cantando – 99v–100 Tutti correte ad uno a quella che con leggiadro – 97v–98
Crecquillon, Thomas (ca. 1505–ca. 1557)	Pis ne me peult venir que j'ai jusques ici – 75v–76 Un gay berger prioit une bergère – 41v–42
Despres, Josquin (ca. 1450–1521)	Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) – 182v–184 Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) – 116v–117
Favello, Nicolo	Sive dogliosovil core vine sol per servir – 167v–168
Ferrabosco, Alfonso (the elder) (1543–1588)	(?) Ultimi miei sospiri che mi lasciate – 174v–175
Gerarde	(?) Si ie vous ayme par amour ne le prenes – 68v–69
Gerarde, Derrick (fl. c1540–1580)	(?) Si ie vous ayme par amour ne le prenes – 68v–69
Guerrero, Francisco	Baxaste me señora a tal estado – 107v–108 Claros y hermosos ojos de donde amor – 106v–107 Dexo la venda larco y el aljava – 18v–19 Divina nimpha mia no es menor – 17–17v Mi offensa es grande sea lo el tormento – 108v–109v Ojos claros y serenos que de dulce – 12v–13 Prado verde y florido fuente clara – 18 Vana esperança que mi pensamiento lo traes – 21v–22v
Hellinck, Lupus (ca. 1494–1541)	(?) Aspice Domine quia facta est desolata – 111v–112
Lassus, Orlande de (ca. 1532–1594)	Alma venus vultu languentem despice laeto II: Nunc elegos divae querulos dimittere – 118v–120 Ardant amour souvent me fait instance – 72v–73 Avecque vous mon amour finira Puisque mon coeur – 23v–24 Gustate et videte (2p. Divites eguerunt) – 124v–126 Las voules vous qu'une personne chante – 40v–41 Le rossignol plaisant et gracieulx – 71v–72 Mon coeur ravi d'amour fort variable – 110–110v Mon coeur se recommande a vous – 79v–80 Nuptiae factae sunt in Cana Galilaeae (2p. Dixit mater eius ministris quodcumque; 3p. Et dicit eis Jesus haurite nunc; 4p. Omnis homo primum bonum vinum ponit) – 43v–44 Susanne un jour d'amour solicitée par deux viellards – 76v–77 Tityre tu patulae recubans sub tegmine (2p. O Meliboee deus nobis haec otia fecit) – 185v–186 Un doulx nenni avec un doulx soubrire – 42v–43 Vrai dieu disoit une fillette donnes confort – 25v–26
Mantua, Jacquet de (1483–1559)	(?) Aspice Domine quia facta est desolata – 111v–112
Mel, Rinaldo del	Vorei ne so di cui piu lamentarme II: Debbo dunque biasmar me lui et lei – 164v–166
Monte, Philippe de	Io son si stanco sott'il grave peso II: Hora per far le mie dolcezze – 172v–174
Nanino, Giovanni Maria	Amor m'ha posto come segno astrale II: I pensier son saette el viso – 86v–88
Navarro 'of Seville/Hispalensis', Juan	Ribera el sacro Darro - 1a pars (of 2): Ribera el sacro Darro en el arena dorada – 6v–7v Ribera el sacro Darro - 2a pars (of 2): Y aunque el mucho llorar no le dexava – 6v–7v Sobre una peña do la mar batia al triste II: O mar si el de mis ojos no te amansa – 3v–5
Nollet	Quant' in mill' anni il ciel dovea mostrarne – 170v–171
Palestrina, Giovanni Pierluigi da (1525–1594)	Domine Deus qui conteris bella ab initio II: Tu Domine cui humilium semper – 112v–114 O Domine Jesu Christe adoro te in cruce – 186v–187 O bone Jesu exaudi me separari a te – 181v–182
Parsons (I), Robert (ca. 1535–ca. 1572)	(?) Je file quand Dieu me donne de quoi – 70v–71
Pevernage, Andreas	Contente vous d'avoir tel serviteur – 67v–68 Je porte tes couleurs madame et ma maistresse – 191–192 Pour estre ayme par grande loyaulte – 26v–27 Secoures moi madame par amours – 69v–70 Si je vis en paine et en langueur – 155v–156 Vous perdez temps de me dire mal delle – 154v–155
Pitigliano, Girolamo	Cari scogli diletti e fid'arene chi miei II: O solitari coll' O verde riva stanchi – 82v–84
Ribera, Antonio de	Dimitte me ergo ut plangam paululum – 184v–185
Robledo, Melchor	Concessum est mare et contremuit terra – 120v–121 Recuerde el alma dormida abive el seso II: Quan presto se va el plazer como – 168v–170 Rosales mirtos platanos y flores regalo – 14v–15
Salmier, Claudius	Faicte le sans dire faicte le et vous – 78v–79
Severino, Giulio	Despues que de mis ojos se alexaron II: Y abeis como sin fili humidos – 73v–75 O mas dura que marmor a mis quexas II: Verguença e que mevea ninguno en tal – 80v–82
Striggio, Alessandro (ca. 1536–1592)	Ahi dispietato amor come consenti ch'io – 171v–172 Ancor ch'io possa dire che d'haver (6vv) – 176v–177 Nasce la pena mia non potendo mirar – 175v–176
Tartaglino, Hippolito	Or le tue forze adopra per ancidermi amore – 15v–16
Van Wilder, Phillip	(?) Je file quand Dieu me donne de quoi – 70v–71
Verdelot, Philippe (ca. 1480–ca. 1532)	Ultimi miei sospiri che mi lasciate – 174v–175
Vicentino, Nicola	Ave virginum gemma Catherina, ave sponsa – 115v–116
Willaert, Adrian (ca. 1490–1562)	Enixa est puerpera - 1a pars (of 2): Enixa est puerpera fulget dies quem predixerat – 192v–193 Enixa est puerpera - 2a pars (of 2): Parvoque lacte pastus est fulget dies – 193v–194 Jouissance vous donnerai, mon ami – 77v–78

