En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne

Appears in

Source Location Voices
GB-Odiamm Virtual Reconstruction of fragments from Grottaferrata and Dartmouth (3v) I-GR Kript. Lat. 224, 3v–(4r) US-HA Rauner Special Collections MS 002387, recto
F-CH MS 564 (Chantilly Codex) 33v
Voice: [no designation]
Mensuration: o-dot
Clef: c3
Voice Text: En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne

Voice: Tenor
Clef: c5

Voice: Contratenor
Clef: c5
F-Pnm NAF 6771 (Codex Reina) 84v
Voice: [no designation]
Clef: c3
Voice Text: En atendant soufrir m'estuet grief paine ...
I-GR Kript. Lat. 224 3v
Voice: [no designation]
Voice Text: [En atendant soufrir ...]
I-MOe MS {alpha}.M.5.24 (Modena A; ModA) 20
Voice: [no designation]
Clef: c3
Voice Text: en attendant soufrir

Voice: [no designation]
Voice Text: en attendant soufrir

Voice: [no designation]
Voice Text: en attendant soufrir
US-HA Rauner Special Collections MS 002387 1
Voice: [no designation]
Voice Text: En attended souffrir

Bibliography

Plumley, Yolanda. 2003. Ciconia's Sus un' fontayne and the Legacy of Philipoctus de Caserta. Johannes Ciconia: musicien de la transition, edited by Yolanda Plumley, 131–68. Turnhout: Brepols. pp. .

Stone, Anne. 2001. A Singer at the Fountain: Homage and Irony in Ciconia’s 'Sus une fontayne'. Music and Letters, 361-390. pp. .

Plumley, Yolanda. 1999. Citation and Allusion in the Late Ars Nova: the Case of 'Esperance' and the 'En attendant' songs. Early Music History, 287-363. pp. .

Strohm, Reinhard. 1993. The Rise of European Music 1380-1500.  Cambridge. pp. 57.

Günther, Ursula. 1972. Zitate in französischen Liedersätzen der Ars Nova und Ars Subtilior. Musica disciplina, 55-68. pp. .