Je sui aussi com cilz qui est ravis / car je ne sui a nulle riens pensis

Bibliography

Bofill i Soliguer, Joan. 1991. Cuestiones de notación consideradas en la ballade 'De Fortune" (no 21) de Guillaume de Machaut. Anuario musical, 46: 5-25. pp. 22.

Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg.  Paris: Champion. pp. 2:551-52 no. 22.

Baltzer, Rebecca A. 1991. Notes on the Accompanying Tape by Sequentia. The Union of words and Music in Medieval Poetry, edited by Rebecca A. Baltzer, Thomas Cable,  and James I. Wimsatt, 151-155. Austin: University of Texas Press. pp. 100.

Guthrie, Steven R. 1991. Meter and Performance in Machaut and Chaucer. The Union of words and Music in Medieval Poetry, edited by Rebecca A. Baltzer, Thomas Cable,  and James I. Wimsatt, 72-100. Austin: University of Texas Press. pp. 86-87.

Wimsatt, James I. 1978. Guillaume de Machaut and Chaucer's Love Lyrics. Medium Aevum, 47: 66-87. pp. 67-68.

Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3.  Leipzig: Publikationen älterer Musik. pp. 1:21.

Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:94-95.

Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de l'Oiseau-Lyre. pp. 109-10.

Baltzer, Rebecca A, Thomas Cable, and James I. Wimsatt (eds.) 1991. The Union of Words and Music in Medieval Poetry.  Austin: University of Texas Press. pp. 98-99, comments p154.

Hirshberg, Jehoash. 1971. he Music of the Late Fourteenth-Century: A Study in Musical Style. PhD Dissertation, University of Pennsylvania. pp. 86-88.

Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:33-34.

Dömling, Wolfgang (ed.) 1972. Die Handschrift London, British Museum, Add. 27630 (LoD). I: Faksimile. II: Übertragung der Organa und Motetten. Das Erbe deutscher Musik.  Kassel: Bärenreiter. pp. 305.

Hirshberg, Jehoash. 1973-74. The Relationshipo of text and Music in Machaut's Ballades. Orbis Musicae: Studies in Musicology, 2: 53-66. pp. 63.

Berger, Christian. 1992. Hexachord, Mensur und Textstruktur: Studien zum französischen Lied des 14. Jahrhunderts. Beihefte zum Archiv für Musikwissenschaft.  Stuttgart: Steiner. pp. 153.