Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
iii (v) | index | - | - |
index
Appears on:
iii (v)
|
|||
1v–8 | Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo] | YZACH | |
Appears on:
1v–8
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
YZACH
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Missa virgo prudentíssima. Credo] Patrem
General Note= Missa De Assumptione Beate Marie Virginis*. Concordances*B-Br 6428 Item BibliographyRehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VIII. |
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8v–11 | Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo | Iosquin | |
Appears on:
8v–11
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Huc me sydereo descendere iussit Olympo
General NotePubl. cf. Bc 142 n° 45 |
|||
11v–13 | Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit | - | |
Appears on:
11v–13
Genres:
Motet
|
|||
13v–17 | Angeli archangeli | Yzach | |
Appears on:
13v–17
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Angeli archangeli
Concordances*D-ddr-LEu 1494 Item Bibliography[No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 34. |
|||
17v–20 | Factor orbis Deus - 1a pars (of 2): Factor orbis Deus nos famulos | Obret [= Obrecht] | |
Appears on:
17v–20
Genres:
Motet
Source Attribution:
Obret [= Obrecht]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Factor orbis deus nos famulos
Item BibliographyWolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: II. |
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20v–22 | Factor orbis Deus - 2a pars (of 2): Spiritus Domine super me evangelizare | - | |
Appears on:
20v–22
Genres:
Motet
|
|||
22v–24 | Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem | Iosquin | |
Appears on:
22v–24
Genres:
Motet, Stabat Mater
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Stabat mater dolorosa
Item BibliographySmijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II. |
|||
24v–26 | Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire | - | |
Appears on:
24v–26
Genres:
Motet
|
|||
26v–28 | Gaude prole regia - 1a pars (of 2): Gaude prole regia virginum egregia | Luiset Compere | |
Appears on:
26v–28
Genres:
Motet
Source Attribution:
Luiset Compere
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gaude prole regia virginum egregia
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, III(facs. des ff. 26v-27). |
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28v–30 | Gaude prole regia - 2a pars (of 2): | Luiset Compere | |
Appears on:
28v–30
Genres:
Motet
Source Attribution:
Luiset Compere
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gaude prole regia virginum egregia
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, III(facs. des ff. 26v-27). |
|||
30v–31 | Per lignum salvi facti sumus | Io. Mouton | |
Appears on:
30v–31
Genres:
Motet
Source Attribution:
Io. Mouton
Voice:
[no designation]
Languages:
Latin
Voice Text:
Per lignum salvi facti sumus
General NotePubl. cf. Bc 19 n° 52 |
|||
31v–34 | Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps | Yzach | |
Appears on:
31v–34
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Prophetarum maxime vatumque princeps
|
|||
34v–35 | Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum | Yzach | |
Appears on:
34v–35
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Prophetarum maxime vatumque princeps
|
|||
35v–36 | O admirabile commercium 21.7 - 1a pars (of 5): O admirabile commercium creator generis | Iosquin | |
Appears on:
35v–36
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
O admirabile commercium creator generis
General NotePubl. cf. Fl 666 n' 4 |
|||
36v–37 | O admirabile commercium 21.7 - 2a pars (of 5): Quando natus est | Iosquin | |
Appears on:
36v–37
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
O admirabile commercium creator generis
General NotePubl. cf. Fl 666 n' 4 |
|||
37v–38 | O admirabile commercium 21.7 - 3a pars (of 5): Rubum quem viderat Moyses | Iosquin | |
Appears on:
37v–38
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
O admirabile commercium creator generis
General NotePubl. cf. Fl 666 n' 4 |
|||
38v–39 | O admirabile commercium 21.7 - 4a pars (of 5): Germinavit radix Jesse | Iosquin | |
Appears on:
38v–39
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
O admirabile commercium creator generis
General NotePubl. cf. Fl 666 n' 4 |
|||
39v–40 | O admirabile commercium 21.7 - 5a pars (of 5): Ecce Maria genuit | Iosquin | |
Appears on:
39v–40
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
O admirabile commercium creator generis
General NotePubl. cf. Fl 666 n' 4 |
|||
40v–42 | Felix namque - 1a pars (of 2): Felix namque es sacra virgo Maria | Io. Mouton | |
