I-Fn MS II.I.232

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

manuscript of polyphony: c. 1516-21

Archive Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark MS II.I.232
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 420 x 285 mm
Other Identifiers
  • RISM: I-Fn 232
  • CCM: FlorBN II.I.232
  • olim (Former shelfmark): Magliabechi XIX. 58
Notations
  • black void mensural
External Links
Provenance
  • Firenze (Florence), Italy
Contents 137 pieces from 16 composers
General Description

All music and most text copied by a single scribe; several additional text scribes (CumF). Copied in Florence.

DIAMM, 2017
Physical Description

Outer margins of many folios waterstained, but most music still legible. Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ...

DIAMM, 2017
Binding

Rebound in modern covers of yellow parchment.

DIAMM, 2017
Watermark

(1) resembles Briquet #492; (2) generally resembles Briquet #204-5; (3) resembles Briquet #4835 (first original flyleaf only); (4) fleur-de-lis (second original flyleaf only; not in Briquet) (CumF)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation, 1-200, on upper right rectos (some numbers partially obliterated by trimming or fraying).

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Index

Original index on f. [iii'] gives some composer attributions in addition to those found in the main body of the manuscript.

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XVIe s. 200ff. + 3ff. limin. ch. I-III et 2 à la fin. Papier, 425 x 305 mm. Foliotation ancienne: 1-200. Les ff. 1 et 200v sont blancs. Notation mesurée blanche. 10 portées par p. Au f. limin. IIIv Table alphabétique contemporaine du ms. Grandes capitales ornées à la plume. Reliure parchemin moderne.

Ce ms. (Provenienza Gaddi. N.1113) de motets et fragments de messes, présente la particularité remarquable de fournir (à la Table sinon toujours en tête des pièces) le nom des auteurs de 61 des 64 compositions, Josquin étant le mieux représenté avec 13, suivi par Mouton avec 12 et Isaac avec 11. A côté de la génération de Josquin active dès la fin du XVe s., la présence de Carpentras, Ninot, Eustachius, porte vers 1530 la date du ms. qui n'a d'ailleurs pu être copié avant 1514, date de la mort d'Anne de Bretagne, la Lamentation écrite par Mouton à cette occasion figurant au no 58. D'autre part, certaines pièces semblent avoir été copiées d'après les Motetti de la Corona Lib. Io, imprimé chez Petrucci en 1514 (15141), par ex. les nos 51 et 57. Dans l'état présent du ms. (1979), des ff. ont été intervertis par le relieur à la réfection du ms. (cf. nos 56, 57 et 58) et la foliotation en partie rognée.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Gloria, 1 Credo, 1 Passion, 65 motets (1 is textless in this source) = 68

A. Agricola-2, Brumel-3, Carpentras-2, Carpentras/(Josquin)-1, Compère-3, Eustachius de Monte Regali-2, Isaac-11, Josquin-17, La Rue-2, Lapicida [Erasmus]-1, Longaval/(Obrecht/Venture)-1, Mouton-12, Ninot le Petit-2, Ninot le Petit/(Josquin)-1, Ninot le Petit/(Obrecht)-1, Obrecht-3, Richafort-1, anon-3

iii + 200 + ii paper folios, 425 x 302. Original foliation. Original leather covers. Original index at the beginning gives some composer attributions in addition to those found in the main body of the manuscript. Inked calligraphic initials. One watermark is probably identical to Briquet #205 (Florence, 1514).

Ca. 1515 (Rifkin). Copied in Florence.

Vol 4

Contents: 1 Gloria, 1 Credo, 1 Passion, 63 motets (1 without text), 2 motet-chansons = 68

Composers: Change "Carpentras-2" to "Carpentras-1, Carpentras/(Mouton)-1"; add "Leo X-1"; change "anon-3" to "anon-2."

Physical: ii + iii + 200 + ii paper folios, 420 x 285. Outer margins of many folios waterstained, but most music still legible. Original ink foliation, 1-200, on upper right rectos (some numbers partially obliterated by trimming or fraying). Rebound in modern covers of yellow parchment. Original index on f. [iii']. All music and most text copied by a single scribe; several additional text scribes (CumF). Inked calligraphic initials. Watermarks: (1) resembles Briquet #492; (2) generally resembles Briquet #204-5; (3) resembles Briquet #4835 (first original flyleaf only); (4) fleur-de-lis (second original flyleaf only; not in Briquet) (CumF).

Date: Ca. 1516-21 (CumF).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
iii (v) index - -

index

Appears on: iii (v)
1v–8 Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo] YZACH
Appears on: 1v–8
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: YZACH
Voice: [no designation]
Languages: Latin
Voice Text: [Missa virgo prudentíssima. Credo] Patrem
General Note

= Missa De Assumptione Beate Marie Virginis*.

Concordances

*B-Br 6428

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VIII.

8v–11 Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo Iosquin
Appears on: 8v–11
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Huc me sydereo descendere iussit Olympo
General Note

Publ. cf. Bc 142 n° 45

11v–13 Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit -
Appears on: 11v–13
Genres: Motet
13v–17 Angeli archangeli Yzach
Appears on: 13v–17
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Angeli archangeli
Concordances

*D-ddr-LEu 1494

Item Bibliography

[No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik.  Pages: 34.

17v–20 Factor orbis Deus - 1a pars (of 2): Factor orbis Deus nos famulos Obret [= Obrecht]
Appears on: 17v–20
Genres: Motet
Source Attribution: Obret [= Obrecht]
Voice: [no designation]
Languages: Latin
Voice Text: Factor orbis deus nos famulos

Item Bibliography

Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.  Amsterdam und Leipzig. Pages: II.

