B-LVu MS 163

Universiteitsbibliotheek (bibliotheek der Katholieke Universiteit te Leuven), Leuven (Louvain), Belgium

partbook: 1546 (date on f. 3')

Archive Universiteitsbibliotheek (bibliotheek der Katholieke Universiteit te Leuven), Leuven (Louvain), Belgium (B-LVu)
Shelfmark MS 163
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Format oblong 4°
Measurements 230 x 175 mm
Other Identifiers
  • CCM: LeuvU 163
Notations
  • black full mensural
Relationships
Provenance
  • Low Countries
Contents 55 pieces from 24 composers
General Description

A single Altus partbook. Copied by one main scribe and one additional scribe. Inscription on f. 3'; 'JACQUES DE / LA HAYE / 1546.' Inscription on back: 'Josquin Desprez musica sacra.' Presumably of Franco-Netherlandish provenance; specific place of origin unknown. Apparently prepared by or for Jacques de la Haye. Came to university library in Louvain (now Leuven) at an unknown time; library destroyed by fire in August 1914.

DIAMM, 2017
Binding

Original leather covers tooled in gold with inscription 'CONTRA.'

DIAMM, 2017
Notation

Black mensural

DIAMM, 2017
Foliation

Original(?) foliation, 1-115.

DIAMM, 2017
Index

Original index on ff. 4'-6 lists 32 pieces alphabetically by title

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

54 motets

Arcadelt-1, Arcadelt/(Verdelot)-1, Baston-2, Baston/(Josquin/Stoltzer/Verdelot)-1, Certon-1, Clemens non Papa-5, Crecquillon-4, Gombert-3, Hellinck [Lupus]/(Senfl/Verdelot)-1, Hollande-3, Jaquet of Mantua [Jachet]-1, Josquin-3, Lasson/(Verdelot)-1, Lebrun-1, J. Louys-1, Lupi-7, Lupi/(Berchem)-1, Lupi/(Conseil)-1, Lupi/(Verdelot)-1, Manchicourt-1, Manchicourt/(Gombert)-1, Ockeghem-1, Richafort-2, Sermisy [Claudin]-1, Verdelot-2, Verdelot/(Willaert)-1, Willaert-2, anon-4

1 paper partbook (A-115 folios), oblong 4°. Original(?) foliation, 1-115. Original leather covers tooled in gold with inscription "CONTRA." Original index on ff. 4'-6 lists 32 pieces alphabetically by title. Copied by one main scribe and one additional scribe. Inscription on f. 3'; "JACQUES DE / LA HAYE / 1546." Inscription on back: "Josquin Desprez musica sacra."

