I-Fn MS II.I.232

Biblioteca Nazionale Centrale, Florence, Italy

manuscript of polyphony: c. 1516-21

Archive	Biblioteca Nazionale Centrale, Florence, Italy (I-Fn)
Shelfmark	MS II.I.232
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	420 x 285 mm
Other Identifiers	RISM: I-Fn 232 CCM: FlorBN II.I.232 olim (Former shelfmark): Magliabechi XIX. 58
Notations	black void mensural
External Links	images
Provenance	Florence, Italy
Contents	Contains 134 compositions, 129 from 15 composers, 5 are anonymous.

General Description

All music and most text copied by a single scribe; several additional text scribes (CumF). Copied in Florence.

DIAMM, 2017

Physical Description

Outer margins of many folios waterstained, but most music still legible. Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ...

DIAMM, 2017

Binding

Rebound in modern covers of yellow parchment.

DIAMM, 2017

Watermark

(1) resembles Briquet #492; (2) generally resembles Briquet #204-5; (3) resembles Briquet #4835 (first original flyleaf only); (4) fleur-de-lis (second original flyleaf only; not in Briquet) (CumF)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original ink foliation, 1-200, on upper right rectos (some numbers partially obliterated by trimming or fraying).

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Index

Original index on f. [iii'] gives some composer attributions in addition to those found in the main body of the manuscript.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 200ff. + 3ff. limin. ch. I-III et 2 à la fin. Papier, 425 x 305 mm. Foliotation ancienne: 1-200. Les ff. 1 et 200v sont blancs. Notation mesurée blanche. 10 portées par p. Au f. limin. IIIv Table alphabétique contemporaine du ms. Grandes capitales ornées à la plume. Reliure parchemin moderne.

Ce ms. (Provenienza Gaddi. N.1113) de motets et fragments de messes, présente la particularité remarquable de fournir (à la Table sinon toujours en tête des pièces) le nom des auteurs de 61 des 64 compositions, Josquin étant le mieux représenté avec 13, suivi par Mouton avec 12 et Isaac avec 11. A côté de la génération de Josquin active dès la fin du XVe s., la présence de Carpentras, Ninot, Eustachius, porte vers 1530 la date du ms. qui n'a d'ailleurs pu être copié avant 1514, date de la mort d'Anne de Bretagne, la Lamentation écrite par Mouton à cette occasion figurant au no 58. D'autre part, certaines pièces semblent avoir été copiées d'après les Motetti de la Corona Lib. Io, imprimé chez Petrucci en 1514 (15141), par ex. les nos 51 et 57. Dans l'état présent du ms. (1979), des ff. ont été intervertis par le relieur à la réfection du ms. (cf. nos 56, 57 et 58) et la foliotation en partie rognée.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Gloria, 1 Credo, 1 Passion, 65 motets (1 is textless in this source) = 68

A. Agricola-2, Brumel-3, Carpentras-2, Carpentras/(Josquin)-1, Compère-3, Eustachius de Monte Regali-2, Isaac-11, Josquin-17, La Rue-2, Lapicida [Erasmus]-1, Longaval/(Obrecht/Venture)-1, Mouton-12, Ninot le Petit-2, Ninot le Petit/(Josquin)-1, Ninot le Petit/(Obrecht)-1, Obrecht-3, Richafort-1, anon-3

iii + 200 + ii paper folios, 425 x 302. Original foliation. Original leather covers. Original index at the beginning gives some composer attributions in addition to those found in the main body of the manuscript. Inked calligraphic initials. One watermark is probably identical to Briquet #205 (Florence, 1514).

Ca. 1515 (Rifkin). Copied in Florence.

Vol 4

Contents: 1 Gloria, 1 Credo, 1 Passion, 63 motets (1 without text), 2 motet-chansons = 68

Composers: Change "Carpentras-2" to "Carpentras-1, Carpentras/(Mouton)-1"; add "Leo X-1"; change "anon-3" to "anon-2."

Physical: ii + iii + 200 + ii paper folios, 420 x 285. Outer margins of many folios waterstained, but most music still legible. Original ink foliation, 1-200, on upper right rectos (some numbers partially obliterated by trimming or fraying). Rebound in modern covers of yellow parchment. Original index on f. [iii']. All music and most text copied by a single scribe; several additional text scribes (CumF). Inked calligraphic initials. Watermarks: (1) resembles Briquet #492; (2) generally resembles Briquet #204-5; (3) resembles Briquet #4835 (first original flyleaf only); (4) fleur-de-lis (second original flyleaf only; not in Briquet) (CumF).

