I-Fn MS Magl. XIX.107bis

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

manuscript of polyphony: 1510-3

Archive	Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark	MS Magl. XIX.107bis
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	165 x 235 mm
Other Identifiers	RISM: I-Fn 107 bis CCM: FlorBN Magl. 107bis
Notations	black void mensural
Copyists	scribal concordance [55] Text and Music
External Links	images
Provenance	Italy
Contents	48 pieces from 17 composers

General Description

Several scribal hands; the scribe who copied new ff. 45'-48 also appears in FlorBN Magl. 117 (RifSC). Copied in Florence (AtlCM).

DIAMM, 2017

Binding

Modern leather covers

DIAMM, 2017

Watermark

resembles Briquet #489 (JepFR)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original foliation, 1-60 on upper right rectos (ff. 31-32, 34-42, and 50 are missing); modern pencil foliation, 1-48 on lower left rectos (done without regard to missing folios).

DIAMM, 2017

Index

Original index.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 48ff. (+lf. limin. n. ch. et 1f. de garde à la fin, n. eh., bleu-gris avec restes d'une écriture antérieure). Papier, 165x235 mm. Foliotation ancienne en haut des ff.: 1—61 et foliotation moderne au bas des ff., établie sur l'état actuel du ms.: 1-48. D'après la foliotation ancienne, les ff. 11, 31 à 34, 37 à 42, 50 mq.; les ff. 21 [20], 30v [29v] et 60v [48v] sont blancs. Notation mesurée blanche. 6 portées par p. Au f. limin. n. ch., Table alphabétique contemporaine du ms. d'après laquelle 15 pièces mq. dans le ms. actuel.

Ms. de provenance Med. Palatina, très mutilé après la perte d'une quinzaine au moins de ff. La chanson n° 17 portant comme auteur à la Table «del gardinale di Medici», fixe done comme date extrême de la copie 1513, année où le cardinal Giovanni de' Medici devient le pape Léon X. D'autre part, les concordances avec les premiers recueils de Petrucci (Odhecaton et Canti B) et aussi avec le ms. I-Rvat XIII 27, ainsi que le filigrane du papier indiquent comme terminus ante quem 1505-1510.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

FlorBN Magl. 107bis

FLORENCE. Biblioteca Nazionale Centrale. MS Magliabechi XIX. 107bis

8 Mass Ordinary sections, 4 motets, 18 French secular pieces, 5 Spanish secular pieces, 2 Italian secular pieces, 1 Flemish secular piece, 4 textless pieces = 42

(The textless pieces have been identified as 1 motet, 2 French secular pieces, and 1 Italian secular piece; an additional 2 Mass sections and 2 Italian secular pieces listed in the original index are now missing)

(A. Agricola/Hayne van Ghizeghem)-1, (Brumel)-2, (Busnois/ Japart)-1, (Compère)-4, (Compère/Vaqueras)-1, (Encina)-3, (Escobar)-1, (Hayne van Ghizeghem/M. Agricola)-1, Isaac-5, (Isaac/Japart/Obrecht)-1, Japart-2, Josquin-4, (Leo X)-1, (Ninot 1e Petit)-1, anon-14

ii + 48 + ii paper folios of an original 60, 165 x 235. Original foliation, 1-60 (ff. 31-32, 34-42, and 50 are missing); modern pencil foliation, 1-48 (done without regard to missing folios). Modern leather covers. Original index. Several scribal hands; the scribe who copied new ff. 45'-48 also appears in FlorBN Magl. 117 (RifSC). One watermark resembles Briquet #489 (JepFR).

Main part of manuscript copied before 1513 (index refers to Leo only as a cardinal). Copied in Florence (AtlCM).

Vol 4

Contents: 9 Mass Ordinary sections (2 without text), 7 motets (2 incomplete; 1 without text), 20 French secular pieces (3 incomplete; 2 without text), 5 Spanish secular pieces, 3 Italian secular pieces (1 incomplete; 1 without text), 1 Dutch secular piece, 1 textless fragment = 46*

*Thirteen additional pieces listed in original index now missing due to lost folios.

Composers: (A. Agricola/Hayne van Ghizeghem)-1, (Brumel)-2, (Busnois/Japart/ La Rue)-1, (Compère)-3, (Compère/Obrecht)-1, (Compère/Vaqueras)-1, (Dufay)-1, (Encina)-3, (Escobar)-1, (Hayne van Ghizeghem)-1, Isaac-6, (Isaac/ Japart/Obrecht)-1, Japart-2, Josquin-4, (Leo X)-1, (Ninot 1e Petit)-1, (Obrecht) -8, anon-8

Physical: i + 48 + i paper folios of an original 71, 165x235. Original ink folia-tion, 1-60, on upper right rectos (ff. 11, 31-34, 37-42, 50, and 61-71 now missing); modern pencil foliation, 1-48, on lower left rectos (done without regard to missing folios).

