GB-WA B. VI. 23 [Quintus]

Stonyhurst College Library, Whalley (Lancashire), England

partbook:

Archive Stonyhurst College Library, Whalley (Lancashire), England (GB-WA)
Shelfmark B. VI. 23 [Quintus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 150 x 210 mm
Other Identifiers
  • CCM: WhalleyS 23
Notations
  • black void mensural
Relationships
Provenance
  • Low Countries
Contents Contains 98 compositions, 92 from 31 composers, 6 are anonymous.
General Description

A Quintus partbook from a set originally of eight volumes. Pieces arranged by number of voices: only the first 23 pieces (for 8 & 7 voices) are in both surviving books. Quinta partbook then continues with 6vv (48v-87) & 5vv (96v-136) pieces; Septima is completed with pieces for 3vv (48v-75) and 2vv (88v-100).

Copied by a single scribe. Copied in Low Countries, perhaps at Antwerp or Brussels (FenIR). Ham notes some relationship to readings in Bologna Q26 independent of printed sources. Acquired, probably between 1725 and 1794, by Jesuit college for English Catholics founded at St. Omer (Artois) in 1593. College moved to Bruges in 1762, to Liege in 1773, and to present location near Whalley (Lancashire) in 1794.

DIAMM, 2017
Binding

Original covers of brown morocco leather over boards, tooled in gold with decorative designs and voice designations; decoration originally elaborated with blue, black, green, and white paints, of which traces remain. Bindings are work of Christophe Plantin of Antwerp (FenIR).

DIAMM, 2017
Watermark

two intertwined crescents superimposed on two rectangles, with additional crescent at top.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Original red ink foliation in each book

DIAMM, 2017
Decoration

Large calligraphic style initials in red, green, yellow, and blue; titles and attributions in red ink.

DIAMM, 2017
Index

Original index on ff. [ii-iv'] of Q book and ff. [i-ii'] of 7 book groups pieces by genre and number of voices; within each group, pieces listed in order of appearance

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

29 motets, 83 French secular pieces, 5 Italian secular pieces, 3 Dutch secular pieces, 1 textless piece = 121

Bacchius-l, Baston-3, Bauldeweyn/(Stoltzer)-1, Canis-2, Certon-1, C. Chastellain-1, Clemens non Papa-17, Clemens non Papa/(Crecquillon)-1, Crecquillon-19, Crecquillon/(Clemens non Papa)-2, (Crecquillon/Richafort)-1, Crespel-10, Descaudain/(Moulu)-1, Doublet-1, L. Episcopius-1, C. Festa-1, R. Févin/(A. Févin)-1, A. Galli-3, Gero-4, Gervaise-3, Gombert-2, Guyot [Jo. castileti]/ (Chastelain)-1, C. Hollander-5, C. Hollanders/(S. Hollander)-1, (Jacotin)-1, Janequin-2, Janequin/(Sermisy)-1, Josquin (index)/ Joachimus de Monte (music)-(Guyot)-1, L'Archier-1, Lattre [Petit ian]-2, J. Louys-2, Manchicourt-2, Mouton-1, Ninot le Petit/(Janequin/Willaert)-1, Parabosco-1, (Peletier)-1, Phinot-1, Rore-1, Sermisy [Claudin]-2, Tubal-2, A. Viola-1, Wilder-2, Willaert-2, Zacheus-1, anon-10

2 paper partbooks of an original 8? (Q-v + 136 + x folios, 7-ii + 104 + vi), 150 x 210. Three books from same original set once owned by Guglielmo Libri and Leopold Double, but present location and ownership unknown. Original red ink foliation in each book. Original covers of brown morocco leather over boards, tooled in gold with decorative designs and voice designations; decoration originally elaborated with blue, black, green, and white paints, of which traces remain. Bindings are work of Christophe Plantin of Antwerp (FenIR). Original index on ff. [ii-iv'] of Q book and ff. [i-ii'] of 7 book groups pieces by genre and number of voices; within each group, pieces listed in order of appearance. Copied by a single scribe. Large calligraphic style initials in red, green, yellow, and blue; titles and attributions in red ink. Watermark: two intertwined crescents superimposed on two rectangles, with additional crescent at top.

1552 (date in manuscript). Copied in Low Countries, perhaps at Antwerp or Brussels (FenIR). Acquired, probably between 1725 and 1794, by Jesuit college for English Catholics founded at St. Orner (Artois) in 1593. College moved to Bruges in 1762, to Liège in 1773, and to present location near Whalley (Lancashire) in 1794.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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Sets

Select a set to see its sources.

denotes primary source study

Ham, Martin. 2013. The Stonyhurst College Partbooks, the Madrigal Society, and a Diplomatic Gift to Edward VI. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 63/1: 3-64.

Fenlon, Iain. 1984. An Imperial Repertory for Charles V. Studi Musicali, 13: 221-40.

Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 33: 55-75. Pages: 70-1.

Fenlon, Iain, and James Haar. 1978. Fonti e Cronologia dei Madrigali di Costanzo Festa. Revista Italiana di Musicologia, 13: 212-42. Pages: 230.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note