1546 (date on f. 3'). Presumably of Franco-Netherlandish provenance; specific place of origin unknown. Apparently prepared by or for Jacques de la Haye. Came to university library in Louvain (now Leuven) at an unknown time; library destroyed by fire in August 1914.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
3–3v Vidi speciosam sicut columbam ascendentem II: Quae est ista quae processit sicut Joannes Lupi
Appears on: 3–3v
Genres: Motet
Source Attribution: Joannes Lupi
Voice: [no designation]
Languages: Latin
Voice Text: Vidi speciosam sicut columbam ascendentem II: Quae est ista quae processit sicut
4 Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) Josquin des Pres
Appears on: 4
Genres: Motet, Stabat Mater
Source Attribution: Josquin des Pres
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa iuxta crucem 25.9 [incomplete]
8–9 Carole magnus erat quis nescit Carolus Thomas Crequillon
Appears on: 8–9
Genres: Motet
Source Attribution: Thomas Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: Carole magnus erat quis nescit Carolus
9v–12 Angelus Domini apparuit Zachariae II: Vox clamantis in deserto parate viam Lupy/[Berchem]
Appears on: 9v–12
Genres: Motet
Source Attribution: Lupy/[Berchem]
Voice: [no designation]
Languages: Latin
Voice Text: Angelus domini apparuit Zachariae II: Vox clamantis in deserto
12v–15 Domine ne memineris iniquitatum nostrarum II: Adjuva nos Deus salutaris noster Hollande [= C. Hollander]
Appears on: 12v–15
Genres: Motet
Source Attribution: Hollande [= C. Hollander]
Voice: [no designation]
Languages: Latin
Voice Text: Domine ne memineris iniquitatum nostrarum II: Adiuva nos deus salutaris noster
15v–17 In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) Lupus [Hellinck]/[Senfl/Verdelot]
Appears on: 15v–17
Genres: Motet
Source Attribution: Lupus [Hellinck]/[Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
17v–19v Dum complerentur dies Pentecostes erant omnes Archadelt/[Verdelot]
Appears on: 17v–19v
Genres: Motet
Source Attribution: Archadelt/[Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies pentecostes erant
20–20v Nunquam super terram ubi non est veritas Jachet [of Mantua]
Appears on: 20–20v
Genres: Motet
Source Attribution: Jachet [of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Nunquam super terram ubi non est veritas
21–22v Vias tuas Domine demonstra mihi et semitas (2p. Trahe nos ad portum maris) Nicolaus Gombert
Appears on: 21–22v
Genres: Motet
Source Attribution: Nicolaus Gombert
Voice: [no designation]
Languages: Latin
Voice Text: Vias tuas domine demonstra mihi et semitas II: Trahe nos ad portum maris tu qui
23–26v Maria Magdalenae et altera Maria ibant II: Cito Euntes dicite discipulis eius Manchicourt/[Gombert]
Appears on: 23–26v
Genres: Motet
Source Attribution: Manchicourt/[Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalene et altera Maria ibant II: Cito euntes dicite discipulis eius
27–30 Tu Deus noster - 1a pars (of 2): Tu Deus noster suavis et verus es -
Appears on: 27–30
Genres: Motet
27–30 Tu Deus noster - 2a pars (of 2): Tribue ergo nobis Domine ut tibi Gombert
Appears on: 27–30
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: Tu deus noster suavis et verus es II: Tribue ergo nobis domine ut tibi
30v–31 Mirabile misterium declaratur hodie Johannes Lebrung/[Berchem/Jaquet of Mantua]
Appears on: 30v–31
Genres: Motet
Source Attribution: Johannes Lebrung/[Berchem/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Mirabile misterium declaratur hodie
31v Infirmitatem nostram quaesumus Domine Verdelot/[Willaert]
Appears on: 31v
Genres: Motet
Source Attribution: Verdelot/[Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Infirmitatem nostram quesumus domine
32–34 Conscientias nostras Jos. Baston
Appears on: 32–34
Genres: Motet
Source Attribution: Jos. Baston
Voice: [no designation]
Languages: Latin
Voice Text: Conscientias nostras
34v–39 Te Deus noster suavis et verus es II: Nosse enim te consummata justitia Lupy
Appears on: 34v–39
Genres: Motet
Source Attribution: Lupy
Voice: [no designation]
Languages: Latin
Voice Text: Tu deus noster suavis et verus es II: Nosse enim te consummata iustitia
39v Sub tuum praesidium confugimus Crequillon
Appears on: 39v
Genres: Motet
Source Attribution: Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: Sub tuum presidium confugimus sancta dei
40–43 Domine ne in furore 16.8 (2p. Discedite a me omnes qui operamini) Josquin Baston/[Josquin/Stoltzer/Verdelot]
Appears on: 40–43
Genres: Motet
Source Attribution: Josquin Baston/[Josquin/Stoltzer/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Domine ne in furore tuo arguas me 16.8 II: Discedite a me omnes qui operamini
