S-Uu Vokalmusik i Handskrift 76c

Universitetsbiblioteket, Uppsala, Sweden

manuscript of polyphony: c. 1530

Archive Universitetsbiblioteket, Uppsala, Sweden (S-Uu)
Shelfmark Vokalmusik i Handskrift 76c
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 287 x 201 mm
Other Identifiers
  • CCM: UppsU 76c
Notations
  • black void mensural
External Links
Provenance
  • France
Contents 86 pieces from 20 composers
General Description

Copied by one main scribe and two additional scribes; lute intabulations are later additions by two different scribes, one of whom also wrote tablature portions of UppsU 76b (Thomas G. MacCracken). Copied in France (BernNO). Many pieces have text incipits only.

DIAMM, 2017
Physical Description

four original folios now missing between new ff. 104/105, three between 107/108, two each between 103/104, 109/110, 111/112, 112/113, one between 148/149

DIAMM, 2017
Binding

Original covers of brown leather blind tooled with ornamental designs; remnants of four ties

DIAMM, 2017
Watermark

pot with three-petalled flower (not in Briquet)

DIAMM, 2017
Notation

black void mensural; lute tablature

DIAMM, 2017
Ruling

Staff height 12

DIAMM, 2017
Foliation

New pencil foliation, 1-157, on lower right rectos ('58' applied to two consecutive folios)

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Masses, 2 Kyries, 1 Agnus, 2 Mass Ordinary sections, 1 Te Deum, 22 motets, 34 French secular pieces, 8 textless pieces = 77*

*Above summary excludes later additions in lute tablature on ff. 10', 36', 58'-60, 100'-113, 114'-115, 129'-132', 135-136, 139'-142', 144, 148'-149', 150'-151, and 152'-157'.

(Appenzeller/Mouton/Willaert)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1, (Dulot/Sermisy)-1, (A. Févin)-3, (Gascongne)-6, (Gombert/Sermisy)-1, (Hellinck)-1, (Jacotin/Sermisy)-1, (Jaquet of Mantua/Lafage/Sermisy)-1, (Josquin)-7, (Josquin/La Rue)-1, (Josquin/Mouton/Silva)-1, (Lhéritier)-1, (Lupus/Richafort)-1, (Mouton)-4, (Mouton/Richafort)-1, (Passereau)-1, (Richafort)-6, Sermisy [Claudnj]-13, (Verdelot)-1, anon-24

158 paper folios of an original 174 or more, 287 x 201. New pencil foliation, 1-157, on lower right rectos ("58" applied to two consecutive folios; four original folios now missing between new ff. 104/105, three between 107/108, two each between 103/104, 109/110, 111/112, 112/113, one between 148/149). Original covers of brown leather blind tooled with ornamental designs; remnants of four ties. No index. Copied by one main scribe and two additional scribes; lute intabulations are later additions by two different scribes, one of whom also wrote tablature portions of UppsU 76b (Thomas G. MacCracken). Staff height 12. No initials or decoration. Watermark: pot with three-petalled flower (not in Briquet). Many pieces have text incipits only.

Ca. 1530? (BernNO), with lute tablature additions in second half of 16th century. Copied in France (BernNO).

