S-Uu Vokalmusik i Handskrift 76a

Universitetsbiblioteket, Uppsala, Sweden

manuscript of polyphony: c. 1490-1520

Archive	Universitetsbiblioteket, Uppsala, Sweden (S-Uu)
Shelfmark	Vokalmusik i Handskrift 76a
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	205 x 142 mm
Other Identifiers	CCM: UppsU 76a
Notations	black void mensural
External Links	PRoMS images
Provenance	France
Contents	71 pieces from 24 composers

General Description

Two main scribes copied ff. 4-31, 37'-43, 68'-73, 78 and ff. 31'-37, 43'-57, 67'-68, 73'-77, respectively; third scribe copied ff. 1-3'; fourth scribe copied ff. 58'-66; fifth scribe made later additions on ff. 57'-58, top off. 58', and f. 77'. Copied in southwestern France (Howard M. Brown).

Also contains a number of song texts without music, not inventoried here (ff. 66r-66v, 78bis-r, 79r-81v).

DIAMM, 2017

Binding

Original covers of tan/brown parchment; remnants of four ties.

DIAMM, 2017

Watermark

resembles Briquet #11543.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 13.

DIAMM, 2017

Foliation

New pencil foliation, 1-81, on lower right rectos; modern ink foliation on upper right rectos parallels pencil foliation, but numbers generally appear only on every fifth folio.

DIAMM, 2017

Decoration

Some inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 1 Magnificat, 9 motets, 55 French secular pieces (1 without text; 8 incomplete), 2 textless pieces (1 incomplete) = 68

A. Agricola-2, (Binchois)-1, Bruhier-1, (Brumel)-1, (Caron)-1, (Compère)-4, (Compère/Obrecht)-1, (Dufay)-1, A. Févin-6, (A. Févin/Janequin)-1, (Gombert)-1, (Hayne van Ghizeghem)-6, Isaac-1, (Josquin)-2, Mire-1, (Morton)-2, Mouton-1, Ninot le Petit-1, (Obrecht)-1, Prioris-1, anon-32

i + 81 + i paper folios, 205 x 142. New pencil foliation, 1-81, on lower right rectos; modern ink foliation on upper right rectos parallels pencil foliation, but numbers generally appear only on every fifth folio. Original covers of tan/brown parchment; remnants of four ties. No index. Two main scribes copied ff. 4-31, 37'-43, 68'-73, 78 and ff. 31'-37, 43'-57, 67'-68, 73'-77, respectively; third scribe copied ff. 1-3'; fourth scribe copied ff. 58'-66; fifth scribe made later additions on ff. 57'-58, top off. 58', and f. 77'. Staff height 13. Some inked calligraphic initials. Watermark resembles Briquet #11543.

Ca. 1490-1520. Copied in southwestern France (Howard M. Brown).

Vol 4

Contents: 1 Magnificat, 10 motets, 1 motet-chanson (incomplete), 53 French secular pieces (2 without text; 6 incomplete), 1 Italian secular piece (incom-plete), 1 textless piece (incomplete) = 67

