GB-WA B. VI. 23 [Quintus]

Stonyhurst College Library, Whalley (Lancashire), England

partbook:

Archive	Stonyhurst College Library, Whalley (Lancashire), England (GB-WA)
Shelfmark	B. VI. 23 [Quintus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	150 x 210 mm
Notations	black void mensural
Relationships	Catholic College of St Omer (Artois) (owner) Double, Leopold (owner) Libri, Guglielmo (owner) Plantin, Christophe (binder)
Provenance	Low Countries
Contents	99 pieces from 32 composers

General Description

A Quintus partbook from a set originally of eight volumes. Pieces arranged by number of voices: only the first 23 pieces (for 8 & 7 voices) are in both surviving books. Quinta partbook then continues with 6vv (48v-87) & 5vv (96v-136) pieces; Septima is completed with pieces for 3vv (48v-75) and 2vv (88v-100).

Copied by a single scribe. Copied in Low Countries, perhaps at Antwerp or Brussels (FenIR). Ham notes some relationship to readings in Bologna Q26 independent of printed sources. Acquired, probably between 1725 and 1794, by Jesuit college for English Catholics founded at St. Omer (Artois) in 1593. College moved to Bruges in 1762, to Liege in 1773, and to present location near Whalley (Lancashire) in 1794.

DIAMM, 2017

Binding

Original covers of brown morocco leather over boards, tooled in gold with decorative designs and voice designations; decoration originally elaborated with blue, black, green, and white paints, of which traces remain. Bindings are work of Christophe Plantin of Antwerp (FenIR).

DIAMM, 2017

Watermark

two intertwined crescents superimposed on two rectangles, with additional crescent at top.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Original red ink foliation in each book

DIAMM, 2017

Decoration

Large calligraphic style initials in red, green, yellow, and blue; titles and attributions in red ink.

DIAMM, 2017

Index

Original index on ff. [ii-iv'] of Q book and ff. [i-ii'] of 7 book groups pieces by genre and number of voices; within each group, pieces listed in order of appearance

