I-PAas Raccolta Manoscritti, busta 75, n. 26 ex convento LXXXV (S. Servino di Piacenza) reg. n. 52

Archivio di Stato Parma, Parma, Italy

flyleaves, fragment: Early 15th century

Archive Archivio di Stato Parma, Parma, Italy (I-PAas)
Shelfmark Raccolta Manoscritti, busta 75, n. 26 ex convento LXXXV (S. Servino di Piacenza) reg. n. 52
Surface Parchment
Numbering System Foliation
Measurements 287 x 245; trimmed from 300 x 245 mm
Other Identifiers
  • RISM: I-PAas75
  • RISM: Parma
  • CCM: ParmA 75
  • olim (Former shelfmark): Armadio B, Busta n.75, fasc. 2 ; PA 75
Notations
  • black full mensural
  • coloration in black void
External Links
Provenance
  • Milano (Milan)? Italy
Contents 7 pieces from 5 composers
General Description

pparently the only surviving remnants of a large musical manuscript; bifolio described here subsequently removed from original context and used as reinforcement for parchment/leather binding in this library. Copied by a single scribe. Probably copied in Milan (GüntMM).

DIAMM, 2017
Physical Description

Folios in poor condition; perforations in parchment have obliterated some music

DIAMM, 2017
Notation

Black full mensural with black void colouration.

DIAMM, 2017
Ruling

10 staves per page

DIAMM, 2017
Foliation

Original foliation, 233; 2[42]?.

DIAMM, 2017
Foliation

1-2v

DIAMM, 2017
Decoration

Small inked Gothic initials.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
DIAMM Note

Images of this MS will shortly be made available thanks to sponsorship from Jelma van Amersfoort, Robert Durk, Leofranc Holford-Strevens, Richard Lundgren, Stephen Rice and Rob Wegman.

DIAMM, 2017
RISM Description

Bifolio used as binding. Original folio size c.300 x 245 mm. Part of large ms; the original foliation is 242 and 2??. 10 black 5-line staves per page. There is apparently some other music cited in RISM Vol. 5 p. 323 in 'fasc. 2' but it is not clear which pages that is on.

RISM B/IV 4: 15. Jh.; 2 Blätter Pergament, 287 x 245 mm (beschnitten). Originale Foliierung f. 233 und 2?? (nach Besseler f. 242). Je Seite 10 schwarze Fünfliniensysteme mit schwarzer und schwarz/hohler Mensuralnotation.

Das Doppelblätter diente als Verstärkung des äußeren Deckels eines Register- oder Aktenbandes (der äußere Einband ist noch erhalten: Pergament-Decke mit Lederbändern). Das unten beschnittene und schlecht erhaltene, zum Teil perforierte Fragment (ursprüliches Format ca. 300 x 245 mm) stammt vermutlich aus einer größeren Handschrift des frühen 15. Jh., hat aber zu den Paduaner-Fragmenten keine direkte Beziehung.

RISM B/IV 5:

XVIe s. 5 fasc, séparés de 7 pp. chacun (5* vx. 6 p.). Papier, 320 x 215 mm. Pagination moderne en ch. romains et numérotation moderne des fase, en haut des p. de chacun des vol.: 1/I-VII; 2/I-VII; 3/I-VII; 4/I-VII; 5/II-VI. Notation mesurée blanche. 10 portées par p.

Si le filigrane du papier (pot surmonté d'un trèfle) qui se retrouve sur des documents à partir de 1530 jusque vers 1572, ne permet pas de dater le ms., 1e style de la messe en imitation systématique, le situerait au plus tôt aux environs de 1540. Le nom de l'auteur (?) qui figure en tête de la 5e vx., de lecture douteuse (Bouksens? Boukbens?) suggérerait un compositeur franco-flamand.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 French secular pieces (1 incomplete), 2 Italian secular pieces = 6

Antonello da Caserta [A. marotus de Caserta Abbas]-Matteo da Perugia [M.d.p.]-1, Ciconia-Matteo da Perugia [M.d.p.]-1, Feraguti-1, (Fontaine)-Matteo da Perugia [M.d.p.]-1, anon-2

2 parchment folios, 287 x 245 (trimmed from original size of ca. 300 x 245). Apparently the only surviving remnants of a large musical manuscript; bifolio described here subsequently removed from original context and used as reinforcement for parchment/leather binding in this library. Folios in poor condition; perforations in parchment have obliterated some music. Original foliation, 233; 2[42]?. Black mensural notation, with black void coloration. Copied by a single scribe. Small inked Gothic initials.