Composers: Add "Bridam? [Bride]-1"; change "Bruhier-l" to "Bruhier-2"; change "(Gombert)-1" to "(Gombert/Mouton/Verdelot)-1"; change "anon-32" to"anon-29."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r	Allez regrets vuides de ma présence	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)
Allez regrets vuides de ma présence Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 1r Genres: Chanson, Rondeau Voice: [no designation] Languages: French Voice Text: Allez regrets General Note Incomplete, T & Ct only
1v–2r	En atendant de vous [=d'avoir] secours	-	Compère, Loyset (ca. 1445–1518)
En atendant de vous [=d'avoir] secours Compère, Loyset (ca. 1445–1518) Appears on: 1v–2r Genres: Chanson Voice: [no designation] Languages: French Voice Text: En attendant d'avoir secours
2v–3r	De vous aimer follement m'assenti	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De vous aimer follement m'assenti Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 2v–3r Genres: Chanson Voice: [no designation] Languages: French Voice Text: De vous aimer follement
3v	Vive le roy le roy le roy	-	Anonymous
Vive le roy le roy le roy Anonymous Appears on: 3v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Vive le roy le roy le roy General Note S & T only
4r	Les douleurs dont me sens	-	Du Fay, Guillaume (1397–1474)
Les douleurs dont me sens Du Fay, Guillaume (1397–1474) Appears on: 4r Genres: Chanson, Rondeau Voice: [no designation] Languages: French Voice Text: Les douleurs General Note S & Ct only [a second Sup is derived from the first in Nivelle]
4v–5r	Medisans or vous departez	-	Anonymous
Medisans or vous departez Anonymous Appears on: 4v–5r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Me defaus or vous
5v–6r	Quant je fuz prins au pavillon	-	Anonymous
Quant je fuz prins au pavillon Anonymous Appears on: 5v–6r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Quand je fus
6v–7r	En attendant la grace souveraine	-	Anonymous
En attendant la grace souveraine Anonymous Appears on: 6v–7r Genres: Chanson Voice: [no designation] Languages: French Voice Text: En attendant la grace
7v–8r	N'aray je jamais mieux que j'ai	-	Morton, Robert
N'aray je jamais mieux que j'ai Morton, Robert Appears on: 7v–8r Genres: Chanson Voice: [no designation] Languages: French Voice Text: N'aray je jamais mieulx
8v–9r	Mon povre cuer est au destresse	-	Anonymous
Mon povre cuer est au destresse Anonymous Appears on: 8v–9r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon povre cuer
9v–10r	Benedicite Dominus nos et ea quaesumus (= La plus dolente)	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Benedicite Dominus nos et ea quaesumus (= La plus dolente) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 9v–10r Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicite dominus nos et ea quaesumus [= La plus dolente]
10v	Vive le roy grant magnificence	-	Anonymous
Vive le roy grant magnificence Anonymous Appears on: 10v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Vive le roi de grand magnificence General Note S & Ct only
11r	[textless]	-	Anonymous
[textless] Anonymous Appears on: 11r General Note T & Ct only
11v–12r	Amours amours trop me fiers de tes dars	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Amours amours trop me fiers de tes dars Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 11v–12r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Amours trop me fiers
12v–13r	Puisque si bien m'est advenu	-	Compère, Loyset (ca. 1445–1518)
Puisque si bien m'est advenu Compère, Loyset (ca. 1445–1518) Appears on: 12v–13r Genres: Chanson
13v–14r	Helas que pourra devenir	-	Caron, Firminus (ca. 1460–ca. 1475)
Helas que pourra devenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 13v–14r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Helas que pourra devenir
14v–15r	Ce que ma bouche n'ose dire	-	Anonymous
Ce que ma bouche n'ose dire Anonymous Appears on: 14v–15r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ce que ma bouche n'ose dire
15v–16r	De tous biens plaine est ma maîtresse	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 15v–16r Genres: Chanson Voice: [no designation] Languages: French Voice Text: De tous biens plaine
16v–17r	Entre je suis en grand pensée 28.13	-	Despres, Josquin (ca. 1450–1521)
Entre je suis en grand pensée 28.13 Despres, Josquin (ca. 1450–1521) Appears on: 16v–17r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Entré suis en passée