20v–22 Factor orbis Deus - 2a pars (of 2): Spiritus Domine super me evangelizare -
Appears on: 20v–22
Genres: Motet
22v–24 Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Iosquin
Appears on: 22v–24
Genres: Motet, Stabat Mater
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa

Item Bibliography

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: II.

24v–26 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire -
Appears on: 24v–26
Genres: Motet
26v–28 Gaude prole regia - 1a pars (of 2): Gaude prole regia virginum egregia Luiset Compere
Appears on: 26v–28
Genres: Motet
Source Attribution: Luiset Compere
Voice: [no designation]
Languages: Latin
Voice Text: Gaude prole regia virginum egregia

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, III(facs. des ff. 26v-27).

28v–30 Gaude prole regia - 2a pars (of 2): Luiset Compere
Appears on: 28v–30
Genres: Motet
Source Attribution: Luiset Compere
Voice: [no designation]
Languages: Latin
Voice Text: Gaude prole regia virginum egregia

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, III(facs. des ff. 26v-27).

30v–31 Per lignum salvi facti sumus Io. Mouton
Appears on: 30v–31
Genres: Motet
Source Attribution: Io. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Per lignum salvi facti sumus
General Note

Publ. cf. Bc 19 n° 52

31v–34 Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps Yzach
Appears on: 31v–34
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Prophetarum maxime vatumque princeps
34v–35 Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum Yzach
Appears on: 34v–35
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Prophetarum maxime vatumque princeps
35v–36 O admirabile commercium 21.7 - 1a pars (of 5): O admirabile commercium creator generis Iosquin
Appears on: 35v–36
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commercium creator generis
General Note

Publ. cf. Fl 666 n' 4

36v–37 O admirabile commercium 21.7 - 2a pars (of 5): Quando natus est Iosquin
Appears on: 36v–37
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commercium creator generis
General Note

Publ. cf. Fl 666 n' 4

37v–38 O admirabile commercium 21.7 - 3a pars (of 5): Rubum quem viderat Moyses Iosquin
Appears on: 37v–38
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commercium creator generis
General Note

Publ. cf. Fl 666 n' 4

38v–39 O admirabile commercium 21.7 - 4a pars (of 5): Germinavit radix Jesse Iosquin
Appears on: 38v–39
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commercium creator generis
General Note

Publ. cf. Fl 666 n' 4

39v–40 O admirabile commercium 21.7 - 5a pars (of 5): Ecce Maria genuit Iosquin
Appears on: 39v–40
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commercium creator generis
General Note

Publ. cf. Fl 666 n' 4

40v–42 Felix namque - 1a pars (of 2): Felix namque es sacra virgo Maria Io. Mouton
Appears on: 40v–42
Genres: Motet
Source Attribution: Io. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Felix namque es sacra virgo Maria
General Note

Publ. cf. CMac D(F) n° 7

41v–43 Felix namque - 2a pars (of 2): O Maria mater dei mater pietatis -
Appears on: 41v–43
Genres: Motet
43v–45 Bona vita bona refectio - 1a pars (of 2): Bona vita bona refectio bona cena Io. Mouton
Appears on: 43v–45
Genres: Motet
Source Attribution: Io. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Bona vita bona refectio bona cena
General Note

Publ. cf. Fn 164-167 n° 75

45v–47 Bona vita bona refectio - 2a pars (of 2): Educas panem de terra Io. Mouton
Appears on: 45v–47
Genres: Motet
Source Attribution: Io. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Bona vita bona refectio bona cena
General Note

Publ. cf. Fn 164-167 n° 75

47v–48 Sufficiebat nobis paupertas nostra senectutis nostrae Richafort
Appears on: 47v–48
Genres: Motet
Source Attribution: Richafort
Voice: [no designation]
Languages: Latin
Voice Text: Sufficiebat nobis paupertas nostra
General Note

Publ. cf. Bc 19 n° 53

48v–49 Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret Io. Mouton
Appears on: 48v–49
Genres: Motet
Source Attribution: Io. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Factum est silentium in caelo dum committeret
General Note

Publ. cf. CT 95-96 n° 52

49v–51 Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes -
Appears on: 49v–51
Genres: Motet
51v–53 Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi Iosquin
Appears on: 51v–53
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Liber generationis Iesu Christi
General Note

Publ. cf. CT 95-96 n° 38

53v–55 Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam Iosquin
Appears on: 53v–55
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Liber generationis Iesu Christi
General Note

Publ. cf. CT 95-96 n° 38

55v–57 Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis Iosquin
Appears on: 55v–57
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Liber generationis Iesu Christi
General Note

Publ. cf. CT 95-96 n° 38

57v–59 Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi Ninot [le Petit]/[Josquin]
Appears on: 57v–59
Genres: Motet
Source Attribution: Ninot [le Petit]/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Planxit autem David

Item Bibliography

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: I.

59v–60 Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia Ninot [le Petit]/[Josquin]
Appears on: 59v–60
Genres: Motet
Source Attribution: Ninot [le Petit]/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Planxit autem David

Item Bibliography

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: I.

60v–61 Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit Ninot [le Petit]/[Josquin]
Appears on: 60v–61
Genres: Motet
Source Attribution: Ninot [le Petit]/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Planxit autem David
Layout

(The copyist miscalculated, and the music for this pars is very cramped & still overfills the space available...)

Item Bibliography

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: I.

