I-AO Cod. 15 (Aosta Manuscript)

Seminario Maggiore, Biblioteca, Aosta, Italy

complete choirbook: 1st quarter of 15th century

Archive Seminario Maggiore, Biblioteca, Aosta, Italy (I-AO)
Shelfmark Cod. 15 (Aosta Manuscript)
Surface Other
Numbering System Mixed Foliation and Pagination
Measurements 272 x 202 mm
Other Identifiers
  • RISM: AO
  • RISM: I-AOS 15
  • CCM: AostaS D19
  • olim (Former shelfmark): A1; D19
Notations
  • black full mensural
Relationships
Provenance
  • Bologna, Italy
  • Strasbourg, France
  • Innsbruck, Austria
  • Basel, Switzerland
Contents 199 pieces from 29 composers
General Description

In four sections, each of which was copied by several scribes: I, ff. 13-48; II, ff. 49-158; III, ff. 1-12 and 159-258; IV, ff. 259-280. Folios 1-3 contain the treatise Libellus cantus mensurabilis of Johannes de Muris.

The first section (ff. 13–48) is written in one main hand on a single paper type and contains Introits, Kyries, Glorias, and Credos arranged in strict liturgical order. Tthe second (ff. 49–158) continues this liturgical organization with movements from the entire Mass Ordinary but features at least two other scribes and several different paper types. The third section (ff. 1–12 and 159–258) shares some of the same scribes and paper types with the second, but its repertory is a mixture of sacred genres and it has no overarching organizational scheme. The fourth (ff. 259–281) is the most distinct of the parts: two new scribes have copied a unique repertory of ceremonial motets and mass movements on at least three different paper types. (Barron)

Sections II and III share several scribes. One of the scribes of section III was responsible for bringing sections I-III together, drawing up the index, and adding the numbering; section IV was added soon afterwards. Section I was copied in Bologna; sections II and III were copied in the Basel-Strasbourg area; section IV was copied at Innsbruck. Some of the pieces were probably used by the chapels connected with the Council of Constance (1414-8) and the Council of Basel (1431-49); the repertory in section IV is from the imperial court chapel at Innsbruck.

Inscription on f. 2: “Rolandus Viottus, Pvt.” (Roland Viôt was Provost at Mont Joux, now the monastery of Great St. Bernard Pass, from 1610-44).

By the 17th century, the manuscript was in the library of the Priory of St. Jacquême at Aosta, residence of the Provosts of the monastery at Great Saint Bernard Pass. The present Seminary library was founded with books formerly belonging to the Priory, and stands on the site of the now demolished Priory.

DIAMM, 2020
Physical Description

The upper margins and parts of the upper lines of music in ff. 1-35 were badly waterstained, probably as the result of a fire in the Seminary library in 1798. These folios were reinforced, and the damaged sections removed, at the time the manuscript was restored in 1958, with the unfortunate loss of even more music. Section IV has been trimmed to its present size, with some loss also.

DIAMM, 2017
Binding

Original covers of brown calf over boards were removed and discarded after restoration in 1958; new covers of brown calf, tooled in gold, over boards.

DIAMM, 2017
Watermark

(1) resembles Briquet #2640; (2) resembles Briquet #12993-4; (3) resembles Heitz X, 104; (4) resembles Heitz XVI, 203; (5) resembles Briquet #13023-7; (6) resembles Briquet #4626; (7) resembles PiccardO VII, 525-6; (8) resembles Heitz VII, 7 and PiccardO I, 309; (9) resembles Briquet #2774; (10) resembles Heitz I, 4; (11) resembles PiccardO XII, 358 and Briquet #14758; (12) resembles PiccardO XII, 359 and Briquet #14759 (CobinA).

DIAMM, 2017
Notation

Black full mensural

DIAMM, 2017
Foliation

Original partial pagination; modern pencil foliation, 1-281 (130 omitted); third foliation in modern ballpoint pen, with a blank folio inserted and numbered 130.

DIAMM, 2017
Foliation

Other numberings: Original partial numbering of pieces

DIAMM, 2017
Decoration

Section I has black inked initials, Italian Gothic style, in at least two hands; section II has some initials in red or blue, others in black ink, in more or less elaborate style, some pieces without initials; section III shares some of the same initials as section II in black ink, while pieces toward the end of the section are without initials; section IV is completely without initials.

DIAMM, 2017
Index

Original index of pieces through f. 258, arranged by type of piece, on ff. 3'-4.

DIAMM, 2017
Surface

paper; ff. 55-56, 105-106, and 118-119 are parchment.

DIAMM, 2017
RISM Description

RISM B/IV 5: XVe s. 283ff., papier (parchemin aux ff. 55, 56, 105, 106, 118, 119), 280 x 200 mm.

La foliotation ancienne en chiffres romains en haut des ff. est lacunaire et inutilisable; la foliotation moderne au coin inférieur droit: 1-281 utilisée jusqu’à présent, est devenue inexacte par l’adjonction récente de 2ff. supplémentaires chiffrés 267-268, ce qui a imposé une nouvelle foliotation au coin supérieur droit des ff. 1-283, la seule qui soit maintenant correcte. Les ff. 7v, 8, 11, 18 à 20, 48v, 78, 86v, 87, 99, 130v, 144v, 145, 266v, 267v, 268v, 269, 275v, 276, 278, 281v, 282 sont blancs. Notation mesurée blanche. 8 à 10 portées par p. La marge supérieure des ff. 1 à 47 ayant été sévèrement rongée, une partie de la musique a disparu en haut de p. Aux ff. 1-3: Q[uilibet in art]e practica mensurabilis cantus . . . secundum magistrum Johannem de Mûris . . . Aux ff. 3v-4: Table incomplète du ms. classée par genres suivant l'ordre du ms. primitif. Aux ff. 47v, 48, 244v, 245, 254, 256, 263v à 266: règles élémentaires de notation. Restauration récente, rehure moderne.

Ce ms. provient de l’ancienne bibliothèque du Prieuré Saint-Jacquème comme en fait foi le nom du prévôt Rolandus Viottius (Roland Viot, mort en 1644) inscrit au bas du f. 2. D’autre part, on lit au f. 254, d'une écriture différente: «Est libri Ursi Donzellier [Donzellizur?] possidet hunc libellum», ce personnage n’ayant pu jusqu’à présent être identifié (Amiet). Le recueil est constitué de 25 cahiers copiés par des scribes différents et qu'on peut classer en 4 groupes distincts:

1 Cahiers 2-A (ff. 13 à 48), belle écriture semi gothique italienne, capitales ornées à la plume, 10 portées par p.

2 Cahiers 5-13 (ff. 49-158) copiés par 2 scribes du nord de l’Italie, semble-t-il. Initiales coloriées rouge et bleu, 8 portées par p.

3 Cahiers 14-21 (ff. 159-258), écriture allemande souvent difficile, 8 ou 9 portées par p. Il est probable que ce scribe 3 a réuni les sections 1 et 2 avec la sienne, faisant précéder l’ensemble d’un premier cahier (ff. 1-12) contenant le traité de Jean de Mûris suivi de la table du ms. et de plusieurs pièces (nos 1 à 7), en ajoutant aussi quelques-unes aux pages restées libres des sections 1 et 2, en même temps qu’il procédait à la numérotation en chiffres romains du ms. ainsi constitué.

4 Cahiers 22-25 (ff. 259-283). Partie supplémentaire ajoutée par un 4e scribe après la compilation opérée par le scribe 3, si bien qu’aucune des pièces de cette section 4 ne figure à la table. Ecriture allemande peu soignée. Aucune capitale. 10 portées par p.- Enfin, les 2 fragments de p. foliotés 267 et 268 sont d’une écriture plus récente et portent au v° le tampon «Séminaire d’Aoste» (nos 188bis et 188ter).

Le ms. contient 197 pièces (en réalité 180, 17 ayant été copiées en double dans des cahiers différents), dont 129 parties de l’Ordinaire de la messe rangées par genre (séparant ainsi les différentes sections d’une même messe, sauf pour les nos 162-165 et 166-167) et 51 motets, antiennes, communions, introits, offertoires, séquences et Magnificat. On y compte 70 unica. Les compositeurs représentés sont parmi les plus importants du début du XVe s. et le style est caractéristique des quatre premières décennies du siècle, la plus grande partie datant des années 1420-1430. D’autre part, 3 motets peuvent être rattachés à une circonstance particulière et par là même datés avec précision: n° 1 en l’honneur de l’antipape Jean XXIII (1410-1415); n° 189 pour la mort de l’empereur Albrecht II (1439); n° 188 pour l’avènement de Friedrich III (1440). Quoiqu’il en soit, le nombre important d’unica des sections 3 et 4, parmi lesquels ces 3 motets officiels, laisse supposer que le ms. aurait pu subir sa compilation définitive pour l’usage, sinon de la chapelle impériale elle-même, du moins de quelque autre organisme semblable. M. Cobin suggère que les 3 premières sections auraient pu être compilées pour l’empereur Sigismond lui-même, la plus grande partie du répertoire ayant été rassemblée à l’occasion d’un Concile (de Bale, par ex.) tandis que la compilation finale aurait pu être commandée par Eneas Silvius Piccolomini, futur Pie II, qui aurait fait déposer le ms. à Aosta.