17v–18r	La regretee en tous biens acomplie	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
La regretee en tous biens acomplie Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 17v–18r Genres: Chanson Voice: [no designation] Languages: French Voice Text: La regretee en tous biens acomplie General Note incomplete: S of 1a pars; T & Ct of 2a pars
18v–19r	Le second jour d'avril (= In minen sin)	Le segond jour d'avril	Agricola, Alexander (ca. 1445–1506)
Le second jour d'avril (= In minen sin) Agricola, Alexander (ca. 1445–1506) Appears on: 18v–19r Genres: Chanson Source Attribution: Le segond jour d'avril Voice: [no designation] Languages: French Voice Text: Le second jour
19v–20r	Comme femme desconfortée	-	Binchois, Gilles (ca. 1400–1460)
Comme femme desconfortée Binchois, Gilles (ca. 1400–1460) Appears on: 19v–20r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Come famme desconfortee
20v–21r	Le souvenir de vous me tue mon seul bien	-	Morton, Robert
Le souvenir de vous me tue mon seul bien Morton, Robert Appears on: 20v–21r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Les souvenirs de vous
21v–22r	L'amy l'arez vous donc fortune II. Mires vous en moy vrais amours	-	Anonymous
L'amy l'arez vous donc fortune II. Mires vous en moy vrais amours Anonymous Appears on: 21v–22r Genres: Chanson Voice: [no designation] Languages: French Voice Text: La mi l'avez vous donc fortune
22v–23r	Mes pensées ne me laissent une heure 27.26	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Mes pensées ne me laissent une heure 27.26 Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 22v–23r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mes pensées ne me lessent une heure
23v–24r	Helas helas ma dame tant my donnez de peyne	-	Moulu, Pierre (ca. 1484–ca. 1550)
Helas helas ma dame tant my donnez de peyne Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 23v–24r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Hélas ma dame
24v	Mon mari m'a diffamée 27.27	-	Despres, Josquin (ca. 1450–1521) (?)
Mon mari m'a diffamée 27.27 Despres, Josquin (ca. 1450–1521) (?) Appears on: 24v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon mari m'a diffamee General Note incomplete, S only
25r	Mon souvenir mi fait morir pour les regrets	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Mon souvenir mi fait morir pour les regrets Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 25r Genres: Chanson Voice: [no designation] Languages: French Voice Text: [textless] General Note incomplete, T & Ct only
25v–26r	Nuyt et jour ne peult dormir	-	Anonymous
Nuyt et jour ne peult dormir Anonymous Appears on: 25v–26r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Nuyt et jour ne peult dormir Concordances NOT the setting of the same text by Fresneau (composition no 27949)
26v–27r	Parce Domine populo tuo quia pius es	-	Obrecht, Jacobus (ca. 1457–1505)
Parce Domine populo tuo quia pius es Obrecht, Jacobus (ca. 1457–1505) Appears on: 26v–27r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Parce domine populo tuo quia pius es
27v–28r	Fortune fay moy ce plaisir	-	Anonymous
Fortune fay moy ce plaisir Anonymous Appears on: 27v–28r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Fortune fay moy ce plaisir
28v–29r	Faulces amours dieu vous maudie	-	Anonymous
Faulces amours dieu vous maudie Anonymous Appears on: 28v–29r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Faulces amours dieu vous maudie
29v–30r	Adieu solas	-	Anonymous
Adieu solas Anonymous Appears on: 29v–30r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Adieu soulas
30v–31r	Helas ma dame	[labelled 'duo' but 3vv!]	Anonymous
Helas ma dame Anonymous Appears on: 30v–31r Genres: Chanson Source Attribution: [labelled 'duo' but 3vv!] Voice: [no designation] Languages: French Voice Text: Helas ma dame Concordances NOT the composition earlier in the manuscript, composition 19178
31v–32r	Mais que ce fut le plaisir d'elle	Jo. Moston [=Mouton]	Mouton, Jean (ca. 1459–1522)
Mais que ce fut le plaisir d'elle Mouton, Jean (ca. 1459–1522) Appears on: 31v–32r Genres: Chanson Source Attribution: Jo. Moston [=Mouton] Voice: [no designation] Languages: French Voice Text: Mars que refust le plaisir
32v–33r	Mon cuer est tant bien assis	Anthoine Broher (or Pichr?)	Divitis, Antonius (ca. 1470–ca. 1530)
Mon cuer est tant bien assis Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 32v–33r Genres: Chanson Source Attribution: Anthoine Broher (or Pichr?) Voice: [no designation] Languages: French Voice Text: Mon coeur est tant bien assis