61v–62 Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha Ninot [le Petit]/[Josquin]
Appears on: 61v–62
Genres: Motet
Source Attribution: Ninot [le Petit]/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Planxit autem David

Item Bibliography

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: I.

62v–65 Laudate Dominum - 1a pars (of 2): Laudate Dominum de caelis laudate eum Brumel
Appears on: 62v–65
Genres: Psalm motet
Source Attribution: Brumel
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum de caelis laudate eum

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.

65v–67 Laudate Dominum - 2a pars (of 2): Laudate Dominum in sanctis eius -
Appears on: 65v–67
Genres: Psalm motet
67v–68 In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum Ninot [le Petit]
Appears on: 67v–68
Genres: Motet
Source Attribution: Ninot [le Petit]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore assumpsit Iesus Petrum
General Note

Publ. cf. CT 95-96 n" 36

68v–69 In illo tempore - 2a pars (of 3): Adhuc eo loquente -
Appears on: 68v–69
Genres: Motet
69v–70 In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis Ninot [le Petit]
Appears on: 69v–70
Genres: Motet
Source Attribution: Ninot [le Petit]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore assumpsit Iesus Petrum
General Note

Publ. cf. CT 95-96 n" 36

70v–72 Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia Ninot [le Petit]/[Obrecht]
Appears on: 70v–72
Genres: Motet
Source Attribution: Ninot [le Petit]/[Obrecht]
Voice: [no designation]
Languages: Latin
Voice Text: Si oblitus fuero tui
General Note

Publ. cf. CT 95-96 n° 35

Concordances

*D-ddr-ABG 2

72v–74 Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes -
Appears on: 72v–74
Genres: Motet
74v–75 Psallite noe Judaei - 1a pars (of 3): Psallite noe Judaei ... Angelus ad pastores Ninot [le Petit]
Appears on: 74v–75
Genres: Motet
Source Attribution: Ninot [le Petit]
Voice: [no designation]
Languages: Latin
Voice Text: Psallite noe Iudei credite psallite noe
General Note

Publ. cf. Fn 107 bis n° 22

75v–76 Psallite noe Judaei - 2a pars (of 3): Psallite ... quem Johannes videns Ninot [le Petit]
Appears on: 75v–76
Genres: Motet
Source Attribution: Ninot [le Petit]
Voice: [no designation]
Languages: Latin
Voice Text: Psallite noe Iudei credite psallite noe
General Note

Publ. cf. Fn 107 bis n° 22

76v–77 Psallite noe Judaei - 3a pars (of 3): Puer nobis nascitur, in presepe ponitur -
Appears on: 76v–77
Genres: Motet
77v–78 Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum Iosquin
Appears on: 77v–78
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater
General Note

Publ. cf. Bc 18 n° 54

78v–79 Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa Iosquin
Appears on: 78v–79
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater
General Note

Publ. cf. Bc 18 n° 54

79v–80 Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam Yzach
Appears on: 79v–80
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Quis dabit capiti meo aquam
General Note

Publ. cf. CT 95-96 n° 42

79v–80 Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet Yzach
Appears on: 79v–80
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Quis dabit capiti meo aquam
General Note

Publ. cf. CT 95-96 n° 42

80v–81 Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis Yzach
Appears on: 80v–81
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Quis dabit capiti meo aquam
General Note

Publ. cf. CT 95-96 n° 42

80v–81 Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma Yzach
Appears on: 80v–81
Genres: Kyrie eleison, Mass Ordinary, Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Quis dabit capiti meo aquam
General Note

Publ. cf. CT 95-96 n° 42

81v–84 Quae est ista quae ascendit per desertum Vs. Ista est speciosa Yzach
Appears on: 81v–84
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Quae est ista quae ascendit per desertum
84v–86 Ergo sancti martires sanctis vestris Agricola
Appears on: 84v–86
Genres: Motet
Source Attribution: Agricola
Voice: [no designation]
Languages: Latin
Voice Text: Ergo sancti martires sanctis vestris

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, IV.

86v–87 Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol Brumel
Appears on: 86v–87
Genres: Motet
Source Attribution: Brumel
Voice: [no designation]
Languages: Latin
Voice Text: Quae est ista quae processit sicut sol

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.

87v–88 Quae est ista - 2a pars (of 2): Et sicut dies Brumel
Appears on: 87v–88
Genres: Motet
Source Attribution: Brumel
Voice: [no designation]
Languages: Latin
Voice Text: Quae est ista quae processit sicut sol

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.

88v–89 Sub tuum praesidium confugimus Brumel
Appears on: 88v–89
Genres: Motet
Source Attribution: Brumel
Voice: [no designation]
Languages: Latin
Voice Text: Sub tuum praesidium

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.

89v–90 Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est Yzach
Appears on: 89v–90
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est
90v–91 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis -
Appears on: 90v–91
Genres: Motet
91v–92 Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto Yzach
Appears on: 91v–92
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est
92v–93 Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula Yzach
Appears on: 92v–93
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula
General Note

Publ. cf. CT 95-96 n° 41

93v–94 Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes Yzach
Appears on: 93v–94
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula
General Note

Publ. cf. CT 95-96 n° 41

94v–95 Missus est Gabriel angelus ad Mariam 20.6 Iosquin
Appears on: 94v–95
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Missus est Gabriel angelus
General Note

Publ. cf. Bc 142 n' 8

95v–96 Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) Yzach
Appears on: 95v–96
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Sustinuimus pacem et non invenimus
General Note

Publ. cf. CT 95-96 n" 29

96v–97 Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti P. Delarue
Appears on: 96v–97
Genres: Motet
Source Attribution: P. Delarue
Voice: [no designation]
Languages: Latin
Voice Text: Quis dabit pacem populo timenti

Item Bibliography

Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte.  Tutzing. Pages: II.