Date: 1510-3 (BernNO).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	untexted	-	-
untexted Appears on: 1 Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: Superior Languages: none
Iv–2	In pace in idipsum dormiam et requiescam 17.5	JOSQUIN DE PRÉS	Despres, Josquin (ca. 1450–1521)
In pace in idipsum dormiam et requiescam 17.5 Despres, Josquin (ca. 1450–1521) Appears on: Iv–2 Genres: Motet Source Attribution: JOSQUIN DE PRÉS Voice: [no designation] Languages: Latin Voice Text: In pace ... Voice: [no designation] Languages: Latin Voice Text: In pace ... Voice: [no designation] Languages: Latin Voice Text: In pace ... Voice: [no designation] Languages: Latin Voice Text: In pace ...
2v–3	Si dedero somnum oculis meis	-	Anonymous
Si dedero somnum oculis meis Anonymous Appears on: 2v–3 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Si dedero. Voice: [no designation] Languages: Latin Voice Text: Si dedero. Voice: [no designation] Languages: Latin Voice Text: Si dedero. Voice: [no designation] Languages: Latin Voice Text: Si dedero. General Note [serait la suite de la pièce précédente]
3v–4	Gloria patri	-	Anonymous
Gloria patri Anonymous Appears on: 3v–4 Genres: Doxology Voice: [no designation] Languages: Latin Voice Text: Gloria patri. Voice: [no designation] Languages: Latin Voice Text: Gloria patri. Voice: [no designation] Languages: Latin Voice Text: Gloria patri. Voice: [no designation] Languages: Latin Voice Text: Gloria patri. General Note [serait la fin de la pièce précédente]
4v–5	Anima mea liquefacta est	[J.JAPART ou J.OBRECHT* ou H. ISAAC**	Japart, Jean (?) Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Anima mea liquefacta est Japart, Jean (?) Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 4v–5 Genres: Motet Source Attribution: [J.JAPART ou J.OBRECHT* ou H. ISAAC Voice: [no designation] Languages: Flemish Voice Text: De tusch in busch. Voice: [no designation] Languages: Flemish Voice Text: De tusch in busch. Voice: [no designation] Languages: Flemish Voice Text: De tusch in busch. Voice: [no designation] Languages: Flemish Voice Text:** De tusch in busch. General Note Publ. cf. Bc 17 n° 63 Concordances E-SE *1501
5v–6	E qui la dira dira la douleur	JAPART [ou A. BUSNOIS]	Isaac, Heinrich (ca. 1450–1517)
E qui la dira dira la douleur Isaac, Heinrich (ca. 1450–1517) Appears on: 5v–6 Genres: Chanson Source Attribution: JAPART [ou A. BUSNOIS] Voice: [no designation] Languages: French Voice Text: E qui la dira dira. Voice: [no designation] Languages: French Voice Text: E qui la dira dira. Voice: [no designation] Languages: French Voice Text: E qui la dira dira. Voice: [no designation] Languages: French Voice Text: E qui la dira dira.
6v–7	E qui la dira dira la douleur	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
E qui la dira dira la douleur Isaac, Heinrich (ca. 1450–1517) Appears on: 6v–7 Genres: Chanson Source Attribution: [H. ISAAC] Voice: [no designation] Languages: French Voice Text: E qui la dira dira dira la doler … Voice: [no designation] Languages: French Voice Text: E qui la dira dira dira la doler … Voice: [no designation] Languages: French Voice Text: E qui la dira dira dira la doler … Voice: [no designation] Languages: French Voice Text: E qui la dira dira dira la doler … General Note . Publ. cf. Bc 18 n° 85
7v–8	Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	[A. BUSNOIS ou J. JAPART ou PIRSON* = P. DE LA RUE]	Japart, Jean (?) Busnoys, Antoine (ca. 1430–1492) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne Japart, Jean (?) Busnoys, Antoine (ca. 1430–1492) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 7v–8 Genres: Chanson Source Attribution: [A. BUSNOIS ou J. JAPART ou PIRSON* = P. DE LA RUE] Voice: [no designation] Languages: French Voice Text: Amors fait mol tant. Voice: [no designation] Languages: French Voice Text: Amors fait mol tant. Voice: [no designation] Languages: French Voice Text: Amors fait mol tant. Voice: [no designation] Languages: French Voice Text: Amors fait mol tant. General Note Publ. cf. Bc 17 n° 58 Concordances *CH-Bu F.X. 1-4
8v–9	Tant belle mi son pensade	-	Isaac, Heinrich (ca. 1450–1517)
Tant belle mi son pensade Isaac, Heinrich (ca. 1450–1517) Appears on: 8v–9 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Tambien mi son pensande … Voice: [no designation] Languages: Italian Voice Text: Tambien mi son pensande … Voice: [no designation] Languages: Italian Voice Text: Tambien mi son pensande … Voice: [no designation] Languages: Italian Voice Text: Tambien mi son pensande … General Note Attrib. à Ghiselin par Pitoni (cf. AtlasTC, Bibliogr.)Publ. cf. Bc 17 n° 67
9v–10	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command Despres, Josquin (ca. 1450–1521) Appears on: 9v–10 Genres: Chanson Source Attribution: JOSQUIN Voice: [no designation] Languages: French Voice Text: Adiu mens amors … Voice: [no designation] Languages: French Voice Text: Adiu mens amors … Voice: [no designation] Languages: French Voice Text: Adiu mens amors … Voice: [no designation] Languages: French Voice Text: Adiu mens amors … General Note Publ. cf. Bc 17 n° 54
10v	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	-	Despres, Josquin (ca. 1450–1521)