33v–35r	En amours n'a sinon bien ne nul mal	A de Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
En amours n'a sinon bien ne nul mal Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 33v–35r Genres: Chanson Source Attribution: A de Fevin Voice: [no designation] Languages: French Voice Text: En amours n'a sinon bien ne nul mal
35v–36r	Adieu soulas tout plaisir et liesse	A. de Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Adieu soulas tout plaisir et liesse Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 35v–36r Genres: Chanson Source Attribution: A. de Fevin Voice: [no designation] Languages: French Voice Text: Adieu soulas toz plaisirs et liesse
36v–37r	Pensez de faire garnison	-	Anonymous
Pensez de faire garnison Anonymous Appears on: 36v–37r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Pensez de faire garnison
37v–41r	Magnificat sexti toni: Anima mea [K.633]	-	Brumel, Antoine (ca. 1460–ca. 1513)
Magnificat sexti toni: Anima mea [K.633] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 37v–41r Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Anima mea Dominus Concordances Concordances in Kassel 9, no. 13, anon.; 's-Hertog 73, f. 156v, anon.; VatC.S. 15, f. 127v, anon. General Note incomplete: only 5 sections
41v–42r	Pourtant si mon amy	Minot le Petit	Petit, Nino le (fl. c1500)
Pourtant si mon amy Petit, Nino le (fl. c1500) Appears on: 41v–42r Genres: Chanson Source Attribution: Minot le Petit Voice: [no designation] Languages: French Voice Text: Pourtant si mon amy n'a point de monneye General Note double canon, 2vv notated
42v–43r	Dame venez moy secourir	-	Anonymous
Dame venez moy secourir Anonymous Appears on: 42v–43r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Dame venez moi secourir
43v–44r	Je le larray puisqu'il my bat	A Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Je le larray puisqu'il my bat Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 43v–44r Genres: Chanson Source Attribution: A Fevin Voice: [no designation] Languages: French Voice Text: Je le lairray puis quil my bat
44v–45r	D'amour je suis desherite et plaindre	-	Anonymous
D'amour je suis desherite et plaindre Anonymous Appears on: 44v–45r Genres: Chanson Voice: [no designation] Languages: French Voice Text: D'Amour je suis désheritée Concordances also in Attaingnant 1529-4 , no. 3
45v	Tant ay d'ennuy et tant de desconfort (= O vos omnes)	-	Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Tant ay d'ennuy et tant de desconfort (= O vos omnes) Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 45v Genres: Motet Voice: [no designation] Languages: French Voice Text: Tant ai d'ennui et cause de desconfort General Note incomplete, S & part of Ct only
46r	Tante fatigue, tante tristicie	-	Anonymous
Tante fatigue, tante tristicie Anonymous Appears on: 46r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tante fatigue tante tristicie General Note incomplete, T & Ct only
46v–47r	Vrai dieu qui me confortera	He Dieu qui my confortera	Bruhier, Antoine (–ca. 1521)
Vrai dieu qui me confortera Bruhier, Antoine (–ca. 1521) Appears on: 46v–47r Genres: Sacred Song Source Attribution: He Dieu qui my confortera Voice: [no designation] Languages: French Voice Text: He Dieu qui my confortera
47v–48r	Hellas j'en suis [je suis] marry	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Hellas j'en suis [je suis] marry Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 47v–48r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Hélas je suis marry des ses mariz jaloux
48v–49r	Vive le noble roy de France	-	Compère, Loyset (ca. 1445–1518)
Vive le noble roy de France Compère, Loyset (ca. 1445–1518) Appears on: 48v–49r Genres: Chanson Royale Voice: [no designation] Languages: French Voice Text: Vive le noble roi de France
49v–50r	Adieu toute joyeuseté	-	Anonymous
Adieu toute joyeuseté Anonymous Appears on: 49v–50r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Adieu toute joyeuseté
50v–51r	Si j'ayme mon amy	-	Anonymous
Si j'ayme mon amy Anonymous Appears on: 50v–51r Genres: Chanson
50v, 51v–53r	Gardez voz bien de ce faveau	Agricola	Agricola, Alexander (ca. 1445–1506)
Gardez voz bien de ce faveau Agricola, Alexander (ca. 1445–1506) Appears on: 50v, 51v–53r Genres: Chanson Source Attribution: Agricola Voice: [no designation] Languages: French Voice Text: Gardez-vous bien General Note part of S on 50v, the complete setting (repeating this opening music) on 51v-53
