S-Uu Vokalmusik i Handskrift 76c

Universitetsbiblioteket, Uppsala, Sweden

manuscript of polyphony: c. 1530

Archive	Universitetsbiblioteket, Uppsala, Sweden (S-Uu)
Shelfmark	Vokalmusik i Handskrift 76c
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	287 x 201 mm
Other Identifiers	CCM: UppsU 76c
Notations	black void mensural
External Links	CMME online edition Images
Provenance	France
Contents	86 pieces from 20 composers

General Description

Copied by one main scribe and two additional scribes; lute intabulations are later additions by two different scribes, one of whom also wrote tablature portions of UppsU 76b (Thomas G. MacCracken). Copied in France (BernNO). Many pieces have text incipits only.

DIAMM, 2017

Physical Description

four original folios now missing between new ff. 104/105, three between 107/108, two each between 103/104, 109/110, 111/112, 112/113, one between 148/149

DIAMM, 2017

Binding

Original covers of brown leather blind tooled with ornamental designs; remnants of four ties

DIAMM, 2017

Watermark

pot with three-petalled flower (not in Briquet)

DIAMM, 2017

Notation

black void mensural; lute tablature

DIAMM, 2017

Ruling

Staff height 12

DIAMM, 2017

Foliation

New pencil foliation, 1-157, on lower right rectos ('58' applied to two consecutive folios)

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Masses, 2 Kyries, 1 Agnus, 2 Mass Ordinary sections, 1 Te Deum, 22 motets, 34 French secular pieces, 8 textless pieces = 77*

*Above summary excludes later additions in lute tablature on ff. 10', 36', 58'-60, 100'-113, 114'-115, 129'-132', 135-136, 139'-142', 144, 148'-149', 150'-151, and 152'-157'.

(Appenzeller/Mouton/Willaert)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1, (Dulot/Sermisy)-1, (A. Févin)-3, (Gascongne)-6, (Gombert/Sermisy)-1, (Hellinck)-1, (Jacotin/Sermisy)-1, (Jaquet of Mantua/Lafage/Sermisy)-1, (Josquin)-7, (Josquin/La Rue)-1, (Josquin/Mouton/Silva)-1, (Lhéritier)-1, (Lupus/Richafort)-1, (Mouton)-4, (Mouton/Richafort)-1, (Passereau)-1, (Richafort)-6, Sermisy [Claudnj]-13, (Verdelot)-1, anon-24

158 paper folios of an original 174 or more, 287 x 201. New pencil foliation, 1-157, on lower right rectos ("58" applied to two consecutive folios; four original folios now missing between new ff. 104/105, three between 107/108, two each between 103/104, 109/110, 111/112, 112/113, one between 148/149). Original covers of brown leather blind tooled with ornamental designs; remnants of four ties. No index. Copied by one main scribe and two additional scribes; lute intabulations are later additions by two different scribes, one of whom also wrote tablature portions of UppsU 76b (Thomas G. MacCracken). Staff height 12. No initials or decoration. Watermark: pot with three-petalled flower (not in Briquet). Many pieces have text incipits only.

Ca. 1530? (BernNO), with lute tablature additions in second half of 16th century. Copied in France (BernNO).

