An Altus partbook of a set of four volumes. Copied by two main scribes; last three pieces are later additions by third scribe. A few pieces in the other books do not appear in the Tenor book; and some pieces are copied in different order in the various books. Of south German origin. Owned in late 16th and first half of 17th century by Egenolf and Anton von Schermar of Ulm; von Schermar collection later deposited in Münster Bibliothek, Ulm.
| Archive | Münster Bibliothek, Ulm, Germany (D-Usch) |
|---|---|
| Shelfmark | 235 (b) |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | None / Unknown |
| Measurements | 100 x 150 mm |
| Other Identifiers |
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| Relationships |
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| Provenance |
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| Contents | Contains 72 compositions, 52 from 29 composers, 20 are anonymous. |
General Description
Binding
Original covers
Notation
not indicated
Foliation
Other numberings: Original ink numbering of pieces, 1-21 + modern numbering, [22]-76 (some second partes counted as separate items; a few pieces not numbered)
Decoration
A few inked initials.
Surface
Paper
DIAMM Note
inventory from GottU
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
22 motets, 29 German sacred pieces, 16 German secular pieces, 1 Latin secular piece, 1 Italian secular piece = 69
(Brumel)-1, (Clemens non Papa)-1, Danum(?)-1, (Dietrich)-1, (Donato)-1, (Dressler)-2, Formellis-1, Herpol? [Homero]-1, (Lassus)-1, (Lechner)-1, (Didier Lupi Second)-1, (Magdeburg?)-2, (Manchicourt/Sandrin)-1, (Mouton/Sermisy)-1, (Scandello)-3, (Schwaiger)-1, (Seinecker)-1, (Senfl)-2, (Sermisy)-2, (Serranus)-1, (Vulpius)-1, (Walter)-2, (D. Wolkenstein)-3, (Zirler)-1, anon-36
4 paper partbooks (D-i + 106 folios, A-i + 109, T-i + 108, B-i + 100), 100 x 150. No foliation or pagination. Original ink numbering of pieces, 1-21 + modern numbering, [22]-76 (some second partes counted as separate items; a few pieces not numbered). Original covers. No index. Copied by two main scribes; last three pieces are later additions by third scribe. A few inked initials.
Second half of 16th century. Of south German origin. Owned in late 16th and first half of 17th century by Egenolf and Anton von Schermar of Ulm; von Schermar collection later deposited in Münster Bibliothek, Ulm.
The inventory could not be loaded.
Sets
235 (a-d)
Partbooks · 4 sources
‡ denotes primary source study
Gottwald, Clytus. 1993. Katalog der Musikalien in der Schermar-Bibliothek Ulm. Veröffentlichungen der Stadtbibliothek Ulm, vol. 17. Wiesbaden: Harrassowitz Verlag. Pages: 89-98.
Deutsches Musikgeschichtliches Archiv Kassel and Staatliches Institut für Musikforschung Preußischer Kulturbesitz Berlin (editor). 1983. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. Band 2: Handschriften. Catalogus Musicus, vol. X. Kassel, Basel, Tours, and London. Pages: 302-8. Notes: contents list; incipits.
Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 31: 16-72. Pages: 52. Notes: contents list (partial); concordances (partial).
Hartmann, Karl-Günther. 1960. Die Handschrift KN 144 der Ratsbücherei zu Lüneburg. Die Musikforschung, 13: 1-27,459. Pages: 10-8,22. Notes: contents list (partial); concordances (partial).
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 110; VI,42-3,95,100. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: LXXII, 101. Notes: contents list (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description