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command Despres, Josquin (ca. 1450–1521) Appears on: 10v Genres: Chanson Voice: Superius Languages: French Voice Text: Adiu mes amors.
12	Helas que il est a mon gré	[J. JAPART]	Japart, Jean
Helas que il est a mon gré Japart, Jean Appears on: 12 Genres: Italian secular Source Attribution: [J. JAPART] Voice: [no designation] Languages: French Voice Text: (Elas quel at a mon gré) General Note Ct et T seul' Publ. cf. Fn 27 n° 96
12v–13	Je suis amie du forrier	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Je suis amie du forrier Compère, Loyset (ca. 1445–1518) Appears on: 12v–13 Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Je suis amie. Voice: [no designation] Languages: French Voice Text: Je suis amie. Voice: [no designation] Languages: French Voice Text: Je suis amie. Voice: [no designation] Languages: French Voice Text: Je suis amie. General Note Publ. cf. CT 95-96 n° 9
13v–14	E logeron nous seans hostesse	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
E logeron nous seans hostesse Isaac, Heinrich (ca. 1450–1517) Appears on: 13v–14 Genres: Chanson Source Attribution: [H. ISAAC] Voice: [no designation] Languages: French Voice Text: E loyere nos seans l'otesse … Voice: [no designation] Languages: French Voice Text: E loyere nos seans l'otesse … Voice: [no designation] Languages: French Voice Text: E loyere nos seans l'otesse … Voice: [no designation] Languages: French Voice Text: E loyere nos seans l'otesse … General Note Publ. cf. Bc 17 n° 56
14v–15	Vexilla danse barbar	[B. VACQUERAS* ou L. COMPÈRE**]	Vacqueras, Bertrandus (ca. 1450–1507) (?) Compère, Loyset (ca. 1445–1518) (?)
Vexilla danse barbar Vacqueras, Bertrandus (ca. 1450–1507) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 14v–15 Genres: Italian secular Source Attribution: [B. VACQUERAS* ou L. COMPÈRE] Voice: [no designation] Languages: Latin Voice Text:** Vexilla danse barbar. Concordances 15022 E-SE Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502.* Monuments of Renaissance Music. Chicago. Brown, Howard Mayer. 1963. Theatrical chansons of the fifteenth- and early sixteenth centuries. Cambridge, Mass.: Harvard University Press. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 78.
15v–16	Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie	[G. DUFAY	Du Fay, Guillaume (1397–1474)
Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie Du Fay, Guillaume (1397–1474) Appears on: 15v–16 Genres: Chanson Source Attribution: [G. DUFAY Voice: [no designation] Languages: French Voice Text: Je vous pri mo tres [doux ami] General Note Ct I: [Tant que mon argent dura]Ct II: [Ma tres doulce amie] Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871. Gülke, Peter. 1961. Das Volkslied in der burgundischen Polyphonie des 15. Jahrhunderts. Festschrift Heinrich Besseler zum sechzigsten Geburtstag, Leipzig. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI.
16v–17	Cela sans plus et plus hola	(DEL GARDINALE DI MEDICI) [= GIOVANNI, futur LÉON X]	Leo X (Medici) (1475–1521)
Cela sans plus et plus hola Leo X (Medici) (1475–1521) Appears on: 16v–17 Genres: Chanson Source Attribution: (DEL GARDINALE DI MEDICI) [= GIOVANNI, futur LÉON X] Voice: [no designation] Languages: French Voice Text: Cela sans plus. Item Bibliography Haberl, Franz Xavier. 1888. Eine Komposition des Cardinais Jo. de Medicis. Kirchenmusikalisches Jahrbuch, 39ff.
17v–18	Alons fere nus barbes	[L. COMPÈRE]*	Compère, Loyset (ca. 1445–1518)
Alons fere nus barbes Compère, Loyset (ca. 1445–1518) Appears on: 17v–18 Genres: Chanson Source Attribution: [L. COMPÈRE]* Voice: [no designation] Languages: French Voice Text: Alons fere unt barbe … General Note Publ. cf. CT 95-96 n° 11 Concordances *1501
18v–19	Maudit soit cil qui trouva jaulosie (Carmen in sol)	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Maudit soit cil qui trouva jaulosie (Carmen in sol) Isaac, Heinrich (ca. 1450–1517) Appears on: 18v–19 Genres: Song Source Attribution: [H. ISAAC] Voice: [no designation] Languages: French Voice Text: Maudit [soit celui qui trouva jalousie] [= Carmen in sol] Concordances D-brd-Mu 328-331 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 XIV.
19v–20	Bergerette savoyenne (savoysienne) 28.6	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Bergerette savoyenne (savoysienne) 28.6 Despres, Josquin (ca. 1450–1521) Appears on: 19v–20 Genres: Chanson Source Attribution: JOSQUIN Voice: [no designation] Languages: French Voice Text: Biageretta savosana Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II.
20v	Benedictus	[H.ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: 20v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [H.ISAAC] Voice: [no designation] Languages: Latin Voice Text: Liber generationis Iesu Christi General Note Publ. cf. Bc 18 n° 62 Concordances »SartoriB n° 28
21v–24	Psallite noe Judaei - 1a pars (of 3): Psallite noe Judaei ... Angelus ad pastores	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
Psallite noe Judaei - 1a pars (of 3): Psallite noe Judaei ... Angelus ad pastores Petit, Nino le (fl. c1500) Appears on: 21v–24 Genres: Motet Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: Latin Voice Text: Psallite noe Iudei credite psallite noe Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