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Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

19 Kyries, 40 Glorias, 30 Credos, 24 Sanctus, 16 Agnus, 3 Magnificats, 3 hymns, 45 motets = 180 + 17 duplicates = 197

Anglia-3, Benet/(Dunstable)-3, Berken-1, Binchois-24, Binchois/(Dunstable)-1, (Binchois/Dunstable)-1, Bloym [Blome]-1, Brabant-2, Brassart-12 + 1?, (Byttering)-1, Ja. de Clibano-1, Ja. de Clibano/(Binchois)-1, Dufay-25, Dufay/(Limburgia)-1, Dunstable-14, Dunstable/(Power)-1, (Dunstable/Power)-3, Dusart [Sarto]-3, Franchois-4, Grossin-11, H. Lantins/(Dufay)-1, G. Legrant [Grand Guillaume]-2, J. Legrant-2, Loqueville-3, (C. Merques)-1, Neweland-1, Power [Leonel]-9, Sovesby-1, (Sweitzl)-1, Vineux-1, Zacharia [Nicolaus]-1, anon-43

280 paper folios, 272 x 202. The upper margins and parts of the upper lines of music in ff. 1-35 were badly waterstained, probably as the result of a fire in the Seminary library in 1798. These folios were reinforced, and the damaged sections removed, at the time the manuscript was restored in 1958, with the unfortunate loss of even more music. Section IV has been trimmed to its present size, with some loss also. Original numbering system: partial pagination and partial numbering of pieces; modern pencil foliation, 1-281 (130 skipped); third foliation in modern ballpoint pen, with a blank folio inserted and numbered 130. Original covers of brown calf over boards were removed and discarded after restoration in 1958; new covers of brown calf, tooled in gold, over boards. Original index of pieces through f. 258, arranged by type of piece, on ff. 3'-4. The manuscript is in four sections, with several scribes active in each section, and sections II and III sharing several scribes: I, ff. 13-48; II, ff. 49-158; III, ff. 1-12 and 159-258; IV, ff. 259-280. One of the scribes of section III was responsible for bringing sections I-III together, drawing up the index, and adding the numbering; section IV was added soon afterwards. Section I has black inked initials, Italian Gothic style, in at least two hands; section II has some initials in red or blue, others in black ink, in more or less elaborate style, some pieces without initials; section III shares some of the same initials as section II in black ink, while pieces toward the end of the section are without initials; section IV is completely without initials. Twelve watermarks appear in the manuscript, with sections II and III sharing several: Briquet 2640; Briquet 12.993-994; Heitz 104; Heitz Plate XVI; Briquet 13.023-027; Briquet 4626; Piccard VII, 525-526; Heitz Plate VII, 71 and Piccard I, 309; Briquet 2774; Heitz Plate I, 4; Piccard XII, 358; Piccard XII, 359. Ff. 1-3 contain the treatise Libellus cantus mensurabilis of Johannes de Muris. Inscription on f. 2: “Rolandus Viottus, Pvt.” (Roland Viôt was Provost at Mont Joux, now the monastery of Great St. Bernard Pass, from 1610-44).

Compiled before 1446; the repertory dates from ca. 1414-43. Section I was copied in Bologna, ca. 1430-5; sections II and III were copied in the Basel-Strasbourg area, ca. 1435-43, and then brought together with section I; section IV was copied at Innsbruck, ca. 1443-6. Some of the pieces were probably used by the chapels connected with the Council of Constance (1414-8) and the Council of Basel (1431-49); the repertory in section IV is from the imperial court chapel at Innsbruck. By the 17th century, the manuscript was in the library of the Priory of St. Jacquême at Aosta, residence of the Provosts of the monastery at Great Saint Bernard Pass. The present Seminary library was founded with books formerly belonging to the Priory, and stands on the site of the now demolished Priory.

Vol 4

Contents: 1 Mass, 1 Gloria-Credo pair, 1 Credo-Sanctus pair, 19 Kyries, 38 Glorias, 27 Credos, 22 Sanctus (2 fragmentary), 15 Agnus, 15 Mass Proper sections, 3 Magnificats, 3 hymns, 30 motets = 175 + 17 duplicates = 192

Composers: Anglia-3, Benet-2, Benet/(Dunstable)-1, Binchois-24, Binchois/ (Dunstable)-1, (Binchois/Dunstable)-1, Bloym [Blome]-1, Brabant-2, Brassart -14 + 1?, Brassart/Dusart-2,* (Byttering)-1, Ja. de Clibano-1, Ja. de Clibano/ (Binchois)-1, Dufay-26, Dufay/(Limburgia)-1, Dunstable-12, Dunstable/ (Power)-1, (Dunstable/Power)-3, Dusart [Jo. Sarto]-1, (Forest)-1, Franchois-4, Grenon or Zacharia? [ Nicolao]-1,** Grossin-11, H. Lantins/(Dufay)-1, G. Legrant [Grand Guillaume]-2, J. Legrant-2, Loqueville-3, (N. Merques)-1, Neweland [Nelbeland]-1, Power [Leonel]-7, Power/(Dunstable)-1, (Schweikl)-1, Soursby-1 + 2?, Verben-1, Vineux-1, anon-35

Two Introits originally attributed in index to "Brassart," but scribe later crossed out these attributions and added "Sarto" [= Dusart]. *Text of motet "Argi vices Polyphemus" on ff. 4'-7 names "Nicolao" in context which suggests he composed the music. VanAM suggested Nicola Zacharia as probable composer, but CobinA proposes Nicolas Grenon as alternative possibility.

Physical: Ff. 55-56, 105-106, and 118-119 are parchment. Watermarks: (1) resembles Briquet #2640; (2) resembles Briquet #12993-4; (3) resembles Heitz X, 104; (4) resembles Heitz XVI, 203; (5) resembles Briquet #13023-7; (6) resembles Briquet #4626; (7) resembles PiccardO VII, 525-6; (8) resembles Heitz VII, 7 and PiccardO I, 309; (9) resembles Briquet #2774; (10) resembles Heitz I, 4; (11) resembles PiccardO XII, 358 and Briquet #14758; (12) resembles PiccardO XII, 359 and Briquet #14759 (CobinA).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

184v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
04v–07 Argi vices Poliphemus / Com Pilemon rebus paucis (Nicolaus) [Frangens De Leodio]
Appears on: 04v–07
Genres: Motet
Source Attribution: (Nicolaus) [Frangens De Leodio]
Voice: [no designation]
Languages: Latin
Voice Text: Com Pilemon rebus paucis …

Voice: [no designation]
Languages: Latin
Voice Text: Argi vices Poliphemus …

Item Bibliography

Fischer, Kurt von, and Franco Alberto Gallo (editors). 1985. Italian Sacred and Ceremonical Music (II) . Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de l'Oiseau-Lyre. Pages: p. 220-227.

08v–09 Salve sancta parens (fauxbourdon) Binchois
Appears on: 08v–09
Genres: Introit, Proper
Source Attribution: Binchois
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta parens
General Note

(2 versions)

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

09v Felix namque es BINCHOIS
Appears on: 09v
Genres: Offertory, Proper
Source Attribution: BINCHOIS
Voice: [no designation]
Languages: Latin
Voice Text: [Felix] namque es

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

10 Beata viscera Mariae virginis - Anonymous
Appears on: 10
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Beata viscera] Marie virginis …

Voice: [no designation]
Languages: Latin
Voice Text: [Beata viscera] Marie virginis …

Voice: Superius
Languages: Latin
Voice Text: [Beata viscera] Marie virginis …
General Note

mq. début du Sup.

10v Beata viscera Mariae virginis Leonell
Appears on: 10v
Genres: Motet
Source Attribution: Leonell
Voice: [no designation]
Languages: Latin
Voice Text: [Beata viscera] Marie virginis …

Voice: [no designation]
Languages: Latin
Voice Text: [Beata viscera] Marie virginis …

Voice: [no designation]
Languages: Latin
Voice Text: [Beata viscera] Marie virginis …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50,1.

11v–12 Kyrie Lux et origo Iucis -
Appears on: 11v–12
Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Kyrie] Lux et origo Iucis
12v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 12v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

[Nom de l'auteur coupé]

13 Spiritus Domini replevit orbem terrarum (BRASSART, rayé et remplacé parSARTO)
Appears on: 13
Genres: Introit, Proper
Source Attribution: (BRASSART, rayé et remplacé parSARTO)
Voice: [no designation]
Languages: Latin
Voice Text: [Spiritus] domini replevit …

Voice: [no designation]
Languages: Latin
Voice Text: [Spiritus] domini replevit …

Voice: [no designation]
Languages: none

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.

13v Salve sancta parens Jo. Brassart
Appears on: 13v
Genres: Introit, Proper
Source Attribution: Jo. Brassart
Voice: [no designation]
Languages: Latin
Voice Text: [Salve] sancta parens …

Voice: [no designation]
Languages: Latin
Voice Text: [Salve] sancta parens …

Voice: [no designation]
Languages: Latin
Voice Text: [Salve] sancta parens …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I (avec facs.).

14 Cibavit eos ex adipe [B]rassart
Appears on: 14
Genres: Introit, Proper
Source Attribution: [B]rassart
Voice: [no designation]
Languages: Latin
Voice Text: [Cibavit eos] ex adipe frumenti …

Voice: [no designation]
Languages: Latin
Voice Text: [Cibavit eos] ex adipe frumenti …

Voice: [no designation]
Languages: Latin
Voice Text: [Cibavit eos] ex adipe frumenti …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I (avec facs.).

14v Gaudeamus omnes in Domino (BRASSART, rayé et remplacé parSARTO)
Appears on: 14v
Genres: Introit, Proper
Source Attribution: (BRASSART, rayé et remplacé parSARTO)
Voice: [no designation]
Languages: Latin
Voice Text: [Gaudeamus] omnes in domino …

Voice: [no designation]
Languages: Latin
Voice Text: [Gaudeamus] omnes in domino …

Voice: [no designation]
Languages: Latin
Voice Text: [Gaudeamus] omnes in domino …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.

15 De ventre matris meae vocavit me Dominus Jo. Brassart
Appears on: 15
Genres: Introit, Proper
Source Attribution: Jo. Brassart
Voice: [no designation]
Languages: Latin
Voice Text: [De ventre] matris mee vocavit me …

Voice: [no designation]
Languages: Latin
Voice Text: [De ventre] matris mee vocavit me …

Voice: [no designation]
Languages: Latin
Voice Text: [De ventre] matris mee vocavit me …
General Note

mq. début du Sup.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.

15v Repleatur os meum laude tua JO. SARTO)
Appears on: 15v
Genres: Introit, Proper
Source Attribution: JO. SARTO)
Voice: [no designation]
Languages: Latin
Voice Text: [Repleatur] os meum laude tua …

Voice: [no designation]
Languages: Latin
Voice Text: [Repleatur] os meum laude tua …

Voice: [no designation]
Languages: Latin
Voice Text: [Repleatur] os meum laude tua …
16 Sapientiam sanctorum narrent populi Brassart
Appears on: 16
Genres: Introit, Proper
Source Attribution: Brassart
Voice: [no designation]
Languages: Latin
Voice Text: [Sapientiam sanctorum] narrent populi …

Voice: [no designation]
Languages: Latin
Voice Text: [Sapientiam sanctorum] narrent populi …

Voice: [no designation]
Languages: Latin
Voice Text: [Sapientiam sanctorum] narrent populi …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.