53v–54r	O quam glorifica luce	-	Anonymous
O quam glorifica luce Anonymous Appears on: 53v–54r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O quam glorifica luce
54v–55r	Aurea mater ad Deum votis simul anime	Bride [= Bridam?]	Bridam (?)
Aurea mater ad Deum votis simul anime Bridam (?) Appears on: 54v–55r Genres: Motet Source Attribution: Bride [= Bridam?] Voice: [no designation] Languages: Latin Voice Text: Aurea mater ad deum votis simul anime
55v–56r	Dulcis amica Dei rosa vernans stella	Prioris	Prioris, Johannes (Denis, Dionisius) (–1515)
Dulcis amica Dei rosa vernans stella Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 55v–56r Genres: Lauda Source Attribution: Prioris Voice: [no designation] Languages: Latin Voice Text: Dulcis amica dei rosa vernans stella Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen. Pages: 32 (4v.).
56v–57r	O quam praesul dive Nicolas tuis pro cleris	Jehan Mire	Mire, Jehan
O quam praesul dive Nicolas tuis pro cleris Mire, Jehan Appears on: 56v–57r Genres: Motet Source Attribution: Jehan Mire Voice: [no designation] Languages: Latin Voice Text: O quam presul dive Nicolas tuis pro cleris
57v–58r	Vivent en payx tous loyaux pastoureaux	-	Anonymous
Vivent en payx tous loyaux pastoureaux Anonymous Appears on: 57v–58r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Vivez en pays tous loyaux pastoreaux
58v	Bon temps vient	-	Anonymous
Bon temps vient Anonymous Appears on: 58v Genres: Chanson General Note possibly a compositional draft (Brown)
58v–59r	Spiritus inflammator - 1a pars (of 2): Spiritus inflammator quem adjutor divinitus	-	Anonymous
Spiritus inflammator - 1a pars (of 2): Spiritus inflammator quem adjutor divinitus Anonymous Appears on: 58v–59r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spiritus inflammator quem adiutor divinitus
59v–60r	Spiritus inflammator - 2a pars (of 2): Veni sancte spiritus	-	Anonymous
Spiritus inflammator - 2a pars (of 2): Veni sancte spiritus Anonymous Appears on: 59v–60r Genres: Motet
61r–62v	Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes	-	Anonymous
Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes Anonymous Appears on: 61r–62v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dum complerentur dies pentecostes
62v–63r	Dum complerentur - 2a pars (of 2): Dum ergo essent in unum	-	Anonymous
Dum complerentur - 2a pars (of 2): Dum ergo essent in unum Anonymous Appears on: 62v–63r Genres: Motet
63v–64r	Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?)
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?) Appears on: 63v–64r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Surge Petre et indue te
64v–65v	Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit	-	Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 64v–65v Genres: Motet
67v–68r	Adieu fillette de regnon	Ysac	Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?)
Adieu fillette de regnon Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 67v–68r Genres: Chanson Source Attribution: Ysac Voice: [no designation] Languages: none Voice Text: [untexted]
68v–73r	Kyrie ... Languentibus in purgatorio	-	Anonymous
Kyrie ... Languentibus in purgatorio Anonymous Appears on: 68v–73r Genres: Kyrie eleison
73v–74r	A qui dirai je - 1a pars (of 2): A qui dirai je ma penser	-	Compère, Loyset (ca. 1445–1518)
A qui dirai je - 1a pars (of 2): A qui dirai je ma penser Compère, Loyset (ca. 1445–1518) Appears on: 73v–74r Genres: Chanson Voice: [no designation] Languages: French Voice Text: À qui dirai-je ma pensée
74v–76r	Chascun mauldit ses jaloux	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Chascun mauldit ses jaloux Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 74v–76r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Chascung mauldit ses jaloux
76v–77r	On [Tu] a mal dit de mon amy	A de Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
On [Tu] a mal dit de mon amy Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 76v–77r Genres: Chanson Source Attribution: A de Fevin Voice: [no designation] Languages: French Voice Text: On a mal dit de mon ami
77v, 78bis v	En contemplant la beaulte	-	Anonymous
En contemplant la beaulte Anonymous Appears on: 77v, 78bis v Genres: Chanson General Note Compositional draft (Brown) Concordances NOT the version by Gascogne in Le Roy 1578-16
78r	La gasquona	-	Anonymous
La gasquona Anonymous Appears on: 78r