21v–24	Psallite noe Judaei - 2a pars (of 3): Psallite ... quem Johannes videns	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
Psallite noe Judaei - 2a pars (of 3): Psallite ... quem Johannes videns Petit, Nino le (fl. c1500) Appears on: 21v–24 Genres: Motet Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: Latin Voice Text: Psallite noe Iudei credite psallite noe Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
24v–26r	Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi Despres, Josquin (ca. 1450–1521) Appears on: 24v–26r Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Liber generationis Iesu Christi General Note Publ. cf. CT 95-96 n° 38
26v–28r	Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam Despres, Josquin (ca. 1450–1521) Appears on: 26v–28r Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Liber generationis Iesu Christi General Note Publ. cf. CT 95-96 n° 38
28v–30r	Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis Despres, Josquin (ca. 1450–1521) Appears on: 28v–30r Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Liber generationis Iesu Christi General Note Publ. cf. CT 95-96 n° 38
35	Ave Maria gratia Dei plena Dominus tecum	[A. BRUMEL]	Brumel, Antoine (ca. 1460–ca. 1513)
Ave Maria gratia Dei plena Dominus tecum Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 35 Genres: Ave Maria, Motet Source Attribution: [A. BRUMEL] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia dei plena General Note Ct et fin du T seul' Publ. cf. Bc 17 n° 2
35v–36	O vos omnes qui transitis / O devots coeurs	[L. COMPÈRE] O vos omnes / O devotz cueur	Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
O vos omnes qui transitis / O devots coeurs Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 35v–36 Genres: Chanson, Contrafactum, Motet Source Attribution: [L. COMPÈRE] O vos omnes / O devotz cueur Voice: [no designation] Languages: Latin Voice Text: O devotz cueurs /O vos omnes qui transitis per viam General Note Publ. cf. Bc 17 n° 10 Concordances *B-Br 228
36v	L'oserai-ge dire sy j'aime par amours.	-	Anonymous
L'oserai-ge dire sy j'aime par amours. Anonymous Appears on: 36v Genres: Chanson Voice: [no designation] Languages: French Voice Text: L'oserage dire. General Note Sup. et T seul'Publ. cf. Bc 17 n° 4
43	untexted	-	-
untexted Appears on: 43 Voice: [no designation] Languages: none Voice Text: without text General Note Ct. et B seul'
43v–44	Allez regrets vuides de ma présence	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)
Allez regrets vuides de ma présence Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 43v–44 Genres: Chanson, Rondeau Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: French Voice Text: Ales regret … General Note Publ. cf. Bc 17 n° 26
44v–45	Les grands regrets que sans cesses je porte	HAYNE VAN GHIZEGHEM ou A. AGRICOLA*]	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)
Les grands regrets que sans cesses je porte Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 44v–45 Genres: Chanson Source Attribution: HAYNE VAN GHIZEGHEM ou A. AGRICOLA] Voice:* [no designation] Languages: French Voice Text: Les grans regret. General Note Publ. cf. Bc 17 n° 32 Concordances '. *B-Br 11239
45v–46	Vidés regret.	-	Anonymous
Vidés regret. Anonymous Appears on: 45v–46 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Vidés regret.
46v–47	Va t'en regrets celluy qui me convoyé	[L. COMPÈRE]*	Compère, Loyset (ca. 1445–1518)
Va t'en regrets celluy qui me convoyé Compère, Loyset (ca. 1445–1518) Appears on: 46v–47 Genres: Chanson Source Attribution: [L. COMPÈRE]* Voice: [no designation] Languages: French Voice Text: Vaten regret. Concordances B-Br 11239 Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria.* Berkeley and Los Angeles: University of California Press. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Birmingham, Hugh Myers, Jr. 1955. A Transcription into Modern Notation of a Chansonnier (Fonds Français 2245) of the Duke of Orleans, with Commentary and Concordance. North Texas State College, Unpublished Master's thesis. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
47v–48	Vrai dieu d'amours confortez moi vous m'avez mis	-	Brumel, Antoine (ca. 1460–ca. 1513)
Vrai dieu d'amours confortez moi vous m'avez mis Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 47v–48 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [Vrai dieu d'amour] Concordances GB-Lbm 35087
48v–52	Missa Fortuna desperata: Kyrie	[J.OBRECHT]	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 48v–52 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [J.OBRECHT] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Fortuna desperata] Christe eleyson … General Note Christe eleison only. Publ. cf. Fc 2439 n° 32 à 34
48v–52	Missa Fortuna desperata: Pleni sunt	[J.OBRECHT]	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Pleni sunt Obrecht, Jacobus (ca. 1457–1505) Appears on: 48v–52 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J.OBRECHT] Voice: [no designation] Languages: Latin Voice Text: Pleni sunt (Sup. et T seult'), General Note Publ. cf. Fc 2439 n° 32 à 34
