I-BGc MS 1209 D

Civica Biblioteca 'Angelo Mai', Bergamo, Italy

manuscript of polyphony: Second quarter of 16th century

Archive Civica Biblioteca 'Angelo Mai', Bergamo, Italy (I-BGc)
Shelfmark MS 1209 D
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 565 x 420 mm
Other Identifiers
  • CCM: BergBC 1209
Copyists
Relationships
External Links
Provenance
Contents 84 pieces from 28 composers
General Description

Main scribe was Gaspar de Albertis, who also wrote most of BergBC 1207 and BergBC 1208; two additional scribes, one of whom also wrote ff. 71-81 of BergBC 1207 (CrawGA). Copied in Bergamo, for use at Church of Santa Maria Maggiore; remained there until transferred recently to Biblioteca Civica.

DIAMM, 2017
Binding

Original covers of red tooled leather over wooden boards, with brass edges

DIAMM, 2017
Watermark

(1-5) anchor in circle, surmounted by six-pointed star (five different marks, none in Briquet); (6) anchor in circle; (7) flower with eight petals (also found in BergBC 1207); (8) bow and arrow; (9) unidentified

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 24mm

DIAMM, 2017
Foliation

Original ink foliation, 1-128, on right center rectos (first folio, one folio between 83/84, and four folios between 37/38 not numbered; '89' applied to two consecutive folios).

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Magnificats, 3 Canticles, 21 psalms, 1 hymn, 53 motets, 1 textless piece = 82

G. Albertis-1?, Bartolucci d'Assisi [F. Ruffin. Patav.J-8, Beneincasa-1, Compère-1, Divitis-1, C. Festa-3, Freminot-1, Fressin-1, Gascongne-1, Jaquet of Mantua-1, Jaquet of Mantua/(Mouton)-1, Josquin-1, (Lebrun/Moulu)-1, Lhéritier-3, (Lupi/Lupus)-1, (Lupus)-1, Masson [Maffoni]-3, Masson/(Ducis)-1, (Mouton)-1, Mouton/(Josquin)-1, L. Padovano-3, Richafort-1, Silva-5, Verdelot/(Jaquet of Mantua)-1, Werrecore-2, Willaert [Adrianus]-2, anon-19

134 paper folios, 570 x 420. Original foliation, 1-128. Original covers of leather over boards. No index. Scribal concordances with BergBC 1207 and 1208; the three manuscripts also share common watermarks. Inscription on cover: "Lib. variaram ecc."

Completed ca. 1545 (KirschQM). Copied at Santa Maria Maggiore, Bergamo; remained there until transferred recently to Biblioteca Civica.

Vol 4

BergBC 1209

BERGAMO. Biblioteca Civica. MS 1209 D

3 Magnificats, 3 canticles, 20 psalms, 1 hymn, 53 motets (1 without text), 1 litany, 1 Latin secular piece, 1 textless fragment = 83

G. Albertis-19 + 8?, Bartolucci d'Assisi [Frater Ruffinus Pata-vinus]-8 + 1?, Beneincasa-1, Compère-1, Divitis-1, C. Festa-2, C. Festa/(Senfl)-1, Freminot-1, Fressin-1, Gascongne-1, Jaquet of Mantua-1, Jaquet of Mantua/(Mouton)-1, Josquin-1, (Lebrun/ Moulu)-1, Lhéritier-3, (Lupi/Lupus)-1, (Lupus)-1, Maffoni-3, Maffoni/(Ducis)-1, (Mouton)-1, Mouton/(Josquin)-1, L. Pado-vano-3, Richafort-1, Silva-3, Silva/(Josquin)-1, Silva/(Moulu)-1, Verdelot/(Jaquet of Mantua)-1, Werrecore-1, Werrecore/(Appen-zeller)-1, Willaert-2, anon-9

135 paper folios, 565 x 420. Original ink foliation, 1-128, on right center rectos (first folio, one folio between 83/84, and four folios between 37/38 not numbered; "89" applied to two consecutive folios). Original covers of red tooled leather over wooden boards, with brass edges. No index. Main scribe was Gaspar de Albertis, who also wrote most of BergBC 1207 and BergBC 1208; two additional scribes, one of whom also wrote ff. 71-81 of BergBC 1207 (CrawGA). Staff height 24. Inked calligraphic initials. Watermarks: (1-5) anchor in circle, surmounted by six-pointed star (five different marks, none in Briquet); (6) anchor in circle; (7) flower with eight petals (also found in BergBC 1207); (8) bow and arrow; (9) unidentified.