Vol 4

Composers: Add "(La Rue/Sermisy)-1"; change "Sermisy [Claudnj]-13" to "Sermisy [Claudnj]-12."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Modern inscriptions and lute tablature	-	Anonymous
Modern inscriptions and lute tablature Anonymous Appears on: 1 Genres: Tablature Voice: [no designation] Languages: none Voice Text: Modern inscriptions and lute tablature
1v–10	Missa Beata Virgine = Missa Coronata 3.3	[Josquin/LaRue]	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3 Despres, Josquin (ca. 1450–1521) Appears on: 1v–10 Genres: Mass Ordinary Source Attribution: [Josquin/LaRue] Voice: [no designation] Languages: Latin Voice Text: [Missa De beata Virgine] 3.3
10v–17	Missa L'homme armé super voces musicales 6.3	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé super voces musicales 6.3 Despres, Josquin (ca. 1450–1521) Appears on: 10v–17 Genres: Mass Ordinary Source Attribution: [Josquin] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa L'homme armé super voces musicales] [KGSA] 6.3
17v–25	Missa Feria (5vv)	[A. Févin]	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Feria (5vv) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 17v–25 Genres: Mass Ordinary Source Attribution: [A. Févin] Voice: [no designation] Languages: Latin Voice Text: [Missa de Feria]
25v–32	Missa Ave Maria	[A. Févin]	Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Missa Ave Maria Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Appears on: 25v–32 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [A. Févin] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Ave Maria] [KGCS]
32v–41	Missa Tua est potentia	[Mouton]	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia Mouton, Jean (ca. 1459–1522) Appears on: 32v–41 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Mouton] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Tua est potentia]
41v–49	Missa Allemaigne = Missa Regina mearum = Adieu Solas	[Mouton]	Mouton, Jean (ca. 1459–1522)
Missa Allemaigne = Missa Regina mearum = Adieu Solas Mouton, Jean (ca. 1459–1522) Appears on: 41v–49 Genres: Mass Ordinary Source Attribution: [Mouton] Voice: [no designation] Languages: Latin Voice Text: [Missa Regina mearum]
49v–50	Missa Mijn herte altijt heeft verlanghen	[Gascongne]	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn herte altijt heeft verlanghen Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 49v–50 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Gascongne] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie eleyson [from Missa Mijn hert heeft altijt verlanghen]
50v	Missa Mijn hert heeft altijt verlanghen: Osanna	[Gascongne]	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn hert heeft altijt verlanghen: Osanna Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 50v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Gascongne] Voice: [no designation] Languages: Latin Voice Text: Osanna [from Missa Mijn hert heeft altijt verlanghen]
51	Missa Pourquoi non: Osanna	[Gascongne]	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Pourquoi non: Osanna Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 51 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Gascongne] Voice: [no designation] Languages: Latin Voice Text: Osanna [from Missa Pourquoy non]
51v–52	Missa Pourquoi non: Kyrie eleison	[Gascongne]	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Pourquoi non: Kyrie eleison Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 51v–52 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Gascongne] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie [eleyson] [from Missa Pourquoy non]
52v	Missa Pourquoi non: Agnus Dei	[Gascongne]	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Pourquoi non: Agnus Dei Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 52v Genres: Agnus Dei, Mass Ordinary Source Attribution: [Gascongne] Voice: [no designation] Languages: Latin Voice Text: Agnus [dei] [from Missa Pourquoy non]
53v–59 ("58" applied to two consecutive folios)	Missa O genitrix gloriosa	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Missa O genitrix gloriosa Richafort, Jean (ca. 1480–ca. 1550) Appears on: 53v–59 ("58" applied to two consecutive folios) Genres: Mass Ordinary Source Attribution: [Richafort] Voice: [no designation] Languages: Latin Voice Text: [Missa O genitrix]
59v–60	[Lute tablature]	-	-
[Lute tablature] - Appears on: 59v–60 Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature
60v–62	Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire)	[Josquin]	Despres, Josquin (ca. 1450–1521)
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) Despres, Josquin (ca. 1450–1521) Appears on: 60v–62 Genres: Motet, Stabat Mater Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Stabat mater [dolorosa iuxta crucem] 25.9 II: Eya mater [fons amoris me sentire]