DIAMM, 2017

Surface

paper

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
ii–iv (v)	index	-	-
index Appears on: ii–iv (v)
v (v)–1	O Christianum - 1a pars (of 2): O Christianum O ter quater O centies	Christianus Hollander	Hollander, Christian
O Christianum - 1a pars (of 2): O Christianum O ter quater O centies Hollander, Christian Appears on: v (v)–1 Genres: Motet Source Attribution: Christianus Hollander Voice: [no designation] Languages: Latin Voice Text: O Christianum O ter quater O centies II: Quid Christiano sanctius quid celsius General Note Ham states that only 1a pars is copied
2v–3	Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	Crequillon/[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 2v–3 Genres: Motet Source Attribution: Crequillon/[Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Pater peccavi in celum et coram te II: Quanti mercenarii in domo patris
3v–4	Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 3v–4 Genres: Motet
4v–5	Beati pauperes spiritu quoniam ipsorum	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Beati pauperes spiritu quoniam ipsorum Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 4v–5 Genres: Motet Source Attribution: Clemens [non Papa] Voice: [no designation] Languages: Latin Voice Text: Beati pauperes spiritum quoniam ipsorum
5v–6	Cantantibus organis Cecilia virgo in corde	Petit Ian [= Lattre]	Petit (de Latre), Jehan
Cantantibus organis Cecilia virgo in corde Petit (de Latre), Jehan Appears on: 5v–6 Genres: Motet Source Attribution: Petit Ian [= Lattre] Voice: [no designation] Languages: Latin Voice Text: Cantantibus organis Cecilia virgo in corde
6v–7	Date et dabitur vobis - 1a pars (of 2): Date et dabitur vobis eadem vero mensura	Anon.	Anonymous
Date et dabitur vobis - 1a pars (of 2): Date et dabitur vobis eadem vero mensura Anonymous Appears on: 6v–7 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Date et dabitur vobis eadem vero II: Argentum et aurum non est mecum
7v–8	Date et dabitur vobis - 2a pars (of 2): Argentum et aurum non est mihi	-	Anonymous
Date et dabitur vobis - 2a pars (of 2): Argentum et aurum non est mihi Anonymous Appears on: 7v–8 Genres: Motet
16v–18	Benedicta es (12vv) - 1a pars (of 3): Benedicta es caelorum regina et mundi (arrangement by Joachimus de Monte of original Josquin motet)	Josquin [index] / Joachimus de Monte [named above the extra parts]	Monte, Joachimus de Despres, Josquin (ca. 1450–1521)
Benedicta es (12vv) - 1a pars (of 3): Benedicta es caelorum regina et mundi (arrangement by Joachimus de Monte of original Josquin motet) Monte, Joachimus de Despres, Josquin (ca. 1450–1521) Appears on: 16v–18 Genres: Motet Source Attribution: Josquin [index] / Joachimus de Monte [named above the extra parts] Voice: [no designation] Languages: Latin Voice Text: Benedicta es celorum regina et mundi (12v arrangement, by Guyot, of original Josquin motet, Pars II not present here) 23(1).13 II: [Per illud ave prolatum] III: Nunc mater exora natum Concordances This 12vv version of the Josquin 'Benedicta' was long assumed to be a concordance of the Guyot setting in Munich 1536, but it is in fact a different setting by Joachimus de Monte (see HamSt). Note: only 4 of the 6 extra parts survive; in this book Bassus III & Tenor III, in Septima the Superius II & III. Item Bibliography Ham, Martin. 2013. The Stonyhurst College Partbooks, the Madrigal Society, and a Diplomatic Gift to Edward VI. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 3-64. Pages: 46,53.
18	Benedicta es (12vv) - 2a pars (of 3): Per illud ave prolatum	-	Despres, Josquin (ca. 1450–1521) Monte, Joachimus de
Benedicta es (12vv) - 2a pars (of 3): Per illud ave prolatum Despres, Josquin (ca. 1450–1521) Monte, Joachimus de Appears on: 18 Genres: Motet General Note 2a pars tacet
18v–20	Benedicta es (12vv) - 3a pars (of 3): Nunc mater exora natum	-	Monte, Joachimus de Despres, Josquin (ca. 1450–1521)
Benedicta es (12vv) - 3a pars (of 3): Nunc mater exora natum Monte, Joachimus de Despres, Josquin (ca. 1450–1521) Appears on: 18v–20 Genres: Motet
20v–21	Belle sans per ou gist tout mon espoir	Thomas Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Belle sans per ou gist tout mon espoir Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 20v–21 Genres: Chanson Source Attribution: Thomas Crequillon Voice: [no designation] Languages: French Voice Text: Belle sans per ou gist tout mon espoir
21v–22	Plaine de deuil et de merencolie	Ciprianus de Rore	Rore, Cipriano de (ca. 1515–1565)
Plaine de deuil et de merencolie Rore, Cipriano de (ca. 1515–1565) Appears on: 21v–22 Genres: Chanson Source Attribution: Ciprianus de Rore Voice: [no designation] Languages: French Voice Text: Plaine de dueil et de merencollie
22v–23	Las que te sert ce doulx parler	Crespel	Crespel, Jean
Las que te sert ce doulx parler Crespel, Jean Appears on: 22v–23 Genres: Chanson Source Attribution: Crespel Voice: [no designation] Languages: Latin Voice Text: Las que te sert ce doulx parler
23v–24	D'amour me plains et non de vous m'amie	Jan Crespel	Crespel, Jean
D'amour me plains et non de vous m'amie Crespel, Jean Appears on: 23v–24 Genres: Chanson Source Attribution: Jan Crespel Voice: [no designation] Languages: French Voice Text: Damours me plains et non de vous mamye
24v–25	Plus ne me plains car amour et mamye	Crespel	Crespel, Jean
Plus ne me plains car amour et mamye Crespel, Jean Appears on: 24v–25 Genres: Chanson Source Attribution: Crespel Voice: [no designation] Languages: French Voice Text: Plus ne me plains car amour et mamye
25v–26	Entre vous filles de quinze ans	Petit Ian [= Lattre]	Petit (de Latre), Jehan
Entre vous filles de quinze ans Petit (de Latre), Jehan Appears on: 25v–26 Genres: Chanson Source Attribution: Petit Ian [= Lattre] Voice: [no designation] Languages: French Voice Text: Entre vous fille de quinze ans
26–27	L'amy surprendre en faulx solas	Anon.	Anonymous