Early 15th century (RISM); probably before 1418 (GüntMM). Probably copied in Milan (GüntMM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

1

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Piu chiar che 'l sole -
Perugia, Mattheus de

Piu chiar che 'l sole

Perugia, Mattheus de
Appears on: 1
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Piu chiar che 'l sole ...
Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Piu chiar che 'l sole ...
Voice: [no designation]
Languages: none
Clef: f2c4
Layout

parts
1v Ayes pitie de moi belle playsant - Anonymous

Ayes pitie de moi belle playsant

Anonymous
Appears on: 1v
Genres: Chanson
Voice: [no designation]
Languages: French
Clef: c1
Voice Text: Ayes pitie de moy belle playsant ...
Voice: Tenor
Languages: French
Clef: c3
Voice Text: Ayes pitie.
Voice: Contratenor
Languages: French
Clef: c3
Voice Text: Ayes pitie.
Layout

parts
1v Pour vous tenir en la grace - Anonymous

Pour vous tenir en la grace

Anonymous
Appears on: 1v
Genres: Chanson
Voice: Contratenor
Languages: French
Clef: f3
Voice Text: Pour vous tenir.
Voice: Tenor
Languages: French
Clef: f3
Voice Text: Pour vous tenir.
Voice: [no designation]
Languages: French
Clef: c3
Voice Text: Pour vous tenir en la grace ...
Layout

parts
1v Je ne requier de ma dame et m'amie -
Grenon, Nicolas

Je ne requier de ma dame et m'amie

Grenon, Nicolas
Appears on: 1v
Genres: Ballade
Voice: [no designation]
Languages: French
Voice Text: [Je ne requier ...]
2 Leggiadra (lizadra) donna ch'el mio cor contenti -
Ciconia, Johannes (ca. 1370–1412)

Leggiadra (lizadra) donna ch'el mio cor contenti

Ciconia, Johannes (ca. 1370–1412)
Appears on: 2
Genres: Ballata
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Liza oy lizadra donna ch'el mio cor contenti ...
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: Lizadra donna lizadra donna ...
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: Lizadra donna.
Layout

parts
2v De ire et de dueil Fr[atris] B. Ferracuti
Feragut, Beltrame

De ire et de dueil

Feragut, Beltrame
Appears on: 2v
Genres: Chanson
Source Attribution: Fr[atris] B. Ferracuti
Voice: Tenor
Languages: French
Clef: f2c4
Voice Text: De yre et de dueyl ...
Voice: Contratenor secundus
Languages: none
Clef: f2c4
Voice: Contratenor
Languages: French
Clef: f2c4
Voice Text: De yre et de dueyl ...
Voice: [no designation]
Languages: French
Clef: c1
Voice Text: De yre et de dueyl ...
Layout

parts
38v Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: 38v
Genres: Benedicamus Domino, Motet
Voice: [no designation]
Languages: Latin
Clef: c5
Voice Text: Benedicamus domino.
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Benedicamus domino.
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Benedicamus domino.
Layout

parts
Composer Compositions
Anonymous
Ciconia, Johannes (ca. 1370–1412)
Feragut, Beltrame
Grenon, Nicolas
Perugia, Mattheus de
Composition Composers (? Uncertain) Folios / Pages
Ayes pitie de moi belle playsant Anonymous 1v
Benedicamus Domino Anonymous 38v
De ire et de dueil
Feragut, Beltrame
2v
Je ne requier de ma dame et m'amie
Grenon, Nicolas
1v
Leggiadra (lizadra) donna ch'el mio cor contenti
Ciconia, Johannes (ca. 1370–1412)
2
Piu chiar che 'l sole
Perugia, Mattheus de
1
Pour vous tenir en la grace Anonymous 1v

Images © Archivio di Stato, Parma

‡ denotes primary source study

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

Memelsdorff, Pedro. 1992. Piu chiara che'l sole: luce su un contratenor di Antonello da Caserta. Recercare, 5-22.