62v–64	Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum)	[Josquin]	Despres, Josquin (ca. 1450–1521)
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) Despres, Josquin (ca. 1450–1521) Appears on: 62v–64 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Benedicta [es celorum regina et mundi] 23.13 II: Per illud ave [prolatum] III: Nunc mater [exora natum]
64v–67	Liber generationis Jesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigracionem Babilonis	[Josquin]	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigracionem Babilonis Despres, Josquin (ca. 1450–1521) Appears on: 64v–67 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Liber [generationis Jesu Christi filii] 19.13 II: Salomon autem [genuit Roboam] III: Et post transmigrationem [Babilonis]
67v–68	Missus est Gabriel angelus ad Mariam 20.6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 67v–68 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Missus est [Gabriel angelus ad Mariam] 20.6
68v–70	Letabundus exultet fidelis chorus alleluia II: Cedrus alta Libani conformatur	Anon.	Anonymous
Letabundus exultet fidelis chorus alleluia II: Cedrus alta Libani conformatur Anonymous Appears on: 68v–70 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Letabundus exultet fidelis chorus [alleluia] II: Cedrus alta Libani [conformatur]
70v–71	Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus)	[A. Févin]	Fevin, Antoine de (ca. 1470–ca. 1512) Leo X (Medici) (1475–1521) (?)
Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus) Fevin, Antoine de (ca. 1470–ca. 1512) Leo X (Medici) (1475–1521) (?) Appears on: 70v–71 Genres: Motet Source Attribution: [A. Févin] Voice: [no designation] Languages: Latin Voice Text: Benedictus [dominus deus meus qui docet] II: Omnes gentes [plaudite manibus]
71v–72	Sancta Trinitas unus Deus miserere nobis (4vv)	[Craen/C. Festa/A. Févin/Josquin/Morales]	Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (4vv) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 71v–72 Genres: Motet Source Attribution: [Craen/C. Festa/A. Févin/Josquin/Morales] Voice: [no designation] Languages: Latin Voice Text: Sancta trinitas [unus deus miserere] 26.12 General Note Publ. Motetti de la Corona, libro primo, Venezia, Ottaviano Petrucci, 1514, no 13, fol. 9 (supremus), fol. 26 (tenor), fol. 42 (altus) et fol. 57 (bassus) – [RISM 15141]; Réédition : Rome, Giovanni Giacomo Pasoti et Valerio Dorico, 1526 – [RISM 15261]
72v–74	Illuminare Jerusalem venit lux tua (2p. Interrogabat magos Herodes quod signum)	[Mouton]	Mouton, Jean (ca. 1459–1522)
Illuminare Jerusalem venit lux tua (2p. Interrogabat magos Herodes quod signum) Mouton, Jean (ca. 1459–1522) Appears on: 72v–74 Genres: Motet Source Attribution: [Mouton] Voice: [no designation] Languages: Latin Voice Text: Illuminare [Jerusalem venit lux tua] II: Interrogabat [magos Herodes quod signum]
74v–75	Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	[Josquin/Mouton]	Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?)
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?) Appears on: 74v–75 Genres: Motet Source Attribution: [Josquin/Mouton] Voice: [no designation] Languages: Latin Voice Text: Queramus [cum pastoribus verbum] 26.10 II: Ubi pascas [ubi cubes]
75v–76	Tua est potentia tuum regnum domine	Anon.	Anonymous
Tua est potentia tuum regnum domine Anonymous Appears on: 75v–76 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Tua est potencia [tuum regnum domine]
76v–79	Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus)	[Josquin/Mouton/Silva]	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)
Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Appears on: 76v–79 Genres: Te Deum Source Attribution: [Josquin/Mouton/Silva] Voice: [no designation] Languages: Latin Voice Text: Te deum [laudamus te dominum confitemur] 26.15
79v–81	Ecce venit rex nobis natus de virgine II: Nunciate nobis quid vidistis III: Quid facit Maria nutrix Dei mater	[Gascongne]	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Ecce venit rex nobis natus de virgine II: Nunciate nobis quid vidistis III: Quid facit Maria nutrix Dei mater Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 79v–81 Genres: Motet Source Attribution: [Gascongne] Voice: [no designation] Languages: Latin Voice Text: Ecce venit rex [nobis natus de virgine] II: Nunciate nobis [quid vidistis] III: Quid facit Maria [nutrix dei mater]
82v–85	Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia Richafort, Jean (ca. 1480–ca. 1550) Appears on: 82v–85 Genres: Motet, Salve Regina Source Attribution: [Richafort] Voice: [no designation] Languages: Latin Voice Text: Salve regina [misericordie vita dulcedo] II: Eya ergo [advocata nostra illos tuos] III: Et Jhesum benedictum [fructum ventris]
85v–87	Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis)	[Lupus/Richafort]	Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?)
Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 85v–87 Genres: Motet Source Attribution: [Lupus/Richafort] Voice: [no designation] Languages: Latin Voice Text: Iam non dicam [vos servos sed amicos] II: Cum venerit ille [spiritus veritatis]
87v–89	Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens)	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 87v–89 Genres: Motet Source Attribution: [Richafort] Voice: [no designation] Languages: Latin Voice Text: Quem dicunt homines [esse filium hominis] II: Petre diligis me [qui respondit]
89v–91	Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta)	[Mouton/Richafort]	Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)
Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 89v–91 Genres: Motet Source Attribution: [Mouton/Richafort] Voice: [no designation] Languages: Latin Voice Text: Christus resurgens [ex mortuis iam non] II: Mortuus est enim [propter delicta]
91v–93	Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris)	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 91v–93 Genres: Motet Source Attribution: [Richafort] Voice: [no designation] Languages: Latin Voice Text: Emendemus [in melius que ignoranter] II: Peccavimus [cum patribus nostris]
93v–94	Sancta Maria succure miseris juva pusillanimes	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Sancta Maria succure miseris juva pusillanimes Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 93v–94 Genres: Motet Source Attribution: [Verdelot] Voice: [no designation] Languages: Latin Voice Text: Sancta Maria [succurre miseris juva pusillanimes]
94v–96	Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum)	[Hellinck]	Hellinck, Lupus (ca. 1494–1541)
Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) Hellinck, Lupus (ca. 1494–1541) Appears on: 94v–96 Genres: Motet Source Attribution: [Hellinck] Voice: [no designation] Languages: Latin Voice Text: Panis [quem ego dabo caro mea est] II: Locutus est [populus ad dominum]
96v–97	Aspice Domine de sede sancta tua (4vv)	[Jaquet of Mantua/Lafage/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Fage, Jean de la Mantua, Jacquet de (1483–1559) (?)
Aspice Domine de sede sancta tua (4vv) Sermisy, Claudin de (ca. 1490–1562) (?) Fage, Jean de la Mantua, Jacquet de (1483–1559) (?) Appears on: 96v–97 Genres: Motet Source Attribution: [Jaquet of Mantua/Lafage/Sermisy] Voice: [no designation] Languages: Latin Voice Text: Aspice domine [de sede sancta tua]
97v–98	Inviolata integra et casta es Maria	Anon.	Anonymous
Inviolata integra et casta es Maria Anonymous Appears on: 97v–98 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Inviolata [integra et casta es Maria]
98v–99	Sustinuimus pacem et non venit quesivimus	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Sustinuimus pacem et non venit quesivimus Sermisy, Claudin de (ca. 1490–1562) Appears on: 98v–99 Genres: Motet Source Attribution: [Sermisy] Voice: [no designation] Languages: Latin Voice Text: Sustinuimus pacem [et non venit quesivimus]
99v–100	Si bona suscepimus de manu Domini II: Dominus dedit Dominus abstulit	Claudnj [= Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Si bona suscepimus de manu Domini II: Dominus dedit Dominus abstulit Sermisy, Claudin de (ca. 1490–1562) Appears on: 99v–100 Genres: Motet Source Attribution: Claudnj [= Sermisy] Voice: [no designation] Languages: Latin Voice Text: Si bona suscepimus de manu domini
100v–113	[Lute tablature]	Anon.	-
[Lute tablature] - Appears on: 100v–113 Genres: Tablature Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Lute tablature
113v–114	Le bergier et la bergiere sont a l'ombre	Anon.	Anonymous
Le bergier et la bergiere sont a l'ombre Anonymous Appears on: 113v–114 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Le bergier et la bergiere sont à l'umbre?
114v–115	[Lute tablature]	-	-
[Lute tablature] - Appears on: 114v–115 Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature
115v–116	Vire vire Jehan Jannette quand mon amy	Anon.	Anonymous
Vire vire Jehan Jannette quand mon amy Anonymous Appears on: 115v–116 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Vire vire Jehan Jannette quant [mon] amy
116v–117	La rousee du mois de may m'a gasté (I)	[Appenzeller/Mouton/Willaert]	Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Mouton, Jean (ca. 1459–1522) (?) Willaert, Adrian (ca. 1490–1562) (?)
La rousee du mois de may m'a gasté (I) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Mouton, Jean (ca. 1459–1522) (?) Willaert, Adrian (ca. 1490–1562) (?) Appears on: 116v–117 Genres: Chanson Source Attribution: [Appenzeller/Mouton/Willaert] Voice: [no designation] Languages: French Voice Text: La rouzee [du moys de may m'a gasté]
117v–118	Plus nulz regrets grand moiens 28.28	[Josquin]	Despres, Josquin (ca. 1450–1521)