Date: Ca. 1516-21 (CumF).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
iii (v)	index	-	-	-
index Appears on: iii (v)
1v–8	Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo]	6	YZACH	Isaac, Heinrich (ca. 1450–1517)
Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo] Isaac, Heinrich (ca. 1450–1517) Appears on: 1v–8 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: YZACH Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: [Missa virgo prudentíssima. Credo] Patrem General Note = Missa De Assumptione Beate Marie Virginis. Concordances B-Br 6428 Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VIII.
8v–11	Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	6	Iosquin	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo Despres, Josquin (ca. 1450–1521) Appears on: 8v–11 Genres: Motet Source Attribution: Iosquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Huc me sydereo descendere iussit Olympo General Note Publ. cf. Bc 142 n° 45
11v–13	Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit	-	-	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit Despres, Josquin (ca. 1450–1521) Appears on: 11v–13 Genres: Motet
13v–17	Angeli archangeli	6	Yzach	Isaac, Heinrich (ca. 1450–1517)
Angeli archangeli Isaac, Heinrich (ca. 1450–1517) Appears on: 13v–17 Genres: Motet Source Attribution: Yzach Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Angeli archangeli Concordances D-ddr-LEu 1494 Item Bibliography [No Author] 1935-1959. Reihe: Reichsdenkmale.* Das Erbe deutscher Musik, vol. 1 & Vols 4 & 8. Das Glogauer Liederbuch, hrsg. von H. Ringmann. 2 vol. 1936/37 32, 33 & 34. Der Mensuralkodex des Nicolaus Apel, hrsg. von R. Gerber, 3 vol. 1956 37, 38 & 39. Das Buxheimer Orgelbuch, hrsg. von Bertha Antonia Wallner. 1959. Pages: 34.
17v–20	Factor orbis Deus - 1a pars (of 2): Factor orbis Deus nos famulos	5	Obret [= Obrecht]	Obrecht, Jacobus (ca. 1457–1505)
Factor orbis Deus - 1a pars (of 2): Factor orbis Deus nos famulos Obrecht, Jacobus (ca. 1457–1505) Appears on: 17v–20 Genres: Motet Source Attribution: Obret [= Obrecht] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Factor orbis deus nos famulos Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: II.
20v–22	Factor orbis Deus - 2a pars (of 2): Spiritus Domine super me evangelizare	-	-	Obrecht, Jacobus (ca. 1457–1505)
Factor orbis Deus - 2a pars (of 2): Spiritus Domine super me evangelizare Obrecht, Jacobus (ca. 1457–1505) Appears on: 20v–22 Genres: Motet
22v–24	Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	5	Iosquin	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Despres, Josquin (ca. 1450–1521) Appears on: 22v–24 Genres: Motet, Stabat Mater Source Attribution: Iosquin Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
24v–26	Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	-	-	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire Despres, Josquin (ca. 1450–1521) Appears on: 24v–26 Genres: Motet
26v–28	Gaude prole regia - 1a pars (of 2): Gaude prole regia virginum egregia	5	Luiset Compere	Compère, Loyset (ca. 1445–1518)
Gaude prole regia - 1a pars (of 2): Gaude prole regia virginum egregia Compère, Loyset (ca. 1445–1518) Appears on: 26v–28 Genres: Motet Source Attribution: Luiset Compere Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Gaude prole regia virginum egregia Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, III(facs. des ff. 26v-27).
28v–30	Gaude prole regia - 2a pars (of 2):	5	Luiset Compere	Compère, Loyset (ca. 1445–1518)
Gaude prole regia - 2a pars (of 2): Compère, Loyset (ca. 1445–1518) Appears on: 28v–30 Genres: Motet Source Attribution: Luiset Compere Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Gaude prole regia virginum egregia Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, III(facs. des ff. 26v-27).
30v–31	Per lignum salvi facti sumus	4	Io. Mouton	Mouton, Jean (ca. 1459–1522)
Per lignum salvi facti sumus Mouton, Jean (ca. 1459–1522) Appears on: 30v–31 Genres: Motet Source Attribution: Io. Mouton Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Per lignum salvi facti sumus General Note Publ. cf. Bc 19 n° 52
31v–34	Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps Isaac, Heinrich (ca. 1450–1517) Appears on: 31v–34 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Prophetarum maxime vatumque princeps
34v–35	Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum Isaac, Heinrich (ca. 1450–1517) Appears on: 34v–35 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Prophetarum maxime vatumque princeps
35v–36	O admirabile commercium 21.7 - 1a pars (of 5): O admirabile commercium creator generis	4	Iosquin	Despres, Josquin (ca. 1450–1521)
O admirabile commercium 21.7 - 1a pars (of 5): O admirabile commercium creator generis Despres, Josquin (ca. 1450–1521) Appears on: 35v–36 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis General Note Publ. cf. Fl 666 n' 4
36v–37	O admirabile commercium 21.7 - 2a pars (of 5): Quando natus est	4	Iosquin	Despres, Josquin (ca. 1450–1521)
O admirabile commercium 21.7 - 2a pars (of 5): Quando natus est Despres, Josquin (ca. 1450–1521) Appears on: 36v–37 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis General Note Publ. cf. Fl 666 n' 4
37v–38	O admirabile commercium 21.7 - 3a pars (of 5): Rubum quem viderat Moyses	4	Iosquin	Despres, Josquin (ca. 1450–1521)
O admirabile commercium 21.7 - 3a pars (of 5): Rubum quem viderat Moyses Despres, Josquin (ca. 1450–1521) Appears on: 37v–38 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis General Note Publ. cf. Fl 666 n' 4
38v–39	O admirabile commercium 21.7 - 4a pars (of 5): Germinavit radix Jesse	4	Iosquin	Despres, Josquin (ca. 1450–1521)
O admirabile commercium 21.7 - 4a pars (of 5): Germinavit radix Jesse Despres, Josquin (ca. 1450–1521) Appears on: 38v–39 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis General Note Publ. cf. Fl 666 n' 4
39v–40	O admirabile commercium 21.7 - 5a pars (of 5): Ecce Maria genuit	4	Iosquin	Despres, Josquin (ca. 1450–1521)
O admirabile commercium 21.7 - 5a pars (of 5): Ecce Maria genuit Despres, Josquin (ca. 1450–1521) Appears on: 39v–40 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis General Note Publ. cf. Fl 666 n' 4
40v–42	Felix namque - 1a pars (of 2): Felix namque es sacra virgo Maria	4	Io. Mouton	Mouton, Jean (ca. 1459–1522)
Felix namque - 1a pars (of 2): Felix namque es sacra virgo Maria Mouton, Jean (ca. 1459–1522) Appears on: 40v–42 Genres: Motet Source Attribution: Io. Mouton Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Felix namque es sacra virgo Maria General Note Publ. cf. CMac D(F) n° 7
41v–43	Felix namque - 2a pars (of 2): O Maria mater dei mater pietatis	-	-	Mouton, Jean (ca. 1459–1522)
Felix namque - 2a pars (of 2): O Maria mater dei mater pietatis Mouton, Jean (ca. 1459–1522) Appears on: 41v–43 Genres: Motet
43v–45	Bona vita bona refectio - 1a pars (of 2): Bona vita bona refectio bona cena	4	Io. Mouton	Mouton, Jean (ca. 1459–1522)
Bona vita bona refectio - 1a pars (of 2): Bona vita bona refectio bona cena Mouton, Jean (ca. 1459–1522) Appears on: 43v–45 Genres: Motet Source Attribution: Io. Mouton Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Bona vita bona refectio bona cena General Note Publ. cf. Fn 164-167 n° 75
45v–47	Bona vita bona refectio - 2a pars (of 2): Educas panem de terra	4	Io. Mouton	Mouton, Jean (ca. 1459–1522)
Bona vita bona refectio - 2a pars (of 2): Educas panem de terra Mouton, Jean (ca. 1459–1522) Appears on: 45v–47 Genres: Motet Source Attribution: Io. Mouton Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Bona vita bona refectio bona cena General Note Publ. cf. Fn 164-167 n° 75
47v–48	Sufficiebat nobis paupertas nostra senectutis nostrae	4	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Sufficiebat nobis paupertas nostra senectutis nostrae Richafort, Jean (ca. 1480–ca. 1550) Appears on: 47v–48 Genres: Motet Source Attribution: Richafort Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Sufficiebat nobis paupertas nostra General Note Publ. cf. Bc 19 n° 53
48v–49	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	4	Io. Mouton	Mouton, Jean (ca. 1459–1522)
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret Mouton, Jean (ca. 1459–1522) Appears on: 48v–49 Genres: Motet Source Attribution: Io. Mouton Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Factum est silentium in caelo dum committeret General Note Publ. cf. CT 95-96 n° 52
49v–51	Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes	-	-	Mouton, Jean (ca. 1459–1522)
Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes Mouton, Jean (ca. 1459–1522) Appears on: 49v–51 Genres: Motet
51v–53	Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi Despres, Josquin (ca. 1450–1521) Appears on: 51v–53 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Liber generationis Iesu Christi General Note Publ. cf. CT 95-96 n° 38
53v–55	Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam	3	Iosquin	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam Despres, Josquin (ca. 1450–1521) Appears on: 53v–55 Genres: Motet Source Attribution: Iosquin Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Liber generationis Iesu Christi General Note Publ. cf. CT 95-96 n° 38
55v–57	Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis Despres, Josquin (ca. 1450–1521) Appears on: 55v–57 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Liber generationis Iesu Christi General Note Publ. cf. CT 95-96 n° 38
57v–59	Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi	4	Ninot [le Petit]/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)
Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?) Appears on: 57v–59 Genres: Motet Source Attribution: Ninot [le Petit]/[Josquin] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Planxit autem David Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
59v–60	Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia	4	Ninot [le Petit]/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)
Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?) Appears on: 59v–60 Genres: Motet Source Attribution: Ninot [le Petit]/[Josquin] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Planxit autem David Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
60v–61	Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit	4	Ninot [le Petit]/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)
Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?) Appears on: 60v–61 Genres: Motet Source Attribution: Ninot [le Petit]/[Josquin] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Planxit autem David Layout (The copyist miscalculated, and the music for this pars is very cramped & still overfills the space available...) Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
61v–62	Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha	4	Ninot [le Petit]/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)
Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?) Appears on: 61v–62 Genres: Motet Source Attribution: Ninot [le Petit]/[Josquin] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Planxit autem David Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
62v–65	Laudate Dominum - 1a pars (of 2): Laudate Dominum de caelis laudate eum	4	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Laudate Dominum - 1a pars (of 2): Laudate Dominum de caelis laudate eum Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 62v–65 Genres: Psalm motet Source Attribution: Brumel Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Laudate dominum de caelis laudate eum Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
