Je sui aussi com cilz qui est ravis / car je ne sui a nulle riens pensis
| Composer | |
|---|---|
| Genre | Ballade |
Appears in
| Source | Location | Voices |
|---|---|---|
| US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) | 306v |
Voice:
[no designation]
Clef:
c3
Voice Text:
Je sui aussi com cilz qui est ravis | car je ne sui a nulle riens pensis
Voice:
Tenor
Clef:
c4
|
| F-Pnm Français 843 (Machaut M) | 240–240v |
Voice:
[no designation]
Clef:
c3
Voice Text:
Je sui jonete et jolie, sai un cuer
Voice:
[no designation]
Clef:
c4
Voice Text:
Hé, diex! je n'ai pas mari du tot a mongré
Voice:
Tenor
Clef:
f3
Voice Text:
Veritatem
|
| F-Pnm Français 1584 (Machaut A) | 464 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Je sui aussi com cilz qui est ravis | car je ne sui a nulle riens pensis
Voice:
Tenor
Clef:
c4
|
| F-Pnm Français 1585 (Machaut B) | 304v |
Voice:
[no designation]
Clef:
c3
Voice Text:
Je sui aussi com cilz qui est ravis | car je ne sui a nulle rien pensis
Voice:
Tenor
Clef:
c4
|
| F-Pnm Français 1586 (Machaut C) | 199v–200 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Je sui aussi com cilz qui est ravis | car je ne sui a nulle riens pensis
Voice:
Tenor
Clef:
c4
|
| F-Pnm Français 9221 (Machaut E) | 152v |
Voice:
Cantus
Clef:
c3
Voice Text:
Je sui aussi com cilz qui est ravis | car je ne sui a nulle riens pensis
Voice:
Tenor
Clef:
c4
Voice:
Contratenor
Clef:
c5
|
| F-Pnm Français 22545-22546 (Machaut F-G) | 140v–141 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Je sui aussi com cilz qui est ravis | car je ne sui a nulle riens pensis
Voice:
Tenor
Clef:
c4
|
Bibliography
Berger, Christian. 1992. Hexachord, Mensur und Textstruktur: Studien zum französischen Lied des 14. Jahrhunderts. Beihefte zum Archiv für Musikwissenschaft. Stuttgart: Steiner. pp. 153.
Baltzer, Rebecca A. 1991. Notes on the Accompanying Tape by Sequentia. The Union of words and Music in Medieval Poetry, edited by Rebecca A. Baltzer, 151-155. Austin: University of Texas Press. pp. 100.
Guthrie, Steven R. 1991. Meter and Performance in Machaut and Chaucer. The Union of words and Music in Medieval Poetry, edited by Steven R. Guthrie, 72-100. Austin: University of Texas Press. pp. 86-87.
Baltzer, Rebecca A, Thomas Cable, and James I. Wimsatt (editors). 1991. The Union of Words and Music in Medieval Poetry. Austin: University of Texas Press. pp. 98-99, comments p154.
Bofill i Soliguer, Joan. 1991. Cuestiones de notación consideradas en la ballade 'De Fortune" (no 21) de Guillaume de Machaut. Anuario musical, 5-25. pp. 22.
Wimsatt, James I. 1978. Guillaume de Machaut and Chaucer's Love Lyrics. Medium Aevum, 66-87. pp. 67-68.
Hirshberg, Jehoash. 1973-74. The Relationshipo of text and Music in Machaut's Ballades. Orbis Musicae: Studies in Musicology, 53-66. pp. 63.
Dömling, Wolfgang (editor). 1972. Die Handschrift London, British Museum, Add. 27630 (LoD). I: Faksimile. II: Übertragung der Organa und Motetten. Das Erbe deutscher Musik. Kassel: Bärenreiter. pp. 305.
Hirshberg, Jehoash. 1971. he Music of the Late Fourteenth-Century: A Study in Musical Style. University of Pennsylvania, PhD Dissertation. pp. 86-88.
Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 109-10.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:33-34.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:94-95.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:21.
Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:551-52 no. 22.