L'amy surprendre en faulx solas Anonymous Appears on: 26–27 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Lamy surphrendre en faulx solas
27v–28	Ghequest ben ick van binnen doer	Ludovicus Episcopus	Episcopus, Lodovicus (ca. 1520–1595)
Ghequest ben ick van binnen doer Episcopus, Lodovicus (ca. 1520–1595) Appears on: 27v–28 Genres: Song Source Attribution: Ludovicus Episcopus Voice: [no designation] Languages: Dutch Voice Text: Ghequest ben ick van binnen doer
28v–29	Par cy devant libre estoit mon penser	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Par cy devant libre estoit mon penser Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 28v–29 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: Par cy devant libre estoit mon penser
29v–30	Vous soyes le tresbien venus mais servy	Charles Chastelain	Chastelain, Charles (ca. 1490–1578)
Vous soyes le tresbien venus mais servy Chastelain, Charles (ca. 1490–1578) Appears on: 29v–30 Genres: Chanson Source Attribution: Charles Chastelain Voice: [no designation] Languages: French Voice Text: Vous soyes le tresbien venus mais servy
32v–33	Audi filia - 1a pars (of 2): Audi filia et vide	Christianus Hollandus	Hollander, Christian
Audi filia - 1a pars (of 2): Audi filia et vide Hollander, Christian Appears on: 32v–33 Genres: Motet Source Attribution: Christianus Hollandus Voice: [no designation] Languages: Latin Voice Text: Audi filia et vide et inclina aurem tuam II: Specie tua et pulchritudine tua
33v–34	Audi filia - 2a pars (of 2): Specie tua et pulchritudine tua	-	Hollander, Christian
Audi filia - 2a pars (of 2): Specie tua et pulchritudine tua Hollander, Christian Appears on: 33v–34 Genres: Motet
34v–35	Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te	Anon.	Anonymous
Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te Anonymous Appears on: 34v–35 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Pater peccavi in celum et coram te II: Quanti mercenarii in domo patris
35–35v	Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris	-	Anonymous
Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris Anonymous Appears on: 35–35v Genres: Motet
36	Je dis adieu de tout plaisir et joie	Philippe de Wildre	Van Wilder, Phillip
Je dis adieu de tout plaisir et joie Van Wilder, Phillip Appears on: 36 Genres: Chanson Source Attribution: Philippe de Wildre Voice: [no designation] Languages: French Voice Text: Je dis adieu de tout plaisir et ioye
36v–37	Ce moi de may sur la rousee	Zacheus	Zacheus, Joannes
Ce moi de may sur la rousee Zacheus, Joannes Appears on: 36v–37 Genres: Chanson Source Attribution: Zacheus Voice: [no designation] Languages: French Voice Text: Ce moy de may sur la rousee
37v–38	J'ai mis mon coeur en un lieu seulement	Descaudain/[Moulu]	Moulu, Pierre (ca. 1484–ca. 1550) (?) Descaudain, Johannes (?)
J'ai mis mon coeur en un lieu seulement Moulu, Pierre (ca. 1484–ca. 1550) (?) Descaudain, Johannes (?) Appears on: 37v–38 Genres: Chanson Source Attribution: Descaudain/[Moulu] Voice: [no designation] Languages: French Voice Text: Jay mys mon cueur en ung lieu seullement
38v–39	En despit des envyeulx j'ai meray m'amie	Philippe de Wildre	Van Wilder, Phillip
En despit des envyeulx j'ai meray m'amie Van Wilder, Phillip Appears on: 38v–39 Genres: Chanson Source Attribution: Philippe de Wildre Voice: [no designation] Languages: French Voice Text: En despit des envyeulx jay meray mamye
39v–40	Ego flos campi et lilium convalium	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ego flos campi et lilium convalium Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 39v–40 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Ego flos campi et lilium convalium
40v–41	Ick mach wel claghen van ghebreken	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ick mach wel claghen van ghebreken Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 40v–41 Genres: Song Source Attribution: Clemens non Papa Voice: [no designation] Languages: German Voice Text: Ick mach wel claghen van ghebreken
48v–49	Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 48v–49 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Levavi oculos meos in montes unde veniet II: Anima nostra sicut passer erepta est
49v–50	Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 49v–50 Genres: Motet
50v–51	Musica Dei donum optimi trahit homines	Christianus Hollander	Hollander, Christian
Musica Dei donum optimi trahit homines Hollander, Christian Appears on: 50v–51 Genres: Motet Source Attribution: Christianus Hollander Voice: [no designation] Languages: Latin Voice Text: Musica dei donum optimi trahit homines
51v–52	Verbum bonum - 1a pars (of 3): Verbum bonum et suave personemus illud	Tubal	Tubal, Adrian
Verbum bonum - 1a pars (of 3): Verbum bonum et suave personemus illud Tubal, Adrian Appears on: 51v–52 Genres: Motet Source Attribution: Tubal Voice: [no designation] Languages: Latin Voice Text: Verbum bonum et suave personemus illud II: Ave viri Salomonis (Pars II tacet in Q book) III: Ave sponsa verbi summi maris
52	Verbum bonum - 2a pars (of 3): Ave viri Salomonis	-	Tubal, Adrian
Verbum bonum - 2a pars (of 3): Ave viri Salomonis Tubal, Adrian Appears on: 52 Genres: Motet General Note 2a pars tacet in Quinta vox
52v–53	Verbum bonum - 3a pars (of 3): Ave sponsa verbi summi maris	-	Tubal, Adrian
Verbum bonum - 3a pars (of 3): Ave sponsa verbi summi maris Tubal, Adrian Appears on: 52v–53 Genres: Motet
53v–54	Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti	Thomas Crequillon	Lassus, Orlande de (ca. 1532–1594) (?) Crecquillon, Thomas (ca. 1505–ca. 1557)
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti Lassus, Orlande de (ca. 1532–1594) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 53v–54 Genres: Motet Source Attribution: Thomas Crequillon Voice: [no designation] Languages: Latin Voice Text: Domine deus omnipotens tu non posuisti II: Confiteor tibi me peccasse propter
54v–55	Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse	-	Crecquillon, Thomas (ca. 1505–ca. 1557) Lassus, Orlande de (ca. 1532–1594) (?)