48v–52	Missa Fortuna desperata: Benedictus	[J.OBRECHT]	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Benedictus Obrecht, Jacobus (ca. 1457–1505) Appears on: 48v–52 Genres: Motet Source Attribution: [J.OBRECHT] Voice: [no designation] Languages: Latin Voice Text: Benedictus di fortuna (CT et fin du T seul') General Note Publ. cf. Fc 2439 n° 32 à 34
48v–52	Missa Fortuna desperata: Agnus Dei	[J.OBRECHT]	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 48v–52 Genres: Agnus Dei, Mass Ordinary Source Attribution: [J.OBRECHT] Voice: [no designation] Languages: Latin Voice Text: Agnus dei II. General Note Agnus Dei II. Publ. cf. Fc 2439 n° 32 à 34
52v–56	Missa Si dedero somnum: Christe eleison	[J. OBRECHT]*	Obrecht, Jacobus (ca. 1457–1505)
Missa Si dedero somnum: Christe eleison Obrecht, Jacobus (ca. 1457–1505) Appears on: 52v–56 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [J. OBRECHT]* Voice: [no designation] Languages: Latin Voice Text: [Missa Si dedero] Christe eleyson … Concordances 1509 Item Bibliography [No Author] 1935-1959. Reihe: Reichsdenkmale.* Das Erbe deutscher Musik. Pages: 33, (Kyrie). Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: III.
52v–56	Missa Si dedero somnum: Benedictus	[J. OBRECHT]*	Obrecht, Jacobus (ca. 1457–1505)
Missa Si dedero somnum: Benedictus Obrecht, Jacobus (ca. 1457–1505) Appears on: 52v–56 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J. OBRECHT]* Voice: [no designation] Languages: Latin Voice Text: Pieni sunt, (Benedictus Si dedero) Concordances 1509 Item Bibliography [No Author] 1935-1959. Reihe: Reichsdenkmale.* Das Erbe deutscher Musik. Pages: 33, (Kyrie). Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: III.
52v–56	Missa Si dedero somnum: Agnus Dei II	[J. OBRECHT]*	Obrecht, Jacobus (ca. 1457–1505)
Missa Si dedero somnum: Agnus Dei II Obrecht, Jacobus (ca. 1457–1505) Appears on: 52v–56 Genres: Agnus Dei, Mass Ordinary Source Attribution: [J. OBRECHT]* Voice: [no designation] Languages: Latin Voice Text: Agnus dei II Concordances 1509' Item Bibliography [No Author] 1935-1959. Reihe: Reichsdenkmale.* Das Erbe deutscher Musik. Pages: 33 (Kyrie). Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: III.
56v–57	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	IZAC	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: 56v–57 Genres: Italian secular Source Attribution: IZAC Voice: [no designation] Languages: Latin Voice Text: La mora [dona gentile] [= Veni sancte spiritus. Reple tuorum corda fidelium**] General Note Publ. cf. Bc 18 n° 71 Concordances F-Pn 676 E-SE "»CH-SGs 462 **D-ddr-LEu 1494
57v	Todos los bienes del mundo passan presto	[J. DEL ENCINA]*	Encina, Juan del
Todos los bienes del mundo passan presto Encina, Juan del Appears on: 57v Genres: Vilancico Source Attribution: [J. DEL ENCINA]* Voice: [no designation] Languages: Spanish Voice Text: Todos los bienes del mundo passan presto ... Concordances E-Mp 1335 Item Bibliography Terni, Clemente. 1974. Juan del Encina, L'opera musicale. Studio introduttivo, trascrizione e interpretazione.* Messina/ Firenze. Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: X. Barbieri, Francisco Asenjo. 1890. Barbieri, Cancionero musical de los siglos XV y XVI transcrito y comentado por Francisco A. Barbieri. Madrid.
58	Tam buen ghanadigho	[J. DEL ENCINA]*	Encina, Juan del
Tam buen ghanadigho Encina, Juan del Appears on: 58 Genres: Secular Source Attribution: [J. DEL ENCINA]* Voice: [no designation] Languages: Italian Voice Text: Tam buen ghanadigho Concordances E-Mp 1335 Item Bibliography Terni, Clemente. 1974. Juan del Encina, L'opera musicale. Studio introduttivo, trascrizione e interpretazione.* Messina/ Firenze. Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: X. Barbieri, Francisco Asenjo. 1890. Barbieri, Cancionero musical de los siglos XV y XVI transcrito y comentado por Francisco A. Barbieri. Madrid.
58v	Caldere et glave madonna	[J. DEL ENCINA]*	Encina, Juan del
Caldere et glave madonna Encina, Juan del Appears on: 58v Genres: Motet Source Attribution: [J. DEL ENCINA]* Voice: [no designation] Languages: Italian Voice Text: Caldere et glave madonna ... General Note [sic pour Caldero y llave] Concordances E-Mp 1335 Item Bibliography Terni, Clemente. 1974. Juan del Encina, L'opera musicale. Studio introduttivo, trascrizione e interpretazione.* Messina/ Firenze. Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: X. Barbieri, Francisco Asenjo. 1890. Barbieri, Cancionero musical de los siglos XV y XVI transcrito y comentado por Francisco A. Barbieri. Madrid.
59	Lo que queda es lo seguro	[P. DE ESCOBAR]*	Escobar, Pedro de (?)
Lo que queda es lo seguro Escobar, Pedro de (?) Appears on: 59 Genres: Vilancico Source Attribution: [P. DE ESCOBAR]* Voice: [no designation] Languages: Italian Voice Text: Lo che cheda es lo seghuro … Concordances E-Mp 1335 Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften.* Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: V. Barbieri, Francisco Asenjo. 1890. Barbieri, Cancionero musical de los siglos XV y XVI transcrito y comentado por Francisco A. Barbieri. Madrid.
59v–60	Convienvi donne aprire ben l'intelletto	-	Anonymous
Convienvi donne aprire ben l'intelletto Anonymous Appears on: 59v–60 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Convienvi donne aprire ben l'intelletto .