65v–67	Laudate Dominum - 2a pars (of 2): Laudate Dominum in sanctis eius	-	-	Brumel, Antoine (ca. 1460–ca. 1513)
Laudate Dominum - 2a pars (of 2): Laudate Dominum in sanctis eius Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 65v–67 Genres: Psalm motet
67v–68	In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum	4	Ninot [le Petit]	Petit, Nino le (fl. c1500)
In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum Petit, Nino le (fl. c1500) Appears on: 67v–68 Genres: Motet Source Attribution: Ninot [le Petit] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In illo tempore assumpsit Iesus Petrum General Note Publ. cf. CT 95-96 n" 36
68v–69	In illo tempore - 2a pars (of 3): Adhuc eo loquente	-	-	Petit, Nino le (fl. c1500)
In illo tempore - 2a pars (of 3): Adhuc eo loquente Petit, Nino le (fl. c1500) Appears on: 68v–69 Genres: Motet
69v–70	In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis	4	Ninot [le Petit]	Petit, Nino le (fl. c1500)
In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis Petit, Nino le (fl. c1500) Appears on: 69v–70 Genres: Motet Source Attribution: Ninot [le Petit] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In illo tempore assumpsit Iesus Petrum General Note Publ. cf. CT 95-96 n" 36
70v–72	Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	4	Ninot [le Petit]/[Obrecht]	Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 70v–72 Genres: Motet Source Attribution: Ninot [le Petit]/[Obrecht] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Si oblitus fuero tui General Note Publ. cf. CT 95-96 n° 35 Concordances *D-ddr-ABG 2
72v–74	Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes	-	-	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?) Appears on: 72v–74 Genres: Motet
74v–75	Psallite noe Judaei - 1a pars (of 3): Psallite noe Judaei ... Angelus ad pastores	4	Ninot [le Petit]	Petit, Nino le (fl. c1500)
Psallite noe Judaei - 1a pars (of 3): Psallite noe Judaei ... Angelus ad pastores Petit, Nino le (fl. c1500) Appears on: 74v–75 Genres: Motet Source Attribution: Ninot [le Petit] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Psallite noe Iudei credite psallite noe General Note Publ. cf. Fn 107 bis n° 22
75v–76	Psallite noe Judaei - 2a pars (of 3): Psallite ... quem Johannes videns	4	Ninot [le Petit]	Petit, Nino le (fl. c1500)
Psallite noe Judaei - 2a pars (of 3): Psallite ... quem Johannes videns Petit, Nino le (fl. c1500) Appears on: 75v–76 Genres: Motet Source Attribution: Ninot [le Petit] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Psallite noe Iudei credite psallite noe General Note Publ. cf. Fn 107 bis n° 22
76v–77	Psallite noe Judaei - 3a pars (of 3): Puer nobis nascitur, in presepe ponitur	-	-	Petit, Nino le (fl. c1500)
Psallite noe Judaei - 3a pars (of 3): Puer nobis nascitur, in presepe ponitur Petit, Nino le (fl. c1500) Appears on: 76v–77 Genres: Motet
77v–78	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum Despres, Josquin (ca. 1450–1521) Appears on: 77v–78 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note Publ. cf. Bc 18 n° 54
78v–79	Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	3	Iosquin	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa Despres, Josquin (ca. 1450–1521) Appears on: 78v–79 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: Iosquin Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note Publ. cf. Bc 18 n° 54
79v–80	Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam Isaac, Heinrich (ca. 1450–1517) Appears on: 79v–80 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quis dabit capiti meo aquam General Note Publ. cf. CT 95-96 n° 42
79v–80	Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet Isaac, Heinrich (ca. 1450–1517) Appears on: 79v–80 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quis dabit capiti meo aquam General Note Publ. cf. CT 95-96 n° 42
80v–81	Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis Isaac, Heinrich (ca. 1450–1517) Appears on: 80v–81 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quis dabit capiti meo aquam General Note Publ. cf. CT 95-96 n° 42
80v–81	Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma Isaac, Heinrich (ca. 1450–1517) Appears on: 80v–81 Genres: Kyrie eleison, Mass Ordinary, Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quis dabit capiti meo aquam General Note Publ. cf. CT 95-96 n° 42
81v–84	Quae est ista quae ascendit per desertum Vs. Ista est speciosa	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Quae est ista quae ascendit per desertum Vs. Ista est speciosa Isaac, Heinrich (ca. 1450–1517) Appears on: 81v–84 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quae est ista quae ascendit per desertum
84v–86	Ergo sancti martires sanctis vestris	4	Agricola	Agricola, Alexander (ca. 1445–1506)
Ergo sancti martires sanctis vestris Agricola, Alexander (ca. 1445–1506) Appears on: 84v–86 Genres: Motet Source Attribution: Agricola Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ergo sancti martires sanctis vestris Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, IV.
86v–87	Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol	4	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 86v–87 Genres: Motet Source Attribution: Brumel Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quae est ista quae processit sicut sol Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
87v–88	Quae est ista - 2a pars (of 2): Et sicut dies	4	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Quae est ista - 2a pars (of 2): Et sicut dies Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 87v–88 Genres: Motet Source Attribution: Brumel Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quae est ista quae processit sicut sol Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
88v–89	Sub tuum praesidium confugimus	4	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Sub tuum praesidium confugimus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 88v–89 Genres: Motet Source Attribution: Brumel Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Sub tuum praesidium Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
89v–90	Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est Isaac, Heinrich (ca. 1450–1517) Appears on: 89v–90 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est
90v–91	Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis	-	-	Isaac, Heinrich (ca. 1450–1517)
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis Isaac, Heinrich (ca. 1450–1517) Appears on: 90v–91 Genres: Motet
91v–92	Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto Isaac, Heinrich (ca. 1450–1517) Appears on: 91v–92 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est
92v–93	Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula Isaac, Heinrich (ca. 1450–1517) Appears on: 92v–93 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula General Note Publ. cf. CT 95-96 n° 41
93v–94	Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes Isaac, Heinrich (ca. 1450–1517) Appears on: 93v–94 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula General Note Publ. cf. CT 95-96 n° 41
94v–95	Missus est Gabriel angelus ad Mariam 20.6	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 94v–95 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missus est Gabriel angelus General Note Publ. cf. Bc 142 n' 8
95v–96	Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse)	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) Isaac, Heinrich (ca. 1450–1517) Appears on: 95v–96 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Sustinuimus pacem et non invenimus General Note Publ. cf. CT 95-96 n" 29
96v–97	Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti	4	P. Delarue	Rue, Pierre de la (ca. 1452–1518)
Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti Rue, Pierre de la (ca. 1452–1518) Appears on: 96v–97 Genres: Motet Source Attribution: P. Delarue Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quis dabit pacem populo timenti Item Bibliography Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte, vol. 14. Tutzing. Pages: II.
97v–98	Quis dabit pacem - 2a pars (of 2): Quam tuas laudes	4	P. Delarue	Rue, Pierre de la (ca. 1452–1518)
Quis dabit pacem - 2a pars (of 2): Quam tuas laudes Rue, Pierre de la (ca. 1452–1518) Appears on: 97v–98 Genres: Motet Source Attribution: P. Delarue Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quis dabit pacem populo timenti Item Bibliography Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte, vol. 14. Tutzing. Pages: II.
98v–99	Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra	4	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 98v–99 Genres: Introit, Proper Source Attribution: Carpentras Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Iubilate deo omnis terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.
99v–101	Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius	4	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 99v–101 Genres: Motet Source Attribution: Carpentras Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Iubilate deo omnis terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.
101v–102	Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini	4	-	Anonymous
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini Anonymous Appears on: 101v–102 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Si bona suscepimus
102v–103	Si bona suscepimus - 2a pars (of 2):	4	-	Anonymous
Si bona suscepimus - 2a pars (of 2): Anonymous Appears on: 102v–103 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Si bona suscepimus
103v–105	Considera Israel - 1a pars (of 4): Considera Israel pro his qui mortui sunt	4	P. Delerue	Rue, Pierre de la (ca. 1452–1518)
Considera Israel - 1a pars (of 4): Considera Israel pro his qui mortui sunt Rue, Pierre de la (ca. 1452–1518) Appears on: 103v–105 Genres: Motet Source Attribution: P. Delerue Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Considera Israel pro his Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 91.
105v–106	Considera Israel - 2a pars (of 4): Sagita Jonathe	3	P. Delerue	Rue, Pierre de la (ca. 1452–1518)
Considera Israel - 2a pars (of 4): Sagita Jonathe Rue, Pierre de la (ca. 1452–1518) Appears on: 105v–106 Genres: Motet Source Attribution: P. Delerue Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Considera Israel pro his Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 91.
106v–107	Considera Israel - 3a pars (of 4): Filie Israel super Saul	3	P. Delerue	Rue, Pierre de la (ca. 1452–1518)
Considera Israel - 3a pars (of 4): Filie Israel super Saul Rue, Pierre de la (ca. 1452–1518) Appears on: 106v–107 Genres: Motet Source Attribution: P. Delerue Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Considera Israel pro his Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 91.
107v–108	Considera Israel - 4a pars (of 4): Doleo super te frater mi Jonathas	4	P. Delerue	Rue, Pierre de la (ca. 1452–1518)
Considera Israel - 4a pars (of 4): Doleo super te frater mi Jonathas Rue, Pierre de la (ca. 1452–1518) Appears on: 107v–108 Genres: Motet Source Attribution: P. Delerue Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Considera Israel pro his Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 91.
108v–109	Spem in alium numquam habui	4	-	Anonymous
Spem in alium numquam habui Anonymous Appears on: 108v–109 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Spem in alium numquam habui
109v–110	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum Despres, Josquin (ca. 1450–1521) Appears on: 109v–110 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater/Ave regina General Note Publ. cf. CT 95-96 n° 31