Vol 4

Composers: Add "(La Rue/Sermisy)-1"; change "Sermisy [Claudnj]-13" to "Sermisy [Claudnj]-12."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Modern inscriptions and lute tablature - Anonymous
Appears on: 1
Genres: Tablature
Voice: [no designation]
Languages: none
Voice Text: Modern inscriptions and lute tablature
1v–10 Missa Beata Virgine = Missa Coronata 3.3 [Josquin/LaRue]
Appears on: 1v–10
Genres: Mass Ordinary
Source Attribution: [Josquin/LaRue]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa De beata Virgine] 3.3
10v–17 Missa L'homme armé super voces musicales 6.3 [Josquin]
Appears on: 10v–17
Genres: Mass Ordinary
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa L'homme armé super voces musicales] [KGSA] 6.3
17v–25 Missa Feria (5vv) [A. Févin]
Appears on: 17v–25
Genres: Mass Ordinary
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa de Feria]
25v–32 Missa Ave Maria [A. Févin]
Appears on: 25v–32
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Ave Maria] [KGCS]
32v–41 Missa Tua est potentia [Mouton]
Appears on: 32v–41
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Tua est potentia]
41v–49 Missa Allemaigne = Missa Regina mearum = Adieu Solas [Mouton]
Appears on: 41v–49
Genres: Mass Ordinary
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Regina mearum]
49v–50 Missa Mijn herte altijt heeft verlanghen [Gascongne]
Appears on: 49v–50
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie eleyson [from Missa Mijn hert heeft altijt verlanghen]
50v Missa Mijn hert heeft altijt verlanghen: Osanna [Gascongne]
Appears on: 50v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Osanna [from Missa Mijn hert heeft altijt verlanghen]
51 Missa Pourquoi non: Osanna [Gascongne]
Appears on: 51
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Osanna [from Missa Pourquoy non]
51v–52 Missa Pourquoi non: Kyrie eleison [Gascongne]
Appears on: 51v–52
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [eleyson] [from Missa Pourquoy non]
52v Missa Pourquoi non: Agnus Dei [Gascongne]
Appears on: 52v
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus [dei] [from Missa Pourquoy non]
53v–59 ("58" applied to two consecutive folios) Missa O genitrix gloriosa [Richafort]
Appears on: 53v–59 ("58" applied to two consecutive folios)
Genres: Mass Ordinary
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O genitrix]
59v–60 [Lute tablature] - -
Appears on: 59v–60
Genres: Tablature
Voice: [no designation]
Languages: none
Voice Text: Lute tablature
60v–62 Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) [Josquin]
Appears on: 60v–62
Genres: Motet, Stabat Mater
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater [dolorosa iuxta crucem] 25.9 II: Eya mater [fons amoris me sentire]
62v–64 Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) [Josquin]
Appears on: 62v–64
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta [es celorum regina et mundi] 23.13 II: Per illud ave [prolatum] III: Nunc mater [exora natum]
64v–67 Liber generationis Jesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigracionem Babilonis [Josquin]
Appears on: 64v–67
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Liber [generationis Jesu Christi filii] 19.13 II: Salomon autem [genuit Roboam] III: Et post transmigrationem [Babilonis]
67v–68 Missus est Gabriel angelus ad Mariam 20.6 [Josquin]
Appears on: 67v–68
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Missus est [Gabriel angelus ad Mariam] 20.6
68v–70 Letabundus exultet fidelis chorus alleluia II: Cedrus alta Libani conformatur Anon. Anonymous
Appears on: 68v–70
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Letabundus exultet fidelis chorus [alleluia] II: Cedrus alta Libani [conformatur]
70v–71 Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus) [A. Févin]
Appears on: 70v–71
Genres: Motet
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus [dominus deus meus qui docet] II: Omnes gentes [plaudite manibus]
71v–72 Sancta Trinitas unus Deus miserere nobis (4vv) [Craen/C. Festa/A. Févin/Josquin/Morales]
Appears on: 71v–72
Genres: Motet
Source Attribution: [Craen/C. Festa/A. Févin/Josquin/Morales]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas [unus deus miserere] 26.12
General Note

Publ. Motetti de la Corona, libro primo, Venezia, Ottaviano Petrucci, 1514, no 13, fol. 9 (supremus), fol. 26 (tenor), fol. 42 (altus) et fol. 57 (bassus) – [RISM 15141]; Réédition : Rome, Giovanni Giacomo Pasoti et Valerio Dorico, 1526 – [RISM 15261]

