Several scribal hands; the scribe who copied new ff. 45'-48 also appears in FlorBN Magl. 117 (RifSC). Copied in Florence (AtlCM).
I-Fn MS Magl. XIX.107bis
Biblioteca Nazionale Centrale, Florence, Italy
manuscript of polyphony: 1510-3
| Archive | Biblioteca Nazionale Centrale, Florence, Italy (I-Fn) |
|---|---|
| Shelfmark | MS Magl. XIX.107bis |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 165 x 235 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| External Links | |
| Provenance |
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| Contents | Contains 44 compositions, 39 from 16 composers, 5 are anonymous. |
General Description
Binding
Modern leather covers
Watermark
resembles Briquet #489 (JepFR)
Notation
black void mensural
Foliation
Original foliation, 1-60 on upper right rectos (ff. 31-32, 34-42, and 50 are missing); modern pencil foliation, 1-48 on lower left rectos (done without regard to missing folios).
Index
Original index.
Surface
paper
RISM Description
RISM
XVIe s. 48ff. (+lf. limin. n. ch. et 1f. de garde à la fin, n. eh., bleu-gris avec restes d'une écriture antérieure). Papier, 165x235 mm. Foliotation ancienne en haut des ff.: 1—61 et foliotation moderne au bas des ff., établie sur l'état actuel du ms.: 1-48. D'après la foliotation ancienne, les ff. 11, 31 à 34, 37 à 42, 50 mq.; les ff. 21 [20], 30v [29v] et 60v [48v] sont blancs. Notation mesurée blanche. 6 portées par p. Au f. limin. n. ch., Table alphabétique contemporaine du ms. d'après laquelle 15 pièces mq. dans le ms. actuel.
Ms. de provenance Med. Palatina, très mutilé après la perte d'une quinzaine au moins de ff. La chanson n° 17 portant comme auteur à la Table «del gardinale di Medici», fixe done comme date extrême de la copie 1513, année où le cardinal Giovanni de' Medici devient le pape Léon X. D'autre part, les concordances avec les premiers recueils de Petrucci (Odhecaton et Canti B) et aussi avec le ms. I-Rvat XIII 27, ainsi que le filigrane du papier indiquent comme terminus ante quem 1505-1510.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
FlorBN Magl. 107bis
FLORENCE. Biblioteca Nazionale Centrale. MS Magliabechi XIX. 107bis
8 Mass Ordinary sections, 4 motets, 18 French secular pieces, 5 Spanish secular pieces, 2 Italian secular pieces, 1 Flemish secular piece, 4 textless pieces = 42
(The textless pieces have been identified as 1 motet, 2 French secular pieces, and 1 Italian secular piece; an additional 2 Mass sections and 2 Italian secular pieces listed in the original index are now missing)
(A. Agricola/Hayne van Ghizeghem)-1, (Brumel)-2, (Busnois/ Japart)-1, (Compère)-4, (Compère/Vaqueras)-1, (Encina)-3, (Escobar)-1, (Hayne van Ghizeghem/M. Agricola)-1, Isaac-5, (Isaac/Japart/Obrecht)-1, Japart-2, Josquin-4, (Leo X)-1, (Ninot 1e Petit)-1, anon-14
ii + 48 + ii paper folios of an original 60, 165 x 235. Original foliation, 1-60 (ff. 31-32, 34-42, and 50 are missing); modern pencil foliation, 1-48 (done without regard to missing folios). Modern leather covers. Original index. Several scribal hands; the scribe who copied new ff. 45'-48 also appears in FlorBN Magl. 117 (RifSC). One watermark resembles Briquet #489 (JepFR).
Main part of manuscript copied before 1513 (index refers to Leo only as a cardinal). Copied in Florence (AtlCM).
Vol 4
Contents: 9 Mass Ordinary sections (2 without text), 7 motets (2 incomplete; 1 without text), 20 French secular pieces (3 incomplete; 2 without text), 5 Spanish secular pieces, 3 Italian secular pieces (1 incomplete; 1 without text), 1 Dutch secular piece, 1 textless fragment = 46*
*Thirteen additional pieces listed in original index now missing due to lost folios.
