| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Virelai |
| Appears in |
F-Pnm Français 843 (Machaut M) (253—253v)
F-Pnm Français 1584 (Machaut A) (491v—492)
|
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:620-21 no.31.
Wilkins, Nigel E (ed.) 1969. One Hundred Ballades, Rondeaux and Virelais from the Late Middle Ages. Cambridge: Cambridge University Press. pp. 34-35 no.24, 158-59.
Apel, Willi, and Archibald Thompson Davison (eds.) 1966. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music. Cambridge, Massachusetts. pp. 49, 246 no.46b.
Cogan, Robert, and Pozze Escot. 1976. Sonic Design: The Nature of Sound and Music . Englewood Cliffs, N.J.: Prentice Hall,. pp. 114-24, 221-28, 238-39.
Alton, Jeannine, and Brian Jeffery. 1976. Bele buche e bele parleure: A Guide to the Pronunciation of Medieval and Renaissance French for Singers and Others. London. pp. 63-66.
Woodrow Hassel Jr., James. 1982. Middle French Proverbs, Sentences and Proverbial Phrases. Subsidia Mediaevalia. Toronto: Pontifical Institute of Mediaeval Studies. pp. A59, D67.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:86-87.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:187.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 145-46.
Salzer, Felix. 1952. Structural Hearing: Tonal Coherence in Music, with a foreword by Leopold Mannes. 2 vols. New York: Charles Boni. pp. 1:277-78, 2:330-33.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 1:192-93.
Reaney, Gilbert. 1955. The Manuscript Oxford, Bodleian Library, Canonici Misc. 213. Musica Disciplina, 9: 73-104. pp. 52-3.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. Ph.D. dissertation, University of Hamburg. pp. 62.
Covington, Kate. 1978. The Theory of Dissonance in the Fourteenth Century. Indiana Theory Review, 2: 29-40. pp. None.