Second quarter of 16th century. Copied in Bergamo, for use at Church of Santa Maria Maggiore; remained there until transferred recently to Biblioteca Civica.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[i] Nativitas tua Dei genitrix virgo T only Gasp. Alb. [= G. Albertis]
Appears on: [i]
Genres: Motet
Source Attribution: Gasp. Alb. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: Nativitas tua dei genitrix virgo [T only]
[iv]–3 Deus in adjutorium meum intende II: Exultent et laetentur in te omnes Hermanus Mathias Vuerrecorensis [= Werrecore]
Appears on: [iv]–3
Genres: Motet
Source Attribution: Hermanus Mathias Vuerrecorensis [= Werrecore]
Voice: [no designation]
Languages: Latin
Voice Text: Deus in adiutorium meum intende II: Exultent et letentur in te omnes
3v–4 Virgo spetiosissima et omnium virgo Anon. Anonymous
Appears on: 3v–4
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Virgo spetiosissima et omnium virgo
4v–6 Domine exaudi orationem nostram / Da pacem Domine in diebus nostris / Ab ira et odio et omni mala [G. Albertis?]
Appears on: 4v–6
Genres: Motet
Source Attribution: [G. Albertis?]
Voice: [no designation]
Languages: Latin
Voice Text: Domine exaudi orationem nostram/Da pacem domine in diebus nostris/Ab ira et odio et omni mala
6v–7 Repleatur os meum laude tua alleluia Anon. Anonymous
Appears on: 6v–7
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Repleatur os meum laude tua alleluia
7v–8 Hodie Christus natus est Lurus Pa: [= L. Padovano]
Appears on: 7v–8
Genres: Motet
Source Attribution: Lurus Pa: [= L. Padovano]
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Christus natus est hodie salvator
8v–9 Ave mater matris Dei per quem salvi [Lhéritier]
Appears on: 8v–9
Genres: Motet
Source Attribution: [Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: Ave mater matris dei per quem salvi
9v–11 Caelesti pontifex doctus oraculo virge II: O felix custos et sponse regine Anon. Anonymous
Appears on: 9v–11
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Celesti pontifex doctus oraculo virge II: O felix custos et sponse regine
11v–12 Domine libera animam meam a labiis Anon. Anonymous
Appears on: 11v–12
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine libera animam meam a labiis
12v–13 Felix Anna quaedam matrona legitima Constantius Festa/ [Senfl]
Appears on: 12v–13
Genres: Motet
Source Attribution: Constantius Festa/ [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Felix Anna quedam matrona legitima
13v–14 O virgo benedicta super omnes feminas [Silva]
Appears on: 13v–14
Genres: Motet
Source Attribution: [Silva]
Voice: [no designation]
Languages: Latin
Voice Text: O virgo benedicta super omnes feminas
14v–15 Senex puerum portabat puer autem senem (2p. Hodie beata virgo Maria puerum Jesum) [Lhéritier]
Appears on: 14v–15
Genres: Motet
Source Attribution: [Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: Senex puerum portabat puer autem
15v–16 Quam pulchra es amica mea et quam decora Anon. Anonymous
Appears on: 15v–16
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es amica mea et quam decora
16v–20 Magnificat primi toni: Et exultavit [K.577] Gas. Al. [= G. Albertis]
Appears on: 16v–20
Genres: BVM, Canticle, Magnificat
Source Attribution: Gas. Al. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Primi Toni: Et exultavit spiritus meus
20v–26 Magnificat Sexti Toni: Et exultavit [K.580] Gas. Al. [= G. Albertis]
Appears on: 20v–26
Genres: BVM, Canticle, Magnificat
Source Attribution: Gas. Al. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Sexti Toni: Et exultavit spiritus meus
26v–29 Magnificat Quarti Toni: Et exultavit [K.579] Gasp. Albertis
Appears on: 26v–29
Genres: BVM, Canticle, Magnificat
Source Attribution: Gasp. Albertis
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Quarti toni: Et exultavit spiritus meus
29v–30 Dixit Dominus Domino meo Donec ponam inimicos (Primi toni) G. B.* [= G. Albertis]
Appears on: 29v–30
Genres: Psalm
Source Attribution: G. B.* [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109 Primi toni: (Dixit [dominus domino meo]) Donec ponam inimicos *"G.B." = "Gasparus Bergomensis."
30v–31 Laudate pueri Dominum Sit nomen Domini benedictum (Terti toni) G. B. [= G. Albertis]
Appears on: 30v–31
Genres: Psalm
Source Attribution: G. B. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 112 Terti toni: (Laudate pueri dominum) Sit nomen domini benedictum
31v–33 Laetatus sum In domum Domini ibimus (Quinti Toni) G. B. [= G. Albertis]
Appears on: 31v–33
Genres: Psalm
Source Attribution: G. B. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 121 Quinti Toni: (Laetatus sum) In domum domini ibimus