97v–98 Quis dabit pacem - 2a pars (of 2): Quam tuas laudes P. Delarue
Appears on: 97v–98
Genres: Motet
Source Attribution: P. Delarue
Voice: [no designation]
Languages: Latin
Voice Text: Quis dabit pacem populo timenti

Item Bibliography

Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte.  Tutzing. Pages: II.

98v–99 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra Carpentras
Appears on: 98v–99
Genres: Introit, Proper
Source Attribution: Carpentras
Voice: [no designation]
Languages: Latin
Voice Text: Iubilate deo omnis terra

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.

99v–101 Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius Carpentras
Appears on: 99v–101
Genres: Motet
Source Attribution: Carpentras
Voice: [no designation]
Languages: Latin
Voice Text: Iubilate deo omnis terra

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.

101v–102 Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini - Anonymous
Appears on: 101v–102
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus
102v–103 Si bona suscepimus - 2a pars (of 2): - Anonymous
Appears on: 102v–103
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus
103v–105 Considera Israel - 1a pars (of 4): Considera Israel pro his qui mortui sunt P. Delerue
Appears on: 103v–105
Genres: Motet
Source Attribution: P. Delerue
Voice: [no designation]
Languages: Latin
Voice Text: Considera Israel pro his

Item Bibliography

Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.  Wolfenbüttel/Berlin. Pages: 91.

105v–106 Considera Israel - 2a pars (of 4): Sagita Jonathe P. Delerue
Appears on: 105v–106
Genres: Motet
Source Attribution: P. Delerue
Voice: [no designation]
Languages: Latin
Voice Text: Considera Israel pro his

Item Bibliography

Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.  Wolfenbüttel/Berlin. Pages: 91.

106v–107 Considera Israel - 3a pars (of 4): Filie Israel super Saul P. Delerue
Appears on: 106v–107
Genres: Motet
Source Attribution: P. Delerue
Voice: [no designation]
Languages: Latin
Voice Text: Considera Israel pro his

Item Bibliography

Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.  Wolfenbüttel/Berlin. Pages: 91.

107v–108 Considera Israel - 4a pars (of 4): Doleo super te frater mi Jonathas P. Delerue
Appears on: 107v–108
Genres: Motet
Source Attribution: P. Delerue
Voice: [no designation]
Languages: Latin
Voice Text: Considera Israel pro his

Item Bibliography

Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.  Wolfenbüttel/Berlin. Pages: 91.

108v–109 Spem in alium numquam habui - Anonymous
Appears on: 108v–109
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Spem in alium numquam habui
109v–110 Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum Iosquin
Appears on: 109v–110
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater/Ave regina
General Note

Publ. cf. CT 95-96 n° 31

110v–111 Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa Iosquin
Appears on: 110v–111
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater/Ave regina
General Note

Publ. cf. CT 95-96 n° 31

111v–112 Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena Iosquin
Appears on: 111v–112
Genres: Ave Maria, Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria ... virgo serena
General Note

Publ. cf. Fn 164-167 n° 77

112v–113 Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas -
Appears on: 112v–113
Genres: Ave Maria, Motet
113v–115 Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater Yzach
Appears on: 113v–115
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater

Item Bibliography

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: [facs.] 31.

115v–117 Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante Yzach
Appears on: 115v–117
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater

Item Bibliography

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19.

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: [facs.] 31.

117v–118 O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 Iosqn.
Appears on: 117v–118
Genres: Ave Maria, BVM, Motet, Pater noster
Source Attribution: Iosqn.
Voice: [no designation]
Languages: Latin
Voice Text: O bone et dulcis domine Iesu credo/Pater noster/Ave Maria
General Note

… Publ. cf. CT 95-96 n° 30

118v–119 Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium Loyset [Compère]
Appears on: 118v–119
Genres: Motet
Source Attribution: Loyset [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: Crux triumphans decus potentium

Item Bibliography

Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.

119v–120 Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale -
Appears on: 119v–120
Genres: Motet
120v–122 Salve sancta facies - 1a pars (of 2): Salve sancta facies nostri redemptoris Hobret [= Obrecht]
Appears on: 120v–122
Genres: Motet
Source Attribution: Hobret [= Obrecht]
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta facies nostri redemptoris

Item Bibliography

Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.  Amsterdam und Leipzig. Pages: III.

122v–124 Salve sancta facies - 2a pars (of 2): Salve nostra gloria -
Appears on: 122v–124
Genres: Motet

Item Bibliography

Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.  Amsterdam und Leipzig. Pages: III.

124v–128 Missa Beata Virgine = Missa Coronata 3.3: Gloria Josquino
Appears on: 124v–128
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Josquino
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria De beata virgine] Et in terra . . .

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria De beata virgine] Et in terra . . .

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria De beata virgine] Et in terra . . .

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria De beata virgine] Et in terra . . .

Item Bibliography

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931).  Leipzig/ Amsterdam. Pages: IV.

128v–129 Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti Yzach
Appears on: 128v–129
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Quis dabit pacem populo timenti
General Note

Publ. cf. Bc 20 n° 24

129v–130 Quis dabit pacem - 2a pars (of 2): Quam tuas laudes Yzach
Appears on: 129v–130
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Quis dabit pacem populo timenti
General Note

Publ. cf. Bc 20 n° 24

130v–132 Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]
Appears on: 130v–132
Genres: Liturgical work, Motet, Passion
Source Attribution: (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri
Concordances

*15381 **D-ddr-Dlb D.505

Item Bibliography

Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.  Amsterdam und Leipzig. Pages: 28, Afl.