16v–17 Nos autem gloriari oportet (BRASSART)
Appears on: 16v–17
Genres: Introit, Proper
Source Attribution: (BRASSART)
Voice: [no designation]
Languages: Latin
Voice Text: [Nos autem] gloriari oportet …

Voice: [no designation]
Languages: Latin
Voice Text: [Nos autem] gloriari oportet …

Voice: [no designation]
Languages: Latin
Voice Text: [Nos autem] gloriari oportet …
General Note

(Brassart)

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.

17 Dilexisti justitiam et odisti Brassart
Appears on: 17
Genres: Introit, Proper
Source Attribution: Brassart
Voice: [no designation]
Languages: Latin
Voice Text: [Dilexisti] justitiam et adisti

Voice: [no designation]
Languages: Latin
Voice Text: [Dilexisti] justitiam et adisti

Voice: [no designation]
Languages: Latin
Voice Text: [Dilexisti] justitiam et adisti

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.

17v Puer natus est nobis - Anonymous
Appears on: 17v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: [Puer natus est nobis] etfilius datus estnobis …

Voice: [no designation]
Languages: Latin
Voice Text: [Puer natus est nobis] etfilius datus estnobis …

Voice: [no designation]
Languages: Latin
Voice Text: [Puer natus est nobis] etfilius datus estnobis …
20v–21v Missa Sancti Jacobi: Kyrie G. DU FAY
Appears on: 20v–21v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: G. DU FAY
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede pro toto
Concordances

[= n° 48]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

21v–22 Kyrie Pater cuncta G. DU FAY
Appears on: 21v–22
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: G. DU FAY
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Pater cuneta]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,IV.

22 Kyrie 'Cunctipotens genitor' (DUFFAY)
Appears on: 22
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: (DUFFAY)
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Cunctipotens genitor]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.

22v Missa De apostolis: Kyrie JO. BRASSART
Appears on: 22v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: JO. BRASSART
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [De apostolis]
General Note

Sup: Faux bourdon

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35,1.

23 Kyrie 'apostolorum' / 'de martyribus' (BINCHOIS
Appears on: 23
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: (BINCHOIS
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Apostolorum ou De martiribus]
Concordances

=no 52

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

23v Kyrie Lux et origo (or Pascale) G. DU FAY
Appears on: 23v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: G. DU FAY
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie (Pascale)

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,IV.

24 Kyrie eleison (KSA group) G. DU FAY
Appears on: 24
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: G. DU FAY
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,IV.

24v Kyrie eleison JO. BRASSART
Appears on: 24v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: JO. BRASSART
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35,1.

25 Kyrie eleison (KGC group - iv/1) G. DU FAY
Appears on: 25
Genres: Kyrie eleison, Motet
Source Attribution: G. DU FAY
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music.  London.

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, n° 1.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,IV.

25v–26 Kyrie 'angelorum' BINCHOIS
Appears on: 25v–26
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: BINCHOIS
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Angelorum]

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, n" 5; DTÖ 61 (XXXI);.

26v–27 Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster G. DU FAY
Appears on: 26v–27
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: G. DU FAY
Voice: [no designation]
Languages: Latin, Greek
Voice Text: '[Missa Sine nomine] Kyrie
General Note

. [Tr: Salvator noster

Concordances

[= n' 47] -

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,II.

Dèzes, Karl. 1927. Messen- und Motettensätze des 15. Jahrhunderts.  Augsburg.

27v–28 Kyrie De martyribus / In diebus Dominicis / Orbis factor G. DU FAY]
Appears on: 27v–28
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: G. DU FAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie De martyribus ou In diebus dominicis ou Orbis factor]

Item Bibliography

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: 1, no 7.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,IV no 11.

28v–29 Et in terra pax [Gloria] JO. FRANCHOIS
Appears on: 28v–29
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: JO. FRANCHOIS
Voice: [no designation]
Languages: Latin
Voice Text: Gloria] Et in terra …
29v–30 Patrem omnipotentem [Credo] 'Alma redemptoris' JO. FRANCHOIS
Appears on: 29v–30
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: JO. FRANCHOIS
Voice: [no designation]
Languages: Latin
Voice Text: [Credo Alma redemptoris] Patrem
30v–31 Et in terra pax [Gloria] (iv/3.1) Hugo de LANTINS [ou G. DUFAY*]
Appears on: 30v–31
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Hugo de LANTINS [ou G. DUFAY*]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
Concordances

*GB-Ob 213

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,IV.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

30v–32 Patrem omnipotentem [Credo] G. DU FAY
Appears on: 30v–32
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: G. DU FAY
Voice: [no designation]
Languages: Latin
Voice Text: Credo] Patrem
Concordances

=no 82

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,IV.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

32v–33 Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] G. DU FAY
Appears on: 32v–33
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: G. DU FAY
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine. Gloria]
Concordances

= no 61

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

33v–34 Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo] (DUFFAY)
Appears on: 33v–34
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: (DUFFAY)
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine.Credo]
Concordances

[= n» 92]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,II.

34v–35 Et in terra pax [Gloria] [Kaye 2a] BINCHOIS
Appears on: 34v–35
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: BINCHOIS
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in Terra
Concordances

[= n' 63]

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

35v–36 Patrem omnipotentem [Credo] [Kaye 2b] BINCHOIS
Appears on: 35v–36
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: BINCHOIS
Voice: [no designation]
Languages: Latin
Voice Text: [Credo ) Patrem

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

36v–37 Et in terra pax [Gloria] JO. LE GRANT
Appears on: 36v–37
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: JO. LE GRANT
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
Concordances

[= n° 66]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11,II.

37v–39 Patrem omnipotentem [Credo] JO. LE GRANT
Appears on: 37v–39
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: JO. LE GRANT
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
Concordances

[= n" 93]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11,II.

39v–40 Gloria Rex saeculorum. Et in terra DUNSTABLE [ou L. POWER]
Appears on: 39v–40
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: DUNSTABLE [ou L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria Rex seculorum] Et in terra
Concordances

[= n° 65]

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII facs.

Van, Guillaume de. 1948. A Recently Discovered Source of Early Fifteenth Century Polyphonic Music. Musica Disciplina, 5-74.

40v–42 Patrem omnipotentem [Credo] JO -BRASSART
Appears on: 40v–42
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: JO -BRASSART
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35,1.

42v–43 Et in terra pax [Gloria] [Kaye 3a] (BINCHOIS)
Appears on: 42v–43
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: (BINCHOIS)
Voice: [no designation]
Languages: Latin
Voice Text: Gloria. Et in terra pax] hominibus
Concordances

[= n° 124]

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

43v–44 Et in terra pax [Gloria] JO. BRASSART
Appears on: 43v–44
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: JO. BRASSART
Voice: [no designation]
Languages: Latin
Voice Text: Gloria] Et in terra
General Note

facs. du f. 43v

Item Bibliography

Amiet, Robert. 1974. Repertorium liturgicum Augustanum. Les témoins de la liturgie du diocèse d'Aoste. Monumenta Liturgica Ecclesiae Augustanae.  Aoste. Pages: facs. du f. 43v.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35,1.

44v–45 Et in terra pax [Gloria] [Tro] Spiritus et alme JO. BRASSART
Appears on: 44v–45
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: JO. BRASSART
Voice: [no designation]
Languages: Latin
Voice Text: Gloria] Et in terra .spiritus

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35,1.

45v–47 Et in terra pax [Gloria] [Kaye 17] [G. BINCHOIS]
Appears on: 45v–47
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.  London.

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

49 Kyrie eleison (KGC group - iv/1) DUFAY
Appears on: 49
Genres: Kyrie eleison, Motet
Source Attribution: DUFAY
Voice: [no designation]
Languages: Greek
Voice Text: Kyrie eleison
Concordances

[= n' 26]

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music.  London.

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I no I.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1 IV.

49v–50 Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster GUILLELMUS DUFAY
Appears on: 49v–50
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: GUILLELMUS DUFAY
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Sine nomine] Kyrie
Concordances

[= n° 28]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

Dèzes, Karl. 1927. Messen- und Motettensätze des 15. Jahrhunderts.  Augsburg.

50v–52 Missa Sancti Jacobi: Kyrie DUFAY
Appears on: 50v–52
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sancti Jacobi] Kyrie
Concordances

[= n° 18]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,II.

52v–53 Kyrie 'angelorum' BYNCHOYS
Appears on: 52v–53
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: BYNCHOYS
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Angelorum]
Concordances

[= n°27]

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: 1, no 5.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

53v–55 Kyrie eleison Attrib. à E. Grossin)
Appears on: 53v–55
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Attrib. à E. Grossin)
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

Ct: Trompetta Kyrie …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

54v–55 Kyrie eleison GROSSEM
Appears on: 54v–55
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: GROSSEM
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

T: Faulx bourdon.

Item Bibliography

Perz, Miroslaw (editor). 1963-. Antiquitates Musicae in Polonia.  Warsaw and Graz. Pages: a XIV.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

55v–56 Kyrie 'apostolorum' / 'de martyribus' (BINCHOIS)
Appears on: 55v–56
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: (BINCHOIS)
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Apostolorum ou De martyribus]
Concordances

[= n°22

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

56v Kyrie Pater cuncta (DUFAY)
Appears on: 56v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: (DUFAY)
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Pater cuneta]
Concordances

[= n° 19]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.

57 Kyrie 'de beata Maria' / 'de dominica' G. BINCHOIS]
Appears on: 57
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: G. BINCHOIS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De beata Maria. Kyrie

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

57v–58 Kyrie Quod canitur in simplici die - Anonymous
Appears on: 57v–58
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie (Quod canitur in simplici die)
58v–59 Kyrie breve 'in simplici die' [G. BINCHOIS]
Appears on: 58v–59
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie (breve in simplici die)

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.  London.

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

59v–60 Et in terra pax [Gloria] GROSSIM (or Grossijn)
Appears on: 59v–60
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: GROSSIM (or Grossijn)
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra

Item Bibliography

Perz, Miroslaw (editor). 1963-. Antiquitates Musicae in Polonia.  Warsaw and Graz. Pages: o1 XIV.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

60v–62v Et in terra pax [Gloria] (iv/4) (Amen tropes Resurrexit dominus; Tu m’a monte) DUFAY
Appears on: 60v–62v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Avec 2d Amen [Tr: Resurrexit dominus]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.