Plus nulz regrets grand moiens 28.28 Despres, Josquin (ca. 1450–1521) Appears on: 117v–118 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Plus nulz regretz [grans moyens] 28.27
118v–119	Damoiselle	Anon.	Anonymous
Damoiselle Anonymous Appears on: 118v–119 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Damoyselle
119v–120	Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7)	[Josquin]	Despres, Josquin (ca. 1450–1521)
Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) Despres, Josquin (ca. 1450–1521) Appears on: 119v–120 Genres: Contrafactum, Motet Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Faulte dargent [c'est douleur non pareille] 29.7
120v–121	Cuidez vous que dieu nous faille	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Cuidez vous que dieu nous faille Richafort, Jean (ca. 1480–ca. 1550) Appears on: 120v–121 Genres: Chanson Source Attribution: [Richafort] Voice: [no designation] Languages: French Voice Text: Cuidez vous que dieu nous faille
121v–122	Tous les regrets qui les coeurs tourmentez?	Anon.	Anonymous
Tous les regrets qui les coeurs tourmentez? Anonymous Appears on: 121v–122 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Tous les regretz [qui les cueurs tourmentez?]
122v–123	Rossignolet du bois qui chante au verd?	Anon.	Anonymous
Rossignolet du bois qui chante au verd? Anonymous Appears on: 122v–123 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Rossignolet [du bois qui chante au verd?]
123v–124	Jamays amoureux je mestoys	Anon.	Anonymous
Jamays amoureux je mestoys Anonymous Appears on: 123v–124 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Jamays amoureux je mestoys
124v–125	Jehan petit Jehan quand tu as belle femme	[Lhéritier]	Lheritier, Jean (ca. 1480–ca. 1551)
Jehan petit Jehan quand tu as belle femme Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 124v–125 Genres: Chanson Source Attribution: [Lhéritier] Voice: [no designation] Languages: French Voice Text: Jehan [petit Jehan quant tu as belle femme]
125v–126	Jamays ne ma viendra	Anon.	Anonymous
Jamays ne ma viendra Anonymous Appears on: 125v–126 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Jamays ne ma viendra
126v–127	Naymez jamays ces vielles car pour aymer?	Anon.	Anonymous
Naymez jamays ces vielles car pour aymer? Anonymous Appears on: 126v–127 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Naymez jamays [ces vielles car pour aymer?]
127v–128	Cest mon amy quoy qu'on en die?	Anon.	Anonymous
Cest mon amy quoy qu'on en die? Anonymous Appears on: 127v–128 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Cest mon amy [quoy qu'on en die?]
128v–129	Hellas ma mere hellas maman les dens	Anon.	Anonymous
Hellas ma mere hellas maman les dens Anonymous Appears on: 128v–129 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Hellas ma mere [hellas maman les dens]
129v–132v	[Lute tablature]	-	-
[Lute tablature] - Appears on: 129v–132v Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature
133	C'est une dure departie de cellui ou j'aimis	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
C'est une dure departie de cellui ou j'aimis Sermisy, Claudin de (ca. 1490–1562) Appears on: 133 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Cest une dure [departie de celuy ou j'ay mis]
133v	C'est a grant tort que moi povrette endure	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
C'est a grant tort que moi povrette endure Sermisy, Claudin de (ca. 1490–1562) Appears on: 133v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Cest a grant [tort que moy povrette endure]
134	Contre raison vous m'êtes fort étrange	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Contre raison vous m'êtes fort étrange Sermisy, Claudin de (ca. 1490–1562) Appears on: 134 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Contre rayson [vous m'estes fort estrange]
134v	Au pres de vous secretement demeure	[Jacotin/Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Au pres de vous secretement demeure Sermisy, Claudin de (ca. 1490–1562) Appears on: 134v Genres: Chanson Source Attribution: [Jacotin/Sermisy] Voice: [no designation] Languages: French Voice Text: Au pres de vous [secretement demeure]
135–136	[Lute tablature]	-	-
[Lute tablature] - Appears on: 135–136 Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature
136v	[untexted]	Anon.	-
[untexted] - Appears on: 136v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
137	[untexted]	Anon.	-
[untexted] - Appears on: 137 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
137	[untexted]	Anon.	-
[untexted] - Appears on: 137 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
137v	[untexted]	Anon.	-
[untexted] - Appears on: 137v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
138	[untexted]	Anon.	-
[untexted] - Appears on: 138 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
138v	[untexted]	Anon.	-
[untexted] - Appears on: 138v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