33v–34 Nisi Dominus edificaverit domum In vanum laboraverunt (Quarti toni) [G. Albertis?]
Appears on: 33v–34
Genres: Psalm
Source Attribution: [G. Albertis?]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 126 Quarti toni: (Nisi dominus edificaverit domum) In vanum laboraverunt
34v–35 Lauda Jerusalem Dominum Lauda Deum tuum Sion (Sexti toni) [G. Albertis?]
Appears on: 34v–35
Genres: Psalm
Source Attribution: [G. Albertis?]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 147 Sexti toni: (Lauda Hierusalem dominum) Lauda deum tuum Sion
35v–36 Ave maris stella Dei mater alma 2 Sumens illud ave Gabrielis ore G. B. [= G. Albertis]
Appears on: 35v–36
Genres: Ave maris stella, Motet
Source Attribution: G. B. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: [Ave maris stella dei mater alma] 2 Sumens illud ave Gabrielis ore
36v–37 Intonuit de caelo Dominus et altissimus Andreas de Silva
Appears on: 36v–37
Genres: Motet
Source Attribution: Andreas de Silva
Voice: [no designation]
Languages: Latin
Voice Text: Intonuit de celo dominus et altissimus
37v–[37b] In convertendo Dominus captivitatem (2p. Qui seminant in lachrimis) [Lupus]
Appears on: 37v–[37b]
Genres: Motet
Source Attribution: [Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem II: Qui seminant in lachrimis
[37bv]–[37d] Sancte Paule apostole predicator (2p. Saule Saule quid me persequeris) [Lebrun/Moulu]
Appears on: [37bv]–[37d]
Genres: Motet
Source Attribution: [Lebrun/Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: [Saule Saule quid me persequeris] II: [Sancte Paule apostole predicator]
[37dv]–38 O gemma clarissima Katherina virgo sanctissima [Willaert]
Appears on: [37dv]–38
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: O gemma clarissima Katherina sanctissima
38v–40 In illo tempore postquam impleti sunt (5vv) Constantius Festa
Appears on: 38v–40
Genres: Motet
Source Attribution: Constantius Festa
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore postquam impleti sunt
40v–41 Moriens lux amantissima qui in cruce [Mouton]
Appears on: 40v–41
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Moriens lux amenissima que in cruce
41v–43 Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra III: Et Jesum benedictum fructum Anon. Anonymous
Appears on: 41v–43
Genres: Motet, Salve Regina
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra III: Et Iesum benedictum fructum
43v–45 O magnum mysterium O admirabile sacramentum II: Ave Maria gratia plena Dominus tecum Her Math: Vver [= Werrecorre]/[Appenzeller]
Appears on: 43v–45
Genres: Ave Maria, Motet
Source Attribution: Her Math: Vver [= Werrecorre]/[Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: O magnum misterium O admirabile II: Ave Maria gratia plena
45v–46 O admirabile comertium creator generis Gasp. Alb. [= G. Albertis]
Appears on: 45v–46
Genres: Motet
Source Attribution: Gasp. Alb. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile comertium creator generis
46v–47 Postquam consumati sunt dies octo [Lupi/Lupus]
Appears on: 46v–47
Genres: Motet
Source Attribution: [Lupi/Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Postquam consumati sunt dies octo
47v–49 Noe Noe Hodie salvator mundi natus II: Angelus ad pastores ait anuntio Jachet [of Mantua]/ [Mouton]
Appears on: 47v–49
Genres: Motet
Source Attribution: Jachet [of Mantua]/ [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Noe noe noe hodie salvator mundi natus II: Angelus ad pastores ait anuntio
49v–50 Magi videntes stellam dixerunt ad invicem Laurus Pd: [= L. Padovano]
Appears on: 49v–50
Genres: Motet
Source Attribution: Laurus Pd: [= L. Padovano]
Voice: [no designation]
Languages: Latin
Voice Text: Magi videntes stellam dixerunt ad invicem
50v–51 Lectio libri sapientie ab initio Hieronimi Maffoni
Appears on: 50v–51
Genres: Motet
Source Attribution: Hieronimi Maffoni
Voice: [no designation]
Languages: Latin
Voice Text: Lectio libri sapientie ab initio
51v–52 O Jesu Christe miserere mei quia dolore Jaquet [of Mantua]
Appears on: 51v–52
Genres: Motet
Source Attribution: Jaquet [of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: O Yhesu Christe miserere mei
52v–53 Vulnerasti cor meum soror mea sponsa Johan. de. Fressin
Appears on: 52v–53
Genres: Motet
Source Attribution: Johan. de. Fressin
Voice: [no designation]
Languages: Latin
Voice Text: Vulnerasti cor meum soror mea sponsa
53v–54 Quam pulchri sunt gressus tui filia Hieronimi. Maffoni
Appears on: 53v–54
Genres: Motet
Source Attribution: Hieronimi. Maffoni
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchri sunt gressus tui filia
54v–55 Dulces exuviae dum fata Deusque Freminot
Appears on: 54v–55
Genres: Motet
Source Attribution: Freminot
Voice: [no designation]
Languages: Latin