63–64 Et in terra pax [Gloria] GRAND GUILLAUME
Appears on: 63–64
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: GRAND GUILLAUME
Voice: [no designation]
Languages: Latin
Voice Text: Gloria] Et in terra

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, II.

Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century.  Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society.

64v–66 Missa Sancti Jacobi: Gloria DUFAY
Appears on: 64v–66
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sancti Jacobí. Gloria]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

66v–68 Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] DUFAY
Appears on: 66v–68
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine. Gloria]
Concordances

[= n"34]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

68v–70 Et in terra pax [Gloria] GROSSIM
Appears on: 68v–70
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: GROSSIM
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

70v–71 Et in terra pax [Gloria] [Kaye 2a] BYNCHOYS
Appears on: 70v–71
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: BYNCHOYS
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
Concordances

[= n' 36]

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

71v–72 Et in terra pax [Gloria] L. BRABANT
Appears on: 71v–72
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: L. BRABANT
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
72v–74 Gloria Rex saeculorum. Et in terra DUNSTAPELL [ou L. POWER][
Appears on: 72v–74
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: DUNSTAPELL [ou L. POWER][
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Rex seculorum. Et in terra
Concordances

[= n°40]

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

74v–76 Et in terra pax [Gloria] JO. LE GRAND
Appears on: 74v–76
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: JO. LE GRAND
Voice: [no designation]
Languages: Latin
Voice Text: Gloria] Et in terra
Concordances

[= n» 38]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, II.

76v–77v Et in terra pax [Gloria] [GROSSIN]
Appears on: 76v–77v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [GROSSIN]
Voice: [no designation]
Languages: Latin
Voice Text: Gloria] Et in terra

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61, (XXXI).

78v–80 Et in terra pax [Gloria] DUNSTAPELL
Appears on: 78v–80
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: DUNSTAPELL
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

80v–82 Et in terra pax [Gloria] LOQU[EV]ILLE
Appears on: 80v–82
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: LOQU[EV]ILLE
Voice: [no designation]
Languages: Latin
Voice Text: Gloria] Et in terra

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

82v–84 Et in terra pax [Gloria] - Anonymous
Appears on: 82v–84
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

T: Jacet granum.

84v–86 Et in terra pax [Gloria] - Anonymous
Appears on: 84v–86
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
87v–89 Et in terra pax [Gloria] - Anonymous
Appears on: 87v–89
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
89v–91 Et in terra pax [Gloria] JO. WERKEN [sic pour VERBEN]
Appears on: 89v–91
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: JO. WERKEN [sic pour VERBEN]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
90v–92 Et in terra pax [Gloria] JO.FRANCHOYS
Appears on: 90v–92
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: JO.FRANCHOYS
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria. Et in terra pax]

Item Bibliography

Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century.  Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society.

92v–93 Et in terra pax [Gloria] JO. FRANCHOYS
Appears on: 92v–93
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: JO. FRANCHOYS
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
Concordances

[= n° 30]

93v–94 Et in terra pax [Gloria] [R. DE LOQUEVILLE]
Appears on: 93v–94
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [R. DE LOQUEVILLE]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century.  Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society.

94v–95 Et in terra pax [Gloria] (KGC group - iv/1) DUFAY
Appears on: 94v–95
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: Gloria] Et in terra

Item Bibliography

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, no 1.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.

95v–96 Et in terra pax [Gloria] 'ad modum tubae' G. DUFAY
Appears on: 95v–96
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: G. DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria ad modum tube] Et in terra
General Note

(quod dicitur Trompeta)

Item Bibliography

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, no 3.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14 / 15 (VII).

96v–98v Et in terra pax [Gloria] (iv/5) (DUFAY)
Appears on: 96v–98v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: (DUFAY)
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.

99v–102 Patrem omnipotentem [Credo] GRAND GUILLAUME
Appears on: 99v–102
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: GRAND GUILLAUME
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, II.

102v–104 Patrem omnipotentem [Credo] (KGC group - iv/1) DUFAY
Appears on: 102v–104
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: Credo] Patrem

Item Bibliography

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, no 1.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.

104v–106 Patrem omnipotentem [Credo] DUFAY
Appears on: 104v–106
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
Concordances

[= n' 33]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

106v–108 Patrem omnipotentem [Credo] GROSSIM
Appears on: 106v–108
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: GROSSIM
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

108v–111 Patrem omnipotentem [Credo] (iv/5) (DUFAY)
Appears on: 108v–111
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: (DUFAY)
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.

111v–114 Patrem omnipotentem [Credo] GROSSIM
Appears on: 111v–114
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: GROSSIM
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

facs. des ff. lllv-112Ct: Trompette patrem.

Item Bibliography

Van, Guillaume de. 1948. A Recently Discovered Source of Early Fifteenth Century Polyphonic Music. Musica Disciplina, 5-74.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

114v–117 Patrem omnipotentem [Credo] (JOHANNIS FRANCHOIS)
Appears on: 114v–117
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: (JOHANNIS FRANCHOIS)
Voice: [no designation]
Languages: Latin
Voice Text: [Credo. Patrem omnipotentem] factorem celi

Item Bibliography

Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century.  Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society.

117v–119 Patrem omnipotentem [Credo] 'Alma redemptoris' [J. FRANCHOIS DE GEMBLOUX]
Appears on: 117v–119
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [J. FRANCHOIS DE GEMBLOUX]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Alma redemptoris. Patrem
Concordances

[= n" 31]

119v–122 Missa Sancti Jacobi: Credo Dufay. De apostolis
Appears on: 119v–122
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Dufay. De apostolis
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sancti Jacobi. Credo] De apostolis. Patrem

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61, (XXXI).

122v–124 Patrem omnipotentem [Credo] (LAMBERTUS BRABANT)
Appears on: 122v–124
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: (LAMBERTUS BRABANT)
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
124v–126 Patrem omnipotentem [Credo] LOQ[UE]VILLE
Appears on: 124v–126
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: LOQ[UE]VILLE
Voice: [no designation]
Languages: Latin
Voice Text: Credo] Patrem

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

126v–129 Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella) DUFAY
Appears on: 126v–129
Genres: Credo (patrem omnipotentem), Mass Ordinary, Troped Credo
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

Avec 2d Amen [Tr: Die Maria]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.

129v–132 Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo] DUFAY
Appears on: 129v–132
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine. Credo] Patrem
Concordances

[= n' 35]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

132v–135 Patrem omnipotentem [Credo] JO. LE GRANT
Appears on: 132v–135
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: JO. LE GRANT
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
Concordances

[= n° 39]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, II.

135v–138 Patrem omnipotentem [Credo] DUNSTAPELL
Appears on: 135v–138
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: DUNSTAPELL
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

Vili (avec facs)

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII avec facs.

138v–140 Patrem omnipotentem [Credo] (DE ANGLIA)[
Appears on: 138v–140
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: (DE ANGLIA)[
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …
140v–143 Patrem omnipotentem [Credo] - Anonymous
Appears on: 140v–143
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

[Nom de l'auteur coupé]

142v–144 Salve regina mater misericordiae (DE ANGLIA)
Appears on: 142v–144
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: (DE ANGLIA)
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
145v–146 Veni dilecte mi JO. DUNSTAPELL
Appears on: 145v–146
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: JO. DUNSTAPELL
Voice: [no designation]
Languages: Latin
Voice Text: Veni dilecte mi

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

147–148 Sanctus BYNCHOYS
Appears on: 147–148
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: BYNCHOYS
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

148v–149 Sanctus GROSSEM
Appears on: 148v–149
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: GROSSEM
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

Ct: Trompetta sanctus

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

149v–150 Missa Sancti Jacobi: Sanctus G. DUFAY
Appears on: 149v–150
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: G. DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sancti Jacobi]. De apostolis. Sanctus

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

150v–151 Sanctus GROSSIM
Appears on: 150v–151
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: GROSSIM
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

151v–152 Missa sine nomine (Resvelliés vous): Sanctus GUILLELMUS DUFAY
Appears on: 151v–152
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: GUILLELMUS DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: Missa Sine nomine]. Sanctus

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

152v–154 Anglicus. Sanctus Dunstapell
Appears on: 152v–154
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Dunstapell
Voice: [no designation]
Languages: Latin
Voice Text: Anglicus. Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Anglicus. Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Anglicus. Sanctus …

Item Bibliography

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica.  London. Pages: VIII.

153v–154 Sanctus 'Vineux' Tr: Qui januas mortis confregisti Vineux
Appears on: 153v–154
Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
Source Attribution: Vineux
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus … Tr: Qui januas mortis confregisti …
General Note

… Tr: Qui januas mortis confregisti …[= Tr: Qui vertice Thabor affuisti*]

Concordances

* B-Tc 471

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

154v–155 Missa Sancti Jacobi: Agnus Dei Dufay. De apostolis
Appears on: 154v–155
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Dufay. De apostolis
Voice: [no designation]
Languages: Latin
Voice Text: De apostolis. Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: De apostolis. Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: De apostolis. Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: De apostolis. Agnus dei …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

155v–156 Missa sine nomine (Resvelliés vous): Agnus Dei DUFAY
Appears on: 155v–156
Genres: Agnus Dei, Mass Ordinary
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

Dèzes, Karl. 1927. Messen- und Motettensätze des 15. Jahrhunderts.  Augsburg.

156v–157 Agnus Dei Grossim
Appears on: 156v–157
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Grossim
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...
General Note

Tr: Pro Salute hominum …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

157v–158 Agnus Dei GROSSIM
Appears on: 157v–158
Genres: Agnus Dei, Mass Ordinary
Source Attribution: GROSSIM
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.

158v Sancta Maria virgo intercede pro toto - Anonymous
Appears on: 158v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede pro toto

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I.

Stainer, John F. R, Cécie Stainer, and Edward W. B. Nicholson. 1901, 1913. Early Bodleian Music I-II (1901); Early Bodleian Music III. Pages: II.

159 Sanctus Benedictus [SWEITZL]*
Appears on: 159
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [SWEITZL]*
Voice: [no designation]
Languages: Latin
Voice Text: [Sanctus] Benedictus
General Note

Fragment du T et Ct seul'

Concordances

*D-brd-Mbs 3232a

Item Bibliography

Perz, Miroslaw (editor). 1963-. Antiquitates Musicae in Polonia.  Warsaw and Graz. Pages: ol XIV.

