S-Uu Vokalmusik i Handskrift 76b

Universitetsbiblioteket, Uppsala, Sweden

manuscript of polyphony: c. 1515

Archive	Universitetsbiblioteket, Uppsala, Sweden (S-Uu)
Shelfmark	Vokalmusik i Handskrift 76b
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	276 x 193 mm
Other Identifiers	CCM: UppsU 76b
Notations	black void mensural
Relationships	Gillesson, Thomas (mentioned in liminary text)
External Links	Images CMME online edition
Provenance	Troyes? France
Contents	138 pieces from 16 composers

General Description

Composite of several originally separate fascicles later bound together. Original choirbook-layout pieces were separated by pages of blank staves, which were later used to add pieces in lute tablature (on ff. 3, 13'-14', 50, 60'-61, 62, 86'-87, 108'-112, 128'-129, 142'-162').Music in mensural notation copied by a single scribe; lute intabulations are later additions by a different scribe, who also wrote most of lute tablature additions in UppsU 76c (Thomas G. MacCracken). Of French origin (BernNO); possibly copied in Troyes or vicinity. Early (original?) owner was Thomas Gillesson, a priest of Troyes diocese (inscription on f. 2).

DIAMM, 2017

Binding

Original covers of brown leather blind tooled with ornamental designs; modern spine

DIAMM, 2017

Watermark

(1) generally resembles Briquet #12510 (several variants); (2) pot with crown; (3) small pot; (4) candlestick; (5) shield surmounted by cross; (6) Gothic letter 'N'.

DIAMM, 2017

Notation

black void mensural; lute tablature

DIAMM, 2017

Foliation

New pencil foliation, 1-166, on lower right rectos (one original folio now missing between new ff. 73/74, one between ff. 77/78, two each between ff. 151/152, 152/153, one or two following f. 162).

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 Masses, 1 Sanctus-Agnus pair, 8 motets, 13 French secular pieces, 2 textless pieces = 33*

*Above summary excludes later additions in lute tablature on ff. 3, 13'-14', 50, 60'-61, 62, 86'-87, 108'-112, 128'-129, 142'-162'.

(A. Févin)-3, (M. Forestier)-1, M. Forestier/(Josquin)-1, Josquin -4, (Josquin/La Rue)-1, (La Rue)-1, Mouton-8, anon-14

166 paper folios of an original 174 or more, 276 x 193. Composite of several originally separate fascicles later bound together. New pencil foliation, 1-166, on lower right rectos (one original folio now missing between new ff. 73/74, one between ff. 77/78, two each between ff. 151/152, 152/153, one or two following f. 162). Original covers of brown leather blind tooled with ornamental designs; modern spine. No index. Music in mensural notation copied by a single scribe; lute intabulations are later additions by a different scribe, who also wrote most of lute tablature additions in UppsU 76c (Thomas G. MacCracken). No initials or decoration. Watermarks: (1) generally resembles Briquet #12510 (several variants); (2) pot with crown; (3) small pot; (4) candlestick; (5) shield surmounted by cross; (6) Gothic letter "N".

Ca. 1515? (BernNO), with lute tablature additions in second half of 16th century. Of French origin (BernNO); possibly copied in Troyes or vicinity. Early (original?) owner was Thomas Gillesson, a priest of Troyes diocese (inscription on f. 2).