Voice Text: Dulces exuvie dum fata deusque
55v–56 Tuorum corda fidelium Deus miserator Anon. Anonymous
Appears on: 55v–56
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tuorum corda fidelium deus miserator
56v–57 Gabriel angelus loqutus est Marie Hieronimi. Maffoni
Appears on: 56v–57
Genres: Motet
Source Attribution: Hieronimi. Maffoni
Voice: [no designation]
Languages: Latin
Voice Text: Gabriel angelus loqutus est Marie
57v–59 Tiphonem Jaculis quondam Apollinis II: Verum tu superas divino numine Laurus Pa: [= L. Padovano]
Appears on: 57v–59
Genres: Motet
Source Attribution: Laurus Pa: [= L. Padovano]
Voice: [no designation]
Languages: Latin
Voice Text: Tiphonem Jaculis quondam Apollinis II: Verum tu superas divino numine
59v–61 Retribuere dignare Domine omnibus nobis II: Dominus conservet eos et vivificet Verdeloth/[Jaquet of Mantua]
Appears on: 59v–61
Genres: Motet
Source Attribution: Verdeloth/[Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Retribuere dignare domine omnibus nobis II: Dominus conservet eos et vivificet
61v–62,63v-64 Laetare nova Sion - 1a pars (of 2): Laetare nova Sion et jubilate gentes Andreas de Silva/ [Josquin]
Appears on: 61v–62,63v-64
Genres: Motet
Source Attribution: Andreas de Silva/ [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Letare nova Syon et iubilate gentes 17.12 II: Cantate canticum dulce et illi
62v–63 Adjuro vos O filiae Sion 28.28 (= Plus nuls regrets) Josqui: [= Josquin]
Appears on: 62v–63
Genres: Motet
Source Attribution: Josqui: [= Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Adiuro vos O filie Syon [= Plus nulz regretz grans moyens] 28.27
64v–66 Emendemus in melius quae ignoranter II: Peccavimus cum patribus nostris Adrianus [Willaert]
Appears on: 64v–66
Genres: Motet
Source Attribution: Adrianus [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius que ignoranter II: Peccavimus cum patribus nostris
66v–68 Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris) Richafort
Appears on: 66v–68
Genres: Motet
Source Attribution: Richafort
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius que ignoranter II: Peccavimus cum patribus nostris
68v–69 O pulcherima virgo pulchre sunt gene Constantius Festa
Appears on: 68v–69
Genres: Motet
Source Attribution: Constantius Festa
Voice: [no designation]
Languages: Latin
Voice Text: O pulcherima virgo pulchre sunt gene
69v–71 Tribulationes civitatum audivimus II: Peccavimus cum patribus nostris Gaspar Alb. [= G. Albertis]
Appears on: 69v–71
Genres: Motet
Source Attribution: Gaspar Alb. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: Tribulationes civitatum audivimus II: Peccavimus cum patribus nostris
71v–73 Dilexi quoniam exaudiet Dominus vocem (2p. O Domine libera animam meam) Hieronimus Maffonus [= Maffoni]/[Ducis]
Appears on: 71v–73
Genres: Motet
Source Attribution: Hieronimus Maffonus [= Maffoni]/[Ducis]
Voice: [no designation]
Languages: Latin
Voice Text: Dilexi quoniam exaudiet dominus vocem II: O domine libera animam meam
73v–75 Dignare me laudare te virgo sacrata (2p. Cum jocunditate conceptionem beatae) Gascogne [= Gascongne]
Appears on: 73v–75
Genres: Motet
Source Attribution: Gascogne [= Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Dignare me laudare te virgo sacrata II: Cum jocunditate solemnitatem
75v–76 Virgo carens criminibus te precor And: de Silva/[Moulu]
Appears on: 75v–76
Genres: Motet
Source Attribution: And: de Silva/[Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: Virgo carens criminibus te precor
76v–78 Paranymphus salutat virginem intemeratam (2p. Ecce virgo decora virginitate) Comper: [= Compère]
Appears on: 76v–78
Genres: Motet
Source Attribution: Comper: [= Compère]
Voice: [no designation]
Languages: Latin
Voice Text: Paranymphus salutat virginem intemeratam II: Ecce virgo decora virginitate
78v–79 Ave regina caelorum II: Gaude gloriosa Andreas de Silva
Appears on: 78v–79
Genres: Motet
Source Attribution: Andreas de Silva
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum mater regis
79v–81 Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra Anto: bene Incasa [= Beneincasa]
Appears on: 79v–81
Genres: Motet, Salve Regina
Source Attribution: Anto: bene Incasa [= Beneincasa]
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra
81v–83 Ave regina caelorum - 1a pars (of 2): Ave regina caelorum Lerithier [= Lhéritier]
Appears on: 81v–83
Genres: BVM, Motet
Source Attribution: Lerithier [= Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum ave domina angelorum II: Gaude gloriosa super omnes
83v [untexted fragment] Anon. -
Appears on: 83v
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless fragment
83v–[83a] Credo fragment Anon. Anonymous