159v Sanctus [Kaye 6a] (BINCHOIS)
Appears on: 159v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: (BINCHOIS)
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.  London.

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

160 Agnus Dei [Kaye 6b] (BINCHOIS)
Appears on: 160
Genres: Agnus Dei, Mass Ordinary
Source Attribution: (BINCHOIS)
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

160v–161 Sanctus [Kaye 5a] Bynchoys
Appears on: 160v–161
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Bynchoys
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, n' 5 (Musa De angelis.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

161v Agnus Dei [Kaye 5b] Bynchoys
Appears on: 161v
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Bynchoys
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, no 5, (Musa De angelis).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

162 Agnus Dei [Kaye 5b] Ja. de Clibano
Appears on: 162
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Ja. de Clibano
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...
162v–163 Et in terra pax [Gloria] [Kaye 54] Ja.(Johannes)de Clibano[ou G.BINCHOIS]
Appears on: 162v–163
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Ja.(Johannes)de Clibano[ou G.BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra pax …

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra pax …

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra pax …
General Note

[ou G.BINCHOIS]

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

163v–165 Patrem omnipotentem [Credo] - Anonymous
Appears on: 163v–165
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …
165v–166 Asperges me Domine (I) Bynchoys
Appears on: 165v–166
Genres: Asperges me, Motet
Source Attribution: Bynchoys
Voice: [no designation]
Languages: Latin
Voice Text: [Asperges me] domine ysopo …

Voice: [no designation]
Languages: Latin
Voice Text: [Asperges me] domine ysopo …

Voice: [no designation]
Languages: Latin
Voice Text: [Asperges me] domine ysopo …
General Note

[version 1]

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

166v–167 Domitor Hectoris Paride Bynchoys
Appears on: 166v–167
Genres: Motet
Source Attribution: Bynchoys
Voice: [no designation]
Languages: Latin
Voice Text: Domitor Hectoris Paride domitus …

Voice: [no designation]
Languages: Latin
Voice Text: Domitor Hectoris Paride domitus …

Voice: [no designation]
Languages: Latin
Voice Text: Domitor Hectoris Paride domitus …

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Van, Guillaume de. 1948. A Recently Discovered Source of Early Fifteenth Century Polyphonic Music. Musica Disciplina, 5-74.

167v–168 Beata Dei genitrix (2p. Subveni clamantibus 3p. Sola sine exemplo) BYNCHOYS [ou J. DUNSTABLE]
Appears on: 167v–168
Genres: Motet
Source Attribution: BYNCHOYS [ou J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: Beata dei genitrix Maria …

Voice: [no designation]
Languages: Latin
Voice Text: Beata dei genitrix Maria …

Voice: [no designation]
Languages: Latin
Voice Text: Beata dei genitrix Maria …
General Note

Ascr. to Binchois

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 76 (XL).

168v–169 Veneremur virginem per cuius dulcedinem respirat (G. BINCHOIS)
Appears on: 168v–169
Genres: Motet
Source Attribution: (G. BINCHOIS)
Voice: [no designation]
Languages: Latin
Voice Text: Veneremur virginem per cujus dulcedinem respirat …

Voice: [no designation]
Languages: Latin
Voice Text: Veneremur virginem per cujus dulcedinem respirat …

Voice: [no designation]
Languages: Latin
Voice Text: Veneremur virginem per cujus dulcedinem respirat …

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

169v–171 O Maria virgo davitica - Anonymous
Appears on: 169v–171
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O Maria virgo davitica …

Voice: [no designation]
Languages: Latin
Voice Text: O Maria virgo davitica …

Voice: [no designation]
Languages: Latin
Voice Text: O Maria virgo davitica …

Voice: [no designation]
Languages: Latin
Voice Text: O Maria virgo davitica …
171v–173 Et in terra pax [Gloria] [Kaye 3a] Bynchoys
Appears on: 171v–173
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Bynchoys
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …
Concordances

[= n' 42]

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

173v–176 Patrem omnipotentem [Credo] [Kaye 3b] Bynchoys
Appears on: 173v–176
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Bynchoys
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

176v–179 Patrem omnipotentem [Credo] 'Anglicus' (DE ANGLIA) [= J. BODOIL]
Appears on: 176v–179
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: (DE ANGLIA) [= J. BODOIL]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Anglicus. Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Anglicus. Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Anglicus. Patrem …
General Note

(De Anglia) [= J. Bodoil]

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

179v–180 Sanctus [Kaye 4a] BINCHOIS
Appears on: 179v–180
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: BINCHOIS
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

180v Agnus Dei [Kaye 4b] Bynchoys
Appears on: 180v
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Bynchoys
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

181 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 181
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …
181v–182 Sanctus [Kaye 7a] Bynchoys
Appears on: 181v–182
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Bynchoys
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

182v Agnus Dei [Kaye 7b] (BINCHOIS
Appears on: 182v
Genres: Agnus Dei, Mass Ordinary
Source Attribution: (BINCHOIS
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Marix, Jeanne (editor). 1937. Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467) : Messes, motets, chansons.  Paris.

183 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 183
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …
General Note

T et Ct seul', rayés ensuite par le scribeVersets pairs

183v–184 Magnificat primi toni: Et exultavit spiritus meus [K.134] - Anonymous
Appears on: 183v–184
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Et exultavit
General Note

Versets pairs

184v–185 Magnificat octavi toni: Et exultavit spiritus meus [K.385] - Anonymous
Appears on: 184v–185
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit . . .

Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit . . .

Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit . . .
General Note

Versets pairs

185v–186 Veni sancte spiritus et emitte caelitus -
Appears on: 185v–186
Genres: Sequence, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus] Vera digna laudibus … I Veni pater pauperum …

Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus] Vera digna laudibus … I Veni pater pauperum …

Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus] Vera digna laudibus … I Veni pater pauperum …
186v–187 Cuius fructus ventris / Te Maria rogitassem - Anonymous
Appears on: 186v–187
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cujus fruetus ventris Jhesus …

Voice: [no designation]
Languages: Latin
Voice Text: Cujus fruetus ventris Jhesus …

Voice: [no designation]
Languages: Latin
Voice Text: Cujus fruetus ventris Jhesus …
General Note

Superius 2us: Te Maria rogitassem . . .

187v–188 Alma redemptoris mater (IJD3) II: Tu que genuisti III: Virgo prius ac posterius [POWER ou J. DUNSTABLE]
Appears on: 187v–188
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: [POWER ou J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater …

Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater …

Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater …
General Note

Ascribed to Leonel

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 6 (XL).

188v–189 Quam pulchra es et quam decora DUNSTAPELL
Egidius (?)
Appears on: 188v–189
Genres: Motet
Source Attribution: DUNSTAPELL
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es ...

Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es ...

Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es ...
General Note

[nom coupé*]

Concordances

*Lu: Egidius in Grove 2,720

Item Bibliography

Stevens, Denis W (editor). 1965. The Treasury of English Church Music. Vol. I: 1100-1545.  London: Blandford Press. Pages: I.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

Besseler, Heinrich. 1950-. Meisterwerke mittelalterlicher Musik.  Kassel. Pages: I.

Engel, A Lehman (editor). 1939-56. Three centuries of choral music: Renaissance to Baroque. 5 vols. New York.

Schering, Arnold. 1931. Geschichte der Musik in Beispielen.  Liepzig.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14 / 15 (VII).

189v Crucifixum in carne laudate - Anonymous
Appears on: 189v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Crucifixum in carne .
190 Veni creator spiritus mentes tuorum - Anonymous
Appears on: 190
Genres: Hymn, Veni creator spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Veni creator spiritus
190 A solis ortus cardine ad usque terrae / Salvator mundi Domine nacens [1] [G. BINCHOIS]
Appears on: 190
Genres: Motet
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: A solu ortus cardine …

Voice: [no designation]
Languages: Latin
Voice Text: A solu ortus cardine …

Voice: [no designation]
Languages: Latin
Voice Text: A solu ortus cardine …
General Note

[TRbc. 92: +3 ,0+5+3]

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.  London.

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

190v–191 Lumen ad revelationem gentium et gloriam - Anonymous
Appears on: 190v–191
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem gentium …

Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem gentium …

Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem gentium …
191v–193 Regina caeli laetare (2p. Resurrexit sicut dixit) Dunstaple
Appears on: 191v–193
Genres: Lauda, Motet, Regina caeli laetare
Source Attribution: Dunstaple
Voice: [no designation]
Languages: Latin
Voice Text: [Regina celi] letare …

Voice: [no designation]
Languages: Latin
Voice Text: [Regina celi] letare …

Voice: [no designation]
Languages: Latin
Voice Text: [Regina celi] letare …

Item Bibliography

Loyan, Richard K. 1973. The music in the manuscript Florence, Fondo Magliabechiano XIX. 112bis. University of California, Ph.D. Dissertation.

Stevens, Denis W (editor). 1965. The Treasury of English Church Music. Vol. I: 1100-1545.  London: Blandford Press. Pages: I.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 76 (XL).

193v–194 Descendi in ortum meum ut viderem -
Appears on: 193v–194
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Descendi in ortum meum …

Voice: [no designation]
Languages: Latin
Voice Text: Descendi in ortum meum …

Voice: [no designation]
Languages: Latin
Voice Text: Descendi in ortum meum …
General Note

(attrib. à L. Power)

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I (attrib. à L. Power).

194v–195 Sanctus (BENNET[ou J.DUNSTABLE ou L.POWER]
Appears on: 194v–195
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: (BENNET[ou J.DUNSTABLE ou L.POWER]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII (op.dub.).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

195v–196 Ave regina / Ave regina [L. POWER]
Appears on: 195v–196
Genres: BVM, Motet
Source Attribution: [L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum …

Voice: [no designation]
Languages: Latin, insufficient
Voice Text: v

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum …

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I.

Stainer, John F. R, Cécie Stainer, and Edward W. B. Nicholson. 1901, 1913. Early Bodleian Music I-II (1901); Early Bodleian Music III. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

196v–197 Alma redemptoris mater [J. FOREST]
Appears on: 196v–197
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: [J. FOREST]
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater …

Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater …

Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater …

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 53 (XXVII).