72v–74 Illuminare Jerusalem venit lux tua (2p. Interrogabat magos Herodes quod signum) [Mouton]
Appears on: 72v–74
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare [Jerusalem venit lux tua] II: Interrogabat [magos Herodes quod signum]
74v–75 Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) [Josquin/Mouton]
Appears on: 74v–75
Genres: Motet
Source Attribution: [Josquin/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Queramus [cum pastoribus verbum] 26.10 II: Ubi pascas [ubi cubes]
75v–76 Tua est potentia tuum regnum domine Anon. Anonymous
Appears on: 75v–76
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tua est potencia [tuum regnum domine]
76v–79 Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) [Josquin/Mouton/Silva]
Appears on: 76v–79
Genres: Te Deum
Source Attribution: [Josquin/Mouton/Silva]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum [laudamus te dominum confitemur] 26.15
79v–81 Ecce venit rex nobis natus de virgine II: Nunciate nobis quid vidistis III: Quid facit Maria nutrix Dei mater [Gascongne]
Appears on: 79v–81
Genres: Motet
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce venit rex [nobis natus de virgine] II: Nunciate nobis [quid vidistis] III: Quid facit Maria [nutrix dei mater]
82v–85 Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia [Richafort]
Appears on: 82v–85
Genres: Motet, Salve Regina
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina [misericordie vita dulcedo] II: Eya ergo [advocata nostra illos tuos] III: Et Jhesum benedictum [fructum ventris]
85v–87 Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) [Lupus/Richafort]
Appears on: 85v–87
Genres: Motet
Source Attribution: [Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam [vos servos sed amicos] II: Cum venerit ille [spiritus veritatis]
87v–89 Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) [Richafort]
Appears on: 87v–89
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Quem dicunt homines [esse filium hominis] II: Petre diligis me [qui respondit]
89v–91 Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) [Mouton/Richafort]
Appears on: 89v–91
Genres: Motet
Source Attribution: [Mouton/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Christus resurgens [ex mortuis iam non] II: Mortuus est enim [propter delicta]
91v–93 Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris) [Richafort]
Appears on: 91v–93
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus [in melius que ignoranter] II: Peccavimus [cum patribus nostris]
93v–94 Sancta Maria succure miseris juva pusillanimes [Verdelot]
Appears on: 93v–94
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria [succurre miseris juva pusillanimes]
94v–96 Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) [Hellinck]
Appears on: 94v–96
Genres: Motet
Source Attribution: [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Panis [quem ego dabo caro mea est] II: Locutus est [populus ad dominum]
96v–97 Aspice Domine de sede sancta tua (4vv) [Jaquet of Mantua/Lafage/Sermisy]
Appears on: 96v–97
Genres: Motet
Source Attribution: [Jaquet of Mantua/Lafage/Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine [de sede sancta tua]
97v–98 Inviolata integra et casta es Maria Anon. Anonymous
Appears on: 97v–98
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata [integra et casta es Maria]
98v–99 Sustinuimus pacem et non venit quesivimus [Sermisy]
Appears on: 98v–99
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Sustinuimus pacem [et non venit quesivimus]
99v–100 Si bona suscepimus de manu Domini II: Dominus dedit Dominus abstulit Claudnj [= Sermisy]
Appears on: 99v–100
Genres: Motet
Source Attribution: Claudnj [= Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
100v–113 [Lute tablature] Anon. -
Appears on: 100v–113
Genres: Tablature
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Lute tablature
113v–114 Le bergier et la bergiere sont a l'ombre Anon. Anonymous
Appears on: 113v–114
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Le bergier et la bergiere sont à l'umbre?
114v–115 [Lute tablature] - -
Appears on: 114v–115
Genres: Tablature
Voice: [no designation]
Languages: none
Voice Text: Lute tablature
115v–116 Vire vire Jehan Jannette quand mon amy Anon. Anonymous
Appears on: 115v–116
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Vire vire Jehan Jannette quant [mon] amy
116v–117 La rousee du mois de may m'a gasté (I) [Appenzeller/Mouton/Willaert]
Appears on: 116v–117
Genres: Chanson
Source Attribution: [Appenzeller/Mouton/Willaert]
Voice: [no designation]
Languages: French
Voice Text: La rouzee [du moys de may m'a gasté]
117v–118 Plus nulz regrets grand moiens 28.28 [Josquin]
Appears on: 117v–118
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Plus nulz regretz [grans moyens] 28.27
118v–119 Damoiselle Anon. Anonymous