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Adieu fillette de regnon – 67v–68r (?) Allez regrets vuides de ma présence – 1r Gardez voz bien de ce faveau – 50v, 51v–53r Le second jour d'avril (= In minen sin) – 18v–19r
Anonymous	Adieu solas – 29v–30r Adieu toute joyeuseté – 49v–50r Bon temps vient – 58v Ce que ma bouche n'ose dire – 14v–15r D'amour je suis desherite et plaindre – 44v–45r Dame venez moy secourir – 42v–43r Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes – 61r–62v Dum complerentur - 2a pars (of 2): Dum ergo essent in unum – 62v–63r En attendant la grace souveraine – 6v–7r En contemplant la beaulte – 77v, 78bis v Faulces amours dieu vous maudie – 28v–29r Fortune fay moy ce plaisir – 27v–28r Helas ma dame – 30v–31r Kyrie ... Languentibus in purgatorio – 68v–73r L'amy l'arez vous donc fortune II. Mires vous en moy vrais amours – 21v–22r La gasquona – 78r Medisans or vous departez – 4v–5r Mon povre cuer est au destresse – 8v–9r Nuyt et jour ne peult dormir – 25v–26r O quam glorifica luce – 53v–54r Pensez de faire garnison – 36v–37r Quant je fuz prins au pavillon – 5v–6r Si j'ayme mon amy – 50v–51r Spiritus inflammator - 1a pars (of 2): Spiritus inflammator quem adjutor divinitus – 58v–59r Spiritus inflammator - 2a pars (of 2): Veni sancte spiritus – 59v–60r Tante fatigue, tante tristicie – 46r Vive le roy grant magnificence – 10v Vive le roy le roy le roy – 3v Vivent en payx tous loyaux pastoureaux – 57v–58r [textless] – 11r
Binchois, Gilles (ca. 1400–1460)	Comme femme desconfortée – 19v–20r
Bridam	(?) Aurea mater ad Deum votis simul anime – 54v–55r
Bruhier, Antoine (–ca. 1521)	Vrai dieu qui me confortera – 46v–47r
Brumel, Antoine (ca. 1460–ca. 1513)	Magnificat sexti toni: Anima mea [K.633] – 37v–41r
Caron, Firminus (ca. 1460–ca. 1475)	Helas que pourra devenir – 13v–14r
Compère, Loyset (ca. 1445–1518)	A qui dirai je - 1a pars (of 2): A qui dirai je ma penser – 73v–74r En atendant de vous [=d'avoir] secours – 1v–2r Mes pensées ne me laissent une heure 27.26 – 22v–23r Puisque si bien m'est advenu – 12v–13r (?) Tant ay d'ennuy et tant de desconfort (= O vos omnes) – 45v Vive le noble roy de France – 48v–49r
Despres, Josquin (ca. 1450–1521)	Entre je suis en grand pensée 28.13 – 16v–17r (?) Mes pensées ne me laissent une heure 27.26 – 22v–23r (?) Mon mari m'a diffamée 27.27 – 24v
Divitis, Antonius (ca. 1470–ca. 1530)	Mon cuer est tant bien assis – 32v–33r
Du Fay, Guillaume (1397–1474)	Les douleurs dont me sens – 4r
Fevin, Antoine de (ca. 1470–ca. 1512)	Adieu soulas tout plaisir et liesse – 35v–36r Chascun mauldit ses jaloux – 74v–76r En amours n'a sinon bien ne nul mal – 33v–35r Hellas j'en suis [je suis] marry – 47v–48r Je le larray puisqu'il my bat – 43v–44r On [Tu] a mal dit de mon amy – 76v–77r
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	(?) Benedicite Dominus nos et ea quaesumus (= La plus dolente) – 9v–10r
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	(?) Allez regrets vuides de ma présence – 1r Amours amours trop me fiers de tes dars – 11v–12r De tous biens plaine est ma maîtresse – 15v–16r De vous aimer follement m'assenti – 2v–3r La regretee en tous biens acomplie – 17v–18r Mon souvenir mi fait morir pour les regrets – 25r
Gombert, Nicolas (ca. 1495–ca. 1560)	Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 63v–64r Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 64v–65v
Isaac, Heinrich (ca. 1450–1517)	(?) Adieu fillette de regnon – 67v–68r
Mire, Jehan	O quam praesul dive Nicolas tuis pro cleris – 56v–57r
Morton, Robert	Le souvenir de vous me tue mon seul bien – 20v–21r N'aray je jamais mieux que j'ai – 7v–8r
Moulu, Pierre (ca. 1484–ca. 1550)	Helas helas ma dame tant my donnez de peyne – 23v–24r (?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 63v–64r (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 64v–65v
Mouton, Jean (ca. 1459–1522)	Mais que ce fut le plaisir d'elle – 31v–32r (?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 63v–64r (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 64v–65v
Obrecht, Jacobus (ca. 1457–1505)	Parce Domine populo tuo quia pius es – 26v–27r (?) Tant ay d'ennuy et tant de desconfort (= O vos omnes) – 45v
Petit, Nino le (fl. c1500)	Pourtant si mon amy – 41v–42r
Prioris, Johannes (Denis, Dionisius) (–1515)	Dulcis amica Dei rosa vernans stella – 55v–56r
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 63v–64r (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 64v–65v