110v–111	Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa Despres, Josquin (ca. 1450–1521) Appears on: 110v–111 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater/Ave regina General Note Publ. cf. CT 95-96 n° 31
111v–112	Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena Despres, Josquin (ca. 1450–1521) Appears on: 111v–112 Genres: Ave Maria, Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave Maria ... virgo serena General Note Publ. cf. Fn 164-167 n° 77
112v–113	Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas	-	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas Despres, Josquin (ca. 1450–1521) Appears on: 112v–113 Genres: Ave Maria, Motet
113v–115	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater Isaac, Heinrich (ca. 1450–1517) Appears on: 113v–115 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater Item Bibliography Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: [facs.] 31.
115v–117	Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante Isaac, Heinrich (ca. 1450–1517) Appears on: 115v–117 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater Item Bibliography Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1: 1-19. Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: [facs.] 31.
117v–118	O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8	4	Iosqn.	Despres, Josquin (ca. 1450–1521)
O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 Despres, Josquin (ca. 1450–1521) Appears on: 117v–118 Genres: Ave Maria, BVM, Motet, Pater noster Source Attribution: Iosqn. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O bone et dulcis domine Iesu credo/Pater noster/Ave Maria General Note … Publ. cf. CT 95-96 n° 30
118v–119	Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium	4	Loyset [Compère]	Compère, Loyset (ca. 1445–1518)
Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium Compère, Loyset (ca. 1445–1518) Appears on: 118v–119 Genres: Motet Source Attribution: Loyset [Compère] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Crux triumphans decus potentium Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation.
119v–120	Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale	-	-	Compère, Loyset (ca. 1445–1518)
Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale Compère, Loyset (ca. 1445–1518) Appears on: 119v–120 Genres: Motet
120v–122	Salve sancta facies - 1a pars (of 2): Salve sancta facies nostri redemptoris	4	Hobret [= Obrecht]	Obrecht, Jacobus (ca. 1457–1505)
Salve sancta facies - 1a pars (of 2): Salve sancta facies nostri redemptoris Obrecht, Jacobus (ca. 1457–1505) Appears on: 120v–122 Genres: Motet Source Attribution: Hobret [= Obrecht] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve sancta facies nostri redemptoris Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: III.
122v–124	Salve sancta facies - 2a pars (of 2): Salve nostra gloria	4	-	Obrecht, Jacobus (ca. 1457–1505)
Salve sancta facies - 2a pars (of 2): Salve nostra gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 122v–124 Genres: Motet Number of voices: 4 Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: III.
124v–128	Missa Beata Virgine = Missa Coronata 3.3: Gloria	4	Josquino	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 124v–128 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Josquino Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Gloria De beata virgine] Et in terra . . . Voice: [no designation] Languages: Latin Voice Text: [Gloria De beata virgine] Et in terra . . . Voice: [no designation] Languages: Latin Voice Text: [Gloria De beata virgine] Et in terra . . . Voice: [no designation] Languages: Latin Voice Text: [Gloria De beata virgine] Et in terra . . . Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: IV.
128v–129	Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti Isaac, Heinrich (ca. 1450–1517) Appears on: 128v–129 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quis dabit pacem populo timenti General Note Publ. cf. Bc 20 n° 24
129v–130	Quis dabit pacem - 2a pars (of 2): Quam tuas laudes	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Quis dabit pacem - 2a pars (of 2): Quam tuas laudes Isaac, Heinrich (ca. 1450–1517) Appears on: 129v–130 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quis dabit pacem populo timenti General Note Publ. cf. Bc 20 n° 24
130v–132	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	4	(LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Appears on: 130v–132 Genres: Liturgical work, Motet, Passion Source Attribution: (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text:** Passio domini nostri Concordances 15381 D-ddr-Dlb D.505 Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.* Amsterdam und Leipzig. Pages: 28, Afl.
132v–134	Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	4	(LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]	Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?)
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Appears on: 132v–134 Genres: Passion Source Attribution: (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text:** Passio domini nostri Concordances 15381 D-ddr-Dlb D.505 Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.* Amsterdam und Leipzig. Pages: 28, Afl.
134v–137	Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	4	(LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]	Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?) Venture, Johannes a la (fl. c1500) (?)
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?) Venture, Johannes a la (fl. c1500) (?) Appears on: 134v–137 Genres: Motet Source Attribution: (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text:** Passio domini nostri Concordances 15381 D-ddr-Dlb D.505 Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.* Amsterdam und Leipzig. Pages: 28, Afl.
137v–138	Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator	4	Loyse [Compère]	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator Compère, Loyset (ca. 1445–1518) Appears on: 137v–138 Genres: Motet Source Attribution: Loyse [Compère] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur Item Bibliography Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
138v–139	Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus	4	Loyse [Compère]	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus Compère, Loyset (ca. 1445–1518) Appears on: 138v–139 Genres: Motet Source Attribution: Loyse [Compère] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur Item Bibliography Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
139v–140	Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina	4	Loyse [Compère]	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina Compère, Loyset (ca. 1445–1518) Appears on: 139v–140 Genres: Motet Source Attribution: Loyse [Compère] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur Item Bibliography Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
140v–141	Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus	4	Loyse [Compère]	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus Compère, Loyset (ca. 1445–1518) Appears on: 140v–141 Genres: Motet Source Attribution: Loyse [Compère] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur Item Bibliography Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
141v–142	Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum	4	Loyse [Compère]	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum Compère, Loyset (ca. 1445–1518) Appears on: 141v–142 Genres: Motet Source Attribution: Loyse [Compère] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur Item Bibliography Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
132v–143	Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est	4	Loyse [Compère]	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est Compère, Loyset (ca. 1445–1518) Appears on: 132v–143 Genres: Motet Source Attribution: Loyse [Compère] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur Item Bibliography Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
143v–144	Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit	4	Loyse [Compère]	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit Compère, Loyset (ca. 1445–1518) Appears on: 143v–144 Genres: Motet Source Attribution: Loyse [Compère] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur Item Bibliography Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
144v–145	Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina	4	Loyse [Compère]	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina Compère, Loyset (ca. 1445–1518) Appears on: 144v–145 Genres: Motet Source Attribution: Loyse [Compère] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur Item Bibliography Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
145v–146	Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae	4	Loyse [Compère]	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae Compère, Loyset (ca. 1445–1518) Appears on: 145v–146 Genres: Motet Source Attribution: Loyse [Compère] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur Item Bibliography Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
146v–147	O beate Basili - 1a pars (of 3): O beate Basili confessor Domini	4	Obret	Obrecht, Jacobus (ca. 1457–1505)
O beate Basili - 1a pars (of 3): O beate Basili confessor Domini Obrecht, Jacobus (ca. 1457–1505) Appears on: 146v–147 Genres: Motet Source Attribution: Obret Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O beate Basili confessor domini Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: I.
147v–148	O beate Basili - 2a pars (of 3): O beate pater Basili	3	Obret	Obrecht, Jacobus (ca. 1457–1505)
O beate Basili - 2a pars (of 3): O beate pater Basili Obrecht, Jacobus (ca. 1457–1505) Appears on: 147v–148 Genres: Motet Source Attribution: Obret Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O beate Basili confessor domini Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: I.
146v–150	O beate Basili - 3a pars (of 3): O virum digne	4	Obret	Obrecht, Jacobus (ca. 1457–1505)
O beate Basili - 3a pars (of 3): O virum digne Obrecht, Jacobus (ca. 1457–1505) Appears on: 146v–150 Genres: Motet Source Attribution: Obret Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O beate Basili confessor domini Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: I.
150v–151	Ave ancilla trinitatis - 1a pars (of 3): Ave ancilla trinitatis ave filia sempiterni	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Ave ancilla trinitatis - 1a pars (of 3): Ave ancilla trinitatis ave filia sempiterni Isaac, Heinrich (ca. 1450–1517) Appears on: 150v–151 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave ancilla trinitatis ave filia sempiterni
151v–152	Ave ancilla trinitatis - 2a pars (of 3): Ave promissio prophetarum, ave regina patriarcharum	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Ave ancilla trinitatis - 2a pars (of 3): Ave promissio prophetarum, ave regina patriarcharum Isaac, Heinrich (ca. 1450–1517) Appears on: 151v–152 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave ancilla trinitatis ave filia sempiterni
151v–152	Ave ancilla trinitatis - 3a pars (of 3): Ave fons et plenitudo confessorum	4	Yzach	Isaac, Heinrich (ca. 1450–1517)
Ave ancilla trinitatis - 3a pars (of 3): Ave fons et plenitudo confessorum Isaac, Heinrich (ca. 1450–1517) Appears on: 151v–152 Genres: Motet Source Attribution: Yzach Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave ancilla trinitatis ave filia sempiterni
152v–153	In illo tempore extollens vocem quaedam	4	-	Anonymous