Credo fragment

Anonymous
Appears on: 83v–[83a]
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Credo fragment] [later addition]
[83av]–85 O pulcherima mulierum vulnerasti cor Anon. Anonymous
Appears on: [83av]–85
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O pulcherima mulierum vulnerasti cor
85v–87 In illo tempore Maria Magdalene (2p. Dic nobis Maria quid vidisti) Jo. Mouton/[Josquin]
Appears on: 85v–87
Genres: In illo tempore, Motet
Source Attribution: Jo. Mouton/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore Maria Magdalene 26.6 II: Dic nobis Maria quid vidisti
87v–89a Cum invocarem exaudivit me Miserere mei et exaudi orationem Gas. Alb. [= G. Albertis]
Appears on: 87v–89a
Genres: Psalm
Source Attribution: Gas. Alb. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 4: [Cum invocarem exaudivit me] Miserere mei et exaudi orationem
89v–89b,89bv-90 In te Domine speravi Inclina ad me aurem tuam [G. Albertis?]
Appears on: 89v–89b,89bv-90
Genres: Psalm
Source Attribution: [G. Albertis?]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 30: [In te domine speravi] Inclina ad me aurem tuam
90v–94 Qui habitat in adjutorium Dicet Domino susceptor meus [G. Albertis?]
Appears on: 90v–94
Genres: Psalm
Source Attribution: [G. Albertis?]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 90: [Qui habitat in adiutorium] Dicet domino susceptor meus
94v–95 Ecce nunc benedicite Qui statis in domo Domini [G. Albertis?]
Appears on: 94v–95
Genres: Psalm
Source Attribution: [G. Albertis?]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 133: [Ecce nunc benedicite] Qui statis in domo domini
95v–96 Nunc dimittis Quia viderunt (even verses) (tone 3) [G. Albertis?]
Appears on: 95v–96
Genres: Canticle, Nunc Dimittis
Source Attribution: [G. Albertis?]
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis servum tuum domine] Quia viderunt oculi mei salutare
96v–97 Per lignum salvi facti sumus An. de viti [= Divitis]
Appears on: 96v–97
Genres: Motet
Source Attribution: An. de viti [= Divitis]
Voice: [no designation]
Languages: Latin
Voice Text: Per lignum salvi facti sumus
97v–100 Benedictus Dominus (I) Et erexit cornu salutis (even verses) Gasp. Alb. [= G. Albertis]
Appears on: 97v–100
Genres: Psalm
Source Attribution: Gasp. Alb. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedictus dominus deus Israel] Et erexit cornu salutis nobis
100v–103 Dominus (II) Et erexit cornu salutis (even verses) Gasp. Alb. [= G. Albertis]
Appears on: 100v–103
Genres: Psalm
Source Attribution: Gasp. Alb. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedictus dominus deus Israel] Et erexit cornu salutis nobis
103v–104 Legem divinam meditans hostes cunctos Gasp. Albertis
Appears on: 103v–104
Genres: Motet
Source Attribution: Gasp. Albertis
Voice: [no designation]
Languages: Latin
Voice Text: Legem divinam meditans hostes cunctos
104v–105 O beate confessor Roche O quam magna [G. Albertis?]
Appears on: 104v–105
Genres: Hymn
Source Attribution: [G. Albertis?]
Voice: [no designation]
Languages: Latin
Voice Text: O beate confessor Roche O quam magna
105v–106 Oremus fratres carissimi sorores Gasp. Alb. [= G. Albertis]
Appears on: 105v–106
Genres: Motet
Source Attribution: Gasp. Alb. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: Oremus fratres carissimi sorores
106v–107 Ne reminiscaris Domine Gasp. Alb. [= G. Albertis]
Appears on: 106v–107
Genres: Motet
Source Attribution: Gasp. Alb. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: Ne reminiscaris domine
107v–111 Litany: Kyrie eleison Gasp. Bergomensis [= G. Albertis]
Appears on: 107v–111
Genres: Kyrie eleison, Litany
Source Attribution: Gasp. Bergomensis [= G. Albertis]
Voice: [no designation]
Languages: Greek
Voice Text: Litany: Kyrie eleison
111v–113 Dixit Dominus Domino meo Donec ponam inimicos tuos F. Ruffinus Patavinus [= Bartolucci dvAssisi]
Appears on: 111v–113
Genres: Psalm
Source Attribution: F. Ruffinus Patavinus [= Bartolucci dvAssisi]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109: [Dixit dominus domino meo] Donec ponam inimicos tuos
113v–115 Confitebor tibi Domine Et congregatione exquisita in omnes Gasp. A. [= G. Albertis]
Appears on: 113v–115
Genres: Psalm
Source Attribution: Gasp. A. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 110: [Confitebor tibi domine] Et congregatione exquisita in omnes