43v–46 Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv) Petrus de Manchicourt
Appears on: 43v–46
Genres: Motet
Source Attribution: Petrus de Manchicourt
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in celum et coram te II: Quanti mercenarii in domo patris
46v–49v Venite ad me omnes qui laboratis [Gombert?]
Appears on: 46v–49v
Genres: Motet
Source Attribution: [Gombert?]
Voice: [no designation]
Languages: Latin
Voice Text: Venite ad me omnes qui laboratis
50–53v O gloriosa Dei genitrix virgo semper II: Quae est ista quae ascendit sicut Gombert
Appears on: 50–53v
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: O gloriosa dei genitrix virgo semper II: Quae est ista quae ascendit sicut
54–54v Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum Richafort
Appears on: 54–54v
Genres: Motet
Source Attribution: Richafort
Voice: [no designation]
Languages: Latin
Voice Text: Philomena praevia temporis ameni II: Veni dulcis amica dei noctis
55–57 Benedixit Deus Noe et filiis eius II: Ecce ego statuam pactum meum Archadelt
Appears on: 55–57
Genres: Motet
Source Attribution: Archadelt
Voice: [no designation]
Languages: Latin
Voice Text: Benedixit deus Noe et filiis eius II: Ecce ego statuam pactum meum
57v–62 Virtute magna reddebant apostoli II: Repleti quidem spiritu sancto M. Lasson/[Verdelot]
Appears on: 57v–62
Genres: Motet
Source Attribution: M. Lasson/[Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Virtute magna reddebant apostoli II: Repleti sunt quidem spiritu sancto
62v–63 Factum est cor meum tanquam cera Josquin Baston
Appears on: 62v–63
Genres: Motet
Source Attribution: Josquin Baston
Voice: [no designation]
Languages: Latin
Voice Text: Factum est cor meum tanquam cera
63v–65 Quam pulchra es et quam decora carissima (2p. Veni dilecte mi egrediamur in ortum) Joannes Lupy/[Verdelot]
Appears on: 63v–65
Genres: Motet
Source Attribution: Joannes Lupy/[Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es et quam decora carissima II: Veni dilecte mi egrediamur in ortum
65v–66 Spes salutis - 1a pars (of 2): Spes salutis pacis portus vas virtutis Lupy
Appears on: 65v–66
Genres: Motet
Source Attribution: Lupy
Voice: [no designation]
Languages: Latin
Voice Text: Spes salutis pacis portus vas virtutis II: Tu es enim decus honestatis
66v Benedictus Dominus Deus Israel trinus (2p. Honor virtus et potestas sit) Lupy/[Conseil]
Appears on: 66v
Genres: Motet
Source Attribution: Lupy/[Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus dominus deus Israel trinus II: Honor virtus et potestas sit
67–67v Veni Domine et noli tardare relaxa facinora Verdelot
Appears on: 67–67v
Genres: Motet
Source Attribution: Verdelot
Voice: [no designation]
Languages: Latin
Voice Text: Veni domine et noli tardare revela
68 Respia quaesumus Verdelot
Appears on: 68
Genres: Motet
Source Attribution: Verdelot
Voice: [no designation]
Languages: Latin
Voice Text: Respia quesumus
68v Magnum hereditatis misterium (B058) Willaert
Appears on: 68v
Genres: Motet
Source Attribution: Willaert
Voice: [no designation]
Languages: Latin
Voice Text: Magnum hereditatis misterium templum dei
69–70 Sana me Domine et sanabor salvum me II: Omnia iudicia tua iusta sunt Jo. Louys
Appears on: 69–70
Genres: Motet
Source Attribution: Jo. Louys
Voice: [no designation]
Languages: Latin
Voice Text: Sana me domine et sanabor salvum me II: Omnia iudicia tua iusta sunt
70v–74 Nos qui vivimus in exitu Israel de Egipto II: Super misericordia tua et veritate III: Similes illis fiant qui faciunt ea Claudin [de Sermisy]
Appears on: 70v–74
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Nos qui vivimus in exitu Israel de Egipto II: Super misericordia tua et veritate III: Similes illis fiant qui faciunt ea
74v–76 Peccantem me quotidie et non me poenitentem (2p. Deus in nomine tuo salvum me fac) Clemens non Papa
Appears on: 74v–76
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Peccantem me quotidie et non me penitentem II: Deus in nomine tuo salvum me fac
76v–78v Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum Crequillon
Appears on: 76v–78v
Genres: Motet
Source Attribution: Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: Cor mundum crea in me deus et spiritum II: Averte faciem tuam a peccatis meis
79–80 Delectare in Domino et dabit tibi (2p. Et educet quasi lumen justitiam) Crequillon
Appears on: 79–80
Genres: Motet
Source Attribution: Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: Delectare in domino et dabit tibi II: Et educet quasi lumen iustitiam
80v–82v Benedictus Anon. Anonymous