Vol 4

Composers: Add "(Divitis/A. Févin)-1"; change "(A. Févin)-3" to "(A. Févin)-2." Date: Ca. 1515-35, with lute tablature additions ca. 1570-90 (MacCrackenU).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3	Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta)	-	Conversi, Girolamo
Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta) Conversi, Girolamo Appears on: 3 Genres: Motet Voice: [no designation] Languages: none Voice Text: Lute tablature Layout Lute intabulation
3v–4	Missa Dites-moi m'avés pensé: Kyrie	[Divitis/A. Févin]	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Dites-moi m'avés pensé: Kyrie Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 3v–4 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Divitis/A. Févin] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Dictes moy toutes voz pensées]
4v–6	Missa Dites-moi m'avés pensé: Gloria	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Dites-moi m'avés pensé: Gloria Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 4v–6 Genres: Gloria (et in terra pax), Mass Ordinary
6v–9	Missa Dites-moi m'avés pensé: Credo	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Dites-moi m'avés pensé: Credo Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 6v–9 Genres: Credo (patrem omnipotentem), Mass Ordinary
9v–11	Missa Dites-moi m'avés pensé: Sanctus	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Dites-moi m'avés pensé: Sanctus Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 9v–11 Genres: Mass Ordinary, Sanctus [& Benedictus]
11v–13	Missa Dites-moi m'avés pensé: Agnus Dei	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Dites-moi m'avés pensé: Agnus Dei Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 11v–13 Genres: Agnus Dei, Mass Ordinary
13v	Beatus vir qui timet (4vv) - 5a pars (of 11): Jucundus homo qui miseretur	-	Lassus, Orlande de (ca. 1532–1594)
Beatus vir qui timet (4vv) - 5a pars (of 11): Jucundus homo qui miseretur Lassus, Orlande de (ca. 1532–1594) Appears on: 13v Genres: Tablature
13v	Je ne scay que c'est qu'il me fault	-	Arcadelt, Jacques (ca. 1507–1568)
Je ne scay que c'est qu'il me fault Arcadelt, Jacques (ca. 1507–1568) Appears on: 13v Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature Concordances also intabulated at f. 146v Layout Lute intabulation
14v	[Lute tablature]	-	Anonymous
[Lute tablature] Anonymous Appears on: 14v Genres: Tablature
15	[blank staves]	-	-
[blank staves] Appears on: 15
15v–16	Missa Benedictus Dominus: Kyrie	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Missa Benedictus Dominus: Kyrie Mouton, Jean (ca. 1459–1522) Appears on: 15v–16 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine]
16v–18	Missa Benedictus Dominus: Gloria	-	Mouton, Jean (ca. 1459–1522)
Missa Benedictus Dominus: Gloria Mouton, Jean (ca. 1459–1522) Appears on: 16v–18 Genres: Gloria (et in terra pax), Mass Ordinary
18v–21	Missa Benedictus Dominus: Credo	-	Mouton, Jean (ca. 1459–1522)
Missa Benedictus Dominus: Credo Mouton, Jean (ca. 1459–1522) Appears on: 18v–21 Genres: Credo (patrem omnipotentem), Mass Ordinary
21v–23	Missa Benedictus Dominus: Sanctus	-	Mouton, Jean (ca. 1459–1522)
Missa Benedictus Dominus: Sanctus Mouton, Jean (ca. 1459–1522) Appears on: 21v–23 Genres: Mass Ordinary, Sanctus [& Benedictus]
23v–24	Missa Benedictus Dominus: Agnus Dei	-	Mouton, Jean (ca. 1459–1522)
Missa Benedictus Dominus: Agnus Dei Mouton, Jean (ca. 1459–1522) Appears on: 23v–24 Genres: Agnus Dei, Mass Ordinary
24v–25	[blank staves]	-	-
[blank staves] Appears on: 24v–25
25v–26	Missa Alma Redemptoris Mater: Kyrie	[Mouton]	Mouton, Jean (ca. 1459–1522)
Missa Alma Redemptoris Mater: Kyrie Mouton, Jean (ca. 1459–1522) Appears on: 25v–26 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Mouton] Voice: [no designation] Languages: Latin Voice Text: [Missa Alma redemptoris mater]
26v–28	Missa Alma Redemptoris Mater: Gloria	-	Mouton, Jean (ca. 1459–1522)
Missa Alma Redemptoris Mater: Gloria Mouton, Jean (ca. 1459–1522) Appears on: 26v–28 Genres: Gloria (et in terra pax), Mass Ordinary
28v–31	Missa Alma Redemptoris Mater: Credo	-	Mouton, Jean (ca. 1459–1522)
Missa Alma Redemptoris Mater: Credo Mouton, Jean (ca. 1459–1522) Appears on: 28v–31 Genres: Credo (patrem omnipotentem), Mass Ordinary
31v–33	Missa Alma Redemptoris Mater: Sanctus	-	Mouton, Jean (ca. 1459–1522)
Missa Alma Redemptoris Mater: Sanctus Mouton, Jean (ca. 1459–1522) Appears on: 31v–33 Genres: Mass Ordinary, Sanctus [& Benedictus]
33v–35	Missa Alma Redemptoris Mater: Agnus Dei	-	Mouton, Jean (ca. 1459–1522)
Missa Alma Redemptoris Mater: Agnus Dei Mouton, Jean (ca. 1459–1522) Appears on: 33v–35 Genres: Agnus Dei, Mass Ordinary
35v	[blank staves]	-	-
[blank staves] Appears on: 35v
36	Missa Tua est potentia: Agnus Dei	-	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia: Agnus Dei Mouton, Jean (ca. 1459–1522) Appears on: 36 Genres: Agnus Dei, Mass Ordinary General Note 2 voices from the end of the Agnus - misbound, it should be f. 78 (the page torn out after f. 77v)
36v–37	[untexted]	Anon.	-
[untexted] - Appears on: 36v–37 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
37v	[blank staves]	-	-
[blank staves] Appears on: 37v
38–39	Missa O gloriosa: Kyrie	Anon.	Anonymous
Missa O gloriosa: Kyrie Anonymous Appears on: 38–39 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa] O gloriosa
39v–41	Missa O gloriosa: Gloria	-	Anonymous
Missa O gloriosa: Gloria Anonymous Appears on: 39v–41 Genres: Gloria (et in terra pax), Mass Ordinary
41v–44	Missa O gloriosa: Credo	-	Anonymous
Missa O gloriosa: Credo Anonymous Appears on: 41v–44 Genres: Credo (patrem omnipotentem), Mass Ordinary
44v–46	Missa O gloriosa: Sanctus	-	Anonymous
Missa O gloriosa: Sanctus Anonymous Appears on: 44v–46 Genres: Mass Ordinary, Sanctus [& Benedictus]
46v–49	Missa O gloriosa: Agnus Dei	-	Anonymous
Missa O gloriosa: Agnus Dei Anonymous Appears on: 46v–49 Genres: Agnus Dei, Mass Ordinary
49v	[blank staves]	-	-
[blank staves] Appears on: 49v
50	O Seigneur	-	-
O Seigneur - Appears on: 50 Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature Layout Lute intabulation
50	Quare vure la clartii	-	Anonymous
Quare vure la clartii Anonymous Appears on: 50 Genres: Tablature Layout Lute intabulation
50	Amour est un [grand maître?]	-	Anonymous
Amour est un [grand maître?] Anonymous Appears on: 50 Genres: Tablature Layout Lute intabulation
50v–51	Missa Feria (5vv): Kyrie	[A. Févin]	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Feria (5vv): Kyrie Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 50v–51 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [A. Févin] Voice: [no designation] Languages: Latin Voice Text: [Missa de Feria]
51v–53	Missa Feria (5vv): Gloria: 2 partes.	-	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Missa Feria (5vv): Gloria: 2 partes. Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 51v–53 Genres: Gloria (et in terra pax), Mass Ordinary
53v–56	Missa Feria (5vv): Credo: 4 partes.	-	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Missa Feria (5vv): Credo: 4 partes. Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 53v–56 Genres: Credo (patrem omnipotentem), Mass Ordinary