197v–198 Sancta Maria succurre miseris [J. DUNSTABLE]
Appears on: 197v–198
Genres: Motet
Source Attribution: [J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria, succurre miseris …
General Note

Here anonymous

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 76 (XL).

198v–201 Et in terra pax [Gloria] [Tro] Spiritus et alme [J. DUNSTABLE]
Appears on: 198v–201
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra … Tr: Spiritus et alme orphanorum

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra … Tr: Spiritus et alme orphanorum

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra … Tr: Spiritus et alme orphanorum
General Note

Tr: Spiritus et alme orphanorum

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

201v–202 Et in terra pax [Gloria] - Anonymous
Appears on: 201v–202
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra ...

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra ...

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra ...
General Note

Fuga in temporum.

203 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 203
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei...
203v–206 Salve regina mater misericordiae [L. POWER ou J. DUNSTABLE]
Appears on: 203v–206
Genres: BVM, Motet, Salve Regina
Source Attribution: [L. POWER ou J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina … Tr: Virgo mater ecclesie.

Voice: [no designation]
Languages: Latin
Voice Text: Salve regina … Tr: Virgo mater ecclesie.

Voice: [no designation]
Languages: Latin
Voice Text: Salve regina … Tr: Virgo mater ecclesie.
General Note

Tr: Virgo mater ecclesie.

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII (op.dub.).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15(VII).

206v Veni dilecte mi DUFAY [ou J. DE LYMBURGIA]
Appears on: 206v
Genres: Motet
Source Attribution: DUFAY [ou J. DE LYMBURGIA]
Voice: [no designation]
Languages: Latin
Voice Text: Veni dilecte mi appréhendant te ...

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, I.

207–208 Agnus Dei (BENNET) [ou L. POWER]
Appears on: 207–208
Genres: Agnus Dei, Mass Ordinary
Source Attribution: (BENNET) [ou L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII (op.dub.).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

208v–210 Et in terra pax [Gloria] Bonnet
Appears on: 208v–210
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Bonnet
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII (op.dub.).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

210v–212 Et in terra pax [Gloria] [L. POWER]
Appears on: 210v–212
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

212v–214 Alma redemptoris mater (IJD22) LEONELLE [ou J. DUNSTABLE]
Appears on: 212v–214
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: LEONELLE [ou J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater …

Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater …

Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater …
General Note

LEONELLE [oit J. DUNSTABLE]

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII (op.dub.).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 53 (XXVII).

214v–216 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 214v–216
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: Tenor
Languages: Latin
Voice Text: Jacet granum
General Note

. T: Jacet granum

216v–217 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 216v–217
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …
217v–218v Sub tuam protectionem [J. DUNSTABLE]
Appears on: 217v–218v
Genres: Motet
Source Attribution: [J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: Sub tuam protectionem confugimus …

Voice: [no designation]
Languages: Latin
Voice Text: Sub tuam protectionem confugimus …

Voice: [no designation]
Languages: Latin
Voice Text: Sub tuam protectionem confugimus …

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

Riemann, Hugo. 1910. Kompendium der Notenschriftkunde. Sammlung "Kirchenmusik".  Regensburg.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

219 A solis ortus cardine (= Hostis Herodes impie) [G. DUFAY]
Appears on: 219
Genres: Motet
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: A solis ortus cardine …

Voice: [no designation]
Languages: Latin
Voice Text: A solis ortus cardine …

Voice: [no designation]
Languages: Latin
Voice Text: A solis ortus cardine …
General Note

[ = Hostis Herodes impie]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1. V.

Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.  Wolfenbüttel/Berlin. Pages: 49.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15(VII).

219v–221 Missa Alma Redemptoris Mater: Et in terra pax [Gloria] Leonell
Appears on: 219v–221
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Leonell
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …

Voice: Tenor
Languages: Latin
Voice Text: Alma ...

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra ...
General Note

. T: Alma.

Item Bibliography

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, no 2.

221v–223 Missa Alma Redemptoris Mater: Patrem omnipotentem [Credo] [L. POWER]
Appears on: 221v–223
Genres: Alma redemptoris mater, BVM, Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [L. POWER]
Voice: Tenor
Languages: Latin
Voice Text: Alma ...

Voice: [no designation]
Languages: Latin
Voice Text: Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: Patrem …
General Note

T:Al.

Concordances

T:Al.

Item Bibliography

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, n° 2.

223v–225 Missa Alma Redemptoris Mater: Sanctus [L. Power]
Appears on: 223v–225
Genres: Alma redemptoris mater, BVM, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [L. Power]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...
General Note

T:Al.

Concordances

T:Al.

Item Bibliography

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, no 2.

225v–226 Missa Alma Redemptoris Mater: Agnus Dei [L.POWER]
Appears on: 225v–226
Genres: Agnus Dei, Alma redemptoris mater, BVM, Mass Ordinary
Source Attribution: [L.POWER]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...

Item Bibliography

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, n° 2.

226v–228 Missa Da gaudiorum praemia: Patrem omnipotentem [Credo] Dunstapell
Appears on: 226v–228
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Dunstapell
Voice: [no designation]
Languages: Latin
Voice Text: Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: Patrem …

Voice: Tenor
Languages: Latin
Voice Text: T: Da gaudiorum premia.
General Note

T: Da gaudiorum premia.

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

228v–230 Sanctus -
Appears on: 228v–230
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …
General Note

(attrib. à Dunstable)

Item Bibliography

Trowell, Brian. 1960. Music under the Later Plantagenets. Cambridge University, Ph.D. Pages: p. 49.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII (attrib. à Dunstable).

230v–231 Magnificat octavi toni: Anima mea [K.370] - Anonymous
Appears on: 230v–231
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea …

Voice: [no designation]
Languages: Latin
Voice Text: Anima mea …
General Note

Versets impairs

231v–233 Et in terra pax [Gloria] Leonell
Appears on: 231v–233
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Leonell
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …
233v–234 Patrem omnipotentem [Credo] - Anonymous
Appears on: 233v–234
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: Patrem …
General Note

[Credo]

234v–236 Et in terra pax [Gloria] dunstapell
Appears on: 234v–236
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: dunstapell
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

236v–238 Patrem omnipotentem [Credo] -
Appears on: 236v–238
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …
General Note

(attrib. à Dunstable)

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII (attrib. à Dunstable).

238v–240 Patrem omnipotentem [Credo] -
Appears on: 238v–240
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …
Concordances

Old Hall MS (GB-Lbl Add. MS 57950) folio 61v. Old Hall preserves only the top line, but also the ascription to 'Lyonel'.

240v–242 Patrem omnipotentem [Credo] - Anonymous
Appears on: 240v–242
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem …
242v–244 Et in terra pax [Gloria] [BYTERRING*]
Appears on: 242v–244
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [BYTERRING*]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra .

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra .

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra .
Concordances

*GB-Lbm 57950

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 46, I.

245v–246 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 245v–246
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Agnus dei] Qui tollis peccata …

Voice: [no designation]
Languages: Latin
Voice Text: [Agnus dei] Qui tollis peccata …

Voice: [no designation]
Languages: Latin
Voice Text: [Agnus dei] Qui tollis peccata …
246v–248 Et in terra pax [Gloria] - Anonymous
Appears on: 246v–248
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra . . .

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra . . .

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra . . .
248v–250 Sanctus Blome
Appears on: 248v–250
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Blome
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …
250v–252 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 250v–252
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …
General Note

[Nom de l'auteur coupé]

251v–253 Sanctus Sovesby
Appears on: 251v–253
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Sovesby
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...
253v–254 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 253v–254
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …

Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei …
254v–256 Sanctus Nelbeland
Appears on: 254v–256
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Nelbeland
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...
256v–257 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 256v–257
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...
257v–258 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 257v–258
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...
258v–259v Christi nutu sublimato (2p. Precemur christi adlethan) (BRASSART)
Appears on: 258v–259v
Genres: Motet
Source Attribution: (BRASSART)
Voice: [no designation]
Languages: Latin
Voice Text: Christi nutu sublimato ...

Voice: [no designation]
Languages: Latin
Voice Text: Christi nutu sublimato ...

Voice: [no designation]
Languages: Latin
Voice Text: Christi nutu sublimato ...

Voice: [no designation]
Languages: Latin
Voice Text: Christi nutu sublimato ...
General Note

Incompl.

Concordances

[= n° 197 compl.]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 76 (XL).

260–261 Lamberte vir inclite -
Appears on: 260–261
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lamberte vir inclite …

Voice: [no designation]
Languages: Latin
Voice Text: Lamberte vir inclite …

Voice: [no designation]
Languages: Latin
Voice Text: Lamberte vir inclite …

Voice: [no designation]
Languages: Latin
Voice Text: Lamberte vir inclite …
General Note

Mq le début du Sup. I et du T

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II(op. dub.).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 76 (XL).

261v–262 Ave vivens hostia / Per quem sacrificio - Anonymous
Appears on: 261v–262
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave vivens hóstia … I Per quem sacrificio ...

Voice: [no designation]
Languages: Latin
Voice Text: Ave vivens hóstia … I Per quem sacrificio ...

Voice: [no designation]
Languages: Latin
Voice Text: Ave vivens hóstia … I Per quem sacrificio ...
262v–264 O rex Fridrice [Friederice] tu pulcre pacis / In tuo adventu erue nos Domine Jo. Brassart
Appears on: 262v–264
Genres: Motet
Source Attribution: Jo. Brassart
Voice: Tenor
Languages: Latin
Voice Text: In tuo adventu erue nos domine.

Voice: [no designation]
Languages: Latin
Voice Text: O rex Fridrice tu pulcre pacis …

Voice: [no designation]
Languages: Latin
Voice Text: O rex Fridrice tu pulcre pacis …

Voice: [no designation]
Languages: Latin
Voice Text: O rex Fridrice tu pulcre pacis …
General Note

T: In tuo adventu erue nos domine

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II.