Composers: (A. Agricola/Hayne van Ghizeghem)-1, (Brumel)-2, (Busnois/Japart/ La Rue)-1, (Compère)-3, (Compère/Obrecht)-1, (Compère/Vaqueras)-1, (Dufay)-1, (Encina)-3, (Escobar)-1, (Hayne van Ghizeghem)-1, Isaac-6, (Isaac/ Japart/Obrecht)-1, Japart-2, Josquin-4, (Leo X)-1, (Ninot 1e Petit)-1, (Obrecht) -8, anon-8
Physical: i + 48 + i paper folios of an original 71, 165x235. Original ink folia-tion, 1-60, on upper right rectos (ff. 11, 31-34, 37-42, 50, and 61-71 now missing); modern pencil foliation, 1-48, on lower left rectos (done without regard to missing folios).
Date: 1510-3 (BernNO).
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‡ denotes primary source study
Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 186, 207ff. Notes: mention of MS; contents list (partial); concordances (partial).
Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 1: 275-326. Pages: 285,291-3,296-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 223f.
Hudson, Barton (editor). 1979. Ninot le Petit: Collected Works. Corpus mensurabilis musicae, vol. 87. Neuhausen nr. Stuttgart: American Institute of Musicology.
Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 277,283-4,293-4,355,382,386,431-2,450, 462. Notes: contents list (partial); concordances (partial); incipits (partial).
Sherr, Richard Jonathan (editor). 1978. Bertrandi Vaqueras: Opera Omnia. Corpus mensurabilis musicae, vol. 78. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv. Notes: contents list (partial); concordances (partial).
Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae, vol. 74. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii, xxiii, xxxiv, xliv. Notes: mention of MS; contents list (partial); concordances (partial).
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxiii, 32-4, 62, 87; III, 193. Notes: physical description; contents list (partial); concordances (partial).
Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies, vol. XXVII, 1-2. Brooklyn. Pages: 243.
Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 26: 305-26. Pages: 312, 315. Notes: mention of MS; facsimile (partial).
Querol Gavaldá, Miguel. 1969. La producción musical de Juan del Encina (1469-1529). Anuário Musical, 24: 121-31. Pages: 121. Notes: contents list (partial); concordances (partial).
Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 58f.
Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte, vol. 12. Tutzing. Pages: 107-8,333-9. Notes: transcription (partial); texts (partial).
Pannella, Liliana. 1968. Le composizioni profane di una raccolta fiorentina del cinquecento. Revista Italiana di Musicologia, 3: 3-47. Pages: 41-7. Notes: concordances (partial).
Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,lxxxix. Notes: concordances (partial).
Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 354. Notes: physical description; contents list (partial); concordances (partial).
Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 42ff. Notes: physical description; contents list.
Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 107. Notes: contents list (partial); concordances (partial).
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: H. Angles, in MME X, 18f.
Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 14: 165-81. Pages: 173,180. Notes: physical description; contents list; incipitsst of contents (partial).
Gombosi, Otto Johannes. 1930. Ghizeghem und Compère: Zur Stilgeschichte der burgundischen Chanson. Studien zur Musikgeschichte: Festschrift für Guido Adler zum 75. Geburtstag, 100-6. Vienna. Notes: contents list (partial); concordances (partial).
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: III,vi. Notes: physical description; contents list; incipitsst of contents (partial).
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,449. Notes: physical description; contents list; incipitsst of contents (partial).
Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: J. Wolf, in ObrechtMO I, 3 SmijersV, 173. Notes: physical description.
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: J- Wolf, 32 (XVI), 238.
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William Kempster
Friday, 10 July, 2026
The setting of 'Veci la danse barbari' (the scribe wrote 'Vexilla danse barbari' in error) in this manuscript is the one in Canti B - and is also in the Segovia Codex where a different piece has been inventoried.
Benjamin Ory
Friday, 17 February, 2023
Error in discography corrected: Josquin's piece at f.19v, actually 'Bergerette savoysienne', incorrectly recorded as 'Psallite noe' by dittography with the piece by Nino le Petit a couple of folios later. (Additional dittography - Isaac's 'Benedictus' mis-titled for Josquin's 'Liber generationis', also corrected.)
Mark Statler
Friday, 11 September, 2020
image link updated
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description