56v–58	Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces).	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces). Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 56v–58 Genres: Mass Ordinary, Sanctus [& Benedictus]
58v–60	Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces.	-	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces. Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 58v–60 Genres: Agnus Dei, Mass Ordinary
60v–62	[Lute tablature]	-	-
[Lute tablature] - Appears on: 60v–62 Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature
62v–63	[untexted]	Anon.	-
[untexted] - Appears on: 62v–63 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless General Note f. 62v blank except for last few notes of Bassus, continued from f.63
63v–64	O salutaris hostia que caeli pandis	[La Rue]	Rue, Pierre de la (ca. 1452–1518)
O salutaris hostia que caeli pandis Rue, Pierre de la (ca. 1452–1518) Appears on: 63v–64 Genres: Mass Ordinary, Motet Source Attribution: [La Rue] Voice: [no designation] Languages: Latin Voice Text: [O] salutaris hostia que celis pandis [= Osanna from Missa Sancta Anna]
64v–66	Missa Sine nomine: Sanctus	Anon.	Anonymous
Missa Sine nomine: Sanctus Anonymous Appears on: 64v–66 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine] [SA]
66v–67	Missa Sine nomine: Agnus Dei	-	Anonymous
Missa Sine nomine: Agnus Dei Anonymous Appears on: 66v–67 Genres: Agnus Dei, Mass Ordinary
67v–68	Missa Tua est potentia: Kyrie	Mouton	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia: Kyrie Mouton, Jean (ca. 1459–1522) Appears on: 67v–68 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Mouton Voice: [no designation] Languages: Latin, Greek Voice Text: M[issa] Tua est potentia General Note The last page of Agnus, with 2 of the 4vv, was torn out & is now bound in at f.36
68v–71	Missa Tua est potentia: Gloria	-	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia: Gloria Mouton, Jean (ca. 1459–1522) Appears on: 68v–71 Genres: Gloria (et in terra pax), Mass Ordinary
71v–74	Missa Tua est potentia: Credo	-	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia: Credo Mouton, Jean (ca. 1459–1522) Appears on: 71v–74 Genres: Credo (patrem omnipotentem), Mass Ordinary
74v–76	Missa Tua est potentia: Sanctus	-	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia: Sanctus Mouton, Jean (ca. 1459–1522) Appears on: 74v–76 Genres: Mass Ordinary, Sanctus [& Benedictus]
77–77v	Missa Tua est potentia: Agnus Dei	-	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia: Agnus Dei Mouton, Jean (ca. 1459–1522) Appears on: 77–77v Genres: Agnus Dei, Mass Ordinary
78–79	Missa O intemerata: Kyrie	[M. Forestier]	Forestier, Mathurin
Missa O intemerata: Kyrie Forestier, Mathurin Appears on: 78–79 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [M. Forestier] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] O intemerata (No text underlaid, incomplete at beginning) General Note opening page missing with 2 of 4vv. Untexted
79v–81	Missa O intemerata: Gloria	-	Forestier, Mathurin
Missa O intemerata: Gloria Forestier, Mathurin Appears on: 79v–81 Genres: Gloria (et in terra pax), Mass Ordinary General Note Untexted
81v–83	Missa O intemerata: Credo	-	Forestier, Mathurin
Missa O intemerata: Credo Forestier, Mathurin Appears on: 81v–83 Genres: Credo (patrem omnipotentem), Mass Ordinary General Note Untexted
83v–85	Missa O intemerata: Sanctus	-	Forestier, Mathurin
Missa O intemerata: Sanctus Forestier, Mathurin Appears on: 83v–85 Genres: Mass Ordinary, Sanctus [& Benedictus] General Note Untexted
85v–86	Missa O intemerata: Agnus Dei	-	Forestier, Mathurin
Missa O intemerata: Agnus Dei Forestier, Mathurin Appears on: 85v–86 Genres: Agnus Dei, Mass Ordinary General Note Untexted
86v	En touts mes maulx	-	Anonymous
En touts mes maulx Anonymous Appears on: 86v Genres: Tablature Layout Lute intabulation
86v	De touts mes maux	-	-
De touts mes maux - Appears on: 86v Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature Layout Lute intabulation. Written upside down from bottom of page
87	Nul n'est (I)	-	Anonymous
Nul n'est (I) Anonymous Appears on: 87 Genres: Tablature Layout Lute intabulation. Written upside down from bottom of page
87v–88	Missa Fortuna desperata 8.2: Kyrie	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 87v–88 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [Missa Fortuna desperata] (Mostly without text) 8.2 General Note untexted
88v–90	Missa Fortuna desperata 8.2: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 88v–90 Genres: Gloria (et in terra pax), Mass Ordinary General Note untexted
90v–93	Missa Fortuna desperata 8.2: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Credo Despres, Josquin (ca. 1450–1521) Appears on: 90v–93 Genres: Credo (patrem omnipotentem), Mass Ordinary General Note untexted
93v–95	Missa Fortuna desperata 8.2: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 93v–95 Genres: Mass Ordinary, Sanctus [& Benedictus] General Note untexted
95v–96	Missa Fortuna desperata 8.2: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 95v–96 Genres: Agnus Dei, Mass Ordinary General Note untexted
96v–97	[blank staves]	-	-
[blank staves] Appears on: 96v–97
97v–98	Missa Beata Virgine = Missa Coronata 3.3: Kyrie	[Josquin/La Rue]	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 97v–98 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Josquin/La Rue] Voice: [no designation] Languages: Latin Voice Text: [Missa De beata Virgine] (No text underlaid, Agnus II/III missing) 3.3 General Note untexted
98v–102	Missa Beata Virgine = Missa Coronata 3.3: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 98v–102 Genres: Gloria (et in terra pax), Mass Ordinary General Note untexted
102v–105	Missa Beata Virgine = Missa Coronata 3.3: Credo	-	Despres, Josquin (ca. 1450–1521) (?)
Missa Beata Virgine = Missa Coronata 3.3: Credo Despres, Josquin (ca. 1450–1521) (?) Appears on: 102v–105 Genres: Credo (patrem omnipotentem), Mass Ordinary General Note untexted
105v–107	Missa Beata Virgine = Missa Coronata 3.3: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 105v–107 Genres: Mass Ordinary, Sanctus [& Benedictus] General Note untexted
107v–108	Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 107v–108 Genres: Agnus Dei, Mass Ordinary General Note untexted
108v–110	[Lute tablature]	-	-
[Lute tablature] - Appears on: 108v–110 Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature
110v–111	Integer (lute duet)	-	Anonymous
Integer (lute duet) Anonymous Appears on: 110v–111 Genres: Tablature
111v–112	[Lute tablature]	-	-
[Lute tablature] - Appears on: 111v–112 Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature
112v–113	Sancti spiritus - 1a pars (of 2): Sancti spiritus adsit nobis gratia	Anon.	Anonymous
Sancti spiritus - 1a pars (of 2): Sancti spiritus adsit nobis gratia Anonymous Appears on: 112v–113 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sancti spiritus adsit nobis gratia II: Quando machinam per verbum suum