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse Crecquillon, Thomas (ca. 1505–ca. 1557) Lassus, Orlande de (ca. 1532–1594) (?) Appears on: 54v–55 Genres: Motet
55v–56	Audivi vocem - 1a pars (of 2): Audivi vocem de caelo tanquam vocem	Petrus Manchicourt	Manchicourt, Pierre de
Audivi vocem - 1a pars (of 2): Audivi vocem de caelo tanquam vocem Manchicourt, Pierre de Appears on: 55v–56 Genres: Motet Source Attribution: Petrus Manchicourt Voice: [no designation] Languages: Latin Voice Text: Audivi vocem de celo tanquam vocem II: Et vox de throno exivit dicens
56v–57	Audivi vocem - 2a pars (of 2): Et vox de throno exivit dicens	-	Manchicourt, Pierre de
Audivi vocem - 2a pars (of 2): Et vox de throno exivit dicens Manchicourt, Pierre de Appears on: 56v–57 Genres: Motet
57v–58	Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 57v–58 Genres: Motet Source Attribution: Crequillon Voice: [no designation] Languages: Latin Voice Text: Domine da nobis auxilium de tribulatione II: Tibi subiecta sit amica mea
58v–59	Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 58v–59 Genres: Motet
59v–60	Ave mundi spes Maria ave mitis ave pia	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ave mundi spes Maria ave mitis ave pia Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 59v–60 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Ave mundi spes Maria ave mitis ave pia
60v–61	Illumina oculos meos nequando dicat	Anon.	Anonymous
Illumina oculos meos nequando dicat Anonymous Appears on: 60v–61 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Illumina oculos meos nequando dicat
61v–62	O Jacobum virtutibus et signis supplantatem	Christianus Hollandus	Hollander, Christian
O Jacobum virtutibus et signis supplantatem Hollander, Christian Appears on: 61v–62 Genres: Motet Source Attribution: Christianus Hollandus Voice: [no designation] Languages: Latin Voice Text: O Jacobum virtutibus et signis supplantatem
62v–63	Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum	Petrus Manchicourt	Manchicourt, Pierre de
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum Manchicourt, Pierre de Appears on: 62v–63 Genres: Motet Source Attribution: Petrus Manchicourt Voice: [no designation] Languages: Latin Voice Text: Illuminare Ierusalem quia venit lumen tuum II: Filii tui de longe venient
63v–64	Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient	-	Manchicourt, Pierre de
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient Manchicourt, Pierre de Appears on: 63v–64 Genres: Motet
64v–65	Panis quem - 1a pars (of 2): Panis quem ego dabo caro mea est	Anthonius Gally	Galli, Antonius
Panis quem - 1a pars (of 2): Panis quem ego dabo caro mea est Galli, Antonius Appears on: 64v–65 Genres: Motet Source Attribution: Anthonius Gally Voice: [no designation] Languages: Latin Voice Text: Panis quem ego dabo caro mea est II: Locutus est populus ad dominum
65v–66	Panis quem - 2a pars (of 2): Locutus est populus ad Dominum	-	Galli, Antonius
Panis quem - 2a pars (of 2): Locutus est populus ad Dominum Galli, Antonius Appears on: 65v–66 Genres: Motet
72v–73	Vivre ne puis sur terre car mort suis	Anthonius Gally	Galli, Antonius
Vivre ne puis sur terre car mort suis Galli, Antonius Appears on: 72v–73 Genres: Chanson Source Attribution: Anthonius Gally Voice: [no designation] Languages: French Voice Text: Vivre ne puis sur terre car mort
73v–74	Pres de mon mal iestoye aussy loing	Anthonius Gally	Galli, Antonius
Pres de mon mal iestoye aussy loing Galli, Antonius Appears on: 73v–74 Genres: Chanson Source Attribution: Anthonius Gally Voice: [no designation] Languages: French Voice Text: Pres de mon mal iestoye aussy loing
74v–75	A qui me dois je retirer Puisque mon ami	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
A qui me dois je retirer Puisque mon ami Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 74v–75 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: A qui me doibz ie retirer puisque mon amy
75v–76	Tant que vivray en aage flourissant	Jan Crespel	Crespel, Jean
Tant que vivray en aage flourissant Crespel, Jean Appears on: 75v–76 Genres: Chanson Source Attribution: Jan Crespel Voice: [no designation] Languages: French Voice Text: Tant que vivray en aage flourissant
76v–77	Celle que m'a tant pourmene a eu pitie	Christianus Hollander	Hollander, Christian
Celle que m'a tant pourmene a eu pitie Hollander, Christian Appears on: 76v–77 Genres: Chanson Source Attribution: Christianus Hollander Voice: [no designation] Languages: French Voice Text: Celle que ma tant pourmene a eu pitie
77v–78	Quant je vey son coeur estre mien	Jo. Bachy	Bacchius, Johannes de (–ca. 1557)
Quant je vey son coeur estre mien Bacchius, Johannes de (–ca. 1557) Appears on: 77v–78 Genres: Chanson Source Attribution: Jo. Bachy Voice: [no designation] Languages: French Voice Text: Quant ie vey son cueur estre myen
78v–79	D'amour me plains et non de vous m'amie	Larchier	Larchier, Jean
D'amour me plains et non de vous m'amie Larchier, Jean Appears on: 78v–79 Genres: Chanson Source Attribution: Larchier Voice: [no designation] Languages: French Voice Text: Damour me plains et non de vous mamye
79v–80	Tous les plaisirs qu'en languer je soubstiens	Tubal	Tubal, Adrian
Tous les plaisirs qu'en languer je soubstiens Tubal, Adrian Appears on: 79v–80 Genres: Chanson Source Attribution: Tubal Voice: [no designation] Languages: French Voice Text: Tous le plaisirs que langueur ie soubstiens
80v–81	Rien n'est plus cher que ce que l'on désire	Claude Gervay[se]	Gervays, Claude (fl. c1400)
Rien n'est plus cher que ce que l'on désire Gervays, Claude (fl. c1400) Appears on: 80v–81 Genres: Chanson Source Attribution: Claude Gervay[se] Voice: [no designation] Languages: French Voice Text: Riens nest plus chier que ce que lon desire
81v–82	Que n'est elle au pres de moi	Canis	Canis, Cornelius