132v–134 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]
Appears on: 132v–134
Genres: Passion
Source Attribution: (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri
Concordances

*15381 **D-ddr-Dlb D.505

Item Bibliography

Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.  Amsterdam und Leipzig. Pages: 28, Afl.

134v–137 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]
Appears on: 134v–137
Genres: Motet
Source Attribution: (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri
Concordances

*15381 **D-ddr-Dlb D.505

Item Bibliography

Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.  Amsterdam und Leipzig. Pages: 28, Afl.

137v–138 Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator Loyse [Compère]
Appears on: 137v–138
Genres: Motet
Source Attribution: Loyse [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: In nomine Iesu omne genuflectatur

Item Bibliography

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: 5 (2 parties seul).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.

138v–139 Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus Loyse [Compère]
Appears on: 138v–139
Genres: Motet
Source Attribution: Loyse [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: In nomine Iesu omne genuflectatur

Item Bibliography

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: 5 (2 parties seul).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.

139v–140 Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina Loyse [Compère]
Appears on: 139v–140
Genres: Motet
Source Attribution: Loyse [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: In nomine Iesu omne genuflectatur

Item Bibliography

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: 5 (2 parties seul).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.

140v–141 Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus Loyse [Compère]
Appears on: 140v–141
Genres: Motet
Source Attribution: Loyse [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: In nomine Iesu omne genuflectatur

Item Bibliography

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: 5 (2 parties seul).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.

141v–142 Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum Loyse [Compère]
Appears on: 141v–142
Genres: Motet
Source Attribution: Loyse [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: In nomine Iesu omne genuflectatur

Item Bibliography

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: 5 (2 parties seul).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.

132v–143 Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est Loyse [Compère]
Appears on: 132v–143
Genres: Motet
Source Attribution: Loyse [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: In nomine Iesu omne genuflectatur

Item Bibliography

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: 5 (2 parties seul).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.

143v–144 Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit Loyse [Compère]
Appears on: 143v–144
Genres: Motet
Source Attribution: Loyse [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: In nomine Iesu omne genuflectatur

Item Bibliography

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: 5 (2 parties seul).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.

144v–145 Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina Loyse [Compère]
Appears on: 144v–145
Genres: Motet
Source Attribution: Loyse [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: In nomine Iesu omne genuflectatur

Item Bibliography

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: 5 (2 parties seul).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.

145v–146 Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae Loyse [Compère]
Appears on: 145v–146
Genres: Motet
Source Attribution: Loyse [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: In nomine Iesu omne genuflectatur

Item Bibliography

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: 5 (2 parties seul).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.

146v–147 O beate Basili - 1a pars (of 3): O beate Basili confessor Domini Obret
Appears on: 146v–147
Genres: Motet
Source Attribution: Obret
Voice: [no designation]
Languages: Latin
Voice Text: O beate Basili confessor domini

Item Bibliography

Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.  Amsterdam und Leipzig. Pages: I.

147v–148 O beate Basili - 2a pars (of 3): O beate pater Basili Obret
Appears on: 147v–148
Genres: Motet
Source Attribution: Obret
Voice: [no designation]
Languages: Latin
Voice Text: O beate Basili confessor domini

Item Bibliography

Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.  Amsterdam und Leipzig. Pages: I.

146v–150 O beate Basili - 3a pars (of 3): O virum digne Obret
Appears on: 146v–150
Genres: Motet
Source Attribution: Obret
Voice: [no designation]
Languages: Latin
Voice Text: O beate Basili confessor domini

Item Bibliography

Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.  Amsterdam und Leipzig. Pages: I.

150v–151 Ave ancilla trinitatis - 1a pars (of 3): Ave ancilla trinitatis ave filia sempiterni Yzach
Appears on: 150v–151
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Ave ancilla trinitatis ave filia sempiterni
151v–152 Ave ancilla trinitatis - 2a pars (of 3): Ave promissio prophetarum, ave regina patriarcharum Yzach
Appears on: 151v–152
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Ave ancilla trinitatis ave filia sempiterni
151v–152 Ave ancilla trinitatis - 3a pars (of 3): Ave fons et plenitudo confessorum Yzach
Appears on: 151v–152
Genres: Motet
Source Attribution: Yzach
Voice: [no designation]
Languages: Latin
Voice Text: Ave ancilla trinitatis ave filia sempiterni
152v–153 In illo tempore extollens vocem quaedam - Anonymous
Appears on: 152v–153
Genres: In illo tempore, Motet
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore extollens vocem quaedam
153v–154 Salve mater salvatoris vas electum Io. Mouton
Appears on: 153v–154
Genres: Motet
Source Attribution: Io. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Salve mater salvatoris vas electum

Item Bibliography

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.

Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: 7.

Schering, Arnold. 1931. Geschichte der Musik in Beispielen.  Liepzig.

154v–155 Ecce Maria genuit nobis salvatorem Io. Mouton
Appears on: 154v–155
Genres: Marian antiphon
Source Attribution: Io. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit nobis salvatorem

Item Bibliography

Expert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens.  Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V.

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.

155v–157 Christum regem regum adoremus Dominum Io Mouto [= Mouton]
Appears on: 155v–157
Genres: Motet
Source Attribution: Io Mouto [= Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Christum regem regum adoremus dominum

Item Bibliography

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.

[No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: IV.