267 O salutaris hostia - Anonymous

O salutaris hostia

Anonymous
Appears on: 267
Genres: Motet
Voice: [no designation]
Languages: none

Voice: [no designation]
Languages: Latin
Voice Text: O salutaris hòstia

Voice: [no designation]
Languages: none
268 O salutaris hostia - Anonymous

O salutaris hostia

Anonymous
Appears on: 268
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O salutaris hóstia
269v–270 Romanorum rex inclite Brassart
Appears on: 269v–270
Genres: Motet
Source Attribution: Brassart
Voice: [no designation]
Languages: Latin
Voice Text: Romanorum rex indite …

Voice: [no designation]
Languages: Latin
Voice Text: Romanorum rex indite …

Voice: [no designation]
Languages: Latin
Voice Text: Romanorum rex indite …

Voice: [no designation]
Languages: Latin
Voice Text: Romanorum rex indite …
General Note

[author's name cut]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II.

270v–271 Patrem omnipotentem [Credo] - Anonymous
Appears on: 270v–271
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Patrem omnipotentem. Et in terra pax hominibus.

Voice: [no designation]
Languages: Latin
Voice Text: Patrem omnipotentem. Et in terra pax hominibus.

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax hominibus..
General Note

T et Ct: Patrem omnipotentem. Et in terra pax hominibus.

271v–273 Patrem omnipotentem [Credo] - Anonymous
Appears on: 271v–273
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem ...

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem ...

Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem ...
273v–274 Nesciens mater virgo virum - Anonymous
Appears on: 273v–274
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo virum …
274v–275 Castrum pudicitiae / Virgo viget / Benedicamus [MERQUES]
Appears on: 274v–275
Genres: Motet
Source Attribution: [MERQUES]
Voice: [no designation]
Languages: Latin
Voice Text: Castrum pudicitie …

Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus domino.

Voice: [no designation]
Languages: Latin
Voice Text: Virgo viget melius …

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 76 (XL).

276v–279 Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita Jo. Dunstapell
Appears on: 276v–279
Genres: Motet, Veni creator spiritus, Veni sancte spiritus
Source Attribution: Jo. Dunstapell
Voice: [no designation]
Languages: Latin
Voice Text: Veni creator spiritus …

Voice: [no designation]
Languages: Latin
Voice Text: Veni creator spiritus …

Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et infunde …

Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte …

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 46, II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

279v–280 Et in terra pax [Gloria] [J. DUNSTABLE ou L. POWER]
Appears on: 279v–280
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. DUNSTABLE ou L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra …

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

280v–back endpaper Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis) [J. DUNSTABLE ou G. BINCHOIS]
Appears on: 280v–back endpaper
Genres: Motet
Source Attribution: [J. DUNSTABLE ou G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: Beata mater et innupta virgo …

Voice: [no designation]
Languages: Latin
Voice Text: Beata mater et innupta virgo …

Voice: [no designation]
Languages: Latin
Voice Text: Beata mater et innupta virgo …

Item Bibliography

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: II.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

Stainer, John F. R, Cécie Stainer, and Edward W. B. Nicholson. 1901, 1913. Early Bodleian Music I-II (1901); Early Bodleian Music III. Pages: II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15(VII).

282v–283 Christi nutu sublimato (2p. Precemur christi adlethan) Brassart
Appears on: 282v–283
Genres: Motet
Source Attribution: Brassart
Voice: [no designation]
Languages: Latin
Voice Text: Christi nutu sublimato

Voice: [no designation]
Languages: Latin
Voice Text: Christi nutu sublimato

Voice: [no designation]
Languages: Latin
Voice Text: Christi nutu sublimato

Voice: [no designation]
Languages: Latin
Voice Text: Christi nutu sublimato
General Note

[= n" 185 incompl.]

Concordances

[= n" 185 incompl.]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II.

Composer Compositions
Anglia, Robertus de (fl. 1454-74)
Anonymous
Benet, John (–ca. 1458)
Binchois, Gilles (ca. 1400–1460)
Blome
Bodoil, Jo.
Bonnet, Pierre
Brabant, Lambertus
Brassart, Johannes (ca. 1400–1455)
Byttering (fl. c1410–1420)
Clibano, Jacobus de
Du Fay, Guillaume (1397–1474)
Dunstaple, John (ca. 1390–1453)
Egidius
Forest
Gemblaco (Gembloux), Johannes Franchois de
Grossin, Estienne
Lantins, Hugo de (fl. 1420-30)
Legrant, Guillaume
Loqueville, Richard (–1418)
Lymburgia, Johannes de
Merques, Nicolas
Nelbeland
Perugia, Nicolo da
Power, Leonel (–1445)
Sarto, Johannes de
Soursby
Sweikl
Verben, Johannes
Composition Composers (? Uncertain) Folios / Pages
A solis ortus cardine (= Hostis Herodes impie) 219
A solis ortus cardine ad usque terrae / Salvator mundi Domine nacens [1] 190
Agnus Dei 156v–157
Agnus Dei 157v–158
Agnus Dei Anonymous 181
Agnus Dei Anonymous 203
Agnus Dei 207–208
Agnus Dei Anonymous 216v–217
Agnus Dei Anonymous 245v–246
Agnus Dei Anonymous 253v–254
Agnus Dei [Kaye 4b] 180v
Agnus Dei [Kaye 5b] 161v
Agnus Dei [Kaye 5b] 162
Agnus Dei [Kaye 6b] 160
Agnus Dei [Kaye 7b] 182v
Alma redemptoris mater 196v–197
Alma redemptoris mater (IJD22) 212v–214
Alma redemptoris mater (IJD3) II: Tu que genuisti III: Virgo prius ac posterius 187v–188
Anglicus. Sanctus 152v–154
Argi vices Poliphemus / Com Pilemon rebus paucis 04v–07
Asperges me Domine (I) 165v–166
Ave regina / Ave regina 195v–196
Ave vivens hostia / Per quem sacrificio Anonymous 261v–262
Beata Dei genitrix (2p. Subveni clamantibus 3p. Sola sine exemplo) 167v–168
Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis) 280v–back endpaper
Beata viscera Mariae virginis Anonymous 10
Beata viscera Mariae virginis 10v
Castrum pudicitiae / Virgo viget / Benedicamus 274v–275
Christi nutu sublimato (2p. Precemur christi adlethan) 258v–259v
Christi nutu sublimato (2p. Precemur christi adlethan) 282v–283
Cibavit eos ex adipe 14
Crucifixum in carne laudate Anonymous 189v
Cuius fructus ventris / Te Maria rogitassem Anonymous 186v–187
De ventre matris meae vocavit me Dominus 15
Descendi in ortum meum ut viderem 193v–194
Dilexisti justitiam et odisti 17
Domitor Hectoris Paride 166v–167
Et in terra pax [Gloria] 28v–29
Et in terra pax [Gloria] 36v–37
Et in terra pax [Gloria] 43v–44
Et in terra pax [Gloria] 59v–60
Et in terra pax [Gloria] 63–64
Et in terra pax [Gloria] 68v–70
Et in terra pax [Gloria] 71v–72
Et in terra pax [Gloria] 74v–76
Et in terra pax [Gloria] 76v–77v
Et in terra pax [Gloria] 78v–80
Et in terra pax [Gloria] 80v–82
Et in terra pax [Gloria] Anonymous 82v–84
Et in terra pax [Gloria] Anonymous 84v–86
Et in terra pax [Gloria] Anonymous 87v–89
Et in terra pax [Gloria] 89v–91
Et in terra pax [Gloria] 90v–92
Et in terra pax [Gloria] 92v–93
Et in terra pax [Gloria] 93v–94
Et in terra pax [Gloria] Anonymous 201v–202
Et in terra pax [Gloria] 208v–210
Et in terra pax [Gloria] 210v–212
Et in terra pax [Gloria] 231v–233
Et in terra pax [Gloria] 234v–236
Et in terra pax [Gloria] 242v–244
Et in terra pax [Gloria] Anonymous 246v–248
Et in terra pax [Gloria] 279v–280
Et in terra pax [Gloria] 'ad modum tubae' 95v–96
Et in terra pax [Gloria] (iv/3.1) 30v–31
Et in terra pax [Gloria] (iv/4) (Amen tropes Resurrexit dominus; Tu m’a monte) 60v–62v
Et in terra pax [Gloria] (iv/5) 96v–98v
Et in terra pax [Gloria] (KGC group - iv/1) 94v–95
Et in terra pax [Gloria] [Kaye 17] 45v–47
Et in terra pax [Gloria] [Kaye 2a] 34v–35
Et in terra pax [Gloria] [Kaye 2a] 70v–71
Et in terra pax [Gloria] [Kaye 3a] 42v–43
Et in terra pax [Gloria] [Kaye 3a] 171v–173
Et in terra pax [Gloria] [Kaye 54] 162v–163
Et in terra pax [Gloria] [Tro] Spiritus et alme 44v–45
Et in terra pax [Gloria] [Tro] Spiritus et alme 198v–201
Felix namque es 09v
Gaudeamus omnes in Domino 14v
Gloria Rex saeculorum. Et in terra 39v–40
Gloria Rex saeculorum. Et in terra 72v–74
Kyrie 'angelorum' 25v–26
Kyrie 'angelorum' 52v–53
Kyrie 'apostolorum' / 'de martyribus' 23
Kyrie 'apostolorum' / 'de martyribus' 55v–56
Kyrie 'Cunctipotens genitor' 22
Kyrie 'de beata Maria' / 'de dominica' 57
Kyrie breve 'in simplici die' 58v–59
Kyrie De martyribus / In diebus Dominicis / Orbis factor 27v–28
Kyrie eleison Anonymous 12v
Kyrie eleison 24v
Kyrie eleison 53v–55
Kyrie eleison 54v–55
Kyrie eleison (KGC group - iv/1) 25
Kyrie eleison (KGC group - iv/1) 49
Kyrie eleison (KSA group) 24
Kyrie Lux et origo (or Pascale) 23v
Kyrie Lux et origo Iucis 11v–12
Kyrie Pater cuncta 21v–22
Kyrie Pater cuncta 56v
Kyrie Quod canitur in simplici die Anonymous 57v–58
Lamberte vir inclite 260–261
Lumen ad revelationem gentium et gloriam Anonymous 190v–191
Magnificat octavi toni: Anima mea [K.370] Anonymous 230v–231
Magnificat octavi toni: Et exultavit spiritus meus [K.385] Anonymous 184v–185
Magnificat primi toni: Et exultavit spiritus meus [K.134] Anonymous 183v–184
Missa Alma Redemptoris Mater: Agnus Dei 225v–226
Missa Alma Redemptoris Mater: Et in terra pax [Gloria] 219v–221
Missa Alma Redemptoris Mater: Patrem omnipotentem [Credo] 221v–223
Missa Alma Redemptoris Mater: Sanctus 223v–225
Missa Da gaudiorum praemia: Patrem omnipotentem [Credo] 226v–228
Missa De apostolis: Kyrie 22v
Missa Sancti Jacobi: Agnus Dei 154v–155
Missa Sancti Jacobi: Credo 119v–122
Missa Sancti Jacobi: Gloria 64v–66
Missa Sancti Jacobi: Kyrie 20v–21v
Missa Sancti Jacobi: Kyrie 50v–52
Missa Sancti Jacobi: Sanctus 149v–150
Missa sine nomine (Resvelliés vous): Agnus Dei 155v–156
Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] 32v–33
Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] 66v–68
Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster 26v–27
Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster 49v–50
Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo] 33v–34
Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo] 129v–132
Missa sine nomine (Resvelliés vous): Sanctus 151v–152
Nesciens mater virgo virum Anonymous 273v–274
Nos autem gloriari oportet 16v–17
O Maria virgo davitica Anonymous 169v–171
O rex Fridrice [Friederice] tu pulcre pacis / In tuo adventu erue nos Domine 262v–264
O salutaris hostia Anonymous 267
O salutaris hostia Anonymous 268
Patrem omnipotentem [Credo] 30v–32
Patrem omnipotentem [Credo] 37v–39
Patrem omnipotentem [Credo] 40v–42
Patrem omnipotentem [Credo] 99v–102
Patrem omnipotentem [Credo] 104v–106
Patrem omnipotentem [Credo] 106v–108
Patrem omnipotentem [Credo] 111v–114
Patrem omnipotentem [Credo] 114v–117
Patrem omnipotentem [Credo] 122v–124
Patrem omnipotentem [Credo] 124v–126
Patrem omnipotentem [Credo] 132v–135
Patrem omnipotentem [Credo] 135v–138
Patrem omnipotentem [Credo] 138v–140
Patrem omnipotentem [Credo] Anonymous 140v–143
Patrem omnipotentem [Credo] Anonymous 163v–165
Patrem omnipotentem [Credo] Anonymous 233v–234
Patrem omnipotentem [Credo] 236v–238
Patrem omnipotentem [Credo] 238v–240
Patrem omnipotentem [Credo] Anonymous 240v–242
Patrem omnipotentem [Credo] Anonymous 270v–271
Patrem omnipotentem [Credo] Anonymous 271v–273
Patrem omnipotentem [Credo] 'Alma redemptoris' 29v–30
Patrem omnipotentem [Credo] 'Alma redemptoris' 117v–119
Patrem omnipotentem [Credo] 'Anglicus' 176v–179
Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella) 126v–129
Patrem omnipotentem [Credo] (iv/5) 108v–111
Patrem omnipotentem [Credo] (KGC group - iv/1) 102v–104
Patrem omnipotentem [Credo] [Kaye 2b] 35v–36
Patrem omnipotentem [Credo] [Kaye 3b] 173v–176
Puer natus est nobis Anonymous 17v
Quam pulchra es et quam decora
Egidius (?)
188v–189
Regina caeli laetare (2p. Resurrexit sicut dixit) 191v–193
Repleatur os meum laude tua 15v
Romanorum rex inclite 269v–270
Salve regina mater misericordiae 142v–144
Salve regina mater misericordiae 203v–206
Salve sancta parens 13v
Salve sancta parens (fauxbourdon) 08v–09
Sancta Maria succurre miseris 197v–198
Sancta Maria virgo intercede pro toto Anonymous 158v
Sanctus 147–148
Sanctus 148v–149
Sanctus 150v–151
Sanctus Anonymous 183
Sanctus 194v–195
Sanctus Anonymous 214v–216
Sanctus 228v–230
Sanctus 248v–250
Sanctus Anonymous 250v–252
Sanctus 251v–253
Sanctus 254v–256
Sanctus Anonymous 256v–257
Sanctus Anonymous 257v–258
Sanctus 'Vineux' Tr: Qui januas mortis confregisti 153v–154
Sanctus [Kaye 4a] 179v–180
Sanctus [Kaye 5a] 160v–161
Sanctus [Kaye 6a] 159v
Sanctus [Kaye 7a] 181v–182
Sanctus Benedictus 159
Sapientiam sanctorum narrent populi 16
Spiritus Domini replevit orbem terrarum 13
Sub tuam protectionem 217v–218v
Veneremur virginem per cuius dulcedinem respirat 168v–169
Veni creator spiritus mentes tuorum Anonymous 190
Veni dilecte mi 145v–146
Veni dilecte mi 206v
Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita 276v–279
Veni sancte spiritus et emitte caelitus 185v–186