Appears on:
40v–42
Genres:
Motet
Source Attribution:
Io. Mouton
Voice:
[no designation]
Languages:
Latin
Voice Text:
Felix namque es sacra virgo Maria
General NotePubl. cf. CMac D(F) n° 7 |
|||
41v–43 | Felix namque - 2a pars (of 2): O Maria mater dei mater pietatis | - | |
Appears on:
41v–43
Genres:
Motet
|
|||
43v–45 | Bona vita bona refectio - 1a pars (of 2): Bona vita bona refectio bona cena | Io. Mouton | |
Appears on:
43v–45
Genres:
Motet
Source Attribution:
Io. Mouton
Voice:
[no designation]
Languages:
Latin
Voice Text:
Bona vita bona refectio bona cena
General NotePubl. cf. Fn 164-167 n° 75 |
|||
45v–47 | Bona vita bona refectio - 2a pars (of 2): Educas panem de terra | Io. Mouton | |
Appears on:
45v–47
Genres:
Motet
Source Attribution:
Io. Mouton
Voice:
[no designation]
Languages:
Latin
Voice Text:
Bona vita bona refectio bona cena
General NotePubl. cf. Fn 164-167 n° 75 |
|||
47v–48 | Sufficiebat nobis paupertas nostra senectutis nostrae | Richafort | |
Appears on:
47v–48
Genres:
Motet
Source Attribution:
Richafort
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sufficiebat nobis paupertas nostra
General NotePubl. cf. Bc 19 n° 53 |
|||
48v–49 | Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret | Io. Mouton | |
Appears on:
48v–49
Genres:
Motet
Source Attribution:
Io. Mouton
Voice:
[no designation]
Languages:
Latin
Voice Text:
Factum est silentium in caelo dum committeret
General NotePubl. cf. CT 95-96 n° 52 |
|||
49v–51 | Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes | - | |
Appears on:
49v–51
Genres:
Motet
|
|||
51v–53 | Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi | Iosquin | |
Appears on:
51v–53
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Liber generationis Iesu Christi
General NotePubl. cf. CT 95-96 n° 38 |
|||
53v–55 | Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam | Iosquin | |
Appears on:
53v–55
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Liber generationis Iesu Christi
General NotePubl. cf. CT 95-96 n° 38 |
|||
55v–57 | Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis | Iosquin | |
Appears on:
55v–57
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Liber generationis Iesu Christi
General NotePubl. cf. CT 95-96 n° 38 |
|||
57v–59 | Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi | Ninot [le Petit]/[Josquin] | |
Appears on:
57v–59
Genres:
Motet
Source Attribution:
Ninot [le Petit]/[Josquin]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Planxit autem David
Item BibliographySmijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I. |
|||
59v–60 | Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia | Ninot [le Petit]/[Josquin] | |
Appears on:
59v–60
Genres:
Motet
Source Attribution:
Ninot [le Petit]/[Josquin]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Planxit autem David
Item BibliographySmijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I. |
|||
60v–61 | Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit | Ninot [le Petit]/[Josquin] | |
Appears on:
60v–61
Genres:
Motet
Source Attribution:
Ninot [le Petit]/[Josquin]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Planxit autem David
Layout(The copyist miscalculated, and the music for this pars is very cramped & still overfills the space available...) Item BibliographySmijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I. |
|||
61v–62 | Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha | Ninot [le Petit]/[Josquin] | |
Appears on:
61v–62
Genres:
Motet
Source Attribution:
Ninot [le Petit]/[Josquin]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Planxit autem David
Item BibliographySmijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I. |
|||
62v–65 | Laudate Dominum - 1a pars (of 2): Laudate Dominum de caelis laudate eum | Brumel | |
Appears on:
62v–65
Genres:
Psalm motet
Source Attribution:
Brumel
Voice:
[no designation]
Languages:
Latin
Voice Text:
Laudate dominum de caelis laudate eum
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V. |
|||
65v–67 | Laudate Dominum - 2a pars (of 2): Laudate Dominum in sanctis eius | - | |
Appears on:
65v–67
Genres:
Psalm motet
|
|||
67v–68 | In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum | Ninot [le Petit] | |
Appears on:
67v–68
Genres:
Motet
Source Attribution:
Ninot [le Petit]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In illo tempore assumpsit Iesus Petrum
General NotePubl. cf. CT 95-96 n" 36 |
|||
68v–69 | In illo tempore - 2a pars (of 3): Adhuc eo loquente | - | |
Appears on:
68v–69
Genres:
Motet
|
|||
69v–70 | In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis | Ninot [le Petit] | |
Appears on:
69v–70
Genres:
Motet
Source Attribution:
Ninot [le Petit]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In illo tempore assumpsit Iesus Petrum
General NotePubl. cf. CT 95-96 n" 36 |
|||
70v–72 | Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia | Ninot [le Petit]/[Obrecht] | |
Appears on:
70v–72
Genres:
Motet
Source Attribution:
Ninot [le Petit]/[Obrecht]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Si oblitus fuero tui
General NotePubl. cf. CT 95-96 n° 35 Concordances*D-ddr-ABG 2 |
|||
72v–74 | Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes | - | |
Appears on:
72v–74
Genres:
Motet
|
|||
74v–75 | Psallite noe Judaei - 1a pars (of 3): Psallite noe Judaei ... Angelus ad pastores | Ninot [le Petit] | |
Appears on:
74v–75
Genres:
Motet
Source Attribution:
Ninot [le Petit]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Psallite noe Iudei credite psallite noe
General NotePubl. cf. Fn 107 bis n° 22 |
|||
75v–76 | Psallite noe Judaei - 2a pars (of 3): Psallite ... quem Johannes videns | Ninot [le Petit] | |
Appears on:
75v–76
Genres:
Motet
Source Attribution:
Ninot [le Petit]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Psallite noe Iudei credite psallite noe
General NotePubl. cf. Fn 107 bis n° 22 |
|||
76v–77 | Psallite noe Judaei - 3a pars (of 3): Puer nobis nascitur, in presepe ponitur | - | |
Appears on:
76v–77
Genres:
Motet
|
|||
77v–78 | Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum | Iosquin | |
Appears on:
77v–78
Genres:
Alma redemptoris mater, BVM, Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alma redemptoris mater
General NotePubl. cf. Bc 18 n° 54 |
|||
78v–79 | Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa | Iosquin | |
Appears on:
78v–79
Genres:
Alma redemptoris mater, BVM, Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alma redemptoris mater
General NotePubl. cf. Bc 18 n° 54 |
|||
79v–80 | Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam | Yzach | |
Appears on:
79v–80
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit capiti meo aquam
General NotePubl. cf. CT 95-96 n° 42 |
|||
79v–80 | Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet | Yzach | |
Appears on:
79v–80
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit capiti meo aquam
General NotePubl. cf. CT 95-96 n° 42 |
|||
80v–81 | Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis | Yzach | |
Appears on:
80v–81
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit capiti meo aquam
General NotePubl. cf. CT 95-96 n° 42 |
|||
80v–81 | Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma | Yzach | |
Appears on:
80v–81
Genres:
Kyrie eleison, Mass Ordinary, Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit capiti meo aquam
General NotePubl. cf. CT 95-96 n° 42 |
|||
81v–84 | Quae est ista quae ascendit per desertum Vs. Ista est speciosa | Yzach | |
Appears on:
81v–84
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quae est ista quae ascendit per desertum
|
|||
84v–86 | Ergo sancti martires sanctis vestris | Agricola | |
Appears on:
84v–86
Genres:
Motet
Source Attribution:
Agricola
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ergo sancti martires sanctis vestris
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, IV. |
|||
86v–87 | Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol | Brumel | |
Appears on:
86v–87
Genres:
Motet
Source Attribution:
Brumel
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quae est ista quae processit sicut sol
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V. |
|||
87v–88 | Quae est ista - 2a pars (of 2): Et sicut dies | Brumel | |
Appears on:
87v–88
Genres:
Motet
Source Attribution:
Brumel
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quae est ista quae processit sicut sol
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V. |
|||
88v–89 | Sub tuum praesidium confugimus | Brumel | |
Appears on:
88v–89
Genres:
Motet
Source Attribution:
Brumel
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sub tuum praesidium
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V. |
|||
89v–90 | Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est | Yzach | |
Appears on:
89v–90
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Anima mea liquefacta est
|
|||
90v–91 | Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis | - | |
Appears on:
90v–91
Genres:
Motet
|
|||
91v–92 | Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto | Yzach | |
Appears on:
91v–92
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Anima mea liquefacta est
|
|||
92v–93 | Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula | Yzach | |
Appears on:
92v–93
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tota pulchra es amica mea et macula
General NotePubl. cf. CT 95-96 n° 41 |