157v–160 Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam (CARPENTRAS)
Appears on: 157v–160
Genres: Miserere mei Deus, Motet
Source Attribution: (CARPENTRAS)
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei deus secundum magnam
General Note

Publ. cf. Fn 164^167 n» 78

160v–162 Miserere mei Deus - 2a pars (of 3): Cor mundum crea in me Deus (CARPENTRAS)
Appears on: 160v–162
Genres: Motet
Source Attribution: (CARPENTRAS)
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei deus secundum magnam
General Note

Publ. cf. Fn 164^167 n» 78

162v–163 Miserere mei Deus - 3a pars (of 3): Benigne fac domine (CARPENTRAS)
Appears on: 162v–163
Genres: Motet
Source Attribution: (CARPENTRAS)
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei deus secundum magnam
General Note

Publ. cf. Fn 164^167 n» 78

163v–165 Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens Io. Mouto
Appears on: 163v–165
Genres: Motet
Source Attribution: Io. Mouto
Voice: [no designation]
Languages: Latin
Voice Text: Gaude Barbara beata
General Note

Publ. cf. CFm 59 n° 25

164v–166 Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare -
Appears on: 164v–166
Genres: Motet
166v–168 Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo Iosquin
Appears on: 166v–168
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Misericordias domini in aeternum cantabo
General Note

Publ. cf. CT 95-96 n° 50

167v–168 Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est -
Appears on: 167v–168
Genres: Motet
168v–169 Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus Iosquin
Appears on: 168v–169
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Misericordias domini in aeternum cantabo
General Note

Publ. cf. CT 95-96 n° 50

168v–169 Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine Iosquin
Appears on: 168v–169
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Misericordias domini in aeternum cantabo
General Note

Publ. cf. CT 95-96 n° 50

169v–170 Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua Iosquin
Appears on: 169v–170
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Misericordias domini in aeternum cantabo
General Note

Publ. cf. CT 95-96 n° 50

170v–172 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Eustachius [de Monte Regali]
Appears on: 170v–172
Genres: Psalm
Source Attribution: Eustachius [de Monte Regali]
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo Dominus
171v–173 In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem Eustachius [de Monte Regali]
Appears on: 171v–173
Genres: Motet
Source Attribution: Eustachius [de Monte Regali]
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo Dominus
173v–174 Credidi propter quod - 1a pars (of 2): Credidi propter quod locutus sum Eustachius [de Monte Regali]
Appears on: 173v–174
Genres: Motet
Source Attribution: Eustachius [de Monte Regali]
Voice: [no designation]
Languages: Latin
Voice Text: Credidi propter
174v–176 Credidi propter quod - 2a pars (of 2): Vota mea Domino reddam Eustachius [de Monte Regali]
Appears on: 174v–176
Genres: Motet
Source Attribution: Eustachius [de Monte Regali]
Voice: [no designation]
Languages: Latin
Voice Text: Credidi propter
176v–178 Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo Iosquin
Appears on: 176v–178
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Memor esto verbi tui servo tuo
General Note

… Publ. cf. Bc 142 n° 5

178v–179v, 186 Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire -
Appears on: 178v–179v, 186
Genres: Motet
Layout

Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, the end of the 2a pars, which should have been opposite f.179v on f. 180, is on f. 186 instead.

Layout

Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, the Cantus & Tenor of the opening, which should have been on f. 180v, is on f. 186v instead.

186v, 181–183 Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine (CARPENTRAS)
Appears on: 186v, 181–183
Genres: Motet
Source Attribution: (CARPENTRAS)
Voice: [no designation]
Languages: Latin
Voice Text: Bonitatem fecisti cum servo tuo domine
Layout

Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, the Cantus & Tenor of the opening, which should have been on f. 180v, is on f. 186v instead.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.

182–185 Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me (CARPENTRAS)
Appears on: 182–185
Genres: Motet
Source Attribution: (CARPENTRAS)
Voice: [no designation]
Languages: Latin
Voice Text: Bonitatem fecisti cum servo tuo domine

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.

185v, 180 Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum Io. Mon. [= Mouton]
Appears on: 185v, 180
Genres: Motet
Source Attribution: Io. Mon. [= Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Quis dabit oculis nostris fontem lachrimarum
General Note

Publ. cf. CT 95-96 n° 51. Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, 'Quis dabit' which should have been on 185v, 186, 186v, 187, is on 185v, 180, 180v, 187 instead.

185v, 180–180v, 187 Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar Io. Mon. [= Mouton]
Appears on: 185v, 180–180v, 187
Genres: Motet
Source Attribution: Io. Mon. [= Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Quis dabit oculis nostris fontem lachrimarum
General Note

Publ. cf. CT 95-96 n° 51. Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, 'Quis dabit' which should have been on 185v, 186, 186v, 187, is on 185v, 180, 180v, 187 instead.

187v–189 Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est Io. Mon. [= Mouton]
Appears on: 187v–189
Genres: Motet
Source Attribution: Io. Mon. [= Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis
General Note

Publ. cf. Bc 19 n° 46

188v–190 Puer natus est - 2a pars (of 2): Angelus ad pastores ait -
Appears on: 188v–190
Genres: Motet
190v–192 Ave regina caelorum Erasmus [Lapicida]
Appears on: 190v–192
Genres: BVM, Motet
Source Attribution: Erasmus [Lapicida]
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina caelorum
192v–194 Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus Io. Mouton
Appears on: 192v–194
Genres: Motet
Source Attribution: Io. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Regem confessorum dominum venite adoremus
General Note

Publ. cf. Fn 164-167 n" 74

193v–195 Regem confessorum - 2a pars (of 2): Beatus vir qui hodie -
Appears on: 193v–195
Genres: Motet
195v–196 Ave virginum gemma - 1a pars (of 2): Ave virginum gemma virgo Katherina Io. Mouton
Appears on: 195v–196
Genres: Motet
Source Attribution: Io. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Ave virginum gemma Catherina ave sponsa
196v–197 Ave virginum gemma - 2a pars (of 2): Virgo sancta Katherina Graeciae gemma -
Appears on: 196v–197
Genres: Motet
197v–199 O crux ave spes unica hoc passionis Agricola
Appears on: 197v–199
Genres: Hymn
Source Attribution: Agricola
Voice: [no designation]
Languages: Latin
Voice Text: O crux ave spes unica hoc passionis

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, IV.