139	[untexted]	Anon.	-
[untexted] - Appears on: 139 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
139v–142v	[Lute tablature]	-	-
[Lute tablature] - Appears on: 139v–142v Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature
143	De mon triste desplaisir a vous belle	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
De mon triste desplaisir a vous belle Richafort, Jean (ca. 1480–ca. 1550) Appears on: 143 Genres: Chanson Source Attribution: [Richafort] Voice: [no designation] Languages: French Voice Text: De [mon triste et desplaisir a vous belle]
143v	Secourez moi ma dame par amours ou autrement	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Secourez moi ma dame par amours ou autrement Sermisy, Claudin de (ca. 1490–1562) Appears on: 143v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Secourez moy [ma dame par amours]
144	[Lute tablature]	-	-
[Lute tablature] - Appears on: 144 Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature
144v	Fait ou failly ou du tout riens	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Fait ou failly ou du tout riens Sermisy, Claudin de (ca. 1490–1562) Appears on: 144v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Faict on [failly ou du tout riens que vaille]
145	Jouissance vous donnerai, mon ami	[La Rue/Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Jouissance vous donnerai, mon ami Sermisy, Claudin de (ca. 1490–1562) Appears on: 145 Genres: Chanson Source Attribution: [La Rue/Sermisy] Voice: [no designation] Languages: French Voice Text: Joyssance [vous donneray mon amy]
145v	Le content est riche en ce monde	[Gombert/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Le content est riche en ce monde Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 145v Genres: Chanson Source Attribution: [Gombert/Sermisy] Voice: [no designation] Languages: French Voice Text: Le content [est riche en ce monde]
146	Longtemps y a que je vis en espoir	[Dulot/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Dulot, Francois (?)
Longtemps y a que je vis en espoir Sermisy, Claudin de (ca. 1490–1562) (?) Dulot, Francois (?) Appears on: 146 Genres: Chanson Source Attribution: [Dulot/Sermisy] Voice: [no designation] Languages: French Voice Text: Longtemps [y a que je vis en espoir]
146v	Si j'ai pour vous mon avoir despendu	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Si j'ai pour vous mon avoir despendu Sermisy, Claudin de (ca. 1490–1562) Appears on: 146v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Sy jay pour vous [mon avoir despendu]
147	Il est jour dit l'alouette allons jouer	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Il est jour dit l'alouette allons jouer Sermisy, Claudin de (ca. 1490–1562) Appears on: 147 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Ill es jour [dit l'alouette allons jouer]
147v	La frelin frelorion Iehanne m'amye?	Anon.	Anonymous
La frelin frelorion Iehanne m'amye? Anonymous Appears on: 147v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: La frelin [frelorion Iehanne m'amye?]
148	J'ai contente ma volunté suffisamente	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
J'ai contente ma volunté suffisamente Sermisy, Claudin de (ca. 1490–1562) Appears on: 148 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Jay contente [ma volunté suffisamente]
148v–149v	[Lute tablature]	Anon.	-
[Lute tablature] - Appears on: 148v–149v Genres: Tablature Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Lute tablature
150	Je suis tout seul madame la dit	Anon.	Anonymous
Je suis tout seul madame la dit Anonymous Appears on: 150 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Je suis tout seul [madame la dict]
150v	Vivray je tousjours en soucy pour vous	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Vivray je tousjours en soucy pour vous Sermisy, Claudin de (ca. 1490–1562) Appears on: 150v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Vivray je [tousjours en soucy pour vous]
151	Lespoyr que j'aidaquerir vostre grace	Anon.	Anonymous
Lespoyr que j'aidaquerir vostre grace Anonymous Appears on: 151 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Lespoyr que jay daquerir vostre grace
151v	J'attens secours de ma seule pensée	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
J'attens secours de ma seule pensée Sermisy, Claudin de (ca. 1490–1562) Appears on: 151v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Jattens secours [de ma seule pensée]
152	Ce fut amours dont je fus abusée	[Passereau]	Passereau, Pierre (fl. c1509–1547)
Ce fut amours dont je fus abusée Passereau, Pierre (fl. c1509–1547) Appears on: 152 Genres: Chanson Source Attribution: [Passereau] Voice: [no designation] Languages: French Voice Text: Ce fut amours [dont je fus abusée]
152v–157v	[Lute tablature]	-	-
[Lute tablature] - Appears on: 152v–157v Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature

Composer	Compositions
Anonymous	Cest mon amy quoy qu'on en die? – 127v–128 Damoiselle – 118v–119 Hellas ma mere hellas maman les dens – 128v–129 Inviolata integra et casta es Maria – 97v–98 Jamays amoureux je mestoys – 123v–124 Jamays ne ma viendra – 125v–126 Je suis tout seul madame la dit – 150 La frelin frelorion Iehanne m'amye? – 147v Le bergier et la bergiere sont a l'ombre – 113v–114 Lespoyr que j'aidaquerir vostre grace – 151 Letabundus exultet fidelis chorus alleluia II: Cedrus alta Libani conformatur – 68v–70 Modern inscriptions and lute tablature – 1 Naymez jamays ces vielles car pour aymer? – 126v–127 Rossignolet du bois qui chante au verd? – 122v–123 Tous les regrets qui les coeurs tourmentez? – 121v–122 Tua est potentia tuum regnum domine – 75v–76 Vire vire Jehan Jannette quand mon amy – 115v–116 [Lute tablature] – 114v–115 [Lute tablature] – 59v–60 [Lute tablature] – 144 [Lute tablature] – 148v–149v [Lute tablature] – 152v–157v [Lute tablature] – 139v–142v [Lute tablature] – 135–136 [Lute tablature] – 129v–132v [Lute tablature] – 100v–113 [untexted] – 137v [untexted] – 139 [untexted] – 138 [untexted] – 138v [untexted] – 136v [untexted] – 137 [untexted] – 137
Appenzeller, Benedictus (ca. 1480–ca. 1558)	(?) La rousee du mois de may m'a gasté (I) – 116v–117
Despres, Josquin (ca. 1450–1521)	Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) – 62v–64 Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) – 119v–120 Liber generationis Jesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigracionem Babilonis – 64v–67 Missa Beata Virgine = Missa Coronata 3.3 – 1v–10 Missa L'homme armé super voces musicales 6.3 – 10v–17 Missus est Gabriel angelus ad Mariam 20.6 – 67v–68 Plus nulz regrets grand moiens 28.28 – 117v–118 (?) Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 74v–75 Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) – 60v–62 (?) Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) – 76v–79
Dulot, Francois	(?) Longtemps y a que je vis en espoir – 146
Fage, Jean de la	Aspice Domine de sede sancta tua (4vv) – 96v–97
Fevin, Antoine de (ca. 1470–ca. 1512)	Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus) – 70v–71 (?) Missa Ave Maria – 25v–32 Missa Feria (5vv) – 17v–25 Sancta Trinitas unus Deus miserere nobis (4vv) – 71v–72
Fevin, Robert de (fl. 1500-1515)	(?) Missa Ave Maria – 25v–32
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	Ecce venit rex nobis natus de virgine II: Nunciate nobis quid vidistis III: Quid facit Maria nutrix Dei mater – 79v–81 (?) Missa Feria (5vv) – 17v–25 Missa Mijn hert heeft altijt verlanghen: Osanna – 50v Missa Mijn herte altijt heeft verlanghen – 49v–50 Missa Pourquoi non: Agnus Dei – 52v Missa Pourquoi non: Kyrie eleison – 51v–52 Missa Pourquoi non: Osanna – 51
Gombert, Nicolas (ca. 1495–ca. 1560)	(?) Le content est riche en ce monde – 145v
Hellinck, Lupus (ca. 1494–1541)	(?) Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) – 85v–87 Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) – 94v–96
Leo X (Medici) (1475–1521)	(?) Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus) – 70v–71
Lheritier, Jean (ca. 1480–ca. 1551)	Jehan petit Jehan quand tu as belle femme – 124v–125
Mantua, Jacquet de (1483–1559)	(?) Aspice Domine de sede sancta tua (4vv) – 96v–97
Mouton, Jean (ca. 1459–1522)	(?) Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) – 89v–91 Illuminare Jerusalem venit lux tua (2p. Interrogabat magos Herodes quod signum) – 72v–74 (?) La rousee du mois de may m'a gasté (I) – 116v–117 Missa Allemaigne = Missa Regina mearum = Adieu Solas – 41v–49 Missa Tua est potentia – 32v–41 Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 74v–75 (?) Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) – 76v–79
Passereau, Pierre (fl. c1509–1547)	Ce fut amours dont je fus abusée – 152
Richafort, Jean (ca. 1480–ca. 1550)	(?) Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) – 89v–91 Cuidez vous que dieu nous faille – 120v–121 De mon triste desplaisir a vous belle – 143 Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris) – 91v–93 Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) – 85v–87 Missa O genitrix gloriosa – 53v–59 ("58" applied to two consecutive folios) Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) – 87v–89 Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia – 82v–85
Sermisy, Claudin de (ca. 1490–1562)	(?) Aspice Domine de sede sancta tua (4vv) – 96v–97 Au pres de vous secretement demeure – 134v C'est a grant tort que moi povrette endure – 133v C'est une dure departie de cellui ou j'aimis – 133 Contre raison vous m'êtes fort étrange – 134 Fait ou failly ou du tout riens – 144v Il est jour dit l'alouette allons jouer – 147 J'ai contente ma volunté suffisamente – 148 J'attens secours de ma seule pensée – 151v Jouissance vous donnerai, mon ami – 145 (?) Le content est riche en ce monde – 145v (?) Longtemps y a que je vis en espoir – 146 Secourez moi ma dame par amours ou autrement – 143v Si bona suscepimus de manu Domini II: Dominus dedit Dominus abstulit – 99v–100 Si j'ai pour vous mon avoir despendu – 146v Sustinuimus pacem et non venit quesivimus – 98v–99 Vivray je tousjours en soucy pour vous – 150v
Silva, Andreas de (ca. 1475–ca. 1522)	(?) Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) – 76v–79
Verdelot, Philippe (ca. 1480–ca. 1532)	Sancta Maria succure miseris juva pusillanimes – 93v–94
Willaert, Adrian (ca. 1490–1562)	(?) La rousee du mois de may m'a gasté (I) – 116v–117