Images © Seminario Maggiore, Aosta

denotes primary source study

Barron, Dana B. 2017. Continental Scribes and the Reception of Fifteenth-Century English Mass Music: A Case Study of the Aosta Manuscript. Indiana University, Ph.D.

Wright, Peter. 2017. A Deleted Sanctus in the Aosta Codex. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 11-29.

Wright, Peter. 2014. The Transmission of English Liturgical Music to Central Europe c. 1430–1445. Musikalische Repertoires in Zentraleuropa (1420–1450): Prozesse und Praktiken der Aneignung musikalischer Repertoires in Zentraleuropa, ca. 1420, edited by Peter Wright, 83–112. Vienna.

Bent, Margaret. 2013. The Trent 92 and Aosta indexes in context. I codici musicali trentini del quattrocento: Nuove scoperte, nuove edizioni e nuovi strumenti informatici, edited by Margaret Bent, 63-81. Lucca: LIM.

Wright, Peter (editor). 2013. Fifteenth-Century Liturgical Music, VIII: Settings of the Gloria and Credo. Early English Church Music.  London: Stainer and Bell for the British Academy.

Wright, Peter. 2011. A Gloria Newly Attributed to Byttering. Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois, et bonne estrenne, edited by Peter Wright, 170-7. Woodbridge.

Bent, Margaret. 2007. Trompetta and Concordans Parts in the Early Fifteenth Century. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm, edited by Margaret Bent, 38-73. Woodbridge.

Wright, Peter (editor). 2006. Fifteenth-Century Liturgical Music, V: Settings of the Sanctus and Agnus dei. Early English Church Music.  London.

Bent, Margaret. 2004. Divisi and a versi in early fifteenth-century mass movements. Antonio Zacara da Teramo e il suo tempo, edited by Margaret Bent, 95-137. Lucca: LIM.

Wright, Peter. 2003. The Ownership of the Aosta Codex. Manoscritti di polifonia nel Quattrocento europeo: atti del convegno internazionale di studi, Trento, Castello del Buonconsiglio, 18-19 ottobre 2002, edited by Peter Wright, 57-64. Trent: Provincia autonoma di Trento, Soprintendenza per i beni librari e archivstici.

Bent, Margaret. 1998. Early Papal Motets. Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Margaret Bent, 5-43. Oxford University Press.

Bent, Margaret. 1996. The early use of the sign Ø. Early Music, 199-225.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Wright, Peter. 1994. A New Attribution to Brassart? Plainsong and Medieval Music, 23-43.

Wright, Peter. 1992. Johannes Brassart and Johannes de Sarto. Plainsong and Medieval Music, 41-61.

Wright, Peter. 1989. The Related Parts of Trent, Museo Provinciale d'Arte, MSS 87 (1374) and 92 (1379): A Paleographical and Text-Critical Study.  New York: Garland.

Wright, Peter. 1986. The Aosta-Trent Relationship Reconsidered. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 138-57. Trent. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Strohm, Reinhard. 1985. Music in Late Medieval Bruges.  Oxford. Pages: 94-5,116-7,213-4. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; transcription (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Cobin, Marian W. 1976. The compilation of the Aosta Manuscript, a working hypothesis. Papers read at the Dufay quincentenary Conference. Brooklyn College, December 6-7, 1974, 76ff.

Cuyler, Louise. 1973. The Emperor Maximilian I and Music.  London. Pages: 10-2.

Etheridge, Jerry Haller. 1972. The Works of Johannes de Lymburgia. Indiana University, Ph.D. diss. Pages: I,7,11 II.xxxiv. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica.  London. Pages: VIII, 163, passim; VIII, xx.

Hamm, Charles E. 1968. A Catalogue of Anonymous English Music in Fifteenth-Century Continental Manuscripts. Musica Disciplina, 47-76. Pages: 51,64-76.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 119.

Mixter, Keith E (editor). 1965-71. Johannis Brassart: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xviii; II,xii; I,xxix.

Mixter, Keith E. 1965. Johannes Brassart: A Biographical and Bibliographical Study, II. Musica Disciplina, 99-108. Pages: 99-100.

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: 92-4.

Hamm, Charles E. 1962. Manuscript Structure in the Dufay Era. Acta Musicologica, 166-84. Pages: 168,176-84.

Federhofer, Hellmut (editor). 1954-. Musik Alter Meister.  Graz. Pages: XIII,[xiv].

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: I,559-60.

Van, Guillaume de. 1948. A Recently Discovered Source of Early Fifteenth Century Polyphonic Music. Musica Disciplina, 5-74.

Public Comments

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

Grantley McDonald

Thursday, 5 August, 2021

The title of the piece on 269v–270r should read "inclite", not "indite". To the bibliography of that piece should be added Peter Wright, “Johannes Brassart and Johannes de Sarto,” Plainsong and Medieval Music 1 (1992): 41–61, where the question of authorship is addressed.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Evan Deddo

Friday, 3 March, 2023

Pointed out that the Sanctus on fol. 228v is by Dunstaple (not by de Sarto, as previously stated).

Pierre Chépélov

Friday, 19 August, 2022

Motet at 169v-171 incorrectly listed as "O Maria virgo pia" - correctly "O Maria virgo davitica" (and 'concordance' with St Emmeram removed).

Victoria Longstaff

Thursday, 19 August, 2021

The Patrem omnipotentem on folios 238v-240 of this source is the same Credo as attributed to 'Lyonel' (Leonel Power) in the Old Hall Manuscript (GB-Lbl Add. MS 57950, folio 61v). In the Old Hall manuscript, only the top part is preserved, but all three parts appear in this source.

Peter Wright

Wednesday, 17 January, 2018

Bibliography updated

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description