Que n'est elle au pres de moi Canis, Cornelius Appears on: 81v–82 Genres: Chanson Source Attribution: Canis Voice: [no designation] Languages: French Voice Text: Que nest elle au pres de moy
82v–83	Jouissance vous donnerai, mon ami	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Jouissance vous donnerai, mon ami Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 82v–83 Genres: Chanson Source Attribution: Gombert Voice: [no designation] Languages: French Voice Text: Jouyssance vous donneray mon amy
83v–84	Adieu mon esperance adieu mon souvenir	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Adieu mon esperance adieu mon souvenir Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 83v–84 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: Adieu mon esperance adieu mon soubvenir
84v–85	Vivons vivons ioyeussement sans avoir soucy	Claude Gervay[se]	Gervays, Claude (fl. c1400)
Vivons vivons ioyeussement sans avoir soucy Gervays, Claude (fl. c1400) Appears on: 84v–85 Genres: Chanson Source Attribution: Claude Gervay[se] Voice: [no designation] Languages: French Voice Text: Vivons vivons ioyeussement sans avoir soucy
85v–86	Vostre ie suis et sy ne l'ose dire	Corn. Canis	Canis, Cornelius
Vostre ie suis et sy ne l'ose dire Canis, Cornelius Appears on: 85v–86 Genres: Chanson Source Attribution: Corn. Canis Voice: [no designation] Languages: French Voice Text: Vostre ie suis et sy ne lvose dire
86v–87	Vrai dieu quand viendra la iournee	Claude Gervay[se]	Gervays, Claude (fl. c1400)
Vrai dieu quand viendra la iournee Gervays, Claude (fl. c1400) Appears on: 86v–87 Genres: Chanson Source Attribution: Claude Gervay[se] Voice: [no designation] Languages: French Voice Text: Vray dieu quant viendra la iournee
96v–97	Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 96v–97 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Carole magnus eras cum solum regna II: Nunc omnes nato tu regis a puero
97v–98	Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 97v–98 Genres: Motet
98v	Tua est potentia - 1a pars (of 2): Tua est potentia tuum regnum Domine	Dominicus Phinot	Phinot, Dominique
Tua est potentia - 1a pars (of 2): Tua est potentia tuum regnum Domine Phinot, Dominique Appears on: 98v Genres: Motet Source Attribution: Dominicus Phinot Voice: [no designation] Languages: Latin Voice Text: Tua est potentia tuum regnum domine II: Creator omnium deus terribilis et fortis
99	Tua est potentia - 2a pars (of 2): Creator omnium Deus terribilis	-	Phinot, Dominique
Tua est potentia - 2a pars (of 2): Creator omnium Deus terribilis Phinot, Dominique Appears on: 99 Genres: Motet
99v–100	Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	Christianus Hollander/[S. Hollander/Lassus]	Hollander, Sebastian (?) Hollander, Christian (?)
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena Hollander, Sebastian (?) Hollander, Christian (?) Appears on: 99v–100 Genres: Motet Source Attribution: Christianus Hollander/[S. Hollander/Lassus] Voice: [no designation] Languages: Latin Voice Text: Dum transisset sabatum Maria Magdalena II: Et valde mane una sabatorum veniunt
100v–101	Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum	-	Hollander, Sebastian (?) Hollander, Christian (?)
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum Hollander, Sebastian (?) Hollander, Christian (?) Appears on: 100v–101 Genres: Motet
101v–102	Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 101v–102 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Angelus domini ad pastores ait anuncio II: Parvulus filius hodie natus est nobis
102v–103	Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 102v–103 Genres: Motet
103v–104	Discite a me - 1a pars (of 2): Discite a me quia mitis sum	Clemens non Papa/[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Discite a me - 1a pars (of 2): Discite a me quia mitis sum Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 103v–104 Genres: Motet Source Attribution: Clemens non Papa/[Crecquillon] Voice: [no designation] Languages: Latin Voice Text: Discite a me quia mitis sum et humilis II: Quia qui se exaltat humiliabitur
104v–105	Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur]	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur] Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 104v–105 Genres: Motet
105v–106	Caesar habet naves laceras et grandia	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Caesar habet naves laceras et grandia Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 105v–106 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Cesar habet naves laceras et grandia
106v	Ave color vini - 1a pars (of 3): Ave color vini clari ave sapor sine pari (= Stella maris)	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ave color vini - 1a pars (of 3): Ave color vini clari ave sapor sine pari (= Stella maris) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 106v Genres: Contrafactum, Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Ave color vini clari ave sapor sine pari II: Felix guttur [quem rigabis felix] (Pars II tacet in Q book) III: Ergo vinum collaudemus et potentes [= Stella maris luminosa virga florens] General Note Pars II tacet in Q book
106v	Ave color vini - 2a pars (of 3): Felix guttur quem rigabis felix (= O Maria singularis)	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ave color vini - 2a pars (of 3): Felix guttur quem rigabis felix (= O Maria singularis) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 106v Genres: Contrafactum, Motet General Note 2a pars tacet in Quinta vox
107	Ave color vini - 3a pars (of 3): Ergo vinum collaudemus et potentes (= Ergo dulcis)	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ave color vini - 3a pars (of 3): Ergo vinum collaudemus et potentes (= Ergo dulcis) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 107 Genres: Contrafactum, Motet
107v–108	Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 107v–108 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Venit vox de celo cum luce superna II: Respondit miles quis es tu domine