115v–117 Beatus vir qui timet Potens in terra erit semen Frater Ruffinus Pa. [= Bartolucci d'Assisi]
Appears on: 115v–117
Genres: Psalm
Source Attribution: Frater Ruffinus Pa. [= Bartolucci d'Assisi]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 111: [Beatus vir qui timet] Potens in terra erit semen
117v–118 Laudate pueri Dominum Sit nomen Dominum benedictum G. B. [= G. Albertis]
Appears on: 117v–118
Genres: Psalm
Source Attribution: G. B. [= G. Albertis]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 112: [Laudate pueri dominum] Sit nomen dominum benedictum
118v–119 Laudate Dominum omnes gentes Quoniam confirmata est Fr. Ruffinus Pa. [= Bartolucci d'Assisi]
Appears on: 118v–119
Genres: Psalm
Source Attribution: Fr. Ruffinus Pa. [= Bartolucci d'Assisi]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 116: [Laudate dominum omnes gentes] Quoniam confirmata est
119v–120 In convertendo Dominus Tunc repletum est gaudium Fr. Ruffinus Pa. [= Bartolucci d'Assisi]
Appears on: 119v–120
Genres: Psalm
Source Attribution: Fr. Ruffinus Pa. [= Bartolucci d'Assisi]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 125: [In convertendo dominus] Tunc repletum est gaudium
120v–121 In convertendo Dominus Facti sumus sicut consolati Fr. Ruffinus Pa. [= Bartolucci d'Assisi]
Appears on: 120v–121
Genres: Psalm
Source Attribution: Fr. Ruffinus Pa. [= Bartolucci d'Assisi]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 125: [In convertendo dominus] Facti sumus sicut consolati
121v–123 Credidi propter quod locutus Ego dixi in excessu meo Fr. Ruffinus P. [= Bartolucci d'Assisi]
Appears on: 121v–123
Genres: Psalm
Source Attribution: Fr. Ruffinus P. [= Bartolucci d'Assisi]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 115: [Credidi propter quod locutus] Ego dixi in excessu meo
123v–125 Memento Domine David Sicut juravit Domino votum F. Ru. Pa. [= Bartolucci d'Assisi]
Appears on: 123v–125
Genres: Psalm
Source Attribution: F. Ru. Pa. [= Bartolucci d'Assisi]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 131: [Memento domine David] Sicut iuravit domino votum
125v–127 Dixit Dominus Domino meo Donec ponam inimicos tuos Frater Ruffinus P: [= Bartolucci d'Assisi]
Appears on: 125v–127
Genres: Psalm
Source Attribution: Frater Ruffinus P: [= Bartolucci d'Assisi]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109: [Dixit dominus domino meo] Donec ponam inimicos tuos
127v–128v Laudate pueri Dominum laudate nomen [Bartolucci d'Assisi?]
Appears on: 127v–128v
Genres: Psalm
Source Attribution: [Bartolucci d'Assisi?]
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 112: Laudate pueri dominum laudate nomen [incomplete]
Composer Compositions
Albertis, Gasparo de (ca. 1489–ca. 1560)
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Assisi, Bartolucci d' (ca. 1490–ca. 1532)
Beneincasa, Antonius
Compère, Loyset (ca. 1445–1518)
Despres, Josquin (ca. 1450–1521)
Divitis, Antonius (ca. 1470–ca. 1530)
Ducis, Benedictus
Festa, Costanzo (ca. 1485–1545)
Fresneau, Jehan
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Hellinck, Lupus (ca. 1494–1541)
Lebel, Firmin
Lheritier, Jean (ca. 1480–ca. 1551)
Lupi (II), Didier
Maffoni, Hieronymus
Mantua, Jacquet de (1483–1559)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Padovano [Patavus], Laurus
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
Silva, Andreas de (ca. 1475–ca. 1522)
Verdelot, Philippe (ca. 1480–ca. 1532)
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490–1562)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
[untexted fragment] - 83v
Adjuro vos O filiae Sion 28.28 (= Plus nuls regrets) 62v–63
Ave maris stella Dei mater alma 2 Sumens illud ave Gabrielis ore 35v–36
Ave mater matris Dei per quem salvi 8v–9
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum 81v–83
Ave regina caelorum II: Gaude gloriosa 78v–79
Beatus vir qui timet Potens in terra erit semen 115v–117
Benedictus Dominus (I) Et erexit cornu salutis (even verses) 97v–100
Caelesti pontifex doctus oraculo virge II: O felix custos et sponse regine Anonymous 9v–11
Confitebor tibi Domine Et congregatione exquisita in omnes 113v–115
Credidi propter quod locutus Ego dixi in excessu meo 121v–123
