Copied by one main scribe and two additional scribes; lute intabulations are later additions by two different scribes, one of whom also wrote tablature portions of UppsU 76b (Thomas G. MacCracken). Copied in France (BernNO). Many pieces have text incipits only.
S-Uu Vokalmusik i Handskrift 76c
Universitetsbiblioteket, Uppsala, Sweden
manuscript of polyphony: c. 1530
| Archive | Universitetsbiblioteket, Uppsala, Sweden (S-Uu) |
|---|---|
| Shelfmark | Vokalmusik i Handskrift 76c |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 287 x 201 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 78 compositions, 53 from 19 composers, 25 are anonymous. |
General Description
Physical Description
four original folios now missing between new ff. 104/105, three between 107/108, two each between 103/104, 109/110, 111/112, 112/113, one between 148/149
Binding
Original covers of brown leather blind tooled with ornamental designs; remnants of four ties
Watermark
pot with three-petalled flower (not in Briquet)
Notation
black void mensural; lute tablature
Ruling
Staff height 12
Foliation
New pencil foliation, 1-157, on lower right rectos ('58' applied to two consecutive folios)
Decoration
No initials or decoration.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
7 Masses, 2 Kyries, 1 Agnus, 2 Mass Ordinary sections, 1 Te Deum, 22 motets, 34 French secular pieces, 8 textless pieces = 77*
*Above summary excludes later additions in lute tablature on ff. 10', 36', 58'-60, 100'-113, 114'-115, 129'-132', 135-136, 139'-142', 144, 148'-149', 150'-151, and 152'-157'.
(Appenzeller/Mouton/Willaert)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1, (Dulot/Sermisy)-1, (A. Févin)-3, (Gascongne)-6, (Gombert/Sermisy)-1, (Hellinck)-1, (Jacotin/Sermisy)-1, (Jaquet of Mantua/Lafage/Sermisy)-1, (Josquin)-7, (Josquin/La Rue)-1, (Josquin/Mouton/Silva)-1, (Lhéritier)-1, (Lupus/Richafort)-1, (Mouton)-4, (Mouton/Richafort)-1, (Passereau)-1, (Richafort)-6, Sermisy [Claudnj]-13, (Verdelot)-1, anon-24
158 paper folios of an original 174 or more, 287 x 201. New pencil foliation, 1-157, on lower right rectos ("58" applied to two consecutive folios; four original folios now missing between new ff. 104/105, three between 107/108, two each between 103/104, 109/110, 111/112, 112/113, one between 148/149). Original covers of brown leather blind tooled with ornamental designs; remnants of four ties. No index. Copied by one main scribe and two additional scribes; lute intabulations are later additions by two different scribes, one of whom also wrote tablature portions of UppsU 76b (Thomas G. MacCracken). Staff height 12. No initials or decoration. Watermark: pot with three-petalled flower (not in Briquet). Many pieces have text incipits only.
Ca. 1530? (BernNO), with lute tablature additions in second half of 16th century. Copied in France (BernNO).
Vol 4
Composers: Add "(La Rue/Sermisy)-1"; change "Sermisy [Claudnj]-13" to "Sermisy [Claudnj]-12."
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‡ denotes primary source study
MacCracken, Thomas Gregg. 1985. The Manuscript Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76b. University of Chicago, Unpublished Ph.D. dissertation. Pages: 474-80. Notes: contents list.
Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. Wiesbaden. Pages: 78,90,109. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 1: 275-326. Pages: 290. Notes: physical description; mention of MS; discussion.
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 359, 364-5. Notes: contents list (partial); concordances (partial).
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 70ff. Notes: contents list (partial); concordances (partial).
Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 20: 87-107. Notes: contents list (partial); concordances (partial).
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Marnix van Berchum
Friday, 14 February, 2025
Notified of the link address for the online images of the manuscript.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description