In illo tempore extollens vocem quaedam Anonymous Appears on: 152v–153 Genres: In illo tempore, Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In illo tempore extollens vocem quaedam
153v–154	Salve mater salvatoris vas electum	4	Io. Mouton	Mouton, Jean (ca. 1459–1522)
Salve mater salvatoris vas electum Mouton, Jean (ca. 1459–1522) Appears on: 153v–154 Genres: Motet Source Attribution: Io. Mouton Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve mater salvatoris vas electum Item Bibliography Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: 7.
154v–155	Ecce Maria genuit nobis salvatorem	4	Io. Mouton	Mouton, Jean (ca. 1459–1522)
Ecce Maria genuit nobis salvatorem Mouton, Jean (ca. 1459–1522) Appears on: 154v–155 Genres: Marian antiphon Source Attribution: Io. Mouton Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ecce Maria genuit nobis salvatorem Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Expert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V.
155v–157	Christum regem regum adoremus Dominum	4	Io Mouto [= Mouton]	Mouton, Jean (ca. 1459–1522)
Christum regem regum adoremus Dominum Mouton, Jean (ca. 1459–1522) Appears on: 155v–157 Genres: Motet Source Attribution: Io Mouto [= Mouton] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Christum regem regum adoremus dominum Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. [No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: IV.
157v–160	Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam	4	(CARPENTRAS)	Carpentras, Elzear Genet (ca. 1470–1548)
Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 157v–160 Genres: Miserere mei Deus, Motet Source Attribution: (CARPENTRAS) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus secundum magnam General Note Publ. cf. Fn 164^167 n» 78
160v–162	Miserere mei Deus - 2a pars (of 3): Cor mundum crea in me Deus	4	(CARPENTRAS)	Carpentras, Elzear Genet (ca. 1470–1548)
Miserere mei Deus - 2a pars (of 3): Cor mundum crea in me Deus Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 160v–162 Genres: Motet Source Attribution: (CARPENTRAS) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus secundum magnam General Note Publ. cf. Fn 164^167 n» 78
162v–163	Miserere mei Deus - 3a pars (of 3): Benigne fac domine	4	(CARPENTRAS)	Carpentras, Elzear Genet (ca. 1470–1548)
Miserere mei Deus - 3a pars (of 3): Benigne fac domine Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 162v–163 Genres: Motet Source Attribution: (CARPENTRAS) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus secundum magnam General Note Publ. cf. Fn 164^167 n» 78
163v–165	Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	4	Io. Mouto	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens Mouton, Jean (ca. 1459–1522) Appears on: 163v–165 Genres: Motet Source Attribution: Io. Mouto Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Gaude Barbara beata General Note Publ. cf. CFm 59 n° 25
164v–166	Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	-	-	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare Mouton, Jean (ca. 1459–1522) Appears on: 164v–166 Genres: Motet
166v–168	Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo Despres, Josquin (ca. 1450–1521) Appears on: 166v–168 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Misericordias domini in aeternum cantabo General Note Publ. cf. CT 95-96 n° 50
167v–168	Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est	4	-	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est Despres, Josquin (ca. 1450–1521) Appears on: 167v–168 Genres: Motet Number of voices: 4
168v–169	Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus Despres, Josquin (ca. 1450–1521) Appears on: 168v–169 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Misericordias domini in aeternum cantabo General Note Publ. cf. CT 95-96 n° 50
168v–169	Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine Despres, Josquin (ca. 1450–1521) Appears on: 168v–169 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Misericordias domini in aeternum cantabo General Note Publ. cf. CT 95-96 n° 50
169v–170	Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua Despres, Josquin (ca. 1450–1521) Appears on: 169v–170 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Misericordias domini in aeternum cantabo General Note Publ. cf. CT 95-96 n° 50
170v–172	In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion	4	Eustachius [de Monte Regali]	Monte Regali, Eustachius de (–1527)
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Monte Regali, Eustachius de (–1527) Appears on: 170v–172 Genres: Psalm Source Attribution: Eustachius [de Monte Regali] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In convertendo Dominus
171v–173	In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem	4	Eustachius [de Monte Regali]	Monte Regali, Eustachius de (–1527)
In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem Monte Regali, Eustachius de (–1527) Appears on: 171v–173 Genres: Motet Source Attribution: Eustachius [de Monte Regali] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In convertendo Dominus
173v–174	Credidi propter quod - 1a pars (of 2): Credidi propter quod locutus sum	4	Eustachius [de Monte Regali]	Monte Regali, Eustachius de (–1527)
Credidi propter quod - 1a pars (of 2): Credidi propter quod locutus sum Monte Regali, Eustachius de (–1527) Appears on: 173v–174 Genres: Motet Source Attribution: Eustachius [de Monte Regali] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Credidi propter
174v–176	Credidi propter quod - 2a pars (of 2): Vota mea Domino reddam	4	Eustachius [de Monte Regali]	Monte Regali, Eustachius de (–1527)
Credidi propter quod - 2a pars (of 2): Vota mea Domino reddam Monte Regali, Eustachius de (–1527) Appears on: 174v–176 Genres: Motet Source Attribution: Eustachius [de Monte Regali] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Credidi propter
176v–178	Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo Despres, Josquin (ca. 1450–1521) Appears on: 176v–178 Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Memor esto verbi tui servo tuo General Note … Publ. cf. Bc 142 n° 5
178v–179v, 186	Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire	-	-	Despres, Josquin (ca. 1450–1521)
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire Despres, Josquin (ca. 1450–1521) Appears on: 178v–179v, 186 Genres: Motet Layout Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, the end of the 2a pars, which should have been opposite f.179v on f. 180, is on f. 186 instead. Layout Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, the Cantus & Tenor of the opening, which should have been on f. 180v, is on f. 186v instead.
186v, 181–183	Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine	4	(CARPENTRAS)	Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?)
Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?) Appears on: 186v, 181–183 Genres: Motet Source Attribution: (CARPENTRAS) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Bonitatem fecisti cum servo tuo domine Layout Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, the Cantus & Tenor of the opening, which should have been on f. 180v, is on f. 186v instead. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.
182–185	Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me	4	(CARPENTRAS)	Carpentras, Elzear Genet (ca. 1470–1548) (?) Despres, Josquin (ca. 1450–1521) (?)
Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me Carpentras, Elzear Genet (ca. 1470–1548) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 182–185 Genres: Motet Source Attribution: (CARPENTRAS) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Bonitatem fecisti cum servo tuo domine Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.
185v, 180	Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	4	Io. Mon. [= Mouton]	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum Mouton, Jean (ca. 1459–1522) Appears on: 185v, 180 Genres: Motet Source Attribution: Io. Mon. [= Mouton] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lachrimarum General Note Publ. cf. CT 95-96 n° 51. Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, 'Quis dabit' which should have been on 185v, 186, 186v, 187, is on 185v, 180, 180v, 187 instead.
185v, 180–180v, 187	Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar	4	Io. Mon. [= Mouton]	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar Mouton, Jean (ca. 1459–1522) Appears on: 185v, 180–180v, 187 Genres: Motet Source Attribution: Io. Mon. [= Mouton] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lachrimarum General Note Publ. cf. CT 95-96 n° 51. Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, 'Quis dabit' which should have been on 185v, 186, 186v, 187, is on 185v, 180, 180v, 187 instead.
187v–189	Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est	4	Io. Mon. [= Mouton]	Mouton, Jean (ca. 1459–1522)
Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est Mouton, Jean (ca. 1459–1522) Appears on: 187v–189 Genres: Motet Source Attribution: Io. Mon. [= Mouton] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis General Note Publ. cf. Bc 19 n° 46
188v–190	Puer natus est - 2a pars (of 2): Angelus ad pastores ait	-	-	Mouton, Jean (ca. 1459–1522)
Puer natus est - 2a pars (of 2): Angelus ad pastores ait Mouton, Jean (ca. 1459–1522) Appears on: 188v–190 Genres: Motet
190v–192	Ave regina caelorum	4	Erasmus [Lapicida]	Lapicida, Erasmus (ca. 1440–1547)
Ave regina caelorum Lapicida, Erasmus (ca. 1440–1547) Appears on: 190v–192 Genres: BVM, Motet Source Attribution: Erasmus [Lapicida] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
192v–194	Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus	4	Io. Mouton	Mouton, Jean (ca. 1459–1522)
Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus Mouton, Jean (ca. 1459–1522) Appears on: 192v–194 Genres: Motet Source Attribution: Io. Mouton Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Regem confessorum dominum venite adoremus General Note Publ. cf. Fn 164-167 n" 74
193v–195	Regem confessorum - 2a pars (of 2): Beatus vir qui hodie	-	-	Mouton, Jean (ca. 1459–1522)
Regem confessorum - 2a pars (of 2): Beatus vir qui hodie Mouton, Jean (ca. 1459–1522) Appears on: 193v–195 Genres: Motet
195v–196	Ave virginum gemma - 1a pars (of 2): Ave virginum gemma virgo Katherina	4	Io. Mouton	Mouton, Jean (ca. 1459–1522)
Ave virginum gemma - 1a pars (of 2): Ave virginum gemma virgo Katherina Mouton, Jean (ca. 1459–1522) Appears on: 195v–196 Genres: Motet Source Attribution: Io. Mouton Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave virginum gemma Catherina ave sponsa
196v–197	Ave virginum gemma - 2a pars (of 2): Virgo sancta Katherina Graeciae gemma	-	-	Mouton, Jean (ca. 1459–1522)
Ave virginum gemma - 2a pars (of 2): Virgo sancta Katherina Graeciae gemma Mouton, Jean (ca. 1459–1522) Appears on: 196v–197 Genres: Motet
197v–199	O crux ave spes unica hoc passionis	4	Agricola	Agricola, Alexander (ca. 1445–1506)
O crux ave spes unica hoc passionis Agricola, Alexander (ca. 1445–1506) Appears on: 197v–199 Genres: Hymn Source Attribution: Agricola Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O crux ave spes unica hoc passionis Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, IV.
199v–200	Ecce tu pulchra es amica mea 14.6	4	Iosquin	Despres, Josquin (ca. 1450–1521)
Ecce tu pulchra es amica mea 14.6 Despres, Josquin (ca. 1450–1521) Appears on: 199v–200 Genres: Motet Source Attribution: Iosquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ecce tu pulchra es amica mea General Note Publ. cf. Bc 19 n° 63

