Curtis, Gareth R K, and Andrew B Wathey. rev. 2017. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1–69.

Bent, Margaret, and Andrew B Wathey. 2022. Fragments of English Polyphonic Music ca. 1390–1475: A Facsimile Edition.

Wathey, Andrew B. 2005. Auctoritas and the motets of Philippe de Vitry. Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned. Essays in Honour of Margaret Bent, Studies in Medieval and Renaissance Music. edited by Andrew B Wathey,  Woodbridge, Suffolk: Boydell and Brewer.

Bent, Margaret, Andrew B Wathey, and Julia Craig-McFeely. 2001. The Art of Virtual Restoration: Creating the Digital Image Archive of Medieval Music (DIAMM). The Virtual Score: Representation, Retrieval, Restoration, Computing in Musicology. edited by Margaret Bent, Andrew B Wathey,  and Julia Craig-McFeely, 227-240.

Bent, Margaret, and Andrew B Wathey (editors). 1998. Fauvel Studies: Allegory, Chronicle, Music and Image in Paris, Bibliothèque nationale de France, MS français 146.  Oxford: Clarendon Press.

Leech-Wilkinson, Daniel, Andrew B Wathey, and Jean Widaman. 1995. The structure and copying of the manuscript Torino J.II.9. The Cypriot-French Repertory of the Manuscript Torino J.II.9, 95-116. Hänssler.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Wathey, Andrew B. 1993. Manuscripts of Polyphonic Music: The British Isles, 1100-1400, Répertoire international des sources musicales, B IV 1-2, Supplement.  Munich: G. Henle.

Wathey, Andrew B. 1993. The motets of Philippe de Vitry and the fourteenth-century Renaissance. Early Music History, 119-150.

Wathey, Andrew B. 1993. Répertoire international des sources musicales. Series B IV. 

Wathey, Andrew B. 1992. The Marriage of Edward III and the Transmission of French Motets to England. Journal of the American Musicological Society, .

Wathey, Andrew B (editor). 1991. Berkeley Castle, Select Roll 55: Motets and Sequences from the Early Fourteenth Century. Antico Church Music.  Newton Abbott.

Wathey, Andrew B. 1989. The Production of Books of Liturgical Polyphony. Book Production and Publishing in Britain 1375-1475, edited by Andrew B Wathey, 143-161. Cambridge.

Wathey, Andrew B. 1989. The Peace of 1360-1369 and Anglo French Musical Relations. Early Music History, 150.

Wathey, Andrew B. 1989. Review of: R. Strohm, Music in Late Medieval Bruges. Music and Letters, 81.

Wathey, Andrew B. 1988. Lost Books of Polyphony in England: A List to 1500. Royal Musical Association Research Chronicle, 1-19.

Wathey, Andrew B. 1986. Dunstable in France. Music and Letters, 1-36.

Bowers, Roger, and Andrew B Wathey. 1984. New Sources of English Fifteenth- and Sixteenth-Century Polyphony. Early Music History, 299-349.

Bowers, Roger, and Andrew B Wathey. 1983. New Sources of English Fourteenth- and Fifteenth-Century Polyphony. Early Music History, 123-73.

Wathey, Andrew B. 1983. Newly Discovered Fifteenth-Century English Polyphony at Oxford. Music and Letters, 58-66.

Wathey, Andrew B, and Peter M Lefferts. 1982. New sources of English thirteenth- and fourteenth-century polyphony. Early Music History, 321-323.

Wathey, Andrew B. 1982. New sources of English thirteenth- and fourteenth-century polyphony. Early Music History, 323-329.

Trowell, Brian, and Andrew B Wathey. 1982. John Benet's Lux fulget ex Anglia- O Pater pietatis- Salve Thoma. St Thomas Cantilupe, Bishop of Hereford: Essays in his Honour, edited by Brian Trowell and Andrew B Wathey, 159-180.