Composition	Composers (? Uncertain)	Folios / Pages
[textless]	Anonymous	11r
A qui dirai je - 1a pars (of 2): A qui dirai je ma penser	Compère, Loyset (ca. 1445–1518)	73v–74r
Adieu fillette de regnon	Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?)	67v–68r
Adieu solas	Anonymous	29v–30r
Adieu soulas tout plaisir et liesse	Fevin, Antoine de (ca. 1470–ca. 1512)	35v–36r
Adieu toute joyeuseté	Anonymous	49v–50r
Allez regrets vuides de ma présence	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)	1r
Amours amours trop me fiers de tes dars	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	11v–12r
Aurea mater ad Deum votis simul anime	Bridam (?)	54v–55r
Benedicite Dominus nos et ea quaesumus (= La plus dolente)	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	9v–10r
Bon temps vient	Anonymous	58v
Ce que ma bouche n'ose dire	Anonymous	14v–15r
Chascun mauldit ses jaloux	Fevin, Antoine de (ca. 1470–ca. 1512)	74v–76r
Comme femme desconfortée	Binchois, Gilles (ca. 1400–1460)	19v–20r
D'amour je suis desherite et plaindre	Anonymous	44v–45r
Dame venez moy secourir	Anonymous	42v–43r
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	15v–16r
De vous aimer follement m'assenti	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	2v–3r
Dulcis amica Dei rosa vernans stella	Prioris, Johannes (Denis, Dionisius) (–1515)	55v–56r
Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes	Anonymous	61r–62v
Dum complerentur - 2a pars (of 2): Dum ergo essent in unum	Anonymous	62v–63r
En amours n'a sinon bien ne nul mal	Fevin, Antoine de (ca. 1470–ca. 1512)	33v–35r
En atendant de vous [=d'avoir] secours	Compère, Loyset (ca. 1445–1518)	1v–2r
En attendant la grace souveraine	Anonymous	6v–7r
En contemplant la beaulte	Anonymous	77v, 78bis v
Entre je suis en grand pensée 28.13	Despres, Josquin (ca. 1450–1521)	16v–17r
Faulces amours dieu vous maudie	Anonymous	28v–29r
Fortune fay moy ce plaisir	Anonymous	27v–28r
Gardez voz bien de ce faveau	Agricola, Alexander (ca. 1445–1506)	50v, 51v–53r
Helas helas ma dame tant my donnez de peyne	Moulu, Pierre (ca. 1484–ca. 1550)	23v–24r
Helas ma dame	Anonymous	30v–31r
Helas que pourra devenir	Caron, Firminus (ca. 1460–ca. 1475)	13v–14r
Hellas j'en suis [je suis] marry	Fevin, Antoine de (ca. 1470–ca. 1512)	47v–48r
Je le larray puisqu'il my bat	Fevin, Antoine de (ca. 1470–ca. 1512)	43v–44r
Kyrie ... Languentibus in purgatorio	Anonymous	68v–73r
L'amy l'arez vous donc fortune II. Mires vous en moy vrais amours	Anonymous	21v–22r
La gasquona	Anonymous	78r
La regretee en tous biens acomplie	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	17v–18r
Le second jour d'avril (= In minen sin)	Agricola, Alexander (ca. 1445–1506)	18v–19r
Le souvenir de vous me tue mon seul bien	Morton, Robert	20v–21r
Les douleurs dont me sens	Du Fay, Guillaume (1397–1474)	4r
Magnificat sexti toni: Anima mea [K.633]	Brumel, Antoine (ca. 1460–ca. 1513)	37v–41r
Mais que ce fut le plaisir d'elle	Mouton, Jean (ca. 1459–1522)	31v–32r
Medisans or vous departez	Anonymous	4v–5r
Mes pensées ne me laissent une heure 27.26	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	22v–23r
Mon cuer est tant bien assis	Divitis, Antonius (ca. 1470–ca. 1530)	32v–33r
Mon mari m'a diffamée 27.27	Despres, Josquin (ca. 1450–1521) (?)	24v
Mon povre cuer est au destresse	Anonymous	8v–9r
Mon souvenir mi fait morir pour les regrets	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	25r
N'aray je jamais mieux que j'ai	Morton, Robert	7v–8r
Nuyt et jour ne peult dormir	Anonymous	25v–26r
O quam glorifica luce	Anonymous	53v–54r
O quam praesul dive Nicolas tuis pro cleris	Mire, Jehan	56v–57r
On [Tu] a mal dit de mon amy	Fevin, Antoine de (ca. 1470–ca. 1512)	76v–77r
Parce Domine populo tuo quia pius es	Obrecht, Jacobus (ca. 1457–1505)	26v–27r
Pensez de faire garnison	Anonymous	36v–37r
Pourtant si mon amy	Petit, Nino le (fl. c1500)	41v–42r
Puisque si bien m'est advenu	Compère, Loyset (ca. 1445–1518)	12v–13r
Quant je fuz prins au pavillon	Anonymous	5v–6r
Si j'ayme mon amy	Anonymous	50v–51r
Spiritus inflammator - 1a pars (of 2): Spiritus inflammator quem adjutor divinitus	Anonymous	58v–59r
Spiritus inflammator - 2a pars (of 2): Veni sancte spiritus	Anonymous	59v–60r
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?)	63v–64r
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit	Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	64v–65v
Tant ay d'ennuy et tant de desconfort (= O vos omnes)	Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	45v
Tante fatigue, tante tristicie	Anonymous	46r
Vive le noble roy de France	Compère, Loyset (ca. 1445–1518)	48v–49r
Vive le roy grant magnificence	Anonymous	10v
Vive le roy le roy le roy	Anonymous	3v
Vivent en payx tous loyaux pastoureaux	Anonymous	57v–58r
Vrai dieu qui me confortera	Bruhier, Antoine (–ca. 1521)	46v–47r