Composition	Composers (? Uncertain)	Folios / Pages
... bien dolientes porque cruel pastora at beginning	Anonymous	9
... señora pues nos a de valer la compañia at beginning	Anonymous	2
Ahi dispietato amor come consenti ch'io	Striggio, Alessandro (ca. 1536–1592)	171v–172
Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta)	Conversi, Girolamo	92v–94
Alma venus vultu languentem despice laeto II: Nunc elegos divae querulos dimittere	Lassus, Orlande de (ca. 1532–1594)	118v–120
Amor m'ha posto come segno astrale II: I pensier son saette el viso	Nanino, Giovanni Maria	86v–88
Ancor ch'io possa dire che d'haver (6vv)	Striggio, Alessandro (ca. 1536–1592)	176v–177
Ardant amour souvent me fait instance	Lassus, Orlande de (ca. 1532–1594)	72v–73
Arse quest'alma un tempo et a tal fiamma	Anonymous	88v–89
Ascendens Christus in altum alleluia (2p. Ascendit Deus in jubilatione)	Buissons, Michael Charles des (fl. 1560–70)	197v–199
Aspice Domine quia facta est desolata	Hellinck, Lupus (ca. 1494–1541) (?) Mantua, Jacquet de (1483–1559) (?)	111v–112
Ave virginum gemma Catherina, ave sponsa	Vicentino, Nicola	115v–116
Avecque vous mon amour finira Puisque mon coeur	Lassus, Orlande de (ca. 1532–1594)	23v–24
Ay vida trabaxosa entre paredes ay questre = Ay Jesus que mal fraile	Anonymous	2v–3
Baxaste me señora a tal estado	Guerrero, Francisco	107v–108
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum)	Despres, Josquin (ca. 1450–1521)	182v–184
Cari scogli diletti e fid'arene chi miei II: O solitari coll' O verde riva stanchi	Pitigliano, Girolamo	82v–84
Chi vuol veder quandunque puo natura	Anonymous	163v–164
Claros y hermosos ojos de donde amor	Guerrero, Francisco	106v–107
Comment amour ne veulx tu tourmenter	Arcadelt, Jacques (ca. 1507–1568)	27v–28
Concessum est mare et contremuit terra	Robledo, Melchor	120v–121
Contente vous d'avoir tel serviteur	Pevernage, Andreas	67v–68
Corri corri mamma doro se non corre	Conversi, Girolamo	98v–99
Daffanno e di dolore si notrisc'il mio core	Anonymous	85v–86
Dame d'honneur reluisante comme je voire	Bracquet, Gilles	24v–25
Dardanio con el cuento del cuyado II: Si pudiesse de l'alma tu retrato	Anonymous	10v–12
Deh mostra qui cio che tu vagli amore	Anonymous	103v–104
Deh segl'e ver che tua potenza sia	Anonymous	102v–103
Despues que de mis ojos se alexaron II: Y abeis como sin fili humidos	Severino, Giulio	73v–75
Dexo la venda larco y el aljava	Guerrero, Francisco	18v–19
Di lagrime quel primo e di sospiri	Anonymous	89v–92 ("90" and "91" omitted by foliator)
Dime manso viento si viste a mi pastora	Ceballos, Rodrigo de (ca. 1525–1581)	20v–21
Dimitte me ergo ut plangam paululum	Ribera, Antonio de	184v–185
Divina nimpha mia no es menor	Guerrero, Francisco	17–17v
Dixerunt discipuli ad beatum Martinum	Anonymous	194v–195
Domine Deus qui conteris bella ab initio II: Tu Domine cui humilium semper	Palestrina, Giovanni Pierluigi da (1525–1594)	112v–114
Ego flos campi et lilium convalium	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	189v–190v
Enixa est puerpera - 1a pars (of 2): Enixa est puerpera fulget dies quem predixerat	Willaert, Adrian (ca. 1490–1562)	192v–193
Enixa est puerpera - 2a pars (of 2): Parvoque lacte pastus est fulget dies	Willaert, Adrian (ca. 1490–1562)	193v–194
Faicte le sans dire faicte le et vous	Salmier, Claudius	78v–79
Gustate et videte (2p. Divites eguerunt)	Lassus, Orlande de (ca. 1532–1594)	124v–126
Illustre silva fertil y abundante	Anonymous	16v–17
Incipit lamentatio Jeremiae prophetae Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Jerusalem convertere ad Dominum Deum	Anonymous	199v–200
Io son si stanco sott'il grave peso II: Hora per far le mie dolcezze	Monte, Philippe de	172v–174
Io vo gridando come spiritato la nott'el giorno	Conversi, Girolamo	100v–101
Je file quand Dieu me donne de quoi	Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)	70v–71
Je porte tes couleurs madame et ma maistresse	Pevernage, Andreas	191–192
Jouissance vous donnerai, mon ami	Willaert, Adrian (ca. 1490–1562)	77v–78
Las voules vous qu'une personne chante	Lassus, Orlande de (ca. 1532–1594)	40v–41
Le rossignol plaisant et gracieulx	Lassus, Orlande de (ca. 1532–1594)	71v–72
Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	121v–124
