Beauté qui toutes autres pere envers moi / douceur fine a mon goust amere, corps digne
Composer | |
---|---|
Genre | Ballade |
Appears in
Source | Location | Voices |
---|---|---|
GB-AB MS 5010C | 54v |
Voice:
[no designation]
Voice Text:
Biauté qui toutes autres pere envers moy / douceur fine a mon goust amere, corps digne
|
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) | 298 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Biauté qui toutes autres pere envers moy | douceur fine a mon goust amere, corps digne
Voice:
Tenor
Clef:
c5
|
F-Pa 5203 | 26 |
Voice:
[no designation]
Voice Text:
Biauté qui toutes autres pere envers moy / douceur fine a mon goust amere, corps digne
|
F-Pnm Français 843 (Machaut M) | 237v |
Voice:
[no designation]
Voice Text:
Biauté qui toutes autres pere envers moy / douceur fine a mon goust amere, corps digne
|
F-Pnm Français 1584 (Machaut A) | 455v |
Voice:
[no designation]
Clef:
c3
Voice Text:
Biauté qui toutes autres pere envers moy | douceur fine a mon goust amere, corps digne
Voice:
Tenor
Clef:
c5
|
F-Pnm Français 1585 (Machaut B) | 296r |
Voice:
[no designation]
Clef:
c3
Voice Text:
Biauté qui toutes autres pere envers moy | douceur fine a mon goust aere, corps digne
Voice:
Tenor
Clef:
c5
|
F-Pnm Français 1586 (Machaut C) | 159 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Biauté qui toutes autres pere envers moy | douceur fine a mon goust amere, corps digne
Voice:
Tenor
Clef:
c5
|
F-Pnm Français 9221 (Machaut E) | 152v–153 |
Voice:
Cantus
Clef:
c3
Voice Text:
Biauté qui toutes autres pere envers moy | douceur fine a mon goust amere, corps digne
Voice:
Tenor
Clef:
c5
Voice:
Contratenor
Clef:
c4
|
F-Pnm Français 22545-22546 (Machaut F-G) | 135 |
Voice:
Cantus
Clef:
c3
Voice Text:
Beauté qui toutes autres pere envers moy
Voice:
Tenor
Clef:
c5
Voice:
Contratenor
Clef:
c5
|
F-Pnm NAF 23190 (Trémoille) | xli |
Voice:
[no designation]
Voice Text:
Biaute q[ui] toutes
|
NL-Uu Hs. 6 E 37 (Cat. 1846) | 29 |
Voice:
Cantus
Clef:
c3
Voice Text:
Biauté qui toutes autres pere envers moy | douceur fine a mon goust amere, corps digne
Voice:
Tenor
Clef:
c5
Voice:
Contratenor
Clef:
c5
|
US-PHu Ms. Codex 902 | 54v |
Bibliography
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Dömling, Wolfgang (editor). 1972. Die Handschrift London, British Museum, Add. 27630 (LoD). I: Faksimile. II: Übertragung der Organa und Motetten. Das Erbe deutscher Musik. Kassel: Bärenreiter. pp. 304.
Salop, Arnold. 1971. Studies in the History of Musical Style. Detroit: Wayne State University Press. pp. 60.
Martinez, Marie Louise. 1963. Die Musik des Frühen Trecento. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing: Schneider. pp. 102-3.
Harman, Alec. 1958. Mediaeval and Early Renaissance Music (up to c. 1525). Man and His Music. Fair Lawn, N.J.: Essential Books. pp. 144-8.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation. pp. 96.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:21-2.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:74-5.
Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. pp. 359 facs.70.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:4.
Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:539 no.4.