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	Ergo sancti martires sanctis vestris – 84v–86 O crux ave spes unica hoc passionis – 197v–199
Anonymous	In illo tempore extollens vocem quaedam – 152v–153 Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini – 101v–102 Si bona suscepimus - 2a pars (of 2): – 102v–103 Spem in alium numquam habui – 108v–109 [No description] – iii (v)
Brumel, Antoine (ca. 1460-ca. 1513)	Laudate Dominum - 1a pars (of 2): Laudate Dominum de caelis laudate eum – 62v–65 Laudate Dominum - 2a pars (of 2): Laudate Dominum in sanctis eius – 65v–67 Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol – 86v–87 Quae est ista - 2a pars (of 2): Et sicut dies – 87v–88 Sub tuum praesidium confugimus – 88v–89
Carpentras, Elzear Genet (ca. 1470-1548)	(?) Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine – 186v, 181–183 (?) Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me – 182–185 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra – 98v–99 Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius – 99v–101 Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam – 157v–160 Miserere mei Deus - 2a pars (of 3): Cor mundum crea in me Deus – 160v–162 Miserere mei Deus - 3a pars (of 3): Benigne fac domine – 162v–163
Compère, Loyset (ca. 1445-1518)	Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium – 118v–119 Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale – 119v–120 Gaude prole regia - 1a pars (of 2): Gaude prole regia virginum egregia – 26v–28 Gaude prole regia - 2a pars (of 2): – 28v–30 Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator – 137v–138 Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus – 138v–139 Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina – 139v–140 Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus – 140v–141 Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum – 141v–142 Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est – 132v–143 Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit – 143v–144 Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina – 144v–145 Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae – 145v–146
Despres, Josquin (ca. 1450-1521)	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum – 77v–78 Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum – 109v–110 Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa – 78v–79 Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa – 110v–111 Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena – 111v–112 Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas – 112v–113 (?) Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine – 186v, 181–183 (?) Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me – 182–185 Ecce tu pulchra es amica mea 14.6 – 199v–200 Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo – 8v–11 Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit – 11v–13 Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi – 51v–53 Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam – 53v–55 Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis – 55v–57 Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo – 176v–178 Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire – 178v–179v, 186 Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo – 166v–168 Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est – 167v–168 Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus – 168v–169 Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine – 168v–169 Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua – 169v–170 Missa Beata Virgine = Missa Coronata 3.3: Gloria – 124v–128 Missus est Gabriel angelus ad Mariam 20.6 – 94v–95 O admirabile commercium 21.7 - 1a pars (of 5): O admirabile commercium creator generis – 35v–36 O admirabile commercium 21.7 - 2a pars (of 5): Quando natus est – 36v–37 O admirabile commercium 21.7 - 3a pars (of 5): Rubum quem viderat Moyses – 37v–38 O admirabile commercium 21.7 - 4a pars (of 5): Germinavit radix Jesse – 38v–39 O admirabile commercium 21.7 - 5a pars (of 5): Ecce Maria genuit – 39v–40 O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 – 117v–118 (?) Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi – 57v–59 (?) Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia – 59v–60 (?) Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit – 60v–61 (?) Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha – 61v–62 Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem – 22v–24 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire – 24v–26
Isaac, Heinrich (ca. 1450-1517)	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater – 113v–115 Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante – 115v–117 Angeli archangeli – 13v–17 Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est – 89v–90 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis – 90v–91 Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto – 91v–92 Ave ancilla trinitatis - 1a pars (of 3): Ave ancilla trinitatis ave filia sempiterni – 150v–151 Ave ancilla trinitatis - 2a pars (of 3): Ave promissio prophetarum, ave regina patriarcharum – 151v–152 Ave ancilla trinitatis - 3a pars (of 3): Ave fons et plenitudo confessorum – 151v–152 Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo] – 1v–8 Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps – 31v–34 Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum – 34v–35 Quae est ista quae ascendit per desertum Vs. Ista est speciosa – 81v–84 Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam – 79v–80 Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet – 79v–80 Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis – 80v–81 Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma – 80v–81 Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti – 128v–129 Quis dabit pacem - 2a pars (of 2): Quam tuas laudes – 129v–130 Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) – 95v–96 Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula – 92v–93 Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes – 93v–94
Lapicida, Erasmus (ca. 1440-1547)	Ave regina caelorum – 190v–192
Longueval, Antoine de (1498-1525)	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 130v–132 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 132v–134 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 134v–137
Monte Regali, Eustachius de (-1527)	Credidi propter quod - 1a pars (of 2): Credidi propter quod locutus sum – 173v–174 Credidi propter quod - 2a pars (of 2): Vota mea Domino reddam – 174v–176 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion – 170v–172 In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem – 171v–173
Mouton, Jean (ca. 1459-1522)	Ave virginum gemma - 1a pars (of 2): Ave virginum gemma virgo Katherina – 195v–196 Ave virginum gemma - 2a pars (of 2): Virgo sancta Katherina Graeciae gemma – 196v–197 Bona vita bona refectio - 1a pars (of 2): Bona vita bona refectio bona cena – 43v–45 Bona vita bona refectio - 2a pars (of 2): Educas panem de terra – 45v–47 Christum regem regum adoremus Dominum – 155v–157 Ecce Maria genuit nobis salvatorem – 154v–155 Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret – 48v–49 Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes – 49v–51 Felix namque - 1a pars (of 2): Felix namque es sacra virgo Maria – 40v–42 Felix namque - 2a pars (of 2): O Maria mater dei mater pietatis – 41v–43 Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens – 163v–165 Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare – 164v–166 Per lignum salvi facti sumus – 30v–31 Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est – 187v–189 Puer natus est - 2a pars (of 2): Angelus ad pastores ait – 188v–190 Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum – 185v, 180 Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar – 185v, 180–180v, 187 Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus – 192v–194 Regem confessorum - 2a pars (of 2): Beatus vir qui hodie – 193v–195 Salve mater salvatoris vas electum – 153v–154
Obrecht, Jacobus (ca. 1457-1505)	Factor orbis Deus - 1a pars (of 2): Factor orbis Deus nos famulos – 17v–20 Factor orbis Deus - 2a pars (of 2): Spiritus Domine super me evangelizare – 20v–22 O beate Basili - 1a pars (of 3): O beate Basili confessor Domini – 146v–147 O beate Basili - 2a pars (of 3): O beate pater Basili – 147v–148 O beate Basili - 3a pars (of 3): O virum digne – 146v–150 (?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 130v–132 (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 132v–134 (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 134v–137 Salve sancta facies - 1a pars (of 2): Salve sancta facies nostri redemptoris – 120v–122 Salve sancta facies - 2a pars (of 2): Salve nostra gloria – 122v–124 (?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 70v–72 (?) Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes – 72v–74
Petit, Nino le (c1500)	In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum – 67v–68 In illo tempore - 2a pars (of 3): Adhuc eo loquente – 68v–69 In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis – 69v–70 (?) Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi – 57v–59 (?) Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia – 59v–60 (?) Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit – 60v–61 (?) Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha – 61v–62 Psallite noe Judaei - 1a pars (of 3): Psallite noe Judaei ... Angelus ad pastores – 74v–75 Psallite noe Judaei - 2a pars (of 3): Psallite ... quem Johannes videns – 75v–76 Psallite noe Judaei - 3a pars (of 3): Puer nobis nascitur, in presepe ponitur – 76v–77 (?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 70v–72 (?) Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes – 72v–74
Richafort, Jean (ca. 1480-ca. 1550)	Sufficiebat nobis paupertas nostra senectutis nostrae – 47v–48
Rue, Pierre de la (ca. 1452-1518)	Considera Israel - 1a pars (of 4): Considera Israel pro his qui mortui sunt – 103v–105 Considera Israel - 2a pars (of 4): Sagita Jonathe – 105v–106 Considera Israel - 3a pars (of 4): Filie Israel super Saul – 106v–107 Considera Israel - 4a pars (of 4): Doleo super te frater mi Jonathas – 107v–108 Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti – 96v–97 Quis dabit pacem - 2a pars (of 2): Quam tuas laudes – 97v–98
Venture, Johannes a la (c1500)	(?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 130v–132 (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 132v–134 (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 134v–137