108v–109	Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 108v–109 Genres: Motet
120v–121	Sans ton secours d'avoir bien nay fiance	Josquin Baston	Baston, Josquin (fl. 1542–63)
Sans ton secours d'avoir bien nay fiance Baston, Josquin (fl. 1542–63) Appears on: 120v–121 Genres: Chanson Source Attribution: Josquin Baston Voice: [no designation] Languages: French Voice Text: Sans ton secours davoir bien nay fiance
121v–122	Je changerai quelque chose qu'on pense	Crequilon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Je changerai quelque chose qu'on pense Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 121v–122 Genres: Chanson Source Attribution: Crequilon Voice: [no designation] Languages: French Voice Text: Ie changeray quelque chose quon pense
122v–123	Puisque malheur me tient rigueur	Baston	Baston, Josquin (fl. 1542–63)
Puisque malheur me tient rigueur Baston, Josquin (fl. 1542–63) Appears on: 122v–123 Genres: Chanson Source Attribution: Baston Voice: [no designation] Languages: French Voice Text: Puis que malheur me tient rigueur
123v–124	Myns liefkens bruyn ooghen en haren	Josquin Baston	Baston, Josquin (fl. 1542–63)
Myns liefkens bruyn ooghen en haren Baston, Josquin (fl. 1542–63) Appears on: 123v–124 Genres: Song Source Attribution: Josquin Baston Voice: [no designation] Languages: Dutch Voice Text: Myns liefkens bruyn ooghen en haren
124v–125	Or il ne m'est possible d'avoir quelque confort	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Or il ne m'est possible d'avoir quelque confort Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 124v–125 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: Or il ne mest possible davoir quelque confort
125v–126	Je changeray quoi qu'il men doibt advenir	Jan Louys	Louys, Jean (ca. 1530–1563)
Je changeray quoi qu'il men doibt advenir Louys, Jean (ca. 1530–1563) Appears on: 125v–126 Genres: Chanson Source Attribution: Jan Louys Voice: [no designation] Languages: French Voice Text: Je changeray quoy quil men doibt advenir
126v–127	En un champ noir un coeur leal est mis	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
En un champ noir un coeur leal est mis Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 126v–127 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: En ung champ noir ung cuer leal est mys
127v–128	Laultrier mi cheminoie mon chemin devers	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Laultrier mi cheminoie mon chemin devers Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 127v–128 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: Laultrier my cheminoye mon chemyn devers
128v	O triste ennuye qui me tient en souffrance	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
O triste ennuye qui me tient en souffrance Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 128v Genres: Chanson Source Attribution: Crequillon Voice: [no designation] Languages: French Voice Text: O triste ennuye qui me tient en souffrance
129	Or puisqu' ennuye te detient en souffrance	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Or puisqu' ennuye te detient en souffrance Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 129 Genres: Chanson Source Attribution: Crequillon Voice: [no designation] Languages: French Voice Text: Or puis qu'ennuye te de tient en souffrance
129v–130	Aimer est ma vie en despit d'ennuye	Crequillon/[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Aimer est ma vie en despit d'ennuye Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 129v–130 Genres: Chanson Source Attribution: Crequillon/[Clemens non Papa] Voice: [no designation] Languages: French Voice Text: Aymer est ma vie en despit denuye
130	Dites pourquoi vostre amitié se fache	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Dites pourquoi vostre amitié se fache Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 130 Genres: Chanson Source Attribution: Crequillon Voice: [no designation] Languages: French Voice Text: Dictes pour quoy vostre amytie se fache
130v–131	Esperant davoir quelque bien d'amour	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Esperant davoir quelque bien d'amour Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 130v–131 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: Esperant davoir quelque bien damour
131v–132	Je men revoy tel que je viens	Jo. Castileti [= Guyot]/[Chastelain]	Guyot (Castileti), Jean (?) Chastelain, Charles (ca. 1490–1578) (?)
Je men revoy tel que je viens Guyot (Castileti), Jean (?) Chastelain, Charles (ca. 1490–1578) (?) Appears on: 131v–132 Genres: Chanson Source Attribution: Jo. Castileti [= Guyot]/[Chastelain] Voice: [no designation] Languages: French Voice Text: Je men revoy tel que ie viens
132v–133	Il vous est assez pardonnez comme a loyal	Jan Louys	Louys, Jean (ca. 1530–1563)
Il vous est assez pardonnez comme a loyal Louys, Jean (ca. 1530–1563) Appears on: 132v–133 Genres: Chanson Source Attribution: Jan Louys Voice: [no designation] Languages: French Voice Text: Il vous est assez pardonnez comme a loyal
133v–134	Vostre beaulte plaisant et lye me donne	Doublet	Doublet, Jean
Vostre beaulte plaisant et lye me donne Doublet, Jean Appears on: 133v–134 Genres: Chanson Source Attribution: Doublet Voice: [no designation] Languages: French Voice Text: Vostre beaulte plaisant et lye me donne
134v–135	Qual anima ignorante qual dio	Constantius Festa	Festa, Costanzo (ca. 1485–1545)
Qual anima ignorante qual dio Festa, Costanzo (ca. 1485–1545) Appears on: 134v–135 Genres: Chanson Source Attribution: Constantius Festa Voice: [no designation] Languages: Italian Voice Text: Qual anima ignorante qual dio
135v–136	Che dolce piu che giocondo stato	Alphonso de Violla	Viola, Alfonso dalla
Che dolce piu che giocondo stato Viola, Alfonso dalla Appears on: 135v–136 Genres: Italian secular Source Attribution: Alphonso de Violla Voice: [no designation] Languages: Italian Voice Text: Che dolce piu che giocondo stato

