Plus dure que un dyamant ne que pierre
| Composer | |
|---|---|
| Genre | Virelai |
Appears in
| Source | Location | Voices |
|---|---|---|
| US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) | 331v |
Voice:
[no designation]
Clef:
c2
Voice Text:
Plus dure que un dyamant ne que pierre
Voice:
Tenor
Clef:
c4
|
| F-Pnm Français 843 (Machaut M) | 253–253v |
Voice:
[no designation]
Voice Text:
Plus dure que un dyamant ne que pierre
|
| F-Pnm Français 1584 (Machaut A) | 491v–492 |
Voice:
[no designation]
Clef:
c2
Voice Text:
Plus dure que un dyamant ne que pierre
Voice:
Tenor
Clef:
c4
|
| F-Pnm Français 1585 (Machaut B) | 332v |
Voice:
[no designation]
Clef:
c2
Voice Text:
Plus dure que un dyamant ne que piere
Voice:
Tenor
Clef:
c4
|
| F-Pnm Français 22545-22546 (Machaut F-G) | 161v |
Voice:
[no designation]
Clef:
c2
Voice Text:
Plus dure que un dyamant ne que pierre
Voice:
Tenor
Clef:
c4
|
| US-PHu Ms. Codex 902 | 68* [=69]–68*v [=69v] |
Bibliography
Woodrow Hassel Jr., James. 1982. Middle French Proverbs, Sentences and Proverbial Phrases. Subsidia Mediaevalia. Toronto: Pontifical Institute of Mediaeval Studies. pp. A59, D67.
Covington, Kate. 1978. The Theory of Dissonance in the Fourteenth Century. Indiana Theory Review, 29-40. pp. .
Alton, Jeannine, and Brian Jeffery. 1976. Bele buche e bele parleure: A Guide to the Pronunciation of Medieval and Renaissance French for Singers and Others. London. pp. 63-66.
Cogan, Robert, and Pozze Escot. 1976. Sonic Design: The Nature of Sound and Music . Englewood Cliffs, N.J.: Prentice Hall,. pp. 114-24, 221-28, 238-39.
Wilkins, Nigel E (editor). 1969. One Hundred Ballades, Rondeaux and Virelais from the Late Middle Ages. Cambridge: Cambridge University Press. pp. 34-35 no.24, 158-59.
Davison, Archibald Thompson, and Willi Apel (editors). 1966. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music. Cambridge, Massachusetts. pp. 49, 246 no.46b.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation. pp. 62.
Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 145-46.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 1:192-93.
Reaney, Gilbert. 1955. The Manuscript Oxford, Bodleian Library, Canonici Misc. 213. Musica Disciplina, 73-104. pp. 52-3.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:187.
Salzer, Felix. 1952. Structural Hearing: Tonal Coherence in Music, with a foreword by Leopold Mannes. 2 vols. New York: Charles Boni. pp. 1:277-78, 2:330-33.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:86-87.
Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:620-21 no.31.