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Allez regrets vuides de ma présence – 43v–44 (?) Les grands regrets que sans cesses je porte – 44v–45
Anonymous	Convienvi donne aprire ben l'intelletto – 59v–60 Gloria patri – 3v–4 L'oserai-ge dire sy j'aime par amours. – 36v Si dedero somnum oculis meis – 2v–3 Vidés regret. – 45v–46 [No description] – 1 [No description] – 43
Brumel, Antoine (ca. 1460–ca. 1513)	Ave Maria gratia Dei plena Dominus tecum – 35 Vrai dieu d'amours confortez moi vous m'avez mis – 47v–48
Busnoys, Antoine (ca. 1430–1492)	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 7v–8
Compère, Loyset (ca. 1445–1518)	Alons fere nus barbes – 17v–18 Je suis amie du forrier – 12v–13 (?) O vos omnes qui transitis / O devots coeurs – 35v–36 Va t'en regrets celluy qui me convoyé – 46v–47 (?) Vexilla danse barbar – 14v–15
Despres, Josquin (ca. 1450–1521)	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command – 10v Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command – 9v–10 Bergerette savoyenne (savoysienne) 28.6 – 19v–20 In pace in idipsum dormiam et requiescam 17.5 – Iv–2 Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi – 24v–26r Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam – 26v–28r Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis – 28v–30r
Du Fay, Guillaume (1397–1474)	Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie – 15v–16
Encina, Juan del	Caldere et glave madonna – 58v Tam buen ghanadigho – 58 Todos los bienes del mundo passan presto – 57v
Escobar, Pedro de	(?) Lo que queda es lo seguro – 59
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	(?) Allez regrets vuides de ma présence – 43v–44 (?) Les grands regrets que sans cesses je porte – 44v–45
Isaac, Heinrich (ca. 1450–1517)	(?) Anima mea liquefacta est – 4v–5 Benedictus – 20v E logeron nous seans hostesse – 13v–14 E qui la dira dira la douleur – 6v–7 E qui la dira dira la douleur – 5v–6 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – 56v–57 Maudit soit cil qui trouva jaulosie (Carmen in sol) – 18v–19 Tant belle mi son pensade – 8v–9
Japart, Jean	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 7v–8 (?) Anima mea liquefacta est – 4v–5 Helas que il est a mon gré – 12
Leo X (Medici) (1475–1521)	Cela sans plus et plus hola – 16v–17
Obrecht, Jacobus (ca. 1457–1505)	(?) Anima mea liquefacta est – 4v–5 Missa Fortuna desperata: Agnus Dei – 48v–52 Missa Fortuna desperata: Benedictus – 48v–52 Missa Fortuna desperata: Kyrie – 48v–52 Missa Fortuna desperata: Pleni sunt – 48v–52 Missa Si dedero somnum: Agnus Dei II – 52v–56 Missa Si dedero somnum: Benedictus – 52v–56 Missa Si dedero somnum: Christe eleison – 52v–56 (?) O vos omnes qui transitis / O devots coeurs – 35v–36
Petit, Nino le (fl. c1500)	Psallite noe Judaei - 1a pars (of 3): Psallite noe Judaei ... Angelus ad pastores – 21v–24 Psallite noe Judaei - 2a pars (of 3): Psallite ... quem Johannes videns – 21v–24
Rue, Pierre de la (ca. 1452–1518)	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 7v–8
Vacqueras, Bertrandus (ca. 1450–1507)	(?) Vexilla danse barbar – 14v–15