Composer	Compositions
Anonymous	Date et dabitur vobis - 1a pars (of 2): Date et dabitur vobis eadem vero mensura – 6v–7 Date et dabitur vobis - 2a pars (of 2): Argentum et aurum non est mihi – 7v–8 Illumina oculos meos nequando dicat – 60v–61 L'amy surprendre en faulx solas – 26–27 Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te – 34v–35 Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris – 35–35v [No description] – ii–iv (v)
Bacchius, Johannes de (–ca. 1557)	Quant je vey son coeur estre mien – 77v–78
Baston, Josquin (fl. 1542–63)	Myns liefkens bruyn ooghen en haren – 123v–124 Puisque malheur me tient rigueur – 122v–123 Sans ton secours d'avoir bien nay fiance – 120v–121
Canis, Cornelius	Que n'est elle au pres de moi – 81v–82 Vostre ie suis et sy ne l'ose dire – 85v–86
Chastelain, Charles (ca. 1490–1578)	(?) Je men revoy tel que je viens – 131v–132 Vous soyes le tresbien venus mais servy – 29v–30
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	A qui me dois je retirer Puisque mon ami – 74v–75 Adieu mon esperance adieu mon souvenir – 83v–84 (?) Aimer est ma vie en despit d'ennuye – 129v–130 Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait – 101v–102 Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est – 102v–103 Ave color vini - 1a pars (of 3): Ave color vini clari ave sapor sine pari (= Stella maris) – 106v Ave color vini - 2a pars (of 3): Felix guttur quem rigabis felix (= O Maria singularis) – 106v Ave color vini - 3a pars (of 3): Ergo vinum collaudemus et potentes (= Ergo dulcis) – 107 Ave mundi spes Maria ave mitis ave pia – 59v–60 Beati pauperes spiritu quoniam ipsorum – 4v–5 Caesar habet naves laceras et grandia – 105v–106 Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas – 96v–97 Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero – 97v–98 (?) Discite a me - 1a pars (of 2): Discite a me quia mitis sum – 103v–104 (?) Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur] – 104v–105 Ego flos campi et lilium convalium – 39v–40 En un champ noir un coeur leal est mis – 126v–127 Esperant davoir quelque bien d'amour – 130v–131 Ick mach wel claghen van ghebreken – 40v–41 Laultrier mi cheminoie mon chemin devers – 127v–128 Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet – 48v–49 Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est – 49v–50 Or il ne m'est possible d'avoir quelque confort – 124v–125 Par cy devant libre estoit mon penser – 28v–29 (?) Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 2v–3 (?) Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 3v–4 Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna – 107v–108 Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine – 108v–109
Crecquillon, Thomas (ca. 1505–ca. 1557)	(?) Aimer est ma vie en despit d'ennuye – 129v–130 Belle sans per ou gist tout mon espoir – 20v–21 (?) Discite a me - 1a pars (of 2): Discite a me quia mitis sum – 103v–104 (?) Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur] – 104v–105 Dites pourquoi vostre amitié se fache – 130 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti – 53v–54 Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse – 54v–55 Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione – 57v–58 Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea – 58v–59 Je changerai quelque chose qu'on pense – 121v–122 O triste ennuye qui me tient en souffrance – 128v Or puisqu' ennuye te detient en souffrance – 129 (?) Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 2v–3 (?) Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 3v–4
Crespel, Jean	D'amour me plains et non de vous m'amie – 23v–24 Las que te sert ce doulx parler – 22v–23 Plus ne me plains car amour et mamye – 24v–25 Tant que vivray en aage flourissant – 75v–76
Descaudain, Johannes	(?) J'ai mis mon coeur en un lieu seulement – 37v–38
Despres, Josquin (ca. 1450–1521)	Benedicta es (12vv) - 1a pars (of 3): Benedicta es caelorum regina et mundi (arrangement by Joachimus de Monte of original Josquin motet) – 16v–18 Benedicta es (12vv) - 2a pars (of 3): Per illud ave prolatum – 18 Benedicta es (12vv) - 3a pars (of 3): Nunc mater exora natum – 18v–20
Doublet, Jean	Vostre beaulte plaisant et lye me donne – 133v–134
Episcopus, Lodovicus (ca. 1520–1595)	Ghequest ben ick van binnen doer – 27v–28
Festa, Costanzo (ca. 1485–1545)	Qual anima ignorante qual dio – 134v–135
Galli, Antonius	Panis quem - 1a pars (of 2): Panis quem ego dabo caro mea est – 64v–65 Panis quem - 2a pars (of 2): Locutus est populus ad Dominum – 65v–66 Pres de mon mal iestoye aussy loing – 73v–74 Vivre ne puis sur terre car mort suis – 72v–73
Gervays, Claude (fl. c1400)	Rien n'est plus cher que ce que l'on désire – 80v–81 Vivons vivons ioyeussement sans avoir soucy – 84v–85 Vrai dieu quand viendra la iournee – 86v–87
Gombert, Nicolas (ca. 1495–ca. 1560)	Jouissance vous donnerai, mon ami – 82v–83
Guyot (Castileti), Jean	(?) Je men revoy tel que je viens – 131v–132
Hollander, Christian	Audi filia - 1a pars (of 2): Audi filia et vide – 32v–33 Audi filia - 2a pars (of 2): Specie tua et pulchritudine tua – 33v–34 Celle que m'a tant pourmene a eu pitie – 76v–77 (?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 99v–100 (?) Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum – 100v–101 Musica Dei donum optimi trahit homines – 50v–51 O Christianum - 1a pars (of 2): O Christianum O ter quater O centies – v (v)–1 O Jacobum virtutibus et signis supplantatem – 61v–62
Hollander, Sebastian	(?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 99v–100 (?) Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum – 100v–101
Larchier, Jean	D'amour me plains et non de vous m'amie – 78v–79
Lassus, Orlande de (ca. 1532–1594)	(?) Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti – 53v–54 (?) Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse – 54v–55
Louys, Jean (ca. 1530–1563)	Il vous est assez pardonnez comme a loyal – 132v–133 Je changeray quoi qu'il men doibt advenir – 125v–126
Manchicourt, Pierre de	Audivi vocem - 1a pars (of 2): Audivi vocem de caelo tanquam vocem – 55v–56 Audivi vocem - 2a pars (of 2): Et vox de throno exivit dicens – 56v–57 Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum – 62v–63 Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient – 63v–64
Monte, Joachimus de	Benedicta es (12vv) - 1a pars (of 3): Benedicta es caelorum regina et mundi (arrangement by Joachimus de Monte of original Josquin motet) – 16v–18 Benedicta es (12vv) - 2a pars (of 3): Per illud ave prolatum – 18 Benedicta es (12vv) - 3a pars (of 3): Nunc mater exora natum – 18v–20
Moulu, Pierre (ca. 1484–ca. 1550)	(?) J'ai mis mon coeur en un lieu seulement – 37v–38
Petit (de Latre), Jehan	Cantantibus organis Cecilia virgo in corde – 5v–6 Entre vous filles de quinze ans – 25v–26
Phinot, Dominique	Tua est potentia - 1a pars (of 2): Tua est potentia tuum regnum Domine – 98v Tua est potentia - 2a pars (of 2): Creator omnium Deus terribilis – 99
Rore, Cipriano de (ca. 1515–1565)	Plaine de deuil et de merencolie – 21v–22
Tubal, Adrian	Tous les plaisirs qu'en languer je soubstiens – 79v–80 Verbum bonum - 1a pars (of 3): Verbum bonum et suave personemus illud – 51v–52 Verbum bonum - 2a pars (of 3): Ave viri Salomonis – 52 Verbum bonum - 3a pars (of 3): Ave sponsa verbi summi maris – 52v–53
Van Wilder, Phillip	En despit des envyeulx j'ai meray m'amie – 38v–39 Je dis adieu de tout plaisir et joie – 36
Viola, Alfonso dalla	Che dolce piu che giocondo stato – 135v–136
Zacheus, Joannes	Ce moi de may sur la rousee – 36v–37