|||
93v–94 | Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes | Yzach | |
Appears on:
93v–94
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tota pulchra es amica mea et macula
General NotePubl. cf. CT 95-96 n° 41 |
|||
94v–95 | Missus est Gabriel angelus ad Mariam 20.6 | Iosquin | |
Appears on:
94v–95
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missus est Gabriel angelus
General NotePubl. cf. Bc 142 n' 8 |
|||
95v–96 | Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) | Yzach | |
Appears on:
95v–96
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sustinuimus pacem et non invenimus
General NotePubl. cf. CT 95-96 n" 29 |
|||
96v–97 | Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti | P. Delarue | |
Appears on:
96v–97
Genres:
Motet
Source Attribution:
P. Delarue
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit pacem populo timenti
Item BibliographyOsthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: II. |
|||
97v–98 | Quis dabit pacem - 2a pars (of 2): Quam tuas laudes | P. Delarue | |
Appears on:
97v–98
Genres:
Motet
Source Attribution:
P. Delarue
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit pacem populo timenti
Item BibliographyOsthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: II. |
|||
98v–99 | Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra | Carpentras | |
Appears on:
98v–99
Genres:
Introit, Proper
Source Attribution:
Carpentras
Voice:
[no designation]
Languages:
Latin
Voice Text:
Iubilate deo omnis terra
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V. |
|||
99v–101 | Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius | Carpentras | |
Appears on:
99v–101
Genres:
Motet
Source Attribution:
Carpentras
Voice:
[no designation]
Languages:
Latin
Voice Text:
Iubilate deo omnis terra
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V. |
|||
101v–102 | Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini | - | Anonymous |
Appears on:
101v–102
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Si bona suscepimus
|
|||
102v–103 | Si bona suscepimus - 2a pars (of 2): | - | Anonymous |
Si bona suscepimus - 2a pars (of 2):Anonymous
Appears on:
102v–103
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Si bona suscepimus
|
|||
103v–105 | Considera Israel - 1a pars (of 4): Considera Israel pro his qui mortui sunt | P. Delerue | |
Appears on:
103v–105
Genres:
Motet
Source Attribution:
P. Delerue
Voice:
[no designation]
Languages:
Latin
Voice Text:
Considera Israel pro his
Item BibliographyBlume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 91. |
|||
105v–106 | Considera Israel - 2a pars (of 4): Sagita Jonathe | P. Delerue | |
Appears on:
105v–106
Genres:
Motet
Source Attribution:
P. Delerue
Voice:
[no designation]
Languages:
Latin
Voice Text:
Considera Israel pro his
Item BibliographyBlume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 91. |
|||
106v–107 | Considera Israel - 3a pars (of 4): Filie Israel super Saul | P. Delerue | |
Appears on:
106v–107
Genres:
Motet
Source Attribution:
P. Delerue
Voice:
[no designation]
Languages:
Latin
Voice Text:
Considera Israel pro his
Item BibliographyBlume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 91. |
|||
107v–108 | Considera Israel - 4a pars (of 4): Doleo super te frater mi Jonathas | P. Delerue | |
Appears on:
107v–108
Genres:
Motet
Source Attribution:
P. Delerue
Voice:
[no designation]
Languages:
Latin
Voice Text:
Considera Israel pro his
Item BibliographyBlume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 91. |
|||
108v–109 | Spem in alium numquam habui | - | Anonymous |
Spem in alium numquam habuiAnonymous
Appears on:
108v–109
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Spem in alium numquam habui
|
|||
109v–110 | Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum | Iosquin | |
Appears on:
109v–110
Genres:
Alma redemptoris mater, BVM, Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alma redemptoris mater/Ave regina
General NotePubl. cf. CT 95-96 n° 31 |
|||
110v–111 | Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa | Iosquin | |
Appears on:
110v–111
Genres:
Alma redemptoris mater, BVM, Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alma redemptoris mater/Ave regina
General NotePubl. cf. CT 95-96 n° 31 |
|||
111v–112 | Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena | Iosquin | |
Appears on:
111v–112
Genres:
Ave Maria, Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave Maria ... virgo serena
General NotePubl. cf. Fn 164-167 n° 77 |
|||
112v–113 | Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas | - | |
Appears on:
112v–113
Genres:
Ave Maria, Motet
|
|||
113v–115 | Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater | Yzach | |