Benedictus

Anonymous
Appears on: 80v–82v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus
83–85 Laqueus contritus est et nos liberati (2p. Tribulationem et dolorem inveni) Clemens non Papa
Appears on: 83–85
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Laqueus contritus est et nos liberati II: Tribulationem et dolorem inveni
85v–86v Rex autem David cooperto capite incedens (2p. Planxit autem David planctum huius) Clemens non Papa
Appears on: 85v–86v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Rex autem David cooperto capite II: Planxit autem David super Jonathan
87–87v Beata es virgo Maria quae Dominum portasti (2p. Ave Maria gratia plena Dominus tecum) Clemens non Papa
Appears on: 87–87v
Genres: Ave Maria, Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Beata es virgo Maria quae dominum II: Ave Maria gratia plena dominus tecum
88–92v Domine quis habitabit Joannes Richafort
Appears on: 88–92v
Genres: Motet
Source Attribution: Joannes Richafort
Voice: [no designation]
Languages: Latin
Voice Text: Domine quis habitabit
95–96v Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) Josquin des Pres
Appears on: 95–96v
Genres: Motet
Source Attribution: Josquin des Pres
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es coelorum regina et mundi 23.13 II: Per illud ave prolatum III: Nunc mater exora natum
97 Benedictus Anon. Anonymous