Composition	Composers (? Uncertain)	Folios / Pages
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	Despres, Josquin (ca. 1450–1521)	9v–10
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	Despres, Josquin (ca. 1450–1521)	10v
Allez regrets vuides de ma présence	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)	43v–44
Alons fere nus barbes	Compère, Loyset (ca. 1445–1518)	17v–18
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	Japart, Jean (?) Busnoys, Antoine (ca. 1430–1492) (?) Rue, Pierre de la (ca. 1452–1518) (?)	7v–8
Anima mea liquefacta est	Japart, Jean (?) Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	4v–5
Ave Maria gratia Dei plena Dominus tecum	Brumel, Antoine (ca. 1460–ca. 1513)	35
Benedictus	Isaac, Heinrich (ca. 1450–1517)	20v
Bergerette savoyenne (savoysienne) 28.6	Despres, Josquin (ca. 1450–1521)	19v–20
Caldere et glave madonna	Encina, Juan del	58v
Cela sans plus et plus hola	Leo X (Medici) (1475–1521)	16v–17
Convienvi donne aprire ben l'intelletto	Anonymous	59v–60
E logeron nous seans hostesse	Isaac, Heinrich (ca. 1450–1517)	13v–14
E qui la dira dira la douleur	Isaac, Heinrich (ca. 1450–1517)	5v–6
E qui la dira dira la douleur	Isaac, Heinrich (ca. 1450–1517)	6v–7
Gloria patri	Anonymous	3v–4
Helas que il est a mon gré	Japart, Jean	12
In pace in idipsum dormiam et requiescam 17.5	Despres, Josquin (ca. 1450–1521)	Iv–2
Je suis amie du forrier	Compère, Loyset (ca. 1445–1518)	12v–13
Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie	Du Fay, Guillaume (1397–1474)	15v–16
L'oserai-ge dire sy j'aime par amours.	Anonymous	36v
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	56v–57
Les grands regrets que sans cesses je porte	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)	44v–45
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi	Despres, Josquin (ca. 1450–1521)	24v–26r
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam	Despres, Josquin (ca. 1450–1521)	26v–28r
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis	Despres, Josquin (ca. 1450–1521)	28v–30r
Lo que queda es lo seguro	Escobar, Pedro de (?)	59
Maudit soit cil qui trouva jaulosie (Carmen in sol)	Isaac, Heinrich (ca. 1450–1517)	18v–19
Missa Fortuna desperata: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	48v–52
Missa Fortuna desperata: Benedictus	Obrecht, Jacobus (ca. 1457–1505)	48v–52
Missa Fortuna desperata: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	48v–52
Missa Fortuna desperata: Pleni sunt	Obrecht, Jacobus (ca. 1457–1505)	48v–52
Missa Si dedero somnum: Agnus Dei II	Obrecht, Jacobus (ca. 1457–1505)	52v–56
Missa Si dedero somnum: Benedictus	Obrecht, Jacobus (ca. 1457–1505)	52v–56
Missa Si dedero somnum: Christe eleison	Obrecht, Jacobus (ca. 1457–1505)	52v–56
O vos omnes qui transitis / O devots coeurs	Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	35v–36
Psallite noe Judaei - 1a pars (of 3): Psallite noe Judaei ... Angelus ad pastores	Petit, Nino le (fl. c1500)	21v–24
Psallite noe Judaei - 2a pars (of 3): Psallite ... quem Johannes videns	Petit, Nino le (fl. c1500)	21v–24
Si dedero somnum oculis meis	Anonymous	2v–3
Tam buen ghanadigho	Encina, Juan del	58
Tant belle mi son pensade	Isaac, Heinrich (ca. 1450–1517)	8v–9
Todos los bienes del mundo passan presto	Encina, Juan del	57v
Va t'en regrets celluy qui me convoyé	Compère, Loyset (ca. 1445–1518)	46v–47
Vexilla danse barbar	Vacqueras, Bertrandus (ca. 1450–1507) (?) Compère, Loyset (ca. 1445–1518) (?)	14v–15
Vidés regret.	Anonymous	45v–46
Vrai dieu d'amours confortez moi vous m'avez mis	Brumel, Antoine (ca. 1460–ca. 1513)	47v–48