‡ denotes primary source study

Rifkin, Joshua. 2010. Taking from the Rich: a Mistaken Attribution in Uppsala 76a. Revue de Musicologie, 181-187.

‡ Brown, Howard Mayer (editor). 1987. Uppsala Universitetsbiblioteket, vokalmusik I handskrift 76a. Renaissance Music in Facsimile. New York. Notes: facsimile, commentary, contents, discussion.

‡ Brown, Howard Mayer. 1983. A 'New' Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report. Musica Disciplina, 171-233. Notes: physical description (partial); contents list; concordances; transcription (partial); facsimile (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 58-60,195,235ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Pages: 290, 293. Notes: physical description; mention of MS; discussion.

Brown, Howard Mayer. 1982. Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance. Journal of the American Musicological Society, 1-48. Pages: l-8. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Atlas, Allan W. 1981. Review of Perkins, Leeman L: and Garey, Howard (eds.): "The Mellon Chansonnier" (New Haven and London, 1979). Journal of the American Musicological Society, 132ff. Pages: 136. Notes: contents list (partial); concordances (partial).

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance. New York. Pages: xxiii, xxx-xxxi, 70-85. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Couchman, Jonathan Paul. 1980. The Lorraine Chansonnier: Antoine de Lorraine and the Court of Louis XII. Musica Disciplina, 85-157. Pages: 154. Notes: contents list (partial); concordances (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description