Composition	Composers (? Uncertain)	Folios / Pages
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	Isaac, Heinrich (ca. 1450–1517)	113v–115
Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante	Isaac, Heinrich (ca. 1450–1517)	115v–117
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	Despres, Josquin (ca. 1450–1521)	77v–78
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	Despres, Josquin (ca. 1450–1521)	109v–110
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	Despres, Josquin (ca. 1450–1521)	78v–79
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	Despres, Josquin (ca. 1450–1521)	110v–111
Angeli archangeli	Isaac, Heinrich (ca. 1450–1517)	13v–17
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est	Isaac, Heinrich (ca. 1450–1517)	89v–90
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis	Isaac, Heinrich (ca. 1450–1517)	90v–91
Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto	Isaac, Heinrich (ca. 1450–1517)	91v–92
Ave ancilla trinitatis - 1a pars (of 3): Ave ancilla trinitatis ave filia sempiterni	Isaac, Heinrich (ca. 1450–1517)	150v–151
Ave ancilla trinitatis - 2a pars (of 3): Ave promissio prophetarum, ave regina patriarcharum	Isaac, Heinrich (ca. 1450–1517)	151v–152
Ave ancilla trinitatis - 3a pars (of 3): Ave fons et plenitudo confessorum	Isaac, Heinrich (ca. 1450–1517)	151v–152
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	Despres, Josquin (ca. 1450–1521)	111v–112
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas	Despres, Josquin (ca. 1450–1521)	112v–113
Ave regina caelorum	Lapicida, Erasmus (ca. 1440–1547)	190v–192
Ave virginum gemma - 1a pars (of 2): Ave virginum gemma virgo Katherina	Mouton, Jean (ca. 1459–1522)	195v–196
Ave virginum gemma - 2a pars (of 2): Virgo sancta Katherina Graeciae gemma	Mouton, Jean (ca. 1459–1522)	196v–197
Bona vita bona refectio - 1a pars (of 2): Bona vita bona refectio bona cena	Mouton, Jean (ca. 1459–1522)	43v–45
Bona vita bona refectio - 2a pars (of 2): Educas panem de terra	Mouton, Jean (ca. 1459–1522)	45v–47
Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine	Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?)	186v, 181–183
Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me	Carpentras, Elzear Genet (ca. 1470–1548) (?) Despres, Josquin (ca. 1450–1521) (?)	182–185
Christum regem regum adoremus Dominum	Mouton, Jean (ca. 1459–1522)	155v–157
Considera Israel - 1a pars (of 4): Considera Israel pro his qui mortui sunt	Rue, Pierre de la (ca. 1452–1518)	103v–105
Considera Israel - 2a pars (of 4): Sagita Jonathe	Rue, Pierre de la (ca. 1452–1518)	105v–106
Considera Israel - 3a pars (of 4): Filie Israel super Saul	Rue, Pierre de la (ca. 1452–1518)	106v–107
Considera Israel - 4a pars (of 4): Doleo super te frater mi Jonathas	Rue, Pierre de la (ca. 1452–1518)	107v–108
Credidi propter quod - 1a pars (of 2): Credidi propter quod locutus sum	Monte Regali, Eustachius de (–1527)	173v–174
Credidi propter quod - 2a pars (of 2): Vota mea Domino reddam	Monte Regali, Eustachius de (–1527)	174v–176
Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium	Compère, Loyset (ca. 1445–1518)	118v–119
Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale	Compère, Loyset (ca. 1445–1518)	119v–120
Ecce Maria genuit nobis salvatorem	Mouton, Jean (ca. 1459–1522)	154v–155
Ecce tu pulchra es amica mea 14.6	Despres, Josquin (ca. 1450–1521)	199v–200
Ergo sancti martires sanctis vestris	Agricola, Alexander (ca. 1445–1506)	84v–86
Factor orbis Deus - 1a pars (of 2): Factor orbis Deus nos famulos	Obrecht, Jacobus (ca. 1457–1505)	17v–20
Factor orbis Deus - 2a pars (of 2): Spiritus Domine super me evangelizare	Obrecht, Jacobus (ca. 1457–1505)	20v–22
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	Mouton, Jean (ca. 1459–1522)	48v–49
Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes	Mouton, Jean (ca. 1459–1522)	49v–51
Felix namque - 1a pars (of 2): Felix namque es sacra virgo Maria	Mouton, Jean (ca. 1459–1522)	40v–42
Felix namque - 2a pars (of 2): O Maria mater dei mater pietatis	Mouton, Jean (ca. 1459–1522)	41v–43
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	Mouton, Jean (ca. 1459–1522)	163v–165
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	Mouton, Jean (ca. 1459–1522)	164v–166
Gaude prole regia - 1a pars (of 2): Gaude prole regia virginum egregia	Compère, Loyset (ca. 1445–1518)	26v–28
Gaude prole regia - 2a pars (of 2):	Compère, Loyset (ca. 1445–1518)	28v–30
Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Despres, Josquin (ca. 1450–1521)	8v–11
Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit	Despres, Josquin (ca. 1450–1521)	11v–13
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion	Monte Regali, Eustachius de (–1527)	170v–172
In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem	Monte Regali, Eustachius de (–1527)	171v–173
In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum	Petit, Nino le (fl. c1500)	67v–68
In illo tempore - 2a pars (of 3): Adhuc eo loquente	Petit, Nino le (fl. c1500)	68v–69
In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis	Petit, Nino le (fl. c1500)	69v–70
In illo tempore extollens vocem quaedam	Anonymous	152v–153
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra	Carpentras, Elzear Genet (ca. 1470–1548)	98v–99
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius	Carpentras, Elzear Genet (ca. 1470–1548)	99v–101
Laudate Dominum - 1a pars (of 2): Laudate Dominum de caelis laudate eum	Brumel, Antoine (ca. 1460–ca. 1513)	62v–65
Laudate Dominum - 2a pars (of 2): Laudate Dominum in sanctis eius	Brumel, Antoine (ca. 1460–ca. 1513)	65v–67
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi	Despres, Josquin (ca. 1450–1521)	51v–53
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam	Despres, Josquin (ca. 1450–1521)	53v–55
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis	Despres, Josquin (ca. 1450–1521)	55v–57
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo	Despres, Josquin (ca. 1450–1521)	176v–178
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire	Despres, Josquin (ca. 1450–1521)	178v–179v, 186
Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam	Carpentras, Elzear Genet (ca. 1470–1548)	157v–160
Miserere mei Deus - 2a pars (of 3): Cor mundum crea in me Deus	Carpentras, Elzear Genet (ca. 1470–1548)	160v–162
Miserere mei Deus - 3a pars (of 3): Benigne fac domine	Carpentras, Elzear Genet (ca. 1470–1548)	162v–163
Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo	Despres, Josquin (ca. 1450–1521)	166v–168
Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est	Despres, Josquin (ca. 1450–1521)	167v–168
Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus	Despres, Josquin (ca. 1450–1521)	168v–169
Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine	Despres, Josquin (ca. 1450–1521)	168v–169
Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua	Despres, Josquin (ca. 1450–1521)	169v–170
Missa Beata Virgine = Missa Coronata 3.3: Gloria	Despres, Josquin (ca. 1450–1521)	124v–128
Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo]	Isaac, Heinrich (ca. 1450–1517)	1v–8
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	94v–95
O admirabile commercium 21.7 - 1a pars (of 5): O admirabile commercium creator generis	Despres, Josquin (ca. 1450–1521)	35v–36
O admirabile commercium 21.7 - 2a pars (of 5): Quando natus est	Despres, Josquin (ca. 1450–1521)	36v–37
O admirabile commercium 21.7 - 3a pars (of 5): Rubum quem viderat Moyses	Despres, Josquin (ca. 1450–1521)	37v–38
O admirabile commercium 21.7 - 4a pars (of 5): Germinavit radix Jesse	Despres, Josquin (ca. 1450–1521)	38v–39
O admirabile commercium 21.7 - 5a pars (of 5): Ecce Maria genuit	Despres, Josquin (ca. 1450–1521)	39v–40
O beate Basili - 1a pars (of 3): O beate Basili confessor Domini	Obrecht, Jacobus (ca. 1457–1505)	146v–147
O beate Basili - 2a pars (of 3): O beate pater Basili	Obrecht, Jacobus (ca. 1457–1505)	147v–148
O beate Basili - 3a pars (of 3): O virum digne	Obrecht, Jacobus (ca. 1457–1505)	146v–150
O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8	Despres, Josquin (ca. 1450–1521)	117v–118
O crux ave spes unica hoc passionis	Agricola, Alexander (ca. 1445–1506)	197v–199
Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator	Compère, Loyset (ca. 1445–1518)	137v–138
Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus	Compère, Loyset (ca. 1445–1518)	138v–139
Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina	Compère, Loyset (ca. 1445–1518)	139v–140
Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus	Compère, Loyset (ca. 1445–1518)	140v–141
Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum	Compère, Loyset (ca. 1445–1518)	141v–142
Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est	Compère, Loyset (ca. 1445–1518)	132v–143
Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit	Compère, Loyset (ca. 1445–1518)	143v–144
Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina	Compère, Loyset (ca. 1445–1518)	144v–145
Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae	Compère, Loyset (ca. 1445–1518)	145v–146
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)	130v–132
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?)	132v–134
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?) Venture, Johannes a la (fl. c1500) (?)	134v–137
Per lignum salvi facti sumus	Mouton, Jean (ca. 1459–1522)	30v–31
Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)	57v–59
Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)	59v–60
Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)	60v–61
Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)	61v–62
Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps	Isaac, Heinrich (ca. 1450–1517)	31v–34
Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum	Isaac, Heinrich (ca. 1450–1517)	34v–35
Psallite noe Judaei - 1a pars (of 3): Psallite noe Judaei ... Angelus ad pastores	Petit, Nino le (fl. c1500)	74v–75
Psallite noe Judaei - 2a pars (of 3): Psallite ... quem Johannes videns	Petit, Nino le (fl. c1500)	75v–76
Psallite noe Judaei - 3a pars (of 3): Puer nobis nascitur, in presepe ponitur	Petit, Nino le (fl. c1500)	76v–77
Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est	Mouton, Jean (ca. 1459–1522)	187v–189
Puer natus est - 2a pars (of 2): Angelus ad pastores ait	Mouton, Jean (ca. 1459–1522)	188v–190
Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol	Brumel, Antoine (ca. 1460–ca. 1513)	86v–87
Quae est ista - 2a pars (of 2): Et sicut dies	Brumel, Antoine (ca. 1460–ca. 1513)	87v–88
Quae est ista quae ascendit per desertum Vs. Ista est speciosa	Isaac, Heinrich (ca. 1450–1517)	81v–84
Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam	Isaac, Heinrich (ca. 1450–1517)	79v–80
Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet	Isaac, Heinrich (ca. 1450–1517)	79v–80
Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis	Isaac, Heinrich (ca. 1450–1517)	80v–81
Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma	Isaac, Heinrich (ca. 1450–1517)	80v–81
Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	Mouton, Jean (ca. 1459–1522)	185v, 180
Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar	Mouton, Jean (ca. 1459–1522)	185v, 180–180v, 187
Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti	Rue, Pierre de la (ca. 1452–1518)	96v–97
Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti	Isaac, Heinrich (ca. 1450–1517)	128v–129
Quis dabit pacem - 2a pars (of 2): Quam tuas laudes	Rue, Pierre de la (ca. 1452–1518)	97v–98
Quis dabit pacem - 2a pars (of 2): Quam tuas laudes	Isaac, Heinrich (ca. 1450–1517)	129v–130
Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus	Mouton, Jean (ca. 1459–1522)	192v–194
Regem confessorum - 2a pars (of 2): Beatus vir qui hodie	Mouton, Jean (ca. 1459–1522)	193v–195
Salve mater salvatoris vas electum	Mouton, Jean (ca. 1459–1522)	153v–154
Salve sancta facies - 1a pars (of 2): Salve sancta facies nostri redemptoris	Obrecht, Jacobus (ca. 1457–1505)	120v–122
Salve sancta facies - 2a pars (of 2): Salve nostra gloria	Obrecht, Jacobus (ca. 1457–1505)	122v–124
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini	Anonymous	101v–102
Si bona suscepimus - 2a pars (of 2):	Anonymous	102v–103
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	70v–72
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)	72v–74
Spem in alium numquam habui	Anonymous	108v–109
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	Despres, Josquin (ca. 1450–1521)	22v–24
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	Despres, Josquin (ca. 1450–1521)	24v–26
Sub tuum praesidium confugimus	Brumel, Antoine (ca. 1460–ca. 1513)	88v–89
Sufficiebat nobis paupertas nostra senectutis nostrae	Richafort, Jean (ca. 1480–ca. 1550)	47v–48
Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse)	Isaac, Heinrich (ca. 1450–1517)	95v–96
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	Isaac, Heinrich (ca. 1450–1517)	92v–93
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes	Isaac, Heinrich (ca. 1450–1517)	93v–94