Damoiselle

Anonymous
Appears on: 118v–119
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Damoyselle
119v–120 Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) [Josquin]
Appears on: 119v–120
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Faulte dargent [c'est douleur non pareille] 29.7
120v–121 Cuidez vous que dieu nous faille [Richafort]
Appears on: 120v–121
Genres: Chanson
Source Attribution: [Richafort]
Voice: [no designation]
Languages: French
Voice Text: Cuidez vous que dieu nous faille
121v–122 Tous les regrets qui les coeurs tourmentez? Anon. Anonymous
Appears on: 121v–122
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Tous les regretz [qui les cueurs tourmentez?]
122v–123 Rossignolet du bois qui chante au verd? Anon. Anonymous
Appears on: 122v–123
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Rossignolet [du bois qui chante au verd?]
123v–124 Jamays amoureux je mestoys Anon. Anonymous
Appears on: 123v–124
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Jamays amoureux je mestoys
124v–125 Jehan petit Jehan quand tu as belle femme [Lhéritier]
Appears on: 124v–125
Genres: Chanson
Source Attribution: [Lhéritier]
Voice: [no designation]
Languages: French
Voice Text: Jehan [petit Jehan quant tu as belle femme]
125v–126 Jamays ne ma viendra Anon. Anonymous
Appears on: 125v–126
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Jamays ne ma viendra
126v–127 Naymez jamays ces vielles car pour aymer? Anon. Anonymous
Appears on: 126v–127
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Naymez jamays [ces vielles car pour aymer?]
127v–128 Cest mon amy quoy qu'on en die? Anon. Anonymous
Appears on: 127v–128
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Cest mon amy [quoy qu'on en die?]
128v–129 Hellas ma mere hellas maman les dens Anon. Anonymous
Appears on: 128v–129
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Hellas ma mere [hellas maman les dens]
129v–132v [Lute tablature] - -
Appears on: 129v–132v
Genres: Tablature
Voice: [no designation]
Languages: none
Voice Text: Lute tablature
133 C'est une dure departie de cellui ou j'aimis [Sermisy]
Appears on: 133
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Cest une dure [departie de celuy ou j'ay mis]
133v C'est a grant tort que moi povrette endure [Sermisy]
Appears on: 133v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Cest a grant [tort que moy povrette endure]
134 Contre raison vous m'êtes fort étrange [Sermisy]
Appears on: 134
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Contre rayson [vous m'estes fort estrange]
134v Au pres de vous secretement demeure [Jacotin/Sermisy]
Appears on: 134v
Genres: Chanson
Source Attribution: [Jacotin/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Au pres de vous [secretement demeure]
135–136 [Lute tablature] - -
Appears on: 135–136
Genres: Tablature
Voice: [no designation]
Languages: none
Voice Text: Lute tablature
136v [untexted] Anon. -
Appears on: 136v
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
137 [untexted] Anon. -
Appears on: 137
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
137 [untexted] Anon. -
Appears on: 137
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
137v [untexted] Anon. -
Appears on: 137v
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
138 [untexted] Anon. -
Appears on: 138
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
138v [untexted] Anon. -
Appears on: 138v
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
139 [untexted] Anon. -
Appears on: 139
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
139v–142v [Lute tablature] - -
Appears on: 139v–142v
Genres: Tablature
Voice: [no designation]
Languages: none
Voice Text: Lute tablature
143 De mon triste desplaisir a vous belle [Richafort]
Appears on: 143
Genres: Chanson
Source Attribution: [Richafort]
Voice: [no designation]
Languages: French
Voice Text: De [mon triste et desplaisir a vous belle]
143v Secourez moi ma dame par amours ou autrement [Sermisy]
Appears on: 143v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Secourez moy [ma dame par amours]