113v–115	Sancti spiritus - 2a pars (of 2): Quando machinam per verbum suum	-	Anonymous
Sancti spiritus - 2a pars (of 2): Quando machinam per verbum suum Anonymous Appears on: 113v–115 Genres: Motet
115v–116	Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte	M. Forestier/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Forestier, Mathurin (?)
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte Despres, Josquin (ca. 1450–1521) (?) Forestier, Mathurin (?) Appears on: 115v–116 Genres: Motet, Veni sancte spiritus Source Attribution: M. Forestier/[Josquin] Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus et emitte celitus 26.17 II: O lux beatissima reple cordis
116v–117	Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis	-	Despres, Josquin (ca. 1450–1521) Forestier, Mathurin (?)
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis Despres, Josquin (ca. 1450–1521) Forestier, Mathurin (?) Appears on: 116v–117
117v–118	Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Josquin	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Despres, Josquin (ca. 1450–1521) Appears on: 117v–118 Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Preter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
118v–120	Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	-	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud Despres, Josquin (ca. 1450–1521) Appears on: 118v–120 Genres: Motet
120v–121	Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	[Mouton]	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens Mouton, Jean (ca. 1459–1522) Appears on: 120v–121 Genres: Motet Source Attribution: [Mouton] Voice: [no designation] Languages: Latin Voice Text: Gaude Barbara beata summe pollins(!) II: Gaude quia meruisti impetrare
121v–122	Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	-	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare Mouton, Jean (ca. 1459–1522) Appears on: 121v–122 Genres: Motet
122v–123	Amicus Dei Nicolaus - 1a pars (of 2): Amicus Dei Nicolaus pontificali decoratus	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Amicus Dei Nicolaus - 1a pars (of 2): Amicus Dei Nicolaus pontificali decoratus Mouton, Jean (ca. 1459–1522) Appears on: 122v–123 Genres: Motet Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: Amicus dei Nicholaus pontificali decoratus II: Ad sacrum cuius(!) tumulum egri
123v–124	Amicus Dei Nicolaus - 2a pars (of 2): Ad sacrum eius tumulum egri currunt	-	Mouton, Jean (ca. 1459–1522)
Amicus Dei Nicolaus - 2a pars (of 2): Ad sacrum eius tumulum egri currunt Mouton, Jean (ca. 1459–1522) Appears on: 123v–124 Genres: Motet
124v–125	Ave virginum gemma - 1a pars (of 2): Ave virginum gemma virgo Katherina	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Ave virginum gemma - 1a pars (of 2): Ave virginum gemma virgo Katherina Mouton, Jean (ca. 1459–1522) Appears on: 124v–125 Genres: Motet Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: Ave virginum gemma virgo Katherina II: Virgo sancta Katherina Grecie gemma
125v–126	Ave virginum gemma - 2a pars (of 2): Virgo sancta Katherina Graeciae gemma	-	Mouton, Jean (ca. 1459–1522)
Ave virginum gemma - 2a pars (of 2): Virgo sancta Katherina Graeciae gemma Mouton, Jean (ca. 1459–1522) Appears on: 125v–126 Genres: Motet
126v–127	Gloriosa virgo - 1a pars (of 2): Gloriosa virgo Margareta qui allicienti	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Gloriosa virgo - 1a pars (of 2): Gloriosa virgo Margareta qui allicienti Mouton, Jean (ca. 1459–1522) Appears on: 126v–127 Genres: Motet Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: Gloriosa virgo Margareta qui allicienti II: Quem cum amavero casta sum
127v–128	Gloriosa virgo - 2a pars (of 2): Quem cum amavero casta sum)	-	Mouton, Jean (ca. 1459–1522)
Gloriosa virgo - 2a pars (of 2): Quem cum amavero casta sum) Mouton, Jean (ca. 1459–1522) Appears on: 127v–128 Genres: Motet
128v	Je croy	-	-
Je croy - Appears on: 128v Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature Layout Lute intabulation
129	[blank staves]	-	-
[blank staves] Appears on: 129
129v–130	Elle est bien malade ma con ma commere	Anon.	Anonymous
Elle est bien malade ma con ma commere Anonymous Appears on: 129v–130 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Elle est bien malade ma con ma commere
130v–131	Mauldite envye du grand dyable engendree	Anon.	Anonymous
Mauldite envye du grand dyable engendree Anonymous Appears on: 130v–131 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Mauldite envye du grand dyable engendree
131v–132	He dieu Helaine la laine my fault	Anon.	Willaert, Adrian (ca. 1490–1562)
He dieu Helaine la laine my fault Willaert, Adrian (ca. 1490–1562) Appears on: 131v–132 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: He dieu Helaine la laine my fault
132v–133	Se vostre amour ce passe en doibs	Anon.	Anonymous
Se vostre amour ce passe en doibs Anonymous Appears on: 132v–133 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Se vostre amour ce passe en doibs
132v–133	Je ne me puis tenir d'aimer	Anon.	Anonymous
Je ne me puis tenir d'aimer Anonymous Appears on: 132v–133 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Je ne me puys tenir daymer
133v–134	N'aimez jamais une villaine de quelque beaulte	[A. Févin]	Fevin, Antoine de (ca. 1470–ca. 1512)
N'aimez jamais une villaine de quelque beaulte Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 133v–134 Genres: Chanson Source Attribution: [A. Févin] Voice: [no designation] Languages: French Voice Text: Naymes jamais une villaine de quelque beaulte
134v–135	Rejouissez vous borgeses belles filles de Lion	[Mouton]	Mouton, Jean (ca. 1459–1522)
Rejouissez vous borgeses belles filles de Lion Mouton, Jean (ca. 1459–1522) Appears on: 134v–135 Genres: Chanson Source Attribution: [Mouton] Voice: [no designation] Languages: French Voice Text: Resiouysses vous bourgoyses belles filles
135v–136	Je vois mon couer s'envolle	Anon.	Anonymous
Je vois mon couer s'envolle Anonymous Appears on: 135v–136 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Je voys je viens mon cuer senvolle
136v–137	Plus nulz regrets grand moiens 28.28	[Josquin]	Despres, Josquin (ca. 1450–1521)
Plus nulz regrets grand moiens 28.28 Despres, Josquin (ca. 1450–1521) Appears on: 136v–137 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Plus nulz regretz grans moyens 28.27
137v–138	Ma bouche rit (5vv) 29.14 - 1a pars (of 2): Ma bouche rit et mon coeur pleure	[Josquin]	Despres, Josquin (ca. 1450–1521)
Ma bouche rit (5vv) 29.14 - 1a pars (of 2): Ma bouche rit et mon coeur pleure Despres, Josquin (ca. 1450–1521) Appears on: 137v–138 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Ma bouche rit et mon cuer pleure 29.14
138v–139	Ma bouche rit (5vv) 29.14 - 2a pars (of 2): Ma bouche rit	-	Despres, Josquin (ca. 1450–1521)
Ma bouche rit (5vv) 29.14 - 2a pars (of 2): Ma bouche rit Despres, Josquin (ca. 1450–1521) Appears on: 138v–139 Genres: Chanson
139v–140	La re la my dictes mamye celuy la	Anon.	Anonymous