Appears on:
113v–115
Genres:
Alma redemptoris mater, BVM, Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alma redemptoris mater
Item BibliographyJust, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: [facs.] 31. |
|||
115v–117 | Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante | Yzach | |
Appears on:
115v–117
Genres:
Alma redemptoris mater, BVM, Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alma redemptoris mater
Item BibliographyJust, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: [facs.] 31. |
|||
117v–118 | O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 | Iosqn. | |
Appears on:
117v–118
Genres:
Ave Maria, BVM, Motet, Pater noster
Source Attribution:
Iosqn.
Voice:
[no designation]
Languages:
Latin
Voice Text:
O bone et dulcis domine Iesu credo/Pater noster/Ave Maria
General Note… Publ. cf. CT 95-96 n° 30 |
|||
118v–119 | Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium | Loyset [Compère] | |
Appears on:
118v–119
Genres:
Motet
Source Attribution:
Loyset [Compère]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Crux triumphans decus potentium
Item BibliographyShipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. |
|||
119v–120 | Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale | - | |
Appears on:
119v–120
Genres:
Motet
|
|||
120v–122 | Salve sancta facies - 1a pars (of 2): Salve sancta facies nostri redemptoris | Hobret [= Obrecht] | |
Appears on:
120v–122
Genres:
Motet
Source Attribution:
Hobret [= Obrecht]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve sancta facies nostri redemptoris
Item BibliographyWolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: III. |
|||
122v–124 | Salve sancta facies - 2a pars (of 2): Salve nostra gloria | - | |
Appears on:
122v–124
Genres:
Motet
Item BibliographyWolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: III. |
|||
124v–128 | Missa Beata Virgine = Missa Coronata 3.3: Gloria | Josquino | |
Appears on:
124v–128
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Josquino
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria De beata virgine] Et in terra . . .
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria De beata virgine] Et in terra . . .
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria De beata virgine] Et in terra . . .
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria De beata virgine] Et in terra . . .
Item BibliographySmijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: IV. |
|||
128v–129 | Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti | Yzach | |
Appears on:
128v–129
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit pacem populo timenti
General NotePubl. cf. Bc 20 n° 24 |
|||
129v–130 | Quis dabit pacem - 2a pars (of 2): Quam tuas laudes | Yzach | |
Appears on:
129v–130
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit pacem populo timenti
General NotePubl. cf. Bc 20 n° 24 |
|||
130v–132 | Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum | (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**] | |
Appears on:
130v–132
Genres:
Liturgical work, Motet, Passion
Source Attribution:
(LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Passio domini nostri
Concordances*15381 **D-ddr-Dlb D.505 Item BibliographyWolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: 28, Afl. |
|||
132v–134 | Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus | (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**] | |
Appears on:
132v–134
Genres:
Passion
Source Attribution:
(LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Passio domini nostri
Concordances*15381 **D-ddr-Dlb D.505 Item BibliographyWolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: 28, Afl. |
|||
134v–137 | Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus | (LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**] | |
Appears on:
134v–137
Genres:
Motet
Source Attribution:
(LONGAVAL) [= JO. A LA VENTURE] [ou J. OBRECHT* ou P. DE LA RUE**]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Passio domini nostri
Concordances*15381 **D-ddr-Dlb D.505 Item BibliographyWolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: 28, Afl. |
|||
137v–138 | Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator | Loyse [Compère] | |
Appears on:
137v–138
Genres:
Motet
Source Attribution:
Loyse [Compère]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In nomine Iesu omne genuflectatur
Item BibliographyGeering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. |
|||
138v–139 | Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus | Loyse [Compère] | |
Appears on:
138v–139
Genres:
Motet
Source Attribution:
Loyse [Compère]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In nomine Iesu omne genuflectatur
Item BibliographyGeering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. |
|||
139v–140 | Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina | Loyse [Compère] | |
Appears on:
139v–140
Genres:
Motet
Source Attribution:
Loyse [Compère]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In nomine Iesu omne genuflectatur
Item BibliographyGeering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. |
|||
140v–141 | Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus | Loyse [Compère] | |
Appears on:
140v–141
Genres:
Motet
Source Attribution:
Loyse [Compère]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In nomine Iesu omne genuflectatur
Item BibliographyGeering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. |
|||
141v–142 | Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum | Loyse [Compère] | |
Appears on:
141v–142
Genres:
Motet
Source Attribution:
Loyse [Compère]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In nomine Iesu omne genuflectatur
Item BibliographyGeering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. |
|||
132v–143 | Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est | Loyse [Compère] | |
Appears on:
132v–143
Genres:
Motet
Source Attribution:
Loyse [Compère]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In nomine Iesu omne genuflectatur
Item BibliographyGeering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. |
|||
143v–144 | Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit | Loyse [Compère] | |
Appears on:
143v–144
Genres:
Motet
Source Attribution:
Loyse [Compère]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In nomine Iesu omne genuflectatur
Item BibliographyGeering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. |
|||
144v–145 | Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina | Loyse [Compère] | |
Appears on:
144v–145
Genres:
Motet
Source Attribution:
Loyse [Compère]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In nomine Iesu omne genuflectatur
Item BibliographyGeering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. |
|||
145v–146 | Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae | Loyse [Compère] | |
Appears on:
145v–146
Genres:
Motet
Source Attribution:
Loyse [Compère]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In nomine Iesu omne genuflectatur
Item BibliographyGeering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5 (2 parties seul). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. |
|||
146v–147 | O beate Basili - 1a pars (of 3): O beate Basili confessor Domini | Obret | |
Appears on:
146v–147
Genres:
Motet
Source Attribution:
Obret
Voice:
[no designation]
Languages:
Latin
Voice Text:
O beate Basili confessor domini
Item BibliographyWolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: I. |
|||
147v–148 | O beate Basili - 2a pars (of 3): O beate pater Basili | Obret | |
Appears on:
147v–148
Genres:
Motet
Source Attribution:
Obret
Voice:
[no designation]
Languages:
Latin
Voice Text:
O beate Basili confessor domini
Item BibliographyWolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: I. |
|||
146v–150 | O beate Basili - 3a pars (of 3): O virum digne | Obret | |
Appears on:
146v–150
Genres:
Motet
Source Attribution:
Obret
Voice:
[no designation]
Languages:
Latin
Voice Text:
O beate Basili confessor domini
Item BibliographyWolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: I. |
|||
150v–151 | Ave ancilla trinitatis - 1a pars (of 3): Ave ancilla trinitatis ave filia sempiterni | Yzach | |
Appears on:
150v–151
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave ancilla trinitatis ave filia sempiterni
|
|||
151v–152 | Ave ancilla trinitatis - 2a pars (of 3): Ave promissio prophetarum, ave regina patriarcharum | Yzach | |
Appears on:
151v–152
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave ancilla trinitatis ave filia sempiterni
|
|||
151v–152 | Ave ancilla trinitatis - 3a pars (of 3): Ave fons et plenitudo confessorum | Yzach | |
Appears on:
151v–152
Genres:
Motet
Source Attribution:
Yzach
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave ancilla trinitatis ave filia sempiterni
|
|||
152v–153 | In illo tempore extollens vocem quaedam | - | Anonymous |
In illo tempore extollens vocem quaedamAnonymous
Appears on:
152v–153
Genres:
In illo tempore, Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
In illo tempore extollens vocem quaedam
|
|||
153v–154 | Salve mater salvatoris vas electum | Io. Mouton | |
Appears on:
153v–154
Genres:
Motet
Source Attribution:
Io. Mouton
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve mater salvatoris vas electum