Mi offensa es grande sea lo el tormento	Guerrero, Francisco	108v–109v
Mon coeur ravi d'amour fort variable	Lassus, Orlande de (ca. 1532–1594)	110–110v
Mon coeur se recommande a vous	Lassus, Orlande de (ca. 1532–1594)	79v–80
Nasce la doglia mia dal vedermi levar	Conversi, Girolamo	95v–96
Nasce la gioia mia ogni volta	Animuccia, Giovanni (ca. 1520–1571)	177v–178
Nasce la pena mia non potendo mirar	Striggio, Alessandro (ca. 1536–1592)	175v–176
Nuptiae factae sunt in Cana Galilaeae (2p. Dixit mater eius ministris quodcumque; 3p. Et dicit eis Jesus haurite nunc; 4p. Omnis homo primum bonum vinum ponit)	Lassus, Orlande de (ca. 1532–1594)	43v–44
O bone Jesu exaudi me separari a te	Palestrina, Giovanni Pierluigi da (1525–1594)	181v–182
O Domine Jesu Christe adoro te in cruce	Palestrina, Giovanni Pierluigi da (1525–1594)	186v–187
O mas dura que marmor a mis quexas II: Verguença e que mevea ninguno en tal	Severino, Giulio	80v–82
O salutaris hostia que caeli pandis	Anonymous	114v–115
Ojos claros y serenos que de dulce	Guerrero, Francisco	12v–13
Or le tue forze adopra per ancidermi amore	Tartaglino, Hippolito	15v–16
Pastora que mis ojos hazes fuentes	Anonymous	9v–10
Perche giovane sei disprezz'amore e sempre	Conversi, Girolamo	96v–97
Pis ne me peult venir que j'ai jusques ici	Crecquillon, Thomas (ca. 1505–ca. 1557)	75v–76
Poi che m'hai tolto la tua dolce vista	Conversi, Girolamo	94v–95
Pour estre ayme par grande loyaulte	Pevernage, Andreas	26v–27
Prado verde y florido fuente clara	Guerrero, Francisco	18
Prado verdo y florido - 1a pars (of 2): Prado verdo y florido fuente clara alegres	Anonymous	161v–162
Prado verdo y florido - 2a pars (of 2): El fresco y manso viento que os alegra	Anonymous	162v–163
Prend'amor dunque l'arc ei strali doro	Anonymous	105v–106
Puix fortuna me a llevat lo millor	Anonymous	13v–14
Quan bienaventurado aquel puede llamarse	Ceballos, Francisco de (1571–)	5v–6
Quant' in mill' anni il ciel dovea mostrarne	Nollet	170v–171
Recuerde el alma dormida abive el seso II: Quan presto se va el plazer como	Robledo, Melchor	168v–170
Ribera el sacro Darro - 1a pars (of 2): Ribera el sacro Darro en el arena dorada	Navarro 'of Seville/Hispalensis', Juan	6v–7v
Ribera el sacro Darro - 2a pars (of 2): Y aunque el mucho llorar no le dexava	Navarro 'of Seville/Hispalensis', Juan	6v–7v
Rosales mirtos platanos y flores regalo	Robledo, Melchor	14v–15
Rosales mirtos plátanos y flores regalo	Ceballos, Rodrigo de (ca. 1525–1581)	28v–29
Se tant'el tuo valor'com'ogn'un dice	Anonymous	101v–102
Secoures moi madame par amours	Pevernage, Andreas	69v–70
Si bona suscepimus de manu Domini	Anonymous	187v–189
Si dira poiche giov'el grand'Achille	Anonymous	104v–105
Si dol preggiat a cui dell'aspra vita	Anonymous	166v–167
Si ie vous ayme par amour ne le prenes	Gerarde (?) Gerarde, Derrick (fl. c1540–1580) (?)	68v–69
Si je vis en paine et en langueur	Pevernage, Andreas	155v–156
Sive dogliosovil core vine sol per servir	Favello, Nicolo	167v–168
Sobre una peña do la mar batia al triste II: O mar si el de mis ojos no te amansa	Navarro 'of Seville/Hispalensis', Juan	3v–5
Sola soletta io me ne vo cantando	Conversi, Girolamo	99v–100
Son questi quei begli occhi in cui mirando	Anonymous	84v–85
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire)	Despres, Josquin (ca. 1450–1521)	116v–117
Surrexit Christus spes nostra precedet suos II: Surrexit Dominus Scimus Christum	Anonymous	195v–196v
Susanne un jour d'amour solicitée par deux viellards	Lassus, Orlande de (ca. 1532–1594)	76v–77
Tityre tu patulae recubans sub tegmine (2p. O Meliboee deus nobis haec otia fecit)	Lassus, Orlande de (ca. 1532–1594)	185v–186
Tutti correte ad uno a quella che con leggiadro	Conversi, Girolamo	97v–98
Ultimi miei sospiri che mi lasciate	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532)	174v–175
Un doulx nenni avec un doulx soubrire	Lassus, Orlande de (ca. 1532–1594)	42v–43
Un gay berger prioit une bergère	Crecquillon, Thomas (ca. 1505–ca. 1557)	41v–42
Vana esperança que mi pensamiento lo traes	Guerrero, Francisco	21v–22v
Vorei ne so di cui piu lamentarme II: Debbo dunque biasmar me lui et lei	Mel, Rinaldo del	164v–166
Vous perdez temps de me dire mal delle	Pevernage, Andreas	154v–155
Vrai dieu disoit une fillette donnes confort	Lassus, Orlande de (ca. 1532–1594)	25v–26