La re la my dictes mamye celuy la Anonymous Appears on: 139v–140 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: La re la my dictes mamye celuy la
140v–141	Qui veult aymer il fault estre joyeulx	Anon.	Anonymous
Qui veult aymer il fault estre joyeulx Anonymous Appears on: 140v–141 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Qui veult aymer il fault estre joyeulx
141v–142	Je suis sy trescourt tenue et que je nose	Anon.	Anonymous
Je suis sy trescourt tenue et que je nose Anonymous Appears on: 141v–142 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Je suys sy trescourt tenue et que je nose
142v	Ma douce fleur ma marguerite	-	-
Ma douce fleur ma marguerite - Appears on: 142v Genres: Tablature Voice: [no designation] Languages: none Voice Text: Lute tablature Layout Lute intabulation
143	Le ciel ne veut, Dame	-	Bertrand, Antoine de
Le ciel ne veut, Dame Bertrand, Antoine de Appears on: 143 Genres: Tablature Layout lute intabulation
145v–146	Nul n'est (II)	-	Anonymous
Nul n'est (II) Anonymous Appears on: 145v–146 Genres: Tablature Layout Lute intabulation
145v	Nul n'est (III)	-	Anonymous
Nul n'est (III) Anonymous Appears on: 145v Genres: Tablature
146	Je ne scay que c'est qu'il me fault	Arcadelt	Arcadelt, Jacques (ca. 1507–1568)
Je ne scay que c'est qu'il me fault Arcadelt, Jacques (ca. 1507–1568) Appears on: 146 Genres: Tablature Source Attribution: Arcadelt Concordances also intabulated at f. 13v Layout Lute intabulation
146v–147	Manus tuae Domine	Orlando	Lassus, Orlande de (ca. 1532–1594)
Manus tuae Domine Lassus, Orlande de (ca. 1532–1594) Appears on: 146v–147 Genres: Tablature Source Attribution: Orlando Layout Lute intabulation
147	Amoureux suy	-	Anonymous
Amoureux suy Anonymous Appears on: 147 Genres: Tablature Layout Lute intabulation
147v	Homo natus - 1a pars (of 2): Homo natus de muliere	Orlando	Lassus, Orlande de (ca. 1532–1594)
Homo natus - 1a pars (of 2): Homo natus de muliere Lassus, Orlande de (ca. 1532–1594) Appears on: 147v Genres: Tablature Source Attribution: Orlando Layout Lute intabulation
148, 149v	Homo natus - 2a pars (of 2): Constituisti	-	Lassus, Orlande de (ca. 1532–1594)
Homo natus - 2a pars (of 2): Constituisti Lassus, Orlande de (ca. 1532–1594) Appears on: 148, 149v Genres: Tablature General Note Lute intabulation
148v–149	Parce mihi - 1a pars (of 2): Parce mihi Domine	Orlando	Lassus, Orlande de (ca. 1532–1594)
Parce mihi - 1a pars (of 2): Parce mihi Domine Lassus, Orlande de (ca. 1532–1594) Appears on: 148v–149 Genres: Tablature Source Attribution: Orlando Layout Lute intabulation
149v–150	Inclina Domine	Orlando	Lassus, Orlande de (ca. 1532–1594)
Inclina Domine Lassus, Orlande de (ca. 1532–1594) Appears on: 149v–150 Source Attribution: Orlando Layout Lute intabulation
150v	Carnos	-	Anonymous
Carnos Anonymous Appears on: 150v Genres: Tablature Layout Lute intabulation
151	Io vo gridando come spiritato la nott'el giorno	-	Conversi, Girolamo
Io vo gridando come spiritato la nott'el giorno Conversi, Girolamo Appears on: 151 Genres: Italian secular Layout Lute intabulation
151	[canzona in tablature]	-	Conversi, Girolamo
[canzona in tablature] Conversi, Girolamo Appears on: 151 Genres: Canzon, Tablature Layout Lute intabulation
151v	Je ne fus jamais	-	Anonymous
Je ne fus jamais Anonymous Appears on: 151v Genres: Tablature Layout Lute intabulation
151v–152	Pater noster qui es in caelis (6vv)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Pater noster qui es in caelis (6vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 151v–152 Genres: Motet Source Attribution: Orlando Layout lute intabulation
152v	Je parangonne a ta jeune beauté	-	Bertrand, Antoine de
Je parangonne a ta jeune beauté Bertrand, Antoine de Appears on: 152v Genres: Tablature Layout Lute intabulation
153	Tout me desplaist	-	Bertrand, Antoine de
Tout me desplaist Bertrand, Antoine de Appears on: 153 Genres: Tablature Layout lute intabulation
153v	Amour archier d'une tirade ront	-	Bertrand, Antoine de
Amour archier d'une tirade ront Bertrand, Antoine de Appears on: 153v Genres: Tablature Layout Lute intabulation
154v	Quis inde semire	Orlando	Lassus, Orlande de (ca. 1532–1594)
Quis inde semire Lassus, Orlande de (ca. 1532–1594) Appears on: 154v Genres: Motet Source Attribution: Orlando Layout Lute intabulation
154–156	Beatus vir qui timet Dominum in mandatis (4vv)	-	Lassus, Orlande de (ca. 1532–1594)
Beatus vir qui timet Dominum in mandatis (4vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 154–156 Genres: Motet Layout Lute intabulation. Wriitten upside down from the back of the book, so beginning at 156 and continuing to 154v
156v–157	Beati pauperes	Orlando	Lassus, Orlande de (ca. 1532–1594)
Beati pauperes Lassus, Orlande de (ca. 1532–1594) Appears on: 156v–157 Genres: Tablature Source Attribution: Orlando Layout Lute intabulation. Written upside down so beginning on 157 and continuing on 156v
157v–158v	La prise du Havre	-	Costeley, Guillaume
La prise du Havre Costeley, Guillaume Appears on: 157v–158v Genres: Tablature General Note Lute intabulation
158v	Poi che m'hai tolto la tua dolce vista	-	Conversi, Girolamo
Poi che m'hai tolto la tua dolce vista Conversi, Girolamo Appears on: 158v Genres: Italian secular General Note Lute intabulation
158v	Rey a quien reys	-	Anonymous
Rey a quien reys Anonymous Appears on: 158v Genres: Tablature Layout lute intabulation - identical with piece on next folio
159	"fin de villancicos teresica hermana"	-	Anonymous
"fin de villancicos teresica hermana" Anonymous Appears on: 159 Genres: Tablature Layout Lute intabulation
159	Quis inde semire	Orlando	Lassus, Orlande de (ca. 1532–1594)
Quis inde semire Lassus, Orlande de (ca. 1532–1594) Appears on: 159 Genres: Motet Source Attribution: Orlando Layout Lute intabulation
159v	Rey a quien reys	-	Anonymous
Rey a quien reys Anonymous Appears on: 159v Genres: Tablature Layout lute intabulation - identical with piece on previous folio
160	Je cherche	-	Anonymous
Je cherche Anonymous Appears on: 160 Genres: Tablature Layout Lute intabulation
160	Quand le gril	-	Le Roy, Adrien (ca. 1520–1598)
Quand le gril Le Roy, Adrien (ca. 1520–1598) Appears on: 160 Genres: Tablature Layout Lute intabulation
160v	[untexted]	-	Janequin, Clement (ca. 1485–ca. 1558)
[untexted] Janequin, Clement (ca. 1485–ca. 1558) Appears on: 160v Genres: textless Layout Lute intabulation
161	Entre vous gents haye	-	Grouzy, Nicolas
Entre vous gents haye Grouzy, Nicolas Appears on: 161 Genres: Tablature Layout lute intabulation
162	Integer (lute duet)	-	Anonymous
Integer (lute duet) Anonymous Appears on: 162 Genres: Tablature Layout Lute intabulation
162	3 versions of an instrumental piece - variations?	-	Anonymous
3 versions of an instrumental piece - variations? Anonymous Appears on: 162 Genres: Tablature Layout Lute intabulation
162	Sire m'est	-	Anonymous
Sire m'est Anonymous Appears on: 162 Genres: Tablature
162	Tu ris pourquoy	-	Anonymous
Tu ris pourquoy Anonymous Appears on: 162 Genres: Tablature Layout Lute intabulation
162v	La pastorella	-	Anonymous
La pastorella Anonymous Appears on: 162v Genres: Tablature Layout Lute intabulation