Item BibliographyShine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: 7. Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig. |
|||
154v–155 | Ecce Maria genuit nobis salvatorem | Io. Mouton | |
Appears on:
154v–155
Genres:
Marian antiphon
Source Attribution:
Io. Mouton
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ecce Maria genuit nobis salvatorem
Item BibliographyExpert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. |
|||
155v–157 | Christum regem regum adoremus Dominum | Io Mouto [= Mouton] | |
Appears on:
155v–157
Genres:
Motet
Source Attribution:
Io Mouto [= Mouton]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Christum regem regum adoremus dominum
Item BibliographyShine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. [No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: IV. |
|||
157v–160 | Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam | (CARPENTRAS) | |
Appears on:
157v–160
Genres:
Miserere mei Deus, Motet
Source Attribution:
(CARPENTRAS)
Voice:
[no designation]
Languages:
Latin
Voice Text:
Miserere mei deus secundum magnam
General NotePubl. cf. Fn 164^167 n» 78 |
|||
160v–162 | Miserere mei Deus - 2a pars (of 3): Cor mundum crea in me Deus | (CARPENTRAS) | |
Appears on:
160v–162
Genres:
Motet
Source Attribution:
(CARPENTRAS)
Voice:
[no designation]
Languages:
Latin
Voice Text:
Miserere mei deus secundum magnam
General NotePubl. cf. Fn 164^167 n» 78 |
|||
162v–163 | Miserere mei Deus - 3a pars (of 3): Benigne fac domine | (CARPENTRAS) | |
Appears on:
162v–163
Genres:
Motet
Source Attribution:
(CARPENTRAS)
Voice:
[no designation]
Languages:
Latin
Voice Text:
Miserere mei deus secundum magnam
General NotePubl. cf. Fn 164^167 n» 78 |
|||
163v–165 | Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens | Io. Mouto | |
Appears on:
163v–165
Genres:
Motet
Source Attribution:
Io. Mouto
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gaude Barbara beata
General NotePubl. cf. CFm 59 n° 25 |
|||
164v–166 | Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare | - | |
Appears on:
164v–166
Genres:
Motet
|
|||
166v–168 | Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo | Iosquin | |
Appears on:
166v–168
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Misericordias domini in aeternum cantabo
General NotePubl. cf. CT 95-96 n° 50 |
|||
167v–168 | Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est | - | |
Appears on:
167v–168
Genres:
Motet
|
|||
168v–169 | Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus | Iosquin | |
Appears on:
168v–169
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Misericordias domini in aeternum cantabo
General NotePubl. cf. CT 95-96 n° 50 |
|||
168v–169 | Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine | Iosquin | |
Appears on:
168v–169
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Misericordias domini in aeternum cantabo
General NotePubl. cf. CT 95-96 n° 50 |
|||
169v–170 | Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua | Iosquin | |
Appears on:
169v–170
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Misericordias domini in aeternum cantabo
General NotePubl. cf. CT 95-96 n° 50 |
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170v–172 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Eustachius [de Monte Regali] | |
Appears on:
170v–172
Genres:
Psalm
Source Attribution:
Eustachius [de Monte Regali]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In convertendo Dominus
|
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171v–173 | In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem | Eustachius [de Monte Regali] | |
Appears on:
171v–173
Genres:
Motet
Source Attribution:
Eustachius [de Monte Regali]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In convertendo Dominus
|
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173v–174 | Credidi propter quod - 1a pars (of 2): Credidi propter quod locutus sum | Eustachius [de Monte Regali] | |
Appears on:
173v–174
Genres:
Motet
Source Attribution:
Eustachius [de Monte Regali]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Credidi propter
|
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174v–176 | Credidi propter quod - 2a pars (of 2): Vota mea Domino reddam | Eustachius [de Monte Regali] | |
Appears on:
174v–176
Genres:
Motet
Source Attribution:
Eustachius [de Monte Regali]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Credidi propter
|
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176v–178 | Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo | Iosquin | |
Appears on:
176v–178
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Memor esto verbi tui servo tuo
General Note… Publ. cf. Bc 142 n° 5 |