Composition	Composers (? Uncertain)	Folios / Pages
[Lute tablature]	-	59v–60
[Lute tablature]	-	100v–113
[Lute tablature]	-	114v–115
[Lute tablature]	-	129v–132v
[Lute tablature]	-	135–136
[Lute tablature]	-	139v–142v
[Lute tablature]	-	144
[Lute tablature]	-	148v–149v
[Lute tablature]	-	152v–157v
[untexted]	-	136v
[untexted]	-	137
[untexted]	-	137
[untexted]	-	137v
[untexted]	-	138
[untexted]	-	138v
[untexted]	-	139
Aspice Domine de sede sancta tua (4vv)	Sermisy, Claudin de (ca. 1490–1562) (?) Fage, Jean de la Mantua, Jacquet de (1483–1559) (?)	96v–97
Au pres de vous secretement demeure	Sermisy, Claudin de (ca. 1490–1562)	134v
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum)	Despres, Josquin (ca. 1450–1521)	62v–64
Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus)	Fevin, Antoine de (ca. 1470–ca. 1512) Leo X (Medici) (1475–1521) (?)	70v–71
C'est a grant tort que moi povrette endure	Sermisy, Claudin de (ca. 1490–1562)	133v
C'est une dure departie de cellui ou j'aimis	Sermisy, Claudin de (ca. 1490–1562)	133
Ce fut amours dont je fus abusée	Passereau, Pierre (fl. c1509–1547)	152
Cest mon amy quoy qu'on en die?	Anonymous	127v–128
Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta)	Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)	89v–91
Contre raison vous m'êtes fort étrange	Sermisy, Claudin de (ca. 1490–1562)	134
Cuidez vous que dieu nous faille	Richafort, Jean (ca. 1480–ca. 1550)	120v–121
Damoiselle	Anonymous	118v–119
De mon triste desplaisir a vous belle	Richafort, Jean (ca. 1480–ca. 1550)	143
Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7)	Despres, Josquin (ca. 1450–1521)	119v–120
Ecce venit rex nobis natus de virgine II: Nunciate nobis quid vidistis III: Quid facit Maria nutrix Dei mater	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	79v–81
Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris)	Richafort, Jean (ca. 1480–ca. 1550)	91v–93
Fait ou failly ou du tout riens	Sermisy, Claudin de (ca. 1490–1562)	144v
Hellas ma mere hellas maman les dens	Anonymous	128v–129
Il est jour dit l'alouette allons jouer	Sermisy, Claudin de (ca. 1490–1562)	147
Illuminare Jerusalem venit lux tua (2p. Interrogabat magos Herodes quod signum)	Mouton, Jean (ca. 1459–1522)	72v–74
Inviolata integra et casta es Maria	Anonymous	97v–98
J'ai contente ma volunté suffisamente	Sermisy, Claudin de (ca. 1490–1562)	148
J'attens secours de ma seule pensée	Sermisy, Claudin de (ca. 1490–1562)	151v
Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis)	Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?)	85v–87
Jamays amoureux je mestoys	Anonymous	123v–124
Jamays ne ma viendra	Anonymous	125v–126
Je suis tout seul madame la dit	Anonymous	150
Jehan petit Jehan quand tu as belle femme	Lheritier, Jean (ca. 1480–ca. 1551)	124v–125
Jouissance vous donnerai, mon ami	Sermisy, Claudin de (ca. 1490–1562)	145
La frelin frelorion Iehanne m'amye?	Anonymous	147v
La rousee du mois de may m'a gasté (I)	Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Mouton, Jean (ca. 1459–1522) (?) Willaert, Adrian (ca. 1490–1562) (?)	116v–117
Le bergier et la bergiere sont a l'ombre	Anonymous	113v–114
Le content est riche en ce monde	Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	145v
Lespoyr que j'aidaquerir vostre grace	Anonymous	151
Letabundus exultet fidelis chorus alleluia II: Cedrus alta Libani conformatur	Anonymous	68v–70
Liber generationis Jesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigracionem Babilonis	Despres, Josquin (ca. 1450–1521)	64v–67
Longtemps y a que je vis en espoir	Sermisy, Claudin de (ca. 1490–1562) (?) Dulot, Francois (?)	146
Missa Allemaigne = Missa Regina mearum = Adieu Solas	Mouton, Jean (ca. 1459–1522)	41v–49
Missa Ave Maria	Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)	25v–32
Missa Beata Virgine = Missa Coronata 3.3	Despres, Josquin (ca. 1450–1521)	1v–10
Missa Feria (5vv)	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	17v–25
Missa L'homme armé super voces musicales 6.3	Despres, Josquin (ca. 1450–1521)	10v–17
Missa Mijn hert heeft altijt verlanghen: Osanna	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	50v
Missa Mijn herte altijt heeft verlanghen	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	49v–50
Missa O genitrix gloriosa	Richafort, Jean (ca. 1480–ca. 1550)	53v–59 ("58" applied to two consecutive folios)
Missa Pourquoi non: Agnus Dei	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	52v
Missa Pourquoi non: Kyrie eleison	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	51v–52
Missa Pourquoi non: Osanna	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	51
Missa Tua est potentia	Mouton, Jean (ca. 1459–1522)	32v–41
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	67v–68
Modern inscriptions and lute tablature	Anonymous	1
Naymez jamays ces vielles car pour aymer?	Anonymous	126v–127
Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum)	Hellinck, Lupus (ca. 1494–1541)	94v–96
Plus nulz regrets grand moiens 28.28	Despres, Josquin (ca. 1450–1521)	117v–118
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens)	Richafort, Jean (ca. 1480–ca. 1550)	87v–89
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?)	74v–75
Rossignolet du bois qui chante au verd?	Anonymous	122v–123
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	Richafort, Jean (ca. 1480–ca. 1550)	82v–85
Sancta Maria succure miseris juva pusillanimes	Verdelot, Philippe (ca. 1480–ca. 1532)	93v–94
Sancta Trinitas unus Deus miserere nobis (4vv)	Fevin, Antoine de (ca. 1470–ca. 1512)	71v–72
Secourez moi ma dame par amours ou autrement	Sermisy, Claudin de (ca. 1490–1562)	143v
Si bona suscepimus de manu Domini II: Dominus dedit Dominus abstulit	Sermisy, Claudin de (ca. 1490–1562)	99v–100
Si j'ai pour vous mon avoir despendu	Sermisy, Claudin de (ca. 1490–1562)	146v
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire)	Despres, Josquin (ca. 1450–1521)	60v–62
Sustinuimus pacem et non venit quesivimus	Sermisy, Claudin de (ca. 1490–1562)	98v–99
Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus)	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)	76v–79
Tous les regrets qui les coeurs tourmentez?	Anonymous	121v–122
Tua est potentia tuum regnum domine	Anonymous	75v–76
Vire vire Jehan Jannette quand mon amy	Anonymous	115v–116
Vivray je tousjours en soucy pour vous	Sermisy, Claudin de (ca. 1490–1562)	150v

‡ denotes primary source study

MacCracken, Thomas Gregg. 1985. The Manuscript Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76b. University of Chicago, Unpublished Ph.D. dissertation. Pages: 474-80. Notes: contents list.

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. Wiesbaden. Pages: 78,90,109. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Pages: 290. Notes: physical description; mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 359, 364-5. Notes: contents list (partial); concordances (partial).

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 70ff. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Notes: contents list (partial); concordances (partial).

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Marnix van Berchum

Friday, 14 February, 2025

Notified of the link address for the online images of the manuscript.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description