144 [Lute tablature] - -
Appears on: 144
Genres: Tablature
Voice: [no designation]
Languages: none
Voice Text: Lute tablature
144v Fait ou failly ou du tout riens [Sermisy]
Appears on: 144v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Faict on [failly ou du tout riens que vaille]
145 Jouissance vous donnerai, mon ami [La Rue/Sermisy]
Appears on: 145
Genres: Chanson
Source Attribution: [La Rue/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Joyssance [vous donneray mon amy]
145v Le content est riche en ce monde [Gombert/Sermisy]
Appears on: 145v
Genres: Chanson
Source Attribution: [Gombert/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Le content [est riche en ce monde]
146 Longtemps y a que je vis en espoir [Dulot/Sermisy]
Appears on: 146
Genres: Chanson
Source Attribution: [Dulot/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Longtemps [y a que je vis en espoir]
146v Si j'ai pour vous mon avoir despendu [Sermisy]
Appears on: 146v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Sy jay pour vous [mon avoir despendu]
147 Il est jour dit l'alouette allons jouer [Sermisy]
Appears on: 147
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Ill es jour [dit l'alouette allons jouer]
147v La frelin frelorion Iehanne m'amye? Anon. Anonymous
Appears on: 147v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: La frelin [frelorion Iehanne m'amye?]
148 J'ai contente ma volunté suffisamente [Sermisy]
Appears on: 148
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Jay contente [ma volunté suffisamente]
148v–149v [Lute tablature] Anon. -
Appears on: 148v–149v
Genres: Tablature
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Lute tablature
150 Je suis tout seul madame la dit Anon. Anonymous
Appears on: 150
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Je suis tout seul [madame la dict]
150v Vivray je tousjours en soucy pour vous [Sermisy]
Appears on: 150v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Vivray je [tousjours en soucy pour vous]
151 Lespoyr que j'aidaquerir vostre grace Anon. Anonymous
Appears on: 151
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Lespoyr que jay daquerir vostre grace
151v J'attens secours de ma seule pensée [Sermisy]
Appears on: 151v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Jattens secours [de ma seule pensée]
152 Ce fut amours dont je fus abusée [Passereau]
Appears on: 152
Genres: Chanson
Source Attribution: [Passereau]
Voice: [no designation]
Languages: French
Voice Text: Ce fut amours [dont je fus abusée]
152v–157v [Lute tablature] - -
Appears on: 152v–157v
Genres: Tablature
Voice: [no designation]
Languages: none
Voice Text: Lute tablature
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Despres, Josquin (ca. 1450–1521)
Dulot, Francois
Fage, Jean de la
Fevin, Antoine de (ca. 1470–ca. 1512)
Fevin, Robert de (fl. 1500-1515)
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Leo X (Medici) (1475–1521)
Lheritier, Jean (ca. 1480–ca. 1551)
Mantua, Jacquet de (1483–1559)
Mouton, Jean (ca. 1459–1522)
Passereau, Pierre (fl. c1509–1547)
Richafort, Jean (ca. 1480–ca. 1550)
Sermisy, Claudin de (ca. 1490–1562)
Silva, Andreas de (ca. 1475–ca. 1522)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[Lute tablature] - 59v–60
[Lute tablature] - 100v–113
[Lute tablature] - 114v–115
[Lute tablature] - 129v–132v
[Lute tablature] - 135–136
[Lute tablature] - 139v–142v
[Lute tablature] - 144
[Lute tablature] - 148v–149v
[Lute tablature] - 152v–157v
[untexted] - 136v
[untexted] - 137
[untexted] - 137
[untexted] - 137v
[untexted] - 138
[untexted] - 138v
[untexted] - 139
Aspice Domine de sede sancta tua (4vv) 96v–97
Au pres de vous secretement demeure 134v
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) 62v–64
Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus) 70v–71
C'est a grant tort que moi povrette endure 133v
C'est une dure departie de cellui ou j'aimis 133
Ce fut amours dont je fus abusée 152
Cest mon amy quoy qu'on en die? Anonymous 127v–128
Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) 89v–91
Contre raison vous m'êtes fort étrange 134