199v–200 Ecce tu pulchra es amica mea 14.6 Iosquin
Appears on: 199v–200
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Ecce tu pulchra es amica mea
General Note

Publ. cf. Bc 19 n° 63

Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Anonymous
Brumel, Antoine (ca. 1460–ca. 1513)
Carpentras, Elzear Genet (ca. 1470–1548)
Compère, Loyset (ca. 1445–1518)
Despres, Josquin (ca. 1450–1521)
Isaac, Heinrich (ca. 1450–1517)
Lapicida, Erasmus (ca. 1440–1547)
Longueval, Antoine de (fl. 1498-1525)
Monte Regali, Eustachius de (–1527)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Petit, Nino le (fl. c1500)
Richafort, Jean (ca. 1480–ca. 1550)
Rue, Pierre de la (ca. 1452–1518)
Venture, Johannes a la (fl. c1500)
Composition Composers (? Uncertain) Folios / Pages
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater 113v–115
Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante 115v–117
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum 77v–78
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum 109v–110
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa 78v–79
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa 110v–111
Angeli archangeli 13v–17
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est 89v–90
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis 90v–91
Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto 91v–92
Ave ancilla trinitatis - 1a pars (of 3): Ave ancilla trinitatis ave filia sempiterni 150v–151
Ave ancilla trinitatis - 2a pars (of 3): Ave promissio prophetarum, ave regina patriarcharum 151v–152
Ave ancilla trinitatis - 3a pars (of 3): Ave fons et plenitudo confessorum 151v–152
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena 111v–112
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas 112v–113
Ave regina caelorum 190v–192
Ave virginum gemma - 1a pars (of 2): Ave virginum gemma virgo Katherina 195v–196
Ave virginum gemma - 2a pars (of 2): Virgo sancta Katherina Graeciae gemma 196v–197
Bona vita bona refectio - 1a pars (of 2): Bona vita bona refectio bona cena 43v–45
Bona vita bona refectio - 2a pars (of 2): Educas panem de terra 45v–47
Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine 186v, 181–183
Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me 182–185
Christum regem regum adoremus Dominum 155v–157
Considera Israel - 1a pars (of 4): Considera Israel pro his qui mortui sunt 103v–105
Considera Israel - 2a pars (of 4): Sagita Jonathe 105v–106
Considera Israel - 3a pars (of 4): Filie Israel super Saul 106v–107
Considera Israel - 4a pars (of 4): Doleo super te frater mi Jonathas 107v–108
Credidi propter quod - 1a pars (of 2): Credidi propter quod locutus sum 173v–174
Credidi propter quod - 2a pars (of 2): Vota mea Domino reddam 174v–176
Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium 118v–119
Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale 119v–120
Ecce Maria genuit nobis salvatorem 154v–155
Ecce tu pulchra es amica mea 14.6 199v–200
Ergo sancti martires sanctis vestris 84v–86
Factor orbis Deus - 1a pars (of 2): Factor orbis Deus nos famulos 17v–20
Factor orbis Deus - 2a pars (of 2): Spiritus Domine super me evangelizare 20v–22
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret 48v–49
Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes 49v–51
Felix namque - 1a pars (of 2): Felix namque es sacra virgo Maria 40v–42
Felix namque - 2a pars (of 2): O Maria mater dei mater pietatis 41v–43
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens 163v–165
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare 164v–166
Gaude prole regia - 1a pars (of 2): Gaude prole regia virginum egregia 26v–28
Gaude prole regia - 2a pars (of 2): 28v–30
Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo 8v–11
Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit 11v–13
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 170v–172
In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem 171v–173
In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum 67v–68
In illo tempore - 2a pars (of 3): Adhuc eo loquente 68v–69
In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis 69v–70
In illo tempore extollens vocem quaedam Anonymous 152v–153
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra 98v–99
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius 99v–101
Laudate Dominum - 1a pars (of 2): Laudate Dominum de caelis laudate eum 62v–65
Laudate Dominum - 2a pars (of 2): Laudate Dominum in sanctis eius 65v–67
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi 51v–53
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam 53v–55
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis 55v–57
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo 176v–178
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire 178v–179v, 186
Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam 157v–160
Miserere mei Deus - 2a pars (of 3): Cor mundum crea in me Deus 160v–162
Miserere mei Deus - 3a pars (of 3): Benigne fac domine 162v–163
Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo 166v–168
Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est 167v–168
Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus 168v–169
Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine 168v–169
Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua 169v–170
Missa Beata Virgine = Missa Coronata 3.3: Gloria 124v–128
Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo] 1v–8
Missus est Gabriel angelus ad Mariam 20.6 94v–95
O admirabile commercium 21.7 - 1a pars (of 5): O admirabile commercium creator generis 35v–36
O admirabile commercium 21.7 - 2a pars (of 5): Quando natus est 36v–37
O admirabile commercium 21.7 - 3a pars (of 5): Rubum quem viderat Moyses 37v–38
O admirabile commercium 21.7 - 4a pars (of 5): Germinavit radix Jesse 38v–39
O admirabile commercium 21.7 - 5a pars (of 5): Ecce Maria genuit 39v–40
O beate Basili - 1a pars (of 3): O beate Basili confessor Domini 146v–147
O beate Basili - 2a pars (of 3): O beate pater Basili 147v–148
O beate Basili - 3a pars (of 3): O virum digne 146v–150
O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 117v–118
O crux ave spes unica hoc passionis 197v–199
Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator 137v–138
Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus 138v–139
Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina 139v–140
Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus 140v–141
Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum 141v–142
Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est 132v–143
Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit 143v–144
Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina 144v–145
Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae 145v–146
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 130v–132
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 132v–134
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 134v–137
Per lignum salvi facti sumus 30v–31
Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi 57v–59
Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia 59v–60
Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit 60v–61
Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha 61v–62
Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps 31v–34
Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum 34v–35
Psallite noe Judaei - 1a pars (of 3): Psallite noe Judaei ... Angelus ad pastores 74v–75
Psallite noe Judaei - 2a pars (of 3): Psallite ... quem Johannes videns 75v–76
Psallite noe Judaei - 3a pars (of 3): Puer nobis nascitur, in presepe ponitur 76v–77
Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est 187v–189
Puer natus est - 2a pars (of 2): Angelus ad pastores ait 188v–190
Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol 86v–87
Quae est ista - 2a pars (of 2): Et sicut dies 87v–88
Quae est ista quae ascendit per desertum Vs. Ista est speciosa 81v–84
Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam 79v–80
Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet 79v–80
Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis 80v–81
Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma 80v–81
Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum 185v, 180
Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar 185v, 180–180v, 187
Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti 96v–97
Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti 128v–129
Quis dabit pacem - 2a pars (of 2): Quam tuas laudes 97v–98
Quis dabit pacem - 2a pars (of 2): Quam tuas laudes 129v–130
Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus 192v–194
Regem confessorum - 2a pars (of 2): Beatus vir qui hodie 193v–195
Salve mater salvatoris vas electum 153v–154
Salve sancta facies - 1a pars (of 2): Salve sancta facies nostri redemptoris 120v–122
Salve sancta facies - 2a pars (of 2): Salve nostra gloria 122v–124
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini Anonymous 101v–102
Si bona suscepimus - 2a pars (of 2): Anonymous 102v–103
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia 70v–72
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes 72v–74
Spem in alium numquam habui Anonymous 108v–109
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem 22v–24
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire 24v–26
Sub tuum praesidium confugimus 88v–89
Sufficiebat nobis paupertas nostra senectutis nostrae 47v–48
Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) 95v–96
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula 92v–93
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes 93v–94