Benedictus

Anonymous
Appears on: 97
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus
97–98v Benedicta es caelorum regina? Anon. Anonymous
Appears on: 97–98v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es [coelorum regina?]
99–101 Ad nutum Domini nostrum dicantis honorem II: Ut vitium virtus operiret gratia Lupy
Appears on: 99–101
Genres: Motet
Source Attribution: Lupy
Voice: [no designation]
Languages: Latin
Voice Text: Ad nutum domini nostrum ditantis honorem II: Ut vitium virtus operiret gratia
101v–102 Virgo clemens et benigna jugi laude digna II: Felix et beata deo fecundata Lupy
Appears on: 101v–102
Genres: Motet
Source Attribution: Lupy
Voice: [no designation]
Languages: Latin
Voice Text: Virgo clemens et benigna iugi laude II: Felix et beata deo fecundata
102v–104 O florens rosa mater Domini speciosa II: Genitrix virgo mater salutis excuset Lupy
Appears on: 102v–104
Genres: Motet
Source Attribution: Lupy
Voice: [no designation]
Languages: Latin
Voice Text: O florens rosa mater domini speciosa II: Genitrix virgo mater salutis
104v–106 Inviolata integra et casta es Maria II: Te nunc flagitant devota corda III: O benigna O regina que sola Certon
Appears on: 104v–106
Genres: Motet
Source Attribution: Certon
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria II: Te nunc flagitant devota corda III: O benigna que sola inviolata
106v Dum aurora finem daret Cecilia dixit Holande
Appears on: 106v
Genres: Motet
Source Attribution: Holande
Voice: [no designation]
Languages: Latin
Voice Text: Dum aurora finem daret Cecilia dixit
107–109v Laudem dicite deo nostro omnes sancti II: Gaudeamus et exultemus et demus Jo. Hollande/[C. Hollander]
Appears on: 107–109v
Genres: Motet
Source Attribution: Jo. Hollande/[C. Hollander]
Voice: [no designation]
Languages: Latin
Voice Text: Laudem dicite deo nostro omnes sancti II: Gaudeamus et exultemus et demus
110 Beatus Bernardus [B163] - 1a pars (of 2): Beatus Bernardus quasi vas auri Adrian Willart
Appears on: 110
Genres: Motet
Source Attribution: Adrian Willart
Voice: [no designation]
Languages: Latin
Voice Text: Beatus Bernardus quasi vas auri solidum II: Factus est quasi ignis effulgens
110v Beatus Bernardus [B163] - 2a pars (of 2): Factus est quasi ignis -
Appears on: 110v
Genres: Motet
111–112 Vir quidem delare Joh. Lupys
Appears on: 111–112
Genres: Motet
Source Attribution: Joh. Lupys
Voice: [no designation]
Languages: Latin
Voice Text: Vir quidem delare
112v–113v Rex gloria Johannes Ockeghem
Appears on: 112v–113v
Genres: Motet
Source Attribution: Johannes Ockeghem
Voice: [no designation]
Languages: Latin
Voice Text: Rex gloria
114–115v Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) Josquin des Prez
Appears on: 114–115v
Genres: Motet
Source Attribution: Josquin des Prez
Voice: [no designation]
Languages: Latin
Voice Text: Preter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Baston, Josquin (fl. 1542–63)
Berchem, Jacques (ca. 1505–1567)
Certon, Pierre (–ca. 1572)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conseil, Jean (ca. 1498–1534)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Hollander, Christian
Lasson, Mathieu
Louys, Jean (ca. 1530–1563)
Lupi, Johannes (ca. 1506–1539)
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Ockeghem, Jean de (ca. 1410–1497)
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Ad nutum Domini nostrum dicantis honorem II: Ut vitium virtus operiret gratia 99–101
Angelus Domini apparuit Zachariae II: Vox clamantis in deserto parate viam 9v–12
Beata es virgo Maria quae Dominum portasti (2p. Ave Maria gratia plena Dominus tecum) 87–87v
Beatus Bernardus [B163] - 1a pars (of 2): Beatus Bernardus quasi vas auri 110
Beatus Bernardus [B163] - 2a pars (of 2): Factus est quasi ignis 110v
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) 95–96v
Benedicta es caelorum regina? Anonymous 97–98v
Benedictus Anonymous 80v–82v
Benedictus Anonymous 97
Benedictus Dominus Deus Israel trinus (2p. Honor virtus et potestas sit) 66v
Benedixit Deus Noe et filiis eius II: Ecce ego statuam pactum meum 55–57
Carole magnus erat quis nescit Carolus 8–9
Conscientias nostras 32–34
Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum 76v–78v
Delectare in Domino et dabit tibi (2p. Et educet quasi lumen justitiam) 79–80
Domine ne in furore 16.8 (2p. Discedite a me omnes qui operamini) 40–43
Domine ne memineris iniquitatum nostrarum II: Adjuva nos Deus salutaris noster 12v–15
Domine quis habitabit 88–92v
Dum aurora finem daret Cecilia dixit 106v
Dum complerentur dies Pentecostes erant omnes 17v–19v
Factum est cor meum tanquam cera 62v–63
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) 15v–17
Infirmitatem nostram quaesumus Domine 31v
Inviolata integra et casta es Maria II: Te nunc flagitant devota corda III: O benigna O regina que sola 104v–106
Laqueus contritus est et nos liberati (2p. Tribulationem et dolorem inveni) 83–85
Laudem dicite deo nostro omnes sancti II: Gaudeamus et exultemus et demus 107–109v
Magnum hereditatis misterium (B058) 68v
Maria Magdalenae et altera Maria ibant II: Cito Euntes dicite discipulis eius 23–26v
Mirabile misterium declaratur hodie 30v–31
Nos qui vivimus in exitu Israel de Egipto II: Super misericordia tua et veritate III: Similes illis fiant qui faciunt ea 70v–74
Nunquam super terram ubi non est veritas 20–20v
O florens rosa mater Domini speciosa II: Genitrix virgo mater salutis excuset 102v–104
O gloriosa Dei genitrix virgo semper II: Quae est ista quae ascendit sicut 50–53v
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv) 43v–46
Peccantem me quotidie et non me poenitentem (2p. Deus in nomine tuo salvum me fac) 74v–76
Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum 54–54v
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) 114–115v
Quam pulchra es et quam decora carissima (2p. Veni dilecte mi egrediamur in ortum) 63v–65
Respia quaesumus 68
Rex autem David cooperto capite incedens (2p. Planxit autem David planctum huius) 85v–86v
Rex gloria 112v–113v
Sana me Domine et sanabor salvum me II: Omnia iudicia tua iusta sunt 69–70
Spes salutis - 1a pars (of 2): Spes salutis pacis portus vas virtutis 65v–66
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) 4
Sub tuum praesidium confugimus 39v
Te Deus noster suavis et verus es II: Nosse enim te consummata justitia 34v–39
Tu Deus noster - 1a pars (of 2): Tu Deus noster suavis et verus es 27–30
Tu Deus noster - 2a pars (of 2): Tribue ergo nobis Domine ut tibi 27–30
Veni Domine et noli tardare relaxa facinora 67–67v
Venite ad me omnes qui laboratis 46v–49v
Vias tuas Domine demonstra mihi et semitas (2p. Trahe nos ad portum maris) 21–22v
Vidi speciosam sicut columbam ascendentem II: Quae est ista quae processit sicut 3–3v
Vir quidem delare 111–112
Virgo clemens et benigna jugi laude digna II: Felix et beata deo fecundata 101v–102
Virtute magna reddebant apostoli II: Repleti quidem spiritu sancto 57v–62

denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Notes: contents list (partial); concordances (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 338ff, passim. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 661, 739, 778, 780. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft.  Tutzing. Pages: 33. Notes: contents list (partial); concordances (partial).

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 173-4, 209-10. Notes: contents list (partial); concordances (partial); incipits (partial).

Diehl, George Karl. 1974. The Partbooks of a Renaissance Merchant. Cambrai: Bibliothèque municipale, MSS 125-128. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 531-2, 609-10, 622-4. Notes: contents list (partial); concordances (partial); incipits (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 375ff. Notes: contents list (partial); concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 43-4, 249, 292-3, 304-5, 320-1. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 273-324:(XXV)253-82:(XXVII). Pages: XXV, 294. Notes: contents list (partial); concordances (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 328. Notes: contents list (partial); concordances (partial).

Kabis, Mary Elise. 1957. The Works of Jean Richafort, Renaissance Composer (1480?-c. 1548). New York University, Unpublished Ph.D. dissertation. Pages: I, 21-2. Notes: contents list (partial).

Schmidt-Görg, Joseph. 1938. Nicolas Gombert, Kapellmeister Kaiser Karls V.: Leben und Werk.  Bonn. Pages: 364, 367-8. Notes: contents list (partial); concordances (partial).

Borren, Charles van den. 1933-34. Inventaire des manuscrits de musique polyphonique qui se trouvent en Belgique. Acta Musicologica, V:66-71,120-7,177-83;VI:23-9,65-73,116-21. Pages: VI, 116. Notes: mention of MS.

Prod'homme, J-G. 1913-4. Les Institutions musicales (Bibliothèques et Archives) en Belgique et en Hollande. Sammelbande der Internationalen Musikgesellschaft, 458-503. Pages: 486-7. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description