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178v–179v, 186 | Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire | - | |
Appears on:
178v–179v, 186
Genres:
Motet
LayoutFolios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, the end of the 2a pars, which should have been opposite f.179v on f. 180, is on f. 186 instead. LayoutFolios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, the Cantus & Tenor of the opening, which should have been on f. 180v, is on f. 186v instead. |
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186v, 181–183 | Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine | (CARPENTRAS) | |
Appears on:
186v, 181–183
Genres:
Motet
Source Attribution:
(CARPENTRAS)
Voice:
[no designation]
Languages:
Latin
Voice Text:
Bonitatem fecisti cum servo tuo domine
LayoutFolios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, the Cantus & Tenor of the opening, which should have been on f. 180v, is on f. 186v instead. Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V. |
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182–185 | Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me | (CARPENTRAS) | |
Appears on:
182–185
Genres:
Motet
Source Attribution:
(CARPENTRAS)
Voice:
[no designation]
Languages:
Latin
Voice Text:
Bonitatem fecisti cum servo tuo domine
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V. |
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185v, 180 | Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum | Io. Mon. [= Mouton] | |
Appears on:
185v, 180
Genres:
Motet
Source Attribution:
Io. Mon. [= Mouton]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit oculis nostris fontem lachrimarum
General NotePubl. cf. CT 95-96 n° 51. Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, 'Quis dabit' which should have been on 185v, 186, 186v, 187, is on 185v, 180, 180v, 187 instead. |
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185v, 180–180v, 187 | Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar | Io. Mon. [= Mouton] | |
Appears on:
185v, 180–180v, 187
Genres:
Motet
Source Attribution:
Io. Mon. [= Mouton]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit oculis nostris fontem lachrimarum
General NotePubl. cf. CT 95-96 n° 51. Folios 180 & 186 have been transposed in binding; thus the sequence should be ... 179, 186, 181-185, 180, 187 ... Consequently, 'Quis dabit' which should have been on 185v, 186, 186v, 187, is on 185v, 180, 180v, 187 instead. |
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187v–189 | Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est | Io. Mon. [= Mouton] | |
Appears on:
187v–189
Genres:
Motet
Source Attribution:
Io. Mon. [= Mouton]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Puer natus est nobis
General NotePubl. cf. Bc 19 n° 46 |
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188v–190 | Puer natus est - 2a pars (of 2): Angelus ad pastores ait | - | |
Appears on:
188v–190
Genres:
Motet
|
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190v–192 | Ave regina caelorum | Erasmus [Lapicida] | |
Appears on:
190v–192
Genres:
BVM, Motet
Source Attribution:
Erasmus [Lapicida]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave regina caelorum
|
|||
192v–194 | Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus | Io. Mouton | |
Appears on:
192v–194
Genres:
Motet
Source Attribution:
Io. Mouton
Voice:
[no designation]
Languages:
Latin
Voice Text:
Regem confessorum dominum venite adoremus
General NotePubl. cf. Fn 164-167 n" 74 |
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193v–195 | Regem confessorum - 2a pars (of 2): Beatus vir qui hodie | - | |
Appears on:
193v–195
Genres:
Motet
|
|||
195v–196 | Ave virginum gemma - 1a pars (of 2): Ave virginum gemma virgo Katherina | Io. Mouton | |
Appears on:
195v–196
Genres:
Motet
Source Attribution:
Io. Mouton
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave virginum gemma Catherina ave sponsa
|
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196v–197 | Ave virginum gemma - 2a pars (of 2): Virgo sancta Katherina Graeciae gemma | - | |
Appears on:
196v–197
Genres:
Motet
|
|||
197v–199 | O crux ave spes unica hoc passionis | Agricola | |
Appears on:
197v–199
Genres:
Hymn
Source Attribution:
Agricola
Voice:
[no designation]
Languages:
Latin
Voice Text:
O crux ave spes unica hoc passionis
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, IV. |
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199v–200 | Ecce tu pulchra es amica mea 14.6 | Iosquin | |
Appears on:
199v–200
Genres:
Motet
Source Attribution:
Iosquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ecce tu pulchra es amica mea
General NotePubl. cf. Bc 19 n° 63 |