Composer	Compositions
Anonymous	"fin de villancicos teresica hermana" – 159 3 versions of an instrumental piece - variations? – 162 Amour est un [grand maître?] – 50 Amoureux suy – 147 Carnos – 150v De touts mes maux – 86v Elle est bien malade ma con ma commere – 129v–130 En touts mes maulx – 86v Integer (lute duet) – 162 Integer (lute duet) – 110v–111 Je cherche – 160 Je croy – 128v Je ne fus jamais – 151v Je ne me puis tenir d'aimer – 132v–133 Je suis sy trescourt tenue et que je nose – 141v–142 Je vois mon couer s'envolle – 135v–136 La pastorella – 162v La re la my dictes mamye celuy la – 139v–140 Ma douce fleur ma marguerite – 142v Mauldite envye du grand dyable engendree – 130v–131 Missa O gloriosa: Agnus Dei – 46v–49 Missa O gloriosa: Credo – 41v–44 Missa O gloriosa: Gloria – 39v–41 Missa O gloriosa: Kyrie – 38–39 Missa O gloriosa: Sanctus – 44v–46 Missa Sine nomine: Agnus Dei – 66v–67 Missa Sine nomine: Sanctus – 64v–66 Nul n'est (I) – 87 Nul n'est (II) – 145v–146 Nul n'est (III) – 145v O Seigneur – 50 Quare vure la clartii – 50 Qui veult aymer il fault estre joyeulx – 140v–141 Rey a quien reys – 159v Rey a quien reys – 158v Sancti spiritus - 1a pars (of 2): Sancti spiritus adsit nobis gratia – 112v–113 Sancti spiritus - 2a pars (of 2): Quando machinam per verbum suum – 113v–115 Se vostre amour ce passe en doibs – 132v–133 Sire m'est – 162 Tu ris pourquoy – 162 [Lute tablature] – 14v [Lute tablature] – 111v–112 [Lute tablature] – 60v–62 [Lute tablature] – 108v–110 [untexted] – 62v–63 [untexted] – 36v–37 [No description] – 35v [No description] – 24v–25 [No description] – 49v [No description] – 129 [No description] – 96v–97 [No description] – 15 [No description] – 37v
Arcadelt, Jacques (ca. 1507–1568)	Je ne scay que c'est qu'il me fault – 146 Je ne scay que c'est qu'il me fault – 13v
Bertrand, Antoine de	Amour archier d'une tirade ront – 153v Je parangonne a ta jeune beauté – 152v Le ciel ne veut, Dame – 143 Tout me desplaist – 153
Conversi, Girolamo	Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta) – 3 Io vo gridando come spiritato la nott'el giorno – 151 Poi che m'hai tolto la tua dolce vista – 158v [canzona in tablature] – 151
Costeley, Guillaume	La prise du Havre – 157v–158v
Despres, Josquin (ca. 1450–1521)	Ma bouche rit (5vv) 29.14 - 1a pars (of 2): Ma bouche rit et mon coeur pleure – 137v–138 Ma bouche rit (5vv) 29.14 - 2a pars (of 2): Ma bouche rit – 138v–139 Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei – 107v–108 (?) Missa Beata Virgine = Missa Coronata 3.3: Credo – 102v–105 Missa Beata Virgine = Missa Coronata 3.3: Gloria – 98v–102 Missa Beata Virgine = Missa Coronata 3.3: Kyrie – 97v–98 Missa Beata Virgine = Missa Coronata 3.3: Sanctus – 105v–107 Missa Fortuna desperata 8.2: Agnus Dei – 95v–96 Missa Fortuna desperata 8.2: Credo – 90v–93 Missa Fortuna desperata 8.2: Gloria – 88v–90 Missa Fortuna desperata 8.2: Kyrie – 87v–88 Missa Fortuna desperata 8.2: Sanctus – 93v–95 Plus nulz regrets grand moiens 28.28 – 136v–137 Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus – 117v–118 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud – 118v–120 (?) Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte – 115v–116 Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis – 116v–117
Fevin, Antoine de (ca. 1470–ca. 1512)	Missa Dites-moi m'avés pensé: Agnus Dei – 11v–13 Missa Dites-moi m'avés pensé: Credo – 6v–9 Missa Dites-moi m'avés pensé: Gloria – 4v–6 Missa Dites-moi m'avés pensé: Kyrie – 3v–4 Missa Dites-moi m'avés pensé: Sanctus – 9v–11 Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces. – 58v–60 Missa Feria (5vv): Credo: 4 partes. – 53v–56 Missa Feria (5vv): Gloria: 2 partes. – 51v–53 Missa Feria (5vv): Kyrie – 50v–51 Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces). – 56v–58 N'aimez jamais une villaine de quelque beaulte – 133v–134
Forestier, Mathurin	Missa O intemerata: Agnus Dei – 85v–86 Missa O intemerata: Credo – 81v–83 Missa O intemerata: Gloria – 79v–81 Missa O intemerata: Kyrie – 78–79 Missa O intemerata: Sanctus – 83v–85 (?) Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte – 115v–116 (?) Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis – 116v–117
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	(?) Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces. – 58v–60 (?) Missa Feria (5vv): Credo: 4 partes. – 53v–56 (?) Missa Feria (5vv): Gloria: 2 partes. – 51v–53 (?) Missa Feria (5vv): Kyrie – 50v–51 (?) Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces). – 56v–58
Grouzy, Nicolas	Entre vous gents haye – 161
Janequin, Clement (ca. 1485–ca. 1558)	[untexted] – 160v
Lassus, Orlande de (ca. 1532–1594)	Beati pauperes – 156v–157 Beatus vir qui timet (4vv) - 5a pars (of 11): Jucundus homo qui miseretur – 13v Beatus vir qui timet Dominum in mandatis (4vv) – 154–156 Homo natus - 1a pars (of 2): Homo natus de muliere – 147v Homo natus - 2a pars (of 2): Constituisti – 148, 149v Inclina Domine – 149v–150 Manus tuae Domine – 146v–147 Parce mihi - 1a pars (of 2): Parce mihi Domine – 148v–149 Pater noster qui es in caelis (6vv) – 151v–152 Quis inde semire – 154v Quis inde semire – 159
Le Roy, Adrien (ca. 1520–1598)	Quand le gril – 160
Mouton, Jean (ca. 1459–1522)	Amicus Dei Nicolaus - 1a pars (of 2): Amicus Dei Nicolaus pontificali decoratus – 122v–123 Amicus Dei Nicolaus - 2a pars (of 2): Ad sacrum eius tumulum egri currunt – 123v–124 Ave virginum gemma - 1a pars (of 2): Ave virginum gemma virgo Katherina – 124v–125 Ave virginum gemma - 2a pars (of 2): Virgo sancta Katherina Graeciae gemma – 125v–126 Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens – 120v–121 Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare – 121v–122 Gloriosa virgo - 1a pars (of 2): Gloriosa virgo Margareta qui allicienti – 126v–127 Gloriosa virgo - 2a pars (of 2): Quem cum amavero casta sum) – 127v–128 Missa Alma Redemptoris Mater: Agnus Dei – 33v–35 Missa Alma Redemptoris Mater: Credo – 28v–31 Missa Alma Redemptoris Mater: Gloria – 26v–28 Missa Alma Redemptoris Mater: Kyrie – 25v–26 Missa Alma Redemptoris Mater: Sanctus – 31v–33 Missa Benedictus Dominus: Agnus Dei – 23v–24 Missa Benedictus Dominus: Credo – 18v–21 Missa Benedictus Dominus: Gloria – 16v–18 Missa Benedictus Dominus: Kyrie – 15v–16 Missa Benedictus Dominus: Sanctus – 21v–23 Missa Tua est potentia: Agnus Dei – 36 Missa Tua est potentia: Agnus Dei – 77–77v Missa Tua est potentia: Credo – 71v–74 Missa Tua est potentia: Gloria – 68v–71 Missa Tua est potentia: Kyrie – 67v–68 Missa Tua est potentia: Sanctus – 74v–76 Rejouissez vous borgeses belles filles de Lion – 134v–135
Rue, Pierre de la (ca. 1452–1518)	O salutaris hostia que caeli pandis – 63v–64
Willaert, Adrian (ca. 1490–1562)	He dieu Helaine la laine my fault – 131v–132