Composition	Composers (? Uncertain)	Folios / Pages
A qui me dois je retirer Puisque mon ami	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	74v–75
Adieu mon esperance adieu mon souvenir	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	83v–84
Aimer est ma vie en despit d'ennuye	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	129v–130
Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	101v–102
Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	102v–103
Audi filia - 1a pars (of 2): Audi filia et vide	Hollander, Christian	32v–33
Audi filia - 2a pars (of 2): Specie tua et pulchritudine tua	Hollander, Christian	33v–34
Audivi vocem - 1a pars (of 2): Audivi vocem de caelo tanquam vocem	Manchicourt, Pierre de	55v–56
Audivi vocem - 2a pars (of 2): Et vox de throno exivit dicens	Manchicourt, Pierre de	56v–57
Ave color vini - 1a pars (of 3): Ave color vini clari ave sapor sine pari (= Stella maris)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	106v
Ave color vini - 2a pars (of 3): Felix guttur quem rigabis felix (= O Maria singularis)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	106v
Ave color vini - 3a pars (of 3): Ergo vinum collaudemus et potentes (= Ergo dulcis)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	107
Ave mundi spes Maria ave mitis ave pia	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	59v–60
Beati pauperes spiritu quoniam ipsorum	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	4v–5
Belle sans per ou gist tout mon espoir	Crecquillon, Thomas (ca. 1505–ca. 1557)	20v–21
Benedicta es (12vv) - 1a pars (of 3): Benedicta es caelorum regina et mundi (arrangement by Joachimus de Monte of original Josquin motet)	Monte, Joachimus de Despres, Josquin (ca. 1450–1521)	16v–18
Benedicta es (12vv) - 2a pars (of 3): Per illud ave prolatum	Despres, Josquin (ca. 1450–1521) Monte, Joachimus de	18
Benedicta es (12vv) - 3a pars (of 3): Nunc mater exora natum	Monte, Joachimus de Despres, Josquin (ca. 1450–1521)	18v–20
Caesar habet naves laceras et grandia	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	105v–106
Cantantibus organis Cecilia virgo in corde	Petit (de Latre), Jehan	5v–6
Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	96v–97
Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	97v–98
Ce moi de may sur la rousee	Zacheus, Joannes	36v–37
Celle que m'a tant pourmene a eu pitie	Hollander, Christian	76v–77
Che dolce piu che giocondo stato	Viola, Alfonso dalla	135v–136
D'amour me plains et non de vous m'amie	Crespel, Jean	23v–24
D'amour me plains et non de vous m'amie	Larchier, Jean	78v–79
Date et dabitur vobis - 1a pars (of 2): Date et dabitur vobis eadem vero mensura	Anonymous	6v–7
Date et dabitur vobis - 2a pars (of 2): Argentum et aurum non est mihi	Anonymous	7v–8
Discite a me - 1a pars (of 2): Discite a me quia mitis sum	Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	103v–104
Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur]	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	104v–105
Dites pourquoi vostre amitié se fache	Crecquillon, Thomas (ca. 1505–ca. 1557)	130
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione	Crecquillon, Thomas (ca. 1505–ca. 1557)	57v–58
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea	Crecquillon, Thomas (ca. 1505–ca. 1557)	58v–59
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti	Lassus, Orlande de (ca. 1532–1594) (?) Crecquillon, Thomas (ca. 1505–ca. 1557)	53v–54
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse	Crecquillon, Thomas (ca. 1505–ca. 1557) Lassus, Orlande de (ca. 1532–1594) (?)	54v–55
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	Hollander, Sebastian (?) Hollander, Christian (?)	99v–100
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum	Hollander, Sebastian (?) Hollander, Christian (?)	100v–101
Ego flos campi et lilium convalium	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	39v–40
En despit des envyeulx j'ai meray m'amie	Van Wilder, Phillip	38v–39
En un champ noir un coeur leal est mis	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	126v–127
Entre vous filles de quinze ans	Petit (de Latre), Jehan	25v–26
Esperant davoir quelque bien d'amour	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	130v–131
Ghequest ben ick van binnen doer	Episcopus, Lodovicus (ca. 1520–1595)	27v–28
Ick mach wel claghen van ghebreken	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	40v–41
Il vous est assez pardonnez comme a loyal	Louys, Jean (ca. 1530–1563)	132v–133
Illumina oculos meos nequando dicat	Anonymous	60v–61
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum	Manchicourt, Pierre de	62v–63
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient	Manchicourt, Pierre de	63v–64
J'ai mis mon coeur en un lieu seulement	Moulu, Pierre (ca. 1484–ca. 1550) (?) Descaudain, Johannes (?)	37v–38
Je changerai quelque chose qu'on pense	Crecquillon, Thomas (ca. 1505–ca. 1557)	121v–122
Je changeray quoi qu'il men doibt advenir	Louys, Jean (ca. 1530–1563)	125v–126
Je dis adieu de tout plaisir et joie	Van Wilder, Phillip	36
Je men revoy tel que je viens	Guyot (Castileti), Jean (?) Chastelain, Charles (ca. 1490–1578) (?)	131v–132
Jouissance vous donnerai, mon ami	Gombert, Nicolas (ca. 1495–ca. 1560)	82v–83
L'amy surprendre en faulx solas	Anonymous	26–27
Las que te sert ce doulx parler	Crespel, Jean	22v–23
Laultrier mi cheminoie mon chemin devers	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	127v–128
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	48v–49
Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	49v–50
Musica Dei donum optimi trahit homines	Hollander, Christian	50v–51
Myns liefkens bruyn ooghen en haren	Baston, Josquin (fl. 1542–63)	123v–124
O Christianum - 1a pars (of 2): O Christianum O ter quater O centies	Hollander, Christian	v (v)–1
O Jacobum virtutibus et signis supplantatem	Hollander, Christian	61v–62
O triste ennuye qui me tient en souffrance	Crecquillon, Thomas (ca. 1505–ca. 1557)	128v
Or il ne m'est possible d'avoir quelque confort	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	124v–125
Or puisqu' ennuye te detient en souffrance	Crecquillon, Thomas (ca. 1505–ca. 1557)	129
Panis quem - 1a pars (of 2): Panis quem ego dabo caro mea est	Galli, Antonius	64v–65
Panis quem - 2a pars (of 2): Locutus est populus ad Dominum	Galli, Antonius	65v–66
Par cy devant libre estoit mon penser	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	28v–29
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	2v–3
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	3v–4
Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te	Anonymous	34v–35
Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris	Anonymous	35–35v
Plaine de deuil et de merencolie	Rore, Cipriano de (ca. 1515–1565)	21v–22
Plus ne me plains car amour et mamye	Crespel, Jean	24v–25
Pres de mon mal iestoye aussy loing	Galli, Antonius	73v–74
Puisque malheur me tient rigueur	Baston, Josquin (fl. 1542–63)	122v–123
Qual anima ignorante qual dio	Festa, Costanzo (ca. 1485–1545)	134v–135
Quant je vey son coeur estre mien	Bacchius, Johannes de (–ca. 1557)	77v–78
Que n'est elle au pres de moi	Canis, Cornelius	81v–82
Rien n'est plus cher que ce que l'on désire	Gervays, Claude (fl. c1400)	80v–81
Sans ton secours d'avoir bien nay fiance	Baston, Josquin (fl. 1542–63)	120v–121
Tant que vivray en aage flourissant	Crespel, Jean	75v–76
Tous les plaisirs qu'en languer je soubstiens	Tubal, Adrian	79v–80
Tua est potentia - 1a pars (of 2): Tua est potentia tuum regnum Domine	Phinot, Dominique	98v
Tua est potentia - 2a pars (of 2): Creator omnium Deus terribilis	Phinot, Dominique	99
Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	107v–108
Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	108v–109
Verbum bonum - 1a pars (of 3): Verbum bonum et suave personemus illud	Tubal, Adrian	51v–52
Verbum bonum - 2a pars (of 3): Ave viri Salomonis	Tubal, Adrian	52
Verbum bonum - 3a pars (of 3): Ave sponsa verbi summi maris	Tubal, Adrian	52v–53
Vivons vivons ioyeussement sans avoir soucy	Gervays, Claude (fl. c1400)	84v–85
Vivre ne puis sur terre car mort suis	Galli, Antonius	72v–73
Vostre beaulte plaisant et lye me donne	Doublet, Jean	133v–134
Vostre ie suis et sy ne l'ose dire	Canis, Cornelius	85v–86
Vous soyes le tresbien venus mais servy	Chastelain, Charles (ca. 1490–1578)	29v–30
Vrai dieu quand viendra la iournee	Gervays, Claude (fl. c1400)	86v–87

Set: Stonyhurst partbooks B. VI. 23

Type: Partbooks

No images available

GB-WA B. VI. 23 [7 = Tenor 2]

No images available

GB-WA B. VI. 23 [Quintus]

‡ denotes primary source study

Ham, Martin. 2013. The Stonyhurst College Partbooks, the Madrigal Society, and a Diplomatic Gift to Edward VI. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 3-64.

Fenlon, Iain. 1984. An Imperial Repertory for Charles V. Studi Musicali, 221-40.

Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 55-75. Pages: 70-1.

Fenlon, Iain, and James Haar. 1978. Fonti e Cronologia dei Madrigali di Costanzo Festa. Revista Italiana di Musicologia, 212-42. Pages: 230.

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Monday, 23 January, 2017

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