Cuidez vous que dieu nous faille 120v–121
Damoiselle Anonymous 118v–119
De mon triste desplaisir a vous belle 143
Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) 119v–120
Ecce venit rex nobis natus de virgine II: Nunciate nobis quid vidistis III: Quid facit Maria nutrix Dei mater 79v–81
Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris) 91v–93
Fait ou failly ou du tout riens 144v
Hellas ma mere hellas maman les dens Anonymous 128v–129
Il est jour dit l'alouette allons jouer 147
Illuminare Jerusalem venit lux tua (2p. Interrogabat magos Herodes quod signum) 72v–74
Inviolata integra et casta es Maria Anonymous 97v–98
J'ai contente ma volunté suffisamente 148
J'attens secours de ma seule pensée 151v
Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) 85v–87
Jamays amoureux je mestoys Anonymous 123v–124
Jamays ne ma viendra Anonymous 125v–126
Je suis tout seul madame la dit Anonymous 150
Jehan petit Jehan quand tu as belle femme 124v–125
Jouissance vous donnerai, mon ami 145
La frelin frelorion Iehanne m'amye? Anonymous 147v
La rousee du mois de may m'a gasté (I) 116v–117
Le bergier et la bergiere sont a l'ombre Anonymous 113v–114
Le content est riche en ce monde 145v
Lespoyr que j'aidaquerir vostre grace Anonymous 151
Letabundus exultet fidelis chorus alleluia II: Cedrus alta Libani conformatur Anonymous 68v–70
Liber generationis Jesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigracionem Babilonis 64v–67
Longtemps y a que je vis en espoir 146
Missa Allemaigne = Missa Regina mearum = Adieu Solas 41v–49
Missa Ave Maria 25v–32
Missa Beata Virgine = Missa Coronata 3.3 1v–10
Missa Feria (5vv) 17v–25
Missa L'homme armé super voces musicales 6.3 10v–17
Missa Mijn hert heeft altijt verlanghen: Osanna 50v
Missa Mijn herte altijt heeft verlanghen 49v–50
Missa O genitrix gloriosa 53v–59 ("58" applied to two consecutive folios)
Missa Pourquoi non: Agnus Dei 52v
Missa Pourquoi non: Kyrie eleison 51v–52
Missa Pourquoi non: Osanna 51
Missa Tua est potentia 32v–41
Missus est Gabriel angelus ad Mariam 20.6 67v–68
Modern inscriptions and lute tablature Anonymous 1
Naymez jamays ces vielles car pour aymer? Anonymous 126v–127
Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) 94v–96
Plus nulz regrets grand moiens 28.28 117v–118
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) 87v–89
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) 74v–75
Rossignolet du bois qui chante au verd? Anonymous 122v–123
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia 82v–85
Sancta Maria succure miseris juva pusillanimes 93v–94
Sancta Trinitas unus Deus miserere nobis (4vv) 71v–72
Secourez moi ma dame par amours ou autrement 143v
Si bona suscepimus de manu Domini II: Dominus dedit Dominus abstulit 99v–100
Si j'ai pour vous mon avoir despendu 146v
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) 60v–62
Sustinuimus pacem et non venit quesivimus 98v–99
Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) 76v–79
Tous les regrets qui les coeurs tourmentez? Anonymous 121v–122
Tua est potentia tuum regnum domine Anonymous 75v–76
Vire vire Jehan Jannette quand mon amy Anonymous 115v–116
Vivray je tousjours en soucy pour vous 150v

denotes primary source study

MacCracken, Thomas Gregg. 1985. The Manuscript Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76b. University of Chicago, Unpublished Ph.D. dissertation. Pages: 474-80. Notes: contents list.

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen.  Wiesbaden. Pages: 78,90,109. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Pages: 290. Notes: physical description; mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 359, 364-5. Notes: contents list (partial); concordances (partial).

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 70ff. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Notes: contents list (partial); concordances (partial).

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Marnix van Berchum

Friday, 14 February, 2025

Notified of the link address for the online images of the manuscript.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description