Composition	Composers (? Uncertain)	Folios / Pages
"fin de villancicos teresica hermana"	Anonymous	159
3 versions of an instrumental piece - variations?	Anonymous	162
[canzona in tablature]	Conversi, Girolamo	151
[Lute tablature]	Anonymous	14v
[Lute tablature]	-	60v–62
[Lute tablature]	-	108v–110
[Lute tablature]	-	111v–112
[untexted]	-	36v–37
[untexted]	-	62v–63
[untexted]	Janequin, Clement (ca. 1485–ca. 1558)	160v
Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta)	Conversi, Girolamo	3
Amicus Dei Nicolaus - 1a pars (of 2): Amicus Dei Nicolaus pontificali decoratus	Mouton, Jean (ca. 1459–1522)	122v–123
Amicus Dei Nicolaus - 2a pars (of 2): Ad sacrum eius tumulum egri currunt	Mouton, Jean (ca. 1459–1522)	123v–124
Amour archier d'une tirade ront	Bertrand, Antoine de	153v
Amour est un [grand maître?]	Anonymous	50
Amoureux suy	Anonymous	147
Ave virginum gemma - 1a pars (of 2): Ave virginum gemma virgo Katherina	Mouton, Jean (ca. 1459–1522)	124v–125
Ave virginum gemma - 2a pars (of 2): Virgo sancta Katherina Graeciae gemma	Mouton, Jean (ca. 1459–1522)	125v–126
Beati pauperes	Lassus, Orlande de (ca. 1532–1594)	156v–157
Beatus vir qui timet (4vv) - 5a pars (of 11): Jucundus homo qui miseretur	Lassus, Orlande de (ca. 1532–1594)	13v
Beatus vir qui timet Dominum in mandatis (4vv)	Lassus, Orlande de (ca. 1532–1594)	154–156
Carnos	Anonymous	150v
De touts mes maux	-	86v
Elle est bien malade ma con ma commere	Anonymous	129v–130
En touts mes maulx	Anonymous	86v
Entre vous gents haye	Grouzy, Nicolas	161
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	Mouton, Jean (ca. 1459–1522)	120v–121
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	Mouton, Jean (ca. 1459–1522)	121v–122
Gloriosa virgo - 1a pars (of 2): Gloriosa virgo Margareta qui allicienti	Mouton, Jean (ca. 1459–1522)	126v–127
Gloriosa virgo - 2a pars (of 2): Quem cum amavero casta sum)	Mouton, Jean (ca. 1459–1522)	127v–128
He dieu Helaine la laine my fault	Willaert, Adrian (ca. 1490–1562)	131v–132
Homo natus - 1a pars (of 2): Homo natus de muliere	Lassus, Orlande de (ca. 1532–1594)	147v
Homo natus - 2a pars (of 2): Constituisti	Lassus, Orlande de (ca. 1532–1594)	148, 149v
Inclina Domine	Lassus, Orlande de (ca. 1532–1594)	149v–150
Integer (lute duet)	Anonymous	110v–111
Integer (lute duet)	Anonymous	162
Io vo gridando come spiritato la nott'el giorno	Conversi, Girolamo	151
Je cherche	Anonymous	160
Je croy	-	128v
Je ne fus jamais	Anonymous	151v
Je ne me puis tenir d'aimer	Anonymous	132v–133
Je ne scay que c'est qu'il me fault	Arcadelt, Jacques (ca. 1507–1568)	13v
Je ne scay que c'est qu'il me fault	Arcadelt, Jacques (ca. 1507–1568)	146
Je parangonne a ta jeune beauté	Bertrand, Antoine de	152v
Je suis sy trescourt tenue et que je nose	Anonymous	141v–142
Je vois mon couer s'envolle	Anonymous	135v–136
La pastorella	Anonymous	162v
La prise du Havre	Costeley, Guillaume	157v–158v
La re la my dictes mamye celuy la	Anonymous	139v–140
Le ciel ne veut, Dame	Bertrand, Antoine de	143
Ma bouche rit (5vv) 29.14 - 1a pars (of 2): Ma bouche rit et mon coeur pleure	Despres, Josquin (ca. 1450–1521)	137v–138
Ma bouche rit (5vv) 29.14 - 2a pars (of 2): Ma bouche rit	Despres, Josquin (ca. 1450–1521)	138v–139
Ma douce fleur ma marguerite	-	142v
Manus tuae Domine	Lassus, Orlande de (ca. 1532–1594)	146v–147
Mauldite envye du grand dyable engendree	Anonymous	130v–131
Missa Alma Redemptoris Mater: Agnus Dei	Mouton, Jean (ca. 1459–1522)	33v–35
Missa Alma Redemptoris Mater: Credo	Mouton, Jean (ca. 1459–1522)	28v–31
Missa Alma Redemptoris Mater: Gloria	Mouton, Jean (ca. 1459–1522)	26v–28
Missa Alma Redemptoris Mater: Kyrie	Mouton, Jean (ca. 1459–1522)	25v–26
Missa Alma Redemptoris Mater: Sanctus	Mouton, Jean (ca. 1459–1522)	31v–33
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei	Despres, Josquin (ca. 1450–1521)	107v–108
Missa Beata Virgine = Missa Coronata 3.3: Credo	Despres, Josquin (ca. 1450–1521) (?)	102v–105
Missa Beata Virgine = Missa Coronata 3.3: Gloria	Despres, Josquin (ca. 1450–1521)	98v–102
Missa Beata Virgine = Missa Coronata 3.3: Kyrie	Despres, Josquin (ca. 1450–1521)	97v–98
Missa Beata Virgine = Missa Coronata 3.3: Sanctus	Despres, Josquin (ca. 1450–1521)	105v–107
Missa Benedictus Dominus: Agnus Dei	Mouton, Jean (ca. 1459–1522)	23v–24
Missa Benedictus Dominus: Credo	Mouton, Jean (ca. 1459–1522)	18v–21
Missa Benedictus Dominus: Gloria	Mouton, Jean (ca. 1459–1522)	16v–18
Missa Benedictus Dominus: Kyrie	Mouton, Jean (ca. 1459–1522)	15v–16
Missa Benedictus Dominus: Sanctus	Mouton, Jean (ca. 1459–1522)	21v–23
Missa Dites-moi m'avés pensé: Agnus Dei	Fevin, Antoine de (ca. 1470–ca. 1512)	11v–13
Missa Dites-moi m'avés pensé: Credo	Fevin, Antoine de (ca. 1470–ca. 1512)	6v–9
Missa Dites-moi m'avés pensé: Gloria	Fevin, Antoine de (ca. 1470–ca. 1512)	4v–6
Missa Dites-moi m'avés pensé: Kyrie	Fevin, Antoine de (ca. 1470–ca. 1512)	3v–4
Missa Dites-moi m'avés pensé: Sanctus	Fevin, Antoine de (ca. 1470–ca. 1512)	9v–11
Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces.	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	58v–60
Missa Feria (5vv): Credo: 4 partes.	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	53v–56
Missa Feria (5vv): Gloria: 2 partes.	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	51v–53
Missa Feria (5vv): Kyrie	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	50v–51
Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces).	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	56v–58
Missa Fortuna desperata 8.2: Agnus Dei	Despres, Josquin (ca. 1450–1521)	95v–96
Missa Fortuna desperata 8.2: Credo	Despres, Josquin (ca. 1450–1521)	90v–93
Missa Fortuna desperata 8.2: Gloria	Despres, Josquin (ca. 1450–1521)	88v–90
Missa Fortuna desperata 8.2: Kyrie	Despres, Josquin (ca. 1450–1521)	87v–88
Missa Fortuna desperata 8.2: Sanctus	Despres, Josquin (ca. 1450–1521)	93v–95
Missa O gloriosa: Agnus Dei	Anonymous	46v–49
Missa O gloriosa: Credo	Anonymous	41v–44
Missa O gloriosa: Gloria	Anonymous	39v–41
Missa O gloriosa: Kyrie	Anonymous	38–39
Missa O gloriosa: Sanctus	Anonymous	44v–46
Missa O intemerata: Agnus Dei	Forestier, Mathurin	85v–86
Missa O intemerata: Credo	Forestier, Mathurin	81v–83
Missa O intemerata: Gloria	Forestier, Mathurin	79v–81
Missa O intemerata: Kyrie	Forestier, Mathurin	78–79
Missa O intemerata: Sanctus	Forestier, Mathurin	83v–85
Missa Sine nomine: Agnus Dei	Anonymous	66v–67
Missa Sine nomine: Sanctus	Anonymous	64v–66
Missa Tua est potentia: Agnus Dei	Mouton, Jean (ca. 1459–1522)	36
Missa Tua est potentia: Agnus Dei	Mouton, Jean (ca. 1459–1522)	77–77v
Missa Tua est potentia: Credo	Mouton, Jean (ca. 1459–1522)	71v–74
Missa Tua est potentia: Gloria	Mouton, Jean (ca. 1459–1522)	68v–71
Missa Tua est potentia: Kyrie	Mouton, Jean (ca. 1459–1522)	67v–68
Missa Tua est potentia: Sanctus	Mouton, Jean (ca. 1459–1522)	74v–76
N'aimez jamais une villaine de quelque beaulte	Fevin, Antoine de (ca. 1470–ca. 1512)	133v–134
Nul n'est (I)	Anonymous	87
Nul n'est (II)	Anonymous	145v–146
Nul n'est (III)	Anonymous	145v
O salutaris hostia que caeli pandis	Rue, Pierre de la (ca. 1452–1518)	63v–64
O Seigneur	-	50
Parce mihi - 1a pars (of 2): Parce mihi Domine	Lassus, Orlande de (ca. 1532–1594)	148v–149
Pater noster qui es in caelis (6vv)	Lassus, Orlande de (ca. 1532–1594)	151v–152
Plus nulz regrets grand moiens 28.28	Despres, Josquin (ca. 1450–1521)	136v–137
Poi che m'hai tolto la tua dolce vista	Conversi, Girolamo	158v
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Despres, Josquin (ca. 1450–1521)	117v–118
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Despres, Josquin (ca. 1450–1521)	118v–120
Quand le gril	Le Roy, Adrien (ca. 1520–1598)	160
Quare vure la clartii	Anonymous	50
Qui veult aymer il fault estre joyeulx	Anonymous	140v–141
Quis inde semire	Lassus, Orlande de (ca. 1532–1594)	154v
Quis inde semire	Lassus, Orlande de (ca. 1532–1594)	159
Rejouissez vous borgeses belles filles de Lion	Mouton, Jean (ca. 1459–1522)	134v–135
Rey a quien reys	Anonymous	158v
Rey a quien reys	Anonymous	159v
Sancti spiritus - 1a pars (of 2): Sancti spiritus adsit nobis gratia	Anonymous	112v–113
Sancti spiritus - 2a pars (of 2): Quando machinam per verbum suum	Anonymous	113v–115
Se vostre amour ce passe en doibs	Anonymous	132v–133
Sire m'est	Anonymous	162
Tout me desplaist	Bertrand, Antoine de	153
Tu ris pourquoy	Anonymous	162
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte	Despres, Josquin (ca. 1450–1521) (?) Forestier, Mathurin (?)	115v–116
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis	Despres, Josquin (ca. 1450–1521) Forestier, Mathurin (?)	116v–117

‡ denotes primary source study

MacCracken, Thomas Gregg (editor). 1986. Uppsala, Universitetsbiblioteket, MS Vokalmusik i Handskrift 76b. Renaissance Music in Facsimile. New York. Notes: physical description; contents list; facsimile; discussion.

MacCracken, Thomas Gregg. 1985. The Manuscript Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76b. University of Chicago, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; transcription (partial); texts (partial); facsimile (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Pages: 290, 294. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Noblitt, Thomas L. 1981. Textual Criticism of Selected Works Published by Petrucci. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 201-42. Munich. Pages: 236. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 672-3. Notes: contents list (partial); concordances (partial).

Benthem, Jaap van. 1976. Kompositorisches Verfahren in Josquins Proportionskanon Agnus Dei. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 9-16. Pages: 10, 15. Notes: contents list (partial).

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Pages: 91, 93, 96, 98, 102. Notes: contents list (partial); concordances (partial).

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David Wyatt

Friday, 19 January, 2018

URL added

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description