‡ denotes primary source study

López Calo, S.J., José. 2007. La música en la Catedral de Valladolid (8 vols.). Valladolid: Ayuntamiento de Valladolid. Notes: description; contents.

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 267-332. Pages: 308. Notes: contents list (partial); concordances (partial).

Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography. Detroit. Pages: 31, 76-9. Notes: contents list (partial); concordances (partial); incipits (partial).

Calahorra Martínez, Pedro. 1976-77. El polifonista Melchor Robledo y su obra (T1586). Anuario Musical, 1-35. Pages: 21, 24. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1976. Josquin in the Music of Spain and Portugal. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 217-46. London, New York, and Toronto. Pages: 223-4. Notes: mention of MS; contents list (partial); concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 143. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 218, 325-6 [sometimes referred to as MS 255]. Notes: contents list (partial); concordances (partial).

Anglès, Higinio. 1948. El Archivo Musical de la Catedral de Valladolid. Anuário Musical, 59ff. Pages: 83-6. Notes: physical description; contents list.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: VIII, 17-21 IX, passim XVI, 20ff XIX, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XI, vii, x-xiii [referred to as MS 255]. Notes: physical description; contents list (partial); concordances (partial).

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Benjamin Ory

Wednesday, 17 March, 2021

Willaert's enixa est puerpera listed incorrectly: inventory amended.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description