‡ denotes primary source study

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 186, 207ff. Notes: mention of MS; contents list (partial); concordances (partial).

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Pages: 285,291-3,296-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 223f.

Hudson, Barton (editor). 1979. Ninot le Petit: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 277,283-4,293-4,355,382,386,431-2,450, 462. Notes: contents list (partial); concordances (partial); incipits (partial).

Sherr, Richard Jonathan (editor). 1978. Bertrandi Vaqueras: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii, xxiii, xxxiv, xliv. Notes: mention of MS; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxiii, 32-4, 62, 87; III, 193. Notes: physical description; contents list (partial); concordances (partial).

Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: 243.

Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 305-26. Pages: 312, 315. Notes: mention of MS; facsimile (partial).

Querol Gavaldá, Miguel. 1969. La producción musical de Juan del Encina (1469-1529). Anuário Musical, 121-31. Pages: 121. Notes: contents list (partial); concordances (partial).

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 58f.

Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 107-8,333-9. Notes: transcription (partial); texts (partial).

Pannella, Liliana. 1968. Le composizioni profane di una raccolta fiorentina del cinquecento. Revista Italiana di Musicologia, 3-47. Pages: 41-7. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,lxxxix. Notes: concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 354. Notes: physical description; contents list (partial); concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 42ff. Notes: physical description; contents list.

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 107. Notes: contents list (partial); concordances (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: H. Angles, in MME X, 18f.

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 165-81. Pages: 173,180. Notes: physical description; contents list; incipitsst of contents (partial).

Gombosi, Otto Johannes. 1930. Ghizeghem und Compère: Zur Stilgeschichte der burgundischen Chanson. Studien zur Musikgeschichte: Festschrift für Guido Adler zum 75. Geburtstag, 100-6. Vienna. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: III,vi. Notes: physical description; contents list; incipitsst of contents (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,449. Notes: physical description; contents list; incipitsst of contents (partial).

Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: J. Wolf, in ObrechtMO I, 3 SmijersV, 173. Notes: physical description.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: J- Wolf, 32 (XVI), 238.

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Benjamin Ory

Friday, 17 February, 2023

Error in discography corrected: Josquin's piece at f.19v, actually 'Bergerette savoysienne', incorrectly recorded as 'Psallite noe' by dittography with the piece by Nino le Petit a couple of folios later. (Additional dittography - Isaac's 'Benedictus' mis-titled for Josquin's 'Liber generationis', also corrected.)

Mark Statler

Friday, 11 September, 2020

image link updated

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description