‡ denotes primary source study

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. Wiesbaden. Pages: 90,107-9. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 55: 267-332. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion; additional bibliography.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten, vol. Band 21 (2 vols.) . Munich and Salzburg. Pages: II, 8, 76-90. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 216.

Hudson, Barton (editor). 1979. Ninot le Petit: Collected Works. Corpus mensurabilis musicae, vol. 87. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xi-xii, xiv-xv,xxiv-xxv. Notes: mention of MS; contents list (partial); concordances (partial).

Finscher, Ludwig. 1977. Der Medici-Kodex-Geschichte und Edition. Die Musikforschung, 30: 468-81. Pages: 472-3,479. Notes: physical description; mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xxii,26-7, 61-2; II,37-8,103; III,86. Notes: physical description; contents list (partial); concordances (partial).

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae, vol. 58. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, x, passim. Notes: mention of MS; transcription (partial).

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 169-72. Notes: :Discussion of the MS.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xxxix, xli, 91-4, 111-2. Notes: mention of MS; transcription (partial).

Pannella, Liliana. 1968. Le composizioni profane di una raccolta fiorentina del cinquecento. Revista Italiana di Musicologia, 3: 3-47. Pages: 41-7. Notes: concordances (partial).

Finscher, Ludwig. 1966. Loyset Compère: Life and works. MSD, vol. 12. Roma. Pages: 119.

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1: 1-19. Pages: 2-7. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, 28-31, 38-40. Notes: transcription (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 353. Notes: physical description; contents list (partial); concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 21-2. Notes: physical description; contents list.

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae, vol. 15. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, iv, 1-8; IV, ii. Notes: mention of MS; transcription (partial); facsimile (partial).

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VIII, 144.

Lowinsky, Edward E. 1957. The Medici Codex: A Document of Music, Art, and Politics in the Renaissance. Annales Musicologiques, 5: 61-178. Pages: 120-59. Notes: concordances (partial).

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII,144,149ff,160ff. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: II, fasc. 2, vii. Notes: physical description.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI, 1424-5; X, 1694, Tafel 63. Notes: facsimile (partial).

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 14: 165-81. Pages: 180-l. Notes: contents list (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: I,v,xiii-ff,24-34; III.xi-xiii; IV,ix; VI.vii-xii; VIII,viii-xii,xv; X,vii-viii. Notes: physical description (partial); contents list; concordances (partial); transcription (partial).

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: A. Smijers, in JosquinMO I, p. V et IX.

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: II, vii. Notes: physical description.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 172, passim. Notes: physical description; transcription (partial).

Kade, Otto. 1877. Ein handschriftlicher Codex in der Bibliothek Maglibechiana zu Florenz. Monatshefte für Musikgeschichte, 9: 31-6. Pages: 31-6. Notes: contents list.

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Julie Cumming

Wednesday, 14 November, 2018

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Fn MS II.I.232

Biblioteca Nazionale Centrale, Florence, Italy

manuscript of polyphony: c. 1516-21

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