denotes primary source study

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen.  Wiesbaden. Pages: 90,107-9. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 267-332. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion; additional bibliography.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg. Pages: II, 8, 76-90. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 216.

Hudson, Barton (editor). 1979. Ninot le Petit: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xi-xii, xiv-xv,xxiv-xxv. Notes: mention of MS; contents list (partial); concordances (partial).

Finscher, Ludwig. 1977. Der Medici-Kodex-Geschichte und Edition. Die Musikforschung, 468-81. Pages: 472-3,479. Notes: physical description; mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I,xxii,26-7, 61-2; II,37-8,103; III,86. Notes: physical description; contents list (partial); concordances (partial).

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, x, passim. Notes: mention of MS; transcription (partial).

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 169-72. Notes: :Discussion of the MS.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xxxix, xli, 91-4, 111-2. Notes: mention of MS; transcription (partial).

Pannella, Liliana. 1968. Le composizioni profane di una raccolta fiorentina del cinquecento. Revista Italiana di Musicologia, 3-47. Pages: 41-7. Notes: concordances (partial).

Finscher, Ludwig. 1966. Loyset Compère: Life and works. MSD.  Roma. Pages: 119.

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Pages: 2-7. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, 28-31, 38-40. Notes: transcription (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 353. Notes: physical description; contents list (partial); concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze.  Kassel. Pages: 21-2. Notes: physical description; contents list.

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, iv, 1-8; IV, ii. Notes: mention of MS; transcription (partial); facsimile (partial).

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VIII, 144.

Lowinsky, Edward E. 1957. The Medici Codex: A Document of Music, Art, and Politics in the Renaissance. Annales Musicologiques, 61-178. Pages: 120-59. Notes: concordances (partial).

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VIII,144,149ff,160ff. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia.  Amsterdam. Pages: II, fasc. 2, vii. Notes: physical description.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VI, 1424-5; X, 1694, Tafel 63. Notes: facsimile (partial).

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 165-81. Pages: 180-l. Notes: contents list (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: I,v,xiii-ff,24-34; III.xi-xiii; IV,ix; VI.vii-xii; VIII,viii-xii,xv; X,vii-viii. Notes: physical description (partial); contents list; concordances (partial); transcription (partial).

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: A. Smijers, in JosquinMO I, p. V et IX.

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: II, vii. Notes: physical description.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII, 172, passim. Notes: physical description; transcription (partial).

Kade, Otto. 1877. Ein handschriftlicher Codex in der Bibliothek Maglibechiana zu Florenz. Monatshefte für Musikgeschichte, 31-6. Pages: 31-6. Notes: contents list.

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Julie Cumming

Wednesday, 14 November, 2018

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description