Bent, Margaret, and Anne Hallmark (editors). 1985. Complete Works of Johannes Ciconia. Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de l'Oiseau-Lyre. Pages: XXIV, 139-43,211. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: B IV/4,1005-7. Notes: physical description; contents list; concordances (partial); incipits.

Günther, Ursula. 1970. Das Manuskript Modena, Biblioteca Estense, a.M.5,24 (olimlat. 568 = Mod). Musica Disciplina, 17-67. Pages: 45-7,64-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia, un musicien liégois et son temps. Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4, II série, vol. X, fasc. 1a/1b. 2 vols. Brussels: Palais des Académies. Pages: I, 56-7,78-9; II,73-4. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial).

Fano, Fabio. 1956. La Cappella Musicale del Duomo di Milano. Parte Prima: Le Origini e II Primo Maestro di Cappella: Matteo da Perugia. Instituzioni e Monumenti dell'Arte Musicale Italiana.  Milan. Pages: 138-9,392-8,471-82, Tav. XII. Notes: physical description; contents list; transcription (partial); texts (partial); facsimile (partial); mention of MS; discussion.

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft.  Bern: Paul Haupt. Pages: 58-9,66-7. Notes: contents list (partial); concordances (partial).

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae.  Rome: American Institute of Musicology. Pages: VlI.xiv, xxi.xxvi, 106-7. Notes: contents list (partial); transcription (partial); texts (partial).

Fano, Fabio. 1953. Origini della Cappella Musicale del Duomo di Milano: II primo Maestro di Cappella: Matteo da Perugia (1402-16). Rivista Musicale Italiana, 1-27. Pages: 14-5. Notes: physical description; contents list.

Ghisi, Federico. 1946-47. Italian Ars-Nova Music: The Perugia and Pistoia fragments of the Lucca musical codex and other unpublished early 15th century sources. Journal of Renaissance and Baroque Music, 173-91. Pages: 183ff. Notes: contents list (partial); concordances (partial); texts (partial).

Ghisi, Federico (editor). 1946-47. 'Italian Ars-Nova Music', musical supplement . Journal of Renaissance and Baroque Music, . Pages: 23-4. Notes: transcription (partial).

Marix, Jeanne (editor). 1937. Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467) : Messes, motets, chansons.  Paris. Pages: I,13-4.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 231-2. Notes: physical description; contents list; concordances.

Ludwig, Friedrich. 1925. Die mehrstimmige Messe des 14. Jahrhunderts. Archiv für Musikwissenschaft, 417ff. Pages: II, 29.

[No Author] 1911-. Città di Firenze, Biblioteca del R. Istituto musicale (del R. Conservatorio de Musica), 1911 - Città di Modena, R. Biblioteca Estense. 1916 - Città di Parma, [Archivio di Stato e Ba Palatina], 1911 - Città di Torino, R. Biblioteca Nazionale, 1928 - Città di Venezia, R. Biblioteca di S. Marco, 1941 - Città di Verona, Biblioteca della Società Accademia Filarmonica, Fondo musicale antico, 1935-36. Catalogo generale delle opere musicali... fino ai primi decenni del secolo XIX, esistenti nelle biblioteche e negli archivi pubblici e privati d'Italia.  Parma: Associazione dei musicologi italiani. Pages: Città di Parma, 59.

Public Comments

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

andres

Thursday, 17 January, 2019

The fragment is in the Via d'Azeglio building of Archivio di Stato, and not in Via La Spezia. (Jan 2019)

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description