Credo fragment Anonymous 83v–[83a]
Cum invocarem exaudivit me Miserere mei et exaudi orationem 87v–89a
Deus in adjutorium meum intende II: Exultent et laetentur in te omnes [iv]–3
Dignare me laudare te virgo sacrata (2p. Cum jocunditate conceptionem beatae) 73v–75
Dilexi quoniam exaudiet Dominus vocem (2p. O Domine libera animam meam) 71v–73
Dixit Dominus Domino meo Donec ponam inimicos (Primi toni) 29v–30
Dixit Dominus Domino meo Donec ponam inimicos tuos 111v–113
Dixit Dominus Domino meo Donec ponam inimicos tuos 125v–127
Domine exaudi orationem nostram / Da pacem Domine in diebus nostris / Ab ira et odio et omni mala 4v–6
Domine libera animam meam a labiis Anonymous 11v–12
Dominus (II) Et erexit cornu salutis (even verses) 100v–103
Dulces exuviae dum fata Deusque 54v–55
Ecce nunc benedicite Qui statis in domo Domini 94v–95
Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris) 66v–68
Emendemus in melius quae ignoranter II: Peccavimus cum patribus nostris 64v–66
Felix Anna quaedam matrona legitima 12v–13
Gabriel angelus loqutus est Marie 56v–57
Hodie Christus natus est 7v–8
In convertendo Dominus captivitatem (2p. Qui seminant in lachrimis) 37v–[37b]
In convertendo Dominus Facti sumus sicut consolati 120v–121
In convertendo Dominus Tunc repletum est gaudium 119v–120
In illo tempore Maria Magdalene (2p. Dic nobis Maria quid vidisti) 85v–87
In illo tempore postquam impleti sunt (5vv) 38v–40
In te Domine speravi Inclina ad me aurem tuam 89v–89b,89bv-90
Intonuit de caelo Dominus et altissimus 36v–37
Laetare nova Sion - 1a pars (of 2): Laetare nova Sion et jubilate gentes 61v–62,63v-64
Laetatus sum In domum Domini ibimus (Quinti Toni) 31v–33
Lauda Jerusalem Dominum Lauda Deum tuum Sion (Sexti toni) 34v–35
Laudate Dominum omnes gentes Quoniam confirmata est 118v–119
Laudate pueri Dominum laudate nomen 127v–128v
Laudate pueri Dominum Sit nomen Domini benedictum (Terti toni) 30v–31
Laudate pueri Dominum Sit nomen Dominum benedictum 117v–118
Lectio libri sapientie ab initio 50v–51
Legem divinam meditans hostes cunctos 103v–104
Litany: Kyrie eleison 107v–111
Magi videntes stellam dixerunt ad invicem 49v–50
Magnificat primi toni: Et exultavit [K.577] 16v–20
Magnificat Quarti Toni: Et exultavit [K.579] 26v–29
Magnificat Sexti Toni: Et exultavit [K.580] 20v–26
Memento Domine David Sicut juravit Domino votum 123v–125
Moriens lux amantissima qui in cruce 40v–41
Nativitas tua Dei genitrix virgo T only [i]
Ne reminiscaris Domine 106v–107
Nisi Dominus edificaverit domum In vanum laboraverunt (Quarti toni) 33v–34
Noe Noe Hodie salvator mundi natus II: Angelus ad pastores ait anuntio 47v–49
Nunc dimittis Quia viderunt (even verses) (tone 3) 95v–96
O admirabile comertium creator generis 45v–46
O beate confessor Roche O quam magna 104v–105
O gemma clarissima Katherina virgo sanctissima [37dv]–38
O Jesu Christe miserere mei quia dolore 51v–52
O magnum mysterium O admirabile sacramentum II: Ave Maria gratia plena Dominus tecum 43v–45
O pulcherima mulierum vulnerasti cor Anonymous [83av]–85
O pulcherima virgo pulchre sunt gene 68v–69
O virgo benedicta super omnes feminas 13v–14
Oremus fratres carissimi sorores 105v–106
Paranymphus salutat virginem intemeratam (2p. Ecce virgo decora virginitate) 76v–78
Per lignum salvi facti sumus 96v–97
Postquam consumati sunt dies octo 46v–47
Quam pulchra es amica mea et quam decora Anonymous 15v–16
Quam pulchri sunt gressus tui filia 53v–54
Qui habitat in adjutorium Dicet Domino susceptor meus 90v–94
Repleatur os meum laude tua alleluia Anonymous 6v–7
Retribuere dignare Domine omnibus nobis II: Dominus conservet eos et vivificet 59v–61
Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra 79v–81
Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra III: Et Jesum benedictum fructum Anonymous 41v–43
Sancte Paule apostole predicator (2p. Saule Saule quid me persequeris) [37bv]–[37d]
Senex puerum portabat puer autem senem (2p. Hodie beata virgo Maria puerum Jesum) 14v–15
Tiphonem Jaculis quondam Apollinis II: Verum tu superas divino numine 57v–59
Tribulationes civitatum audivimus II: Peccavimus cum patribus nostris 69v–71
Tuorum corda fidelium Deus miserator Anonymous 55v–56
Virgo carens criminibus te precor 75v–76
Virgo spetiosissima et omnium virgo Anonymous 3v–4
Vulnerasti cor meum soror mea sponsa 52v–53

denotes primary source study

Crawford, David Eugene, and J Scott Messing. 1994. Gaspar de Albertis' SixteenthCentury Choirbooks at Bergamo. RMS.  American Institute of Musicology. Notes: physical description; contents list; concordances; incipits (partial); facsimile (partial); mention of MS; discussion.

Lowinsky, Edward E. 1982. Humanism in the Music of the Renaissance. Medieval and Renaissance Studies: Proceedings of the Southeastern Institute of Medieval and Renaissance Studies, Summer, 1978, 87-220. Durham, N.C. Pages: 114-6, 161-5. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft.  Tutzing. Pages: 37,91-2,421,440,444-5,448, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Carver, Anthony F. 1975. The Psalms of Willaert and His North Italian Contemporaries. Acta Musicologica, 270-83. Pages: 272-3. Notes: mention of MS.

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 151ff. Notes: contents list (partial); concordances (partial).

Ravizza, Victor. 1972. Gasparo Alberti: Ein wenig bekannter Komponist und dessen Portrait. Festschrift Arnold Geering zum 70. Geburtstag, 63-80. Bern. Notes: contents list.

Ravizza, Victor. 1972. Frühe Doppelchörigkeit in Bergamo. Die Musikforschung, 127-42. Notes: physical description; mention of MS; discussion.

Kirsch, Winfried (editor). 1970-. Andreas de Silva: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,xx-xxi. Notes: facsimile (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 364, passim. Notes: contents list (partial); concordances (partial).

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xl,liv-lv,lxii. Notes: contents list (partial); concordances (partial).

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 150ff. Notes: contents list (partial); concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 245,306-7. Notes: contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 122. Notes: contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1965. Andreas de Silva, ein Meister aus der ersten Hälfte des 16. Jahrhunderts. Analecta Musicologica, 6-23. Pages: 19. Notes: mention of MS.

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,x,xiv-xv,xvii. Notes: contents list (partial); concordances (partial); discussion; cussion of the MS.

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: I,xi,xvii-xix,102-8,144-6,157-60 II,xiii-xv, 114-40. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud. 1958. A Forgotten Master of the Early 16th Century: Gaspar de Albertis. The Musical Quarterly, 311-28. Pages: 312. Notes: physical description; contents list; incipitsst of contents (partial).

Lowinsky, Edward E. 1957. The Medici Codex: A Document of Music, Art, and Politics in the Renaissance. Annales Musicologiques, 61-178. Pages: 120ff. Notes: concordances (partial).

d'Alessi, Giovanni. 1952. Precursors of Adriano Willaert in the practice of "coro spezzato". Journal of the American Musicological Society, 187ff. Pages: 191-2. Notes: physical description.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XI, Tafel 59. Notes: facsimile (partial).

Caversazzi, Ciro. 1930. Scoperta di Manoscritti musicali del Secolo XVI. Bergomum Bolletino della Civica Biblioteca , 26-33. Notes: physical description; contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description