GB-Och Mus. 988 (Dow Partbooks)

Christ Church, Oxford, England

partbook: 1581-8

Archive	Christ Church, Oxford, England (GB-Och)
Shelfmark	Mus. 988 (Dow Partbooks)
Surface	Paper
Numbering System	None / Unknown
Format	landscape
Measurements	c. 200 x 150 mm
Other Identifiers	CCM: OxfC 984-8
Notations	black full mensural black void mensural
Copyists	Dow, Robert (the Younger) (1554–1588) Music Baldwin, John (ca. 1560–1615) Music
Relationships	Aldrich, Henry (1647–1710) (owner) Dow, Robert (the Younger) (1554–1588) (compiler)
External Links	Christ Church Library online catalogue entry Prototype partbook viewer (DIAMM)
Provenance	Christ Church Cathedral , Oxford, England
Contents	Contains 124 compositions, 111 from 26 composers, 13 are anonymous.

General Description

A Bassus partbook from a set of five volumes. Copied by Robert Dow (1553-88), fellow of All Souls College, Oxford, except for nos. 53-4, which were copied by John Baldwin, and nos. 99-100, which were copied by an unidentified person. At Dow's death the partbooks passed to Giles Thomson, a former colleague of Dow's at All Souls, and later Dean of St George's Chapel, Windsor; he died in 1612. The Windsor connection helps explain the additions made to the partbooks by John Baldwin (d. 1615), who was a singing-man at St George's Chapel. From Thomson, the books passed to Gregory Baker (d. 1637), then to his son Giles Baker (d. c. 1661). The next trace of the set is as part of the Aldrich bequest, where it is listed in Dowding at position N.2.4 as 'Latin Psalms / By Tallis &c MS. 5 voc. 1581'. Possibly the set was acquired by Aldrich together with Mus. 979-83, copied wholly by John Baldwin, which is also of Windsor provenance.

John Milsom, 2010

Binding

Early l7th-century covers of brown leather on cardboard, tooled in gold with decorative borders and initials 'G.T.'

John Milsom, 2010

Notation

Black void mensural; cantus firmus in some pieces in black mensural

John Milsom, 2010

Ruling

printed red staves

John Milsom, 2010

Foliation

Other numberings: Dow himself numbered items 1-52. Baldwin numbered items 53-4 (also adding '55' in error in Mus. 984-5). The remaining contents were left unnumbered until the 19th century. Various later hands (including that of Havergal) continued the numbering system, in sequences that do not always agree with one another

John Milsom, 2010

Foliation

No foliation or pagination

John Milsom, 2010

Decoration

No initials, but some text incipits copied in ornamental script. Latin epigrams on various folios include comments on the art of music and evaluations of particular composers (see BoydE).

John Milsom, 2010

Index

Modern index on flyleaves at beginning of Discantus book lists pieces alphabetically by composer (R. White works listed first, out of order).

John Milsom, 2010

Surface

paper

John Milsom, 2010

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) and included in the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat section, 5 hymns, 1 set of Lamentations, 49 motets, 22 anthems and English sacred pieces, 28 English secular pieces, 4 French secular pieces, 3 Italian secular pieces, 1 textless canon, 13 instrumental pieces = 127

Bruster-1, Bull-1, Byrd-56, (Edwards?)-1, R. Farrant/(Byrd/R. Parsons 1)-1, A. Ferrabosco I-2, N. Giles-1, (Hunnis?)-1, R. Johnson I-1, Lassus-3, Mallorie-1, Mocheni-2, W. Mundy-1, R. Parsons I-6, R. Parsons I/(Byrd)-1, R. Parsons I/(Wilder)-1, Shepherd-1, Strogers-6, J. Tailer [Mr. Tayler; Tailer]-1, Tallis-6, Taverner-1, Tye-4, Tye/(Maillard?)-1, Tye/(Verdelot/Wilder)-1, R. White-13, R. White/(M. White)-1, Wilder [Phillips]-1, Woodcocke-2, anon-9

5 paper partbooks (D-ii + i + 93 folios, Medius-ii + 93 + i, AT-ii + 95 + i folios each, B-ii + 89 + i), 142 x 194. No foliation or pagination. Original numbering of Latin pieces at beginning, 1-54; modern ink and pencil numbering of pieces in remainder of manuscript, 55-99 + 99b-133 ("133" applied to three different pieces; some partes counted separately). Early l7th-century covers of brown leather on cardboard, tooled in gold with decorative borders and initials "G.T." Modern index on flyleaves at beginning of D lists pieces alphabetically by composer (R. White works listed first, out of order). Black void mensural notation on orange staves; cantus firmus in some pieces in black mensural notation.

The main scribe was probably Robert Dow the Younger. Pieces #53-54 are slightly later additions in the hand of John Baldwin (see below), who also copied LonBLM 24 d.2, OxfC 979-83, part of OxfBMS e.376-81, and "My Ladye Nevells Booke" (last-named manuscript not within scope of this catalogue). #98-99 possibly copied by Dow, using less formal hand, or may be work of a third, unidentified scribe. No initials, but some text incipits copied in ornamental script. Latin epigrams on various folios include comments on the art of music and evaluations of particular composers (see BoydE).

1581-8, with slightly later additions (BernsCE). Copied in Oxford. The compiler and original owner was Robert Dow the Younger (ca. 1554-1588), fellow of All Souls College, Oxford. Later owned by John Baldwin, a singer and clerk at St. George's Chapel, Windsor, and gentleman of the Chapel Royal from 1594; Baldwin added two pieces. Later owner "G.T." added present bindings stamped with his initials. Acquired by Henry Aldrich (1647-1710), Dean of Christ Church, Oxford; bequeathed to Christ Church Library in 1710.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3–8	Lamentations (I) a5	-	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 3–8 Genres: Lamentations, Motet Number of voices: 5 Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentations] Heth. Peccatum peccavit
9–14	Miserere mei Deus [2p: Cor mundum crea]	-	White, Robert (ca. 1538–1574)
Miserere mei Deus [2p: Cor mundum crea] White, Robert (ca. 1538–1574) Appears on: 9–14 Genres: Miserere mei Deus, Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Miserere mei, Deus
15	[Christe qui lux es (I)] Precamur sancte Domine	-	White, Robert (ca. 1538–1574)
[Christe qui lux es (I)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 15 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [Christe, qui lux es (I)] Precamur
16	[Christe qui lux es (II)] Precamur sancte Domine	-	White, Robert (ca. 1538–1574)
[Christe qui lux es (II)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 16 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [Christe, qui lux es (II)] Precamur
17	[Christe qui lux es (III)] Precamur sancte Domine	-	White, Robert (ca. 1538–1574)
[Christe qui lux es (III)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 17 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [Christe, qui lux es (III)] Precamur
18–19	Manus tuae fecerunt me [2p. Veniant mihi]	-	White, Robert (ca. 1538–1574)
Manus tuae fecerunt me [2p. Veniant mihi] White, Robert (ca. 1538–1574) Appears on: 18–19 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Manus tuae fecerunt me
20–21	Portio mea, Domine [2p. Media nocte]	-	White, Robert (ca. 1538–1574)
Portio mea, Domine [2p. Media nocte] White, Robert (ca. 1538–1574) Appears on: 20–21 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Portio mea, Domine
22–23	Justus es, Domine	-	White, Robert (ca. 1538–1574)
Justus es, Domine White, Robert (ca. 1538–1574) Appears on: 22–23 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Justus es, Domine
24–25	Ne irascaris Domine [2p. Civitas sancti tui]	-	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 24–25 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ne irascaris
26–27	O Domine adjuva me	-	Byrd, William (ca. 1540–1623)
O Domine adjuva me Byrd, William (ca. 1540–1623) Appears on: 26–27 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: O Domine adjuva me
27–29	Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Byrd, William (ca. 1540–1623) Appears on: 27–29 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Tribulationes civitatum
30–31	Domine exaudi orationem meam (2p. Et non intres)	-	Byrd, William (ca. 1540–1623)
Domine exaudi orationem meam (2p. Et non intres) Byrd, William (ca. 1540–1623) Appears on: 30–31 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Domine exaudi
32–33	Domine praestolamur [2p. Veni domine]	-	Byrd, William (ca. 1540–1623)
Domine praestolamur [2p. Veni domine] Byrd, William (ca. 1540–1623) Appears on: 32–33 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Domine praestolamur
34	Ad te clamamus	-	Tye, Christopher (ca. 1505–ca. 1573)
Ad te clamamus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 34 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ad te clamamus
35–36	Omnes gentes plaudite [2p. Psallite de nostro]	-	Tye, Christopher (ca. 1505–ca. 1573)
Omnes gentes plaudite [2p. Psallite de nostro] Tye, Christopher (ca. 1505–ca. 1573) Appears on: 35–36 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Omnes gentes plaudite manibus
37	Magnificat a6: (exc) Esurientes	-	Sheppard, John (ca. 1515–1558)
Magnificat a6: (exc) Esurientes Sheppard, John (ca. 1515–1558) Appears on: 37 Genres: BVM, Canticle, Magnificat Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Esurientes
38	Angelus ad pastores ait annuntio vobis	-	Lassus, Orlande de (ca. 1532–1594)
Angelus ad pastores ait annuntio vobis Lassus, Orlande de (ca. 1532–1594) Appears on: 38 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Angelus ad pastores ait
39–40	Veni in hortum meum	-	Lassus, Orlande de (ca. 1532–1594)
Veni in hortum meum Lassus, Orlande de (ca. 1532–1594) Appears on: 39–40 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Veni in hortum meum
40	O salutaris hostia	-	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 40 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: O salutaris hostia
41	Salvator mundi (I)	-	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 41 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Salvator mundi (I)
42	Candidi Facti sunt = Facti sunt Nazarei eius candidi	-	Tallis, Thomas (ca. 1505–1585)
Candidi Facti sunt = Facti sunt Nazarei eius candidi Tallis, Thomas (ca. 1505–1585) Appears on: 42 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [Candidi] Facti sunt
43	Dum transisset sabbatum Maria Magdalena (5vv)	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Dum transisset sabbatum Maria Magdalena (5vv) Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 43 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [Dum transisset] Sabbatum
44–46	Exaudiat te Dominus in die tribulationis	-	White, Robert (ca. 1538–1574)
Exaudiat te Dominus in die tribulationis White, Robert (ca. 1538–1574) Appears on: 44–46 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Exaudiat te Dominus
47	Tribulationem et dolorem inveni (C63)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Tribulationem et dolorem inveni (C63) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 47 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Tribulationem et dolorem inveni
48–49	Non me vincat Deus	-	Strogers, Nicholas
Non me vincat Deus Strogers, Nicholas Appears on: 48–49 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Non me vincat Deus
50	Dum transisset sabbatum [I - 5vv]	-	Taverner, John
Dum transisset sabbatum [I - 5vv] Taverner, John Appears on: 50 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Dum transisset sabbatum (I)
51–52	Tribulatio proxima est [2p. Contumelias et terrores]	-	Byrd, William (ca. 1540–1623)
Tribulatio proxima est [2p. Contumelias et terrores] Byrd, William (ca. 1540–1623) Appears on: 51–52 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Tribulatio proxima est
53–55	Appropinquet deprecatio mea	-	White, Robert (ca. 1538–1574)
Appropinquet deprecatio mea White, Robert (ca. 1538–1574) Appears on: 53–55 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Appropinquet deprecatio mea
56	Christus resurgens	-	Taylor, Robert (–ca. 1637) (?) Tailer, John (?)
Christus resurgens Taylor, Robert (–ca. 1637) (?) Tailer, John (?) Appears on: 56 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Christus resurgens
57–58	O quam gloriosum est regnum (2p. Benedictio et claritas)	-	Byrd, William (ca. 1540–1623)
O quam gloriosum est regnum (2p. Benedictio et claritas) Byrd, William (ca. 1540–1623) Appears on: 57–58 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: O quam gloriosum est regnum
59–61	Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine)	-	Byrd, William (ca. 1540–1623)
Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine) Byrd, William (ca. 1540–1623) Appears on: 59–61 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Tristitia et anxietas
61–62	Apparebit in finem	-	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 61–62 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Apparebit in finem
62–63	Audivi vocem de caelo	-	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 62–63 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Audivi vocem de caelo
64	In resurrectione tua	-	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 64 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In resurrectione tua
65–67	Retribue servo tuo	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Retribue servo tuo Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 65–67 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Retribue servo tuo
68–69	Fac cum servo tuo	-	Byrd, William (ca. 1540–1623)
Fac cum servo tuo Byrd, William (ca. 1540–1623) Appears on: 68–69 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Fac cum servo tuo
70–71	Sive vigilem	-	Mundy, William (ca. 1528–ca. 1591)
Sive vigilem Mundy, William (ca. 1528–ca. 1591) Appears on: 70–71 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Sive vigilem
71–72	[Christe, qui lux es (IV)] Precamur sancte Domine (2p. Oculi somnum; 3p. Memento nostri Domine)	-	White, Robert (ca. 1538–1574)
[Christe, qui lux es (IV)] Precamur sancte Domine (2p. Oculi somnum; 3p. Memento nostri Domine) White, Robert (ca. 1538–1574) Appears on: 71–72 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [Christe, qui lux es (IV)] Precamur
73–74	Deus venerunt gentes: 1a/2a partes (of 4): Deus venerunt gentes / Posuerunt morticinia	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes: 1a/2a partes (of 4): Deus venerunt gentes / Posuerunt morticinia Byrd, William (ca. 1540–1623) Appears on: 73–74 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Deus venerunt gentes (parts I and II)
75–76	Domine tu jurasti	-	Byrd, William (ca. 1540–1623)
Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 75–76 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Domine tu jurasti
76–77	Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	-	Byrd, William (ca. 1540–1623)
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) Byrd, William (ca. 1540–1623) Appears on: 76–77 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Exsurge Domine
78–79	O sacrum convivium in quo Christus sumitur	-	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 78–79 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium
79–80	Salvator mundi (II)	-	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (II) Tallis, Thomas (ca. 1505–1585) Appears on: 79–80 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Salvator mundi (II)
81–82	Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem Byrd, William (ca. 1540–1623) Appears on: 81–82 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [Deus venerunt gentes (part III)] Effuderunt
82–83	[Christe qui lux es (I)] Precamur, sancte Domine	-	Byrd, William (ca. 1540–1623)
[Christe qui lux es (I)] Precamur, sancte Domine Byrd, William (ca. 1540–1623) Appears on: 82–83 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [Christe qui lux es] Precamur
84–85	Laetentur caeli (2p. Orietur in diebus)	-	Byrd, William (ca. 1540–1623)
Laetentur caeli (2p. Orietur in diebus) Byrd, William (ca. 1540–1623) Appears on: 84–85 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Laetentur coeli
85–86	Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus Byrd, William (ca. 1540–1623) Appears on: 85–86 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [Deus venerunt gentes (part IV)] Facti sumus
86–87	Ave Maria gratia plena	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Ave Maria gratia plena Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 86–87 Genres: Ave Maria, Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ave Maria
88–89	Dum transisset sabbatum Maria Magdalena	-	Roose
Dum transisset sabbatum Maria Magdalena Roose Appears on: 88–89 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Dum transisset sabbatum
89–90	Decantabat populus in Israel	-	Byrd, William (ca. 1540–1623) (?)
Decantabat populus in Israel Byrd, William (ca. 1540–1623) (?) Appears on: 89–90 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Decantabat populus in Israel
90–92	Mirabile mysterium (C47)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Mirabile mysterium (C47) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 90–92 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Mirabile mysterium
92	Miserere mei Deus	-	Byrd, William (ca. 1540–1623)
Miserere mei Deus Byrd, William (ca. 1540–1623) Appears on: 92 Genres: Miserere mei Deus, Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Miserere mei Deus
93–96	O bone Jesu	-	Parsons (I), Robert (ca. 1535–ca. 1572)
O bone Jesu Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 93–96 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: O bone Jesu
96–98	Vestigia mea dirige	-	Giles, Nathaniel (ca. 1558–1634)
Vestigia mea dirige Giles, Nathaniel (ca. 1558–1634) Appears on: 96–98 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Vestigia mea dirige
99–100	[blank staves]	-	-
[blank staves] Appears on: 99–100
101–103	Lord who shall dwell	-	White, Robert (ca. 1538–1574)
Lord who shall dwell White, Robert (ca. 1538–1574) Appears on: 101–103 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Lord who shall dwell
103–104	The Lord bless us and keep us	-	White, Robert (ca. 1538–1574)
The Lord bless us and keep us White, Robert (ca. 1538–1574) Appears on: 103–104 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: The Lord bless us and keep us
105–106	O Lord, make thy servant, Elizabeth [or James, or King Charles]	-	Byrd, William (ca. 1540–1623)
O Lord, make thy servant, Elizabeth [or James, or King Charles] Byrd, William (ca. 1540–1623) Appears on: 105–106 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: O Lord, make thy servant, Elizabeth
106–107	Prevent us, O Lord	-	Byrd, William (ca. 1540–1623)
Prevent us, O Lord Byrd, William (ca. 1540–1623) Appears on: 106–107 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Prevent us, O Lord
107–109	How long shall mine enemies triumph	-	Byrd, William (ca. 1540–1623)
How long shall mine enemies triumph Byrd, William (ca. 1540–1623) Appears on: 107–109 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: How long shall mine enemies?
109–112	O that most rare breast	-	Byrd, William (ca. 1540–1623)
O that most rare breast Byrd, William (ca. 1540–1623) Appears on: 109–112 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: O that most rare breast
112	Come to me, grief, for ever	-	Byrd, William (ca. 1540–1623)
Come to me, grief, for ever Byrd, William (ca. 1540–1623) Appears on: 112 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Come to me, grief, for ever
113	In fields abroad	-	Byrd, William (ca. 1540–1623)
In fields abroad Byrd, William (ca. 1540–1623) Appears on: 113 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: In fields abroad
114	Where fancy fond	-	Byrd, William (ca. 1540–1623)
Where fancy fond Byrd, William (ca. 1540–1623) Appears on: 114 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Where Fancy fond
115	Susanna fair sometime assaulted was (2p. And if I grant)	-	Byrd, William (ca. 1540–1623)
Susanna fair sometime assaulted was (2p. And if I grant) Byrd, William (ca. 1540–1623) Appears on: 115 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Susanna fair
116	While Phoebus used to dwell	-	Byrd, William (ca. 1540–1623)
While Phoebus used to dwell Byrd, William (ca. 1540–1623) Appears on: 116 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: While Phoebus us'd to dwell
117	Why do I use my paper, ink and pen?	-	Byrd, William (ca. 1540–1623)
Why do I use my paper, ink and pen? Byrd, William (ca. 1540–1623) Appears on: 117 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Why do I use my paper, ink and pen?
118	La verginella	-	Byrd, William (ca. 1540–1623)
La verginella Byrd, William (ca. 1540–1623) Appears on: 118 Genres: Italian secular Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: La verginella
119	I joy not in no earthly bliss	-	Byrd, William (ca. 1540–1623)
I joy not in no earthly bliss Byrd, William (ca. 1540–1623) Appears on: 119 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: I joy not in no earthly bliss
120	Ah, golden hairs	-	Byrd, William (ca. 1540–1623)
Ah, golden hairs Byrd, William (ca. 1540–1623) Appears on: 120 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Ah, golden hairs
121	Lord in thy wrath reprove me not	-	Byrd, William (ca. 1540–1623)
Lord in thy wrath reprove me not Byrd, William (ca. 1540–1623) Appears on: 121 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Lord in thy wrath
122	Care for thy soule as thing of greatest price	-	Byrd, William (ca. 1540–1623)
Care for thy soule as thing of greatest price Byrd, William (ca. 1540–1623) Appears on: 122 Genres: Sacred Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Care for thy soul
123–124	Browning = The leaves be green	-	Byrd, William (ca. 1540–1623)
Browning = The leaves be green Byrd, William (ca. 1540–1623) Appears on: 123–124 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Browning
125	Browning	-	Woodcock, Clement (ca. 1540–1590)
Browning Woodcock, Clement (ca. 1540–1590) Appears on: 125 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Browning
126	Miserere	-	Mallorie
Miserere Mallorie Appears on: 126 Genres: Miserere mei Deus, Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Miserere
127	Ascendo ad patrem meum et patrem vestrum	-	Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?)
Ascendo ad patrem meum et patrem vestrum Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?) Appears on: 127 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ascendo ad Patrem
128	Rubum quem (A Singing Song)	-	Tye, Christopher (ca. 1505–ca. 1573)
Rubum quem (A Singing Song) Tye, Christopher (ca. 1505–ca. 1573) Appears on: 128 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Rubum quem
128–129	Susanne un jour d'amour solicitée par deux viellards	-	Lassus, Orlande de (ca. 1532–1594)
Susanne un jour d'amour solicitée par deux viellards Lassus, Orlande de (ca. 1532–1594) Appears on: 128–129 Genres: Chanson Number of voices: 5 Voice: [no designation] Languages: French Voice Text: Susanne un jour d'amour solicitée par deux viellards
129	Madonna somm' acorto	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Madonna somm' acorto Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 129 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Madonna somm' acorto
129	Pour vous aimer	-	Van Wilder, Phillip
Pour vous aimer Van Wilder, Phillip Appears on: 129 Genres: Chanson Number of voices: 5 Voice: [no designation] Languages: French Voice Text: Pour vous aymer
130–131	De la court - 1a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 130–131 Genres: Chanson Number of voices: 5 Voice: [no designation] Languages: French Voice Text: De la court
132	Je file quand Dieu me donne de quoi	-	Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)
Je file quand Dieu me donne de quoi Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?) Appears on: 132 Genres: Chanson Number of voices: 5 Voice: [no designation] Languages: French Voice Text: Je file quand Dieu
133	In nomine (III)	-	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine (III) Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 133 Genres: In nomine Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In nomine III
134–135	In nomine (V) a5	-	Byrd, William (ca. 1540–1623)
In nomine (V) a5 Byrd, William (ca. 1540–1623) Appears on: 134–135 Genres: In nomine, Viol piece Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In nomine V
135	In nomine (I)	-	Strogers, Nicholas
In nomine (I) Strogers, Nicholas Appears on: 135 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In nomine I
136	In nomine (III)	-	Strogers, Nicholas
In nomine (III) Strogers, Nicholas Appears on: 136 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In nomine III
137–138	In nomine (II)	-	Strogers, Nicholas
In nomine (II) Strogers, Nicholas Appears on: 137–138 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In nomine II
138	In nomine	-	Bull, John (ca. 1562–1628)
In nomine Bull, John (ca. 1562–1628) Appears on: 138 Genres: In nomine, Viol piece Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In nomine
139	In nomine (V)	-	White, Robert (ca. 1538–1574)
In nomine (V) White, Robert (ca. 1538–1574) Appears on: 139 Genres: In nomine Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In nomine V
139–140	In nomine XIV: 'Follow me'	-	Tye, Christopher (ca. 1505–ca. 1573)
In nomine XIV: 'Follow me' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 139–140 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin, English Voice Text: In nomine XIV ('Follow me')
140–141	In nomine I	-	Woodcock, Clement (ca. 1540–1590)
In nomine I Woodcock, Clement (ca. 1540–1590) Appears on: 140–141 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In nomine I
142	If that a sinner's sighs	-	Byrd, William (ca. 1540–1623)
If that a sinner's sighs Byrd, William (ca. 1540–1623) Appears on: 142 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: If that a sinner's sighs
143	If women could be fair	-	Hooper, Edmund (?) Byrd, William (ca. 1540–1623) (?)
If women could be fair Hooper, Edmund (?) Byrd, William (ca. 1540–1623) (?) Appears on: 143 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: If women could be fair
144	Prostrate, O Lord, I lie	-	Byrd, William (ca. 1540–1623)
Prostrate, O Lord, I lie Byrd, William (ca. 1540–1623) Appears on: 144 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Prostrate, O Lord, I lie
145	Even from the depth unto thee	-	Byrd, William (ca. 1540–1623)
Even from the depth unto thee Byrd, William (ca. 1540–1623) Appears on: 145 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Even from the depth unto thee
146	When I was otherwise than now	-	Byrd, William (ca. 1540–1623)
When I was otherwise than now Byrd, William (ca. 1540–1623) Appears on: 146 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: When I was otherwise than now
147–148	In nomine (I) a4, with added part	-	Brewster
In nomine (I) a4, with added part Brewster Appears on: 147–148 Genres: In nomine, Viol piece Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In nomine I (a4, with added part)
149–152	O God, wherefore art thou absent	-	Anonymous
O God, wherefore art thou absent Anonymous Appears on: 149–152 Genres: Sacred Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: O God, wherefore art thou absent
153–160	[blank staves]	-	-
[blank staves] Appears on: 153–160
161	Come, Holy Ghost / In nomine	-	Anonymous
Come, Holy Ghost / In nomine Anonymous Appears on: 161 Genres: Anglican Service Music, Veni sancte spiritus Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Come, Holy Ghost/In nomine
161	O Lord of whom I do depend / In nomine	-	Anonymous
O Lord of whom I do depend / In nomine Anonymous Appears on: 161 Genres: Sacred Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: O Lord of whom I do depend/In nomine
161–162	O Lord, turn not away thy face / In nomine	-	Anonymous
O Lord, turn not away thy face / In nomine Anonymous Appears on: 161–162 Genres: Sacred Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: O Lord, turn not away thy face/In nomine
162–163	When May is in his prime [2p. May maketh; 3p. All thee that live]	-	Edwards, Richard (?)
When May is in his prime [2p. May maketh; 3p. All thee that live] Edwards, Richard (?) Appears on: 162–163 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: When May is in his prime
164	Ah, alas, you salt sea gods	-	Byrd, William (ca. 1540–1623) (?) Farrant, Richard (ca. 1525–1580) (?)
Ah, alas, you salt sea gods Byrd, William (ca. 1540–1623) (?) Farrant, Richard (ca. 1525–1580) (?) Appears on: 164 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Ah, alas, you salt sea gods
165	A doleful deadly pang	-	Strogers, Nicholas
A doleful deadly pang Strogers, Nicholas Appears on: 165 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: A doleful deadly pang
165–166	My little sweet darling	-	Anonymous
My little sweet darling Anonymous Appears on: 165–166 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: My little sweet darling
166	Ah, silly poor Joas	-	Anonymous
Ah, silly poor Joas Anonymous Appears on: 166 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Ah, silly poor Joas
166–167	In terrors trapp'd	-	Anonymous
In terrors trapp'd Anonymous Appears on: 166–167 Genres: Song Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In terrors trapp'd
167	The saint I serve	-	Anonymous
The saint I serve Anonymous Appears on: 167 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: The saint I serve
167	How can the tree	-	Anonymous
How can the tree Anonymous Appears on: 167 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: How can the tree
168	Alas, alack, my heart is woe	-	Anonymous
Alas, alack, my heart is woe Anonymous Appears on: 168 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Alas, alack, my heart is woe
168–169	Lullaby, my sweet little baby [2p. Be still)	-	Byrd, William (ca. 1540–1623)
Lullaby, my sweet little baby [2p. Be still) Byrd, William (ca. 1540–1623) Appears on: 168–169 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Lullaby, my sweet little baby
169	O Lord, how vain	-	Byrd, William (ca. 1540–1623)
O Lord, how vain Byrd, William (ca. 1540–1623) Appears on: 169 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: O Lord, how vain
169–170	My mind to me a kingdom is	-	Byrd, William (ca. 1540–1623)
My mind to me a kingdom is Byrd, William (ca. 1540–1623) Appears on: 169–170 Genres: Sacred Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: My mind to me a kingdom is
170	Who likes to love	-	Byrd, William (ca. 1540–1623)
Who likes to love Byrd, William (ca. 1540–1623) Appears on: 170 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Who likes to love
170	Enforc'd by love and fear	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Enforc'd by love and fear Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 170 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Enforc'd by love and fear
171	Mistrust not truth	-	Strogers, Nicholas (?)
Mistrust not truth Strogers, Nicholas (?) Appears on: 171 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Mistrust not truth
171	The day delay'd	-	Anonymous
The day delay'd Anonymous Appears on: 171 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: The day delay'd
171–172	Come tread the paths [2p. Farewell, my lords and friends]	-	Anonymous
Come tread the paths [2p. Farewell, my lords and friends] Anonymous Appears on: 171–172 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Come tread the paths
173–174	Triumph with pleasant melody	-	Byrd, William (ca. 1540–1623)
Triumph with pleasant melody Byrd, William (ca. 1540–1623) Appears on: 173–174 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Triumph with pleasant melody
174	Blessed is he that fears the Lord	-	Byrd, William (ca. 1540–1623)
Blessed is he that fears the Lord Byrd, William (ca. 1540–1623) Appears on: 174 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Blessed is he that fears the Lord
174–175	Blame I confess	-	Byrd, William (ca. 1540–1623)
Blame I confess Byrd, William (ca. 1540–1623) Appears on: 174–175 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Blame I confess
175	O Lord, within thy tabernacle	-	Byrd, William (ca. 1540–1623)
O Lord, within thy tabernacle Byrd, William (ca. 1540–1623) Appears on: 175 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Voice Text: O Lord, within thy tabernacle
176	How shall a young man?	-	Byrd, William (ca. 1540–1623)
How shall a young man? Byrd, William (ca. 1540–1623) Appears on: 176 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: How shall a young man?
176–177	Though Amaryllis dance in green	-	Byrd, William (ca. 1540–1623)
Though Amaryllis dance in green Byrd, William (ca. 1540–1623) Appears on: 176–177 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Voice Text: Though Amaryllis dance in green
178–179	[blank staves]	-	-
[blank staves] Appears on: 178–179
180	Hey down, sing ye now after me	-	Anonymous
Hey down, sing ye now after me Anonymous Appears on: 180 Genres: Song Number of voices: 1 Voice: [no designation] Languages: English Voice Text: Hey down, sing ye now after me

Composer	Compositions
Anonymous	Ah, silly poor Joas – 166 Alas, alack, my heart is woe – 168 Come tread the paths [2p. Farewell, my lords and friends] – 171–172 Come, Holy Ghost / In nomine – 161 Hey down, sing ye now after me – 180 How can the tree – 167 In terrors trapp'd – 166–167 My little sweet darling – 165–166 O God, wherefore art thou absent – 149–152 O Lord of whom I do depend / In nomine – 161 O Lord, turn not away thy face / In nomine – 161–162 The day delay'd – 171 The saint I serve – 167 [No description] – 153–160 [No description] – 99–100 [No description] – 178–179
Brewster	In nomine (I) a4, with added part – 147–148
Bull, John (ca. 1562-1628)	In nomine – 138
Byrd, William (ca. 1540-1623)	(?) Ah, alas, you salt sea gods – 164 Ah, golden hairs – 120 Apparebit in finem – 61–62 Audivi vocem de caelo – 62–63 Blame I confess – 174–175 Blessed is he that fears the Lord – 174 Browning = The leaves be green – 123–124 Care for thy soule as thing of greatest price – 122 Come to me, grief, for ever – 112 (?) Decantabat populus in Israel – 89–90 Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem – 81–82 Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus – 85–86 Deus venerunt gentes: 1a/2a partes (of 4): Deus venerunt gentes / Posuerunt morticinia – 73–74 Domine exaudi orationem meam (2p. Et non intres) – 30–31 Domine praestolamur [2p. Veni domine] – 32–33 Domine tu jurasti – 75–76 Even from the depth unto thee – 145 Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) – 76–77 Fac cum servo tuo – 68–69 How long shall mine enemies triumph – 107–109 How shall a young man? – 176 I joy not in no earthly bliss – 119 If that a sinner's sighs – 142 (?) If women could be fair – 143 In fields abroad – 113 In nomine (V) a5 – 134–135 In resurrectione tua – 64 La verginella – 118 Laetentur caeli (2p. Orietur in diebus) – 84–85 Lord in thy wrath reprove me not – 121 Lullaby, my sweet little baby [2p. Be still) – 168–169 Miserere mei Deus – 92 My mind to me a kingdom is – 169–170 Ne irascaris Domine [2p. Civitas sancti tui] – 24–25 O Domine adjuva me – 26–27 O Lord, how vain – 169 O Lord, make thy servant, Elizabeth [or James, or King Charles] – 105–106 O Lord, within thy tabernacle – 175 O quam gloriosum est regnum (2p. Benedictio et claritas) – 57–58 O that most rare breast – 109–112 Prevent us, O Lord – 106–107 Prostrate, O Lord, I lie – 144 Susanna fair sometime assaulted was (2p. And if I grant) – 115 Though Amaryllis dance in green – 176–177 Tribulatio proxima est [2p. Contumelias et terrores] – 51–52 Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] – 27–29 Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine) – 59–61 Triumph with pleasant melody – 173–174 When I was otherwise than now – 146 Where fancy fond – 114 While Phoebus used to dwell – 116 Who likes to love – 170 Why do I use my paper, ink and pen? – 117 [Christe qui lux es (I)] Precamur, sancte Domine – 82–83
Edwards, Richard	(?) When May is in his prime [2p. May maketh; 3p. All thee that live] – 162–163
Farrant, Richard (ca. 1525-1580)	(?) Ah, alas, you salt sea gods – 164
Ferrabosco, Alfonso (the elder) (1543-1588)	Mirabile mysterium (C47) – 90–92 Tribulationem et dolorem inveni (C63) – 47
Giles, Nathaniel (ca. 1558-1634)	Vestigia mea dirige – 96–98
Hooper, Edmund	(?) If women could be fair – 143
Johnson (I), Robert (ca. 1500-ca. 1560)	Dum transisset sabbatum Maria Magdalena (5vv) – 43
Lassus, Orlande de (ca. 1532-1594)	Angelus ad pastores ait annuntio vobis – 38 Susanne un jour d'amour solicitée par deux viellards – 128–129 Veni in hortum meum – 39–40
Maillard, Jean (c1538–1570)	Ascendo ad patrem meum et patrem vestrum – 127
Mallorie	Miserere – 126
Mundy, William (ca. 1528-ca. 1591)	Sive vigilem – 70–71
Parsons (I), Robert (ca. 1535-ca. 1572)	Ave Maria gratia plena – 86–87 De la court - 1a pars – 130–131 Enforc'd by love and fear – 170 In nomine (III) – 133 (?) Je file quand Dieu me donne de quoi – 132 O bone Jesu – 93–96 Retribue servo tuo – 65–67
Roose	Dum transisset sabbatum Maria Magdalena – 88–89
Sheppard, John (ca. 1515-1558)	Magnificat a6: (exc) Esurientes – 37
Strogers, Nicholas	A doleful deadly pang – 165 In nomine (I) – 135 In nomine (II) – 137–138 In nomine (III) – 136 (?) Mistrust not truth – 171 Non me vincat Deus – 48–49
Tailer, John	(?) Christus resurgens – 56
Tallis, Thomas (ca. 1505-1585)	Candidi Facti sunt = Facti sunt Nazarei eius candidi – 42 O sacrum convivium in quo Christus sumitur – 78–79 O salutaris hostia – 40 Salvator mundi (I) – 41 Salvator mundi (II) – 79–80
Taverner, John	Dum transisset sabbatum [I - 5vv] – 50
Taylor, Robert (-ca. 1637)	(?) Christus resurgens – 56
Tye, Christopher (ca. 1505-ca. 1573)	Ad te clamamus – 34 (?) Ascendo ad patrem meum et patrem vestrum – 127 In nomine XIV: 'Follow me' – 139–140 Omnes gentes plaudite [2p. Psallite de nostro] – 35–36 Rubum quem (A Singing Song) – 128
Van Wilder, Phillip	(?) Je file quand Dieu me donne de quoi – 132 Pour vous aimer – 129
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Madonna somm' acorto – 129
White, Robert (ca. 1538-1574)	Appropinquet deprecatio mea – 53–55 Exaudiat te Dominus in die tribulationis – 44–46 In nomine (V) – 139 Justus es, Domine – 22–23 Lamentations (I) a5 – 3–8 Lord who shall dwell – 101–103 Manus tuae fecerunt me [2p. Veniant mihi] – 18–19 Miserere mei Deus [2p: Cor mundum crea] – 9–14 Portio mea, Domine [2p. Media nocte] – 20–21 The Lord bless us and keep us – 103–104 [Christe qui lux es (I)] Precamur sancte Domine – 15 [Christe qui lux es (II)] Precamur sancte Domine – 16 [Christe qui lux es (III)] Precamur sancte Domine – 17 [Christe, qui lux es (IV)] Precamur sancte Domine (2p. Oculi somnum; 3p. Memento nostri Domine) – 71–72
Woodcock, Clement (ca. 1540-1590)	Browning – 125 In nomine I – 140–141

Composition	Composers (? Uncertain)	Folios / Pages
[Christe qui lux es (I)] Precamur, sancte Domine	Byrd, William (ca. 1540–1623)	82–83
[Christe qui lux es (I)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	15
[Christe qui lux es (II)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	16
[Christe qui lux es (III)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	17
[Christe, qui lux es (IV)] Precamur sancte Domine (2p. Oculi somnum; 3p. Memento nostri Domine)	White, Robert (ca. 1538–1574)	71–72
A doleful deadly pang	Strogers, Nicholas	165
Ad te clamamus	Tye, Christopher (ca. 1505–ca. 1573)	34
Ah, alas, you salt sea gods	Byrd, William (ca. 1540–1623) (?) Farrant, Richard (ca. 1525–1580) (?)	164
Ah, golden hairs	Byrd, William (ca. 1540–1623)	120
Ah, silly poor Joas	Anonymous	166
Alas, alack, my heart is woe	Anonymous	168
Angelus ad pastores ait annuntio vobis	Lassus, Orlande de (ca. 1532–1594)	38
Apparebit in finem	Byrd, William (ca. 1540–1623)	61–62
Appropinquet deprecatio mea	White, Robert (ca. 1538–1574)	53–55
Ascendo ad patrem meum et patrem vestrum	Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?)	127
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	62–63
Ave Maria gratia plena	Parsons (I), Robert (ca. 1535–ca. 1572)	86–87
Blame I confess	Byrd, William (ca. 1540–1623)	174–175
Blessed is he that fears the Lord	Byrd, William (ca. 1540–1623)	174
Browning	Woodcock, Clement (ca. 1540–1590)	125
Browning = The leaves be green	Byrd, William (ca. 1540–1623)	123–124
Candidi Facti sunt = Facti sunt Nazarei eius candidi	Tallis, Thomas (ca. 1505–1585)	42
Care for thy soule as thing of greatest price	Byrd, William (ca. 1540–1623)	122
Christus resurgens	Taylor, Robert (–ca. 1637) (?) Tailer, John (?)	56
Come to me, grief, for ever	Byrd, William (ca. 1540–1623)	112
Come tread the paths [2p. Farewell, my lords and friends]	Anonymous	171–172
Come, Holy Ghost / In nomine	Anonymous	161
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	130–131
Decantabat populus in Israel	Byrd, William (ca. 1540–1623) (?)	89–90
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	Byrd, William (ca. 1540–1623)	81–82
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	Byrd, William (ca. 1540–1623)	85–86
Deus venerunt gentes: 1a/2a partes (of 4): Deus venerunt gentes / Posuerunt morticinia	Byrd, William (ca. 1540–1623)	73–74
Domine exaudi orationem meam (2p. Et non intres)	Byrd, William (ca. 1540–1623)	30–31
Domine praestolamur [2p. Veni domine]	Byrd, William (ca. 1540–1623)	32–33
Domine tu jurasti	Byrd, William (ca. 1540–1623)	75–76
Dum transisset sabbatum [I - 5vv]	Taverner, John	50
Dum transisset sabbatum Maria Magdalena	Roose	88–89
Dum transisset sabbatum Maria Magdalena (5vv)	Johnson (I), Robert (ca. 1500–ca. 1560)	43
Enforc'd by love and fear	Parsons (I), Robert (ca. 1535–ca. 1572)	170
Even from the depth unto thee	Byrd, William (ca. 1540–1623)	145
Exaudiat te Dominus in die tribulationis	White, Robert (ca. 1538–1574)	44–46
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	Byrd, William (ca. 1540–1623)	76–77
Fac cum servo tuo	Byrd, William (ca. 1540–1623)	68–69
Hey down, sing ye now after me	Anonymous	180
How can the tree	Anonymous	167
How long shall mine enemies triumph	Byrd, William (ca. 1540–1623)	107–109
How shall a young man?	Byrd, William (ca. 1540–1623)	176
I joy not in no earthly bliss	Byrd, William (ca. 1540–1623)	119
If that a sinner's sighs	Byrd, William (ca. 1540–1623)	142
If women could be fair	Hooper, Edmund (?) Byrd, William (ca. 1540–1623) (?)	143
In fields abroad	Byrd, William (ca. 1540–1623)	113
In nomine	Bull, John (ca. 1562–1628)	138
In nomine (I)	Strogers, Nicholas	135
In nomine (I) a4, with added part	Brewster	147–148
In nomine (II)	Strogers, Nicholas	137–138
In nomine (III)	Parsons (I), Robert (ca. 1535–ca. 1572)	133
In nomine (III)	Strogers, Nicholas	136
In nomine (V)	White, Robert (ca. 1538–1574)	139
In nomine (V) a5	Byrd, William (ca. 1540–1623)	134–135
In nomine I	Woodcock, Clement (ca. 1540–1590)	140–141
In nomine XIV: 'Follow me'	Tye, Christopher (ca. 1505–ca. 1573)	139–140
In resurrectione tua	Byrd, William (ca. 1540–1623)	64
In terrors trapp'd	Anonymous	166–167
Je file quand Dieu me donne de quoi	Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)	132
Justus es, Domine	White, Robert (ca. 1538–1574)	22–23
La verginella	Byrd, William (ca. 1540–1623)	118
Laetentur caeli (2p. Orietur in diebus)	Byrd, William (ca. 1540–1623)	84–85
Lamentations (I) a5	White, Robert (ca. 1538–1574)	3–8
Lord in thy wrath reprove me not	Byrd, William (ca. 1540–1623)	121
Lord who shall dwell	White, Robert (ca. 1538–1574)	101–103
Lullaby, my sweet little baby [2p. Be still)	Byrd, William (ca. 1540–1623)	168–169
Madonna somm' acorto	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	129
Magnificat a6: (exc) Esurientes	Sheppard, John (ca. 1515–1558)	37
Manus tuae fecerunt me [2p. Veniant mihi]	White, Robert (ca. 1538–1574)	18–19
Mirabile mysterium (C47)	Ferrabosco, Alfonso (the elder) (1543–1588)	90–92
Miserere	Mallorie	126
Miserere mei Deus	Byrd, William (ca. 1540–1623)	92
Miserere mei Deus [2p: Cor mundum crea]	White, Robert (ca. 1538–1574)	9–14
Mistrust not truth	Strogers, Nicholas (?)	171
My little sweet darling	Anonymous	165–166
My mind to me a kingdom is	Byrd, William (ca. 1540–1623)	169–170
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	24–25
Non me vincat Deus	Strogers, Nicholas	48–49
O bone Jesu	Parsons (I), Robert (ca. 1535–ca. 1572)	93–96
O Domine adjuva me	Byrd, William (ca. 1540–1623)	26–27
O God, wherefore art thou absent	Anonymous	149–152
O Lord of whom I do depend / In nomine	Anonymous	161
O Lord, how vain	Byrd, William (ca. 1540–1623)	169
O Lord, make thy servant, Elizabeth [or James, or King Charles]	Byrd, William (ca. 1540–1623)	105–106
O Lord, turn not away thy face / In nomine	Anonymous	161–162
O Lord, within thy tabernacle	Byrd, William (ca. 1540–1623)	175
O quam gloriosum est regnum (2p. Benedictio et claritas)	Byrd, William (ca. 1540–1623)	57–58
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	78–79
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	40
O that most rare breast	Byrd, William (ca. 1540–1623)	109–112
Omnes gentes plaudite [2p. Psallite de nostro]	Tye, Christopher (ca. 1505–ca. 1573)	35–36
Portio mea, Domine [2p. Media nocte]	White, Robert (ca. 1538–1574)	20–21
Pour vous aimer	Van Wilder, Phillip	129
Prevent us, O Lord	Byrd, William (ca. 1540–1623)	106–107
Prostrate, O Lord, I lie	Byrd, William (ca. 1540–1623)	144
Retribue servo tuo	Parsons (I), Robert (ca. 1535–ca. 1572)	65–67
Rubum quem (A Singing Song)	Tye, Christopher (ca. 1505–ca. 1573)	128
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	41
Salvator mundi (II)	Tallis, Thomas (ca. 1505–1585)	79–80
Sive vigilem	Mundy, William (ca. 1528–ca. 1591)	70–71
Susanna fair sometime assaulted was (2p. And if I grant)	Byrd, William (ca. 1540–1623)	115
Susanne un jour d'amour solicitée par deux viellards	Lassus, Orlande de (ca. 1532–1594)	128–129
The day delay'd	Anonymous	171
The Lord bless us and keep us	White, Robert (ca. 1538–1574)	103–104
The saint I serve	Anonymous	167
Though Amaryllis dance in green	Byrd, William (ca. 1540–1623)	176–177
Tribulatio proxima est [2p. Contumelias et terrores]	Byrd, William (ca. 1540–1623)	51–52
Tribulationem et dolorem inveni (C63)	Ferrabosco, Alfonso (the elder) (1543–1588)	47
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	Byrd, William (ca. 1540–1623)	27–29
Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine)	Byrd, William (ca. 1540–1623)	59–61
Triumph with pleasant melody	Byrd, William (ca. 1540–1623)	173–174
Veni in hortum meum	Lassus, Orlande de (ca. 1532–1594)	39–40
Vestigia mea dirige	Giles, Nathaniel (ca. 1558–1634)	96–98
When I was otherwise than now	Byrd, William (ca. 1540–1623)	146
When May is in his prime [2p. May maketh; 3p. All thee that live]	Edwards, Richard (?)	162–163
Where fancy fond	Byrd, William (ca. 1540–1623)	114
While Phoebus used to dwell	Byrd, William (ca. 1540–1623)	116
Who likes to love	Byrd, William (ca. 1540–1623)	170
Why do I use my paper, ink and pen?	Byrd, William (ca. 1540–1623)	117

Images © The Governing Body of Christ Church, Oxford

Set: Dow Partbooks (Christ Church Mus. 984-988)

Type: Partbooks

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Milsom, John. 2010. The Dow Partbooks, Facsimile with introductory study. Oxford: DIAMM Publications.

Boydell, Barra. 1999. Music at Christ Church before 1800: documents and selected anthems. Four Courts Press.

Milsom, John. 1995. Sacred Songs in the Chamber. English Choral Practice, 1400-1650, edited by John Milsom, 165-6. Cambridge.

Mateer, David G. 1986-7. Oxford, Christ Church Music MSS 984-8: An Index and Commentary. Royal Musical Association Research Chronicle, 20: 1-18.

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 83,91,192. Notes: contents list (partial); concordances (partial).

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 37: 139-63.

Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 33: 55-75. Pages: 66,71-2. Notes: mention of MS; contents list (partial); concordances (partial).

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 286-98. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1. London. Notes: contents list (partial); concordances (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 169-84, 234-6, passim; II, 80-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brett, Philip (editor). 1967. Consort Songs. Musica Britannica, vol. XXII. London.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 18-24, 110-1, 126-34, 228-31. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXVIII, 124,128,130,133-4,137-8; XXX,109-18,176,189-90. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 14: 359-82. Pages: 364-6, 368-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 14: 343-65. Pages: 360-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: IX, 223; XXII, xx, 2ff, passim; XLIV,74-5,184,186,188-9,191-3. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Kerman, Joseph. 1950. Review of Fellowes' Byrd edition. Journal of the American Musicological Society, 3: 273-7. Pages: 277. Notes: contents list (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: X, 515; XIII, 53-4. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 99-100, 109, 112, 141-3, 170-1, 193, 235-6. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Boyd, Morrison Comegys. 1940. Elizabethan Music and Musical Criticism. Philadelphia. Pages: 74-8, 81-2, 312-7. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, passim; XVII, 155, 162. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xxx, lix; II, xxii, xxxiv-xxxvi, 242-7, 266-70, 277-81; III, xvi; V, xx-xxv, passim; VI, xxx-xxxii; IX, xii, xiv. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Arkwright, G E P. 1915-23. Catalogue of Music in the Library of Christ Church Oxford. Oxford University Press. Pages: I, passim; II, 154-62